This article highlights 11 must-see museum exhibitions in New York for spring 2025, including shows at Amant, the American Folk Art Museum, the Guggenheim, the Hill Art Foundation, the Metropolitan Museum of Art, and MoMA PS1. Featured artists include Madalena Santos Reinbolt, Rashid Johnson, Sam Moyer, Jennie C. Jones, and Andro Eradze, with works spanning textiles, sculpture, sound installations, and mixed media.
The article highlights ten exhibitions to see in May 2025, including the Venice Architecture Biennale curated by Carlo Ratti, which explores intelligence in natural, artificial, and collective forms, alongside a parallel show by AMO/OMA at Fondazione Prada. It also covers Gallery Weekend Berlin, featuring Sky Hopinka's new film and photographs at Tanya Leighton, an exhibition by exiled Russian journalists Meduza at Kunstraum Kreuzberg, and a study group on Palestinian agrarian initiatives at Spore Initiative.
Raúl de Nieves has transformed the industrial architecture of Pioneer Works in Red Hook into a luminous sanctuary through his solo exhibition, "In Light of Innocence." The installation features 50 handcrafted faux stained-glass panels made from acetate and aluminum tape, replacing traditional religious iconography with symbols from tarot, Mexican folklore, and personal text. The centerpiece is a large light box featuring a skeleton that symbolizes transformation and renewal rather than death.
MoMA PS1 has launched the sixth edition of Greater New York, its signature quinquennial survey featuring 53 artists living and working across the city's five boroughs. Marking the institution’s 50th anniversary, this iteration was organized entirely by the museum’s internal curatorial staff rather than outside contributors. The exhibition moves away from the introspective, surrealist themes of the pandemic-era 2021 edition, focusing instead on the social fabric of the city and the systemic challenges facing its residents.
The John Simon Guggenheim Memorial Foundation has announced its 101st class of fellows, awarding 223 scholars and artists across 55 disciplines for 2026. Selected from a pool of nearly 5,000 applicants, the new cohort includes prominent visual artists such as Sonya Clark, John Miller, American Artist, and Kota Ezawa. The fellowships provide significant financial grants to individuals who have demonstrated exceptional capacity for productive scholarship or exceptional creative ability in the arts.
The Dutch photography duo Inez & Vinoodh have launched a major retrospective titled "Can Love Be a Photograph" at the Kunstmuseum Den Haag. Spanning their career since 1986, the exhibition features 150 works that blur the lines between fashion photography, celebrity portraiture, and fine art. To mark the opening, the artists highlighted six defining works—including the digitally manipulated "Thank You Thighmaster" series—that prioritize conceptual depth and psychological mutation over the glossy celebrity culture they are often associated with.
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Artist Julia Sherman and urban farmer Camilla Hammer have transformed the rooftop of MoMA PS1 into a functional salad garden and social space. The initiative recently celebrated its launch with a rooftop party featuring herb-infused cocktails and fresh produce grown on-site. The garden serves as a platform for Sherman’s "Artist-Made" salad series, where notable figures from the art world collaborate on culinary creations.
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Three major American art surveys—the Whitney Biennial, MoMA PS1’s Greater New York, and the Carnegie International—are set to define the artistic landscape of 2026. Early analysis of the artist lists reveals a significant overlap in curatorial interest for figures like Taína Cruz, Akira Ikezoe, and Jonathan González. These exhibitions appear to be moving away from rigid thematic structures in favor of "mood and texture," reflecting a broader institutional retreat from definitive political or social statements.
Three major artworks from the collection of the late philanthropist and collector Agnes Gund will be offered at Christie's marquee May sales in New York. The lots include Mark Rothko's 'No. 15 (Two Greens and Red Stripe)' (estimated around $80 million), Cy Twombly's 1961 'Untitled' (estimated $40-60 million), and Joseph Cornell's 'Untitled (Medici Princess)' (estimated $3-5 million), all being sold on the secondary market for the first time.
MoMA PS1 has announced the 53 artists selected for the 2026 edition of its quinquennial exhibition, Greater New York. The show, opening April 16, is organized by the museum's in-house curatorial staff and focuses on artists living and working in New York City, with a strong emphasis on early and mid-career practitioners. It notably features only one deceased artist, painter Jay Carrier.
The Hammer Museum in Los Angeles has appointed Michael Wellen as its new chief curator and Regan Pro as chief of learning, engagement, and research. Wellen joins from Tate Modern, while Pro was previously at the Lucas Museum of Narrative Art. The appointments fill key leadership roles that had been vacant, with the chief curator position open since 2023.
South Africa selected a work by artist Gabrielle Goliath for its Venice Biennale pavilion, then rescinded the decision on January 2, just eight days before the finalization deadline. The culture ministry, led by Minister Gayton McKenzie, objected to a section of Goliath's "Elegy" series that included words by Palestinian poet Hiba Abu Nada, who was killed in an Israeli airstrike in 2023. The pavilion's selection committee publicly disagreed with the cancellation, calling it censorship and highlighting a history of mismanagement.
Artnet News asked leading curators and museum directors to share their favorite artworks of all time. Connie Butler of MoMA PS1 chose David Hammons's "Bliz-aard Ball Sale" (1983), praising its connection from Duchamp to AI. Julieta Gonzalez of the Wexner Center selected Hans Holbein the Younger's "The Ambassadors" (1533), highlighting its anamorphic skull as a metaphor for viewing modernity from the margins. Madeleine Grynsztejn of MCA Chicago picked Francisco Goya's "A Pilgrimage to San Isidro" (1819–23) from his Black Paintings cycle, calling it a metaphor for fanaticism.
Ralph Lemon has been awarded the 2025 ARTnews Lifetime Achievement Award for his multidisciplinary practice spanning dance, drawing, painting, installation, sculpture, and writing. The article highlights his career trajectory from founding the Ralph Lemon Dance Company to disbanding it in 1995 to focus on broader artistic collaborations. Central to his work is the Geography Trilogy (1996–2004) and his long-term collaboration with Walter Carter, a former Mississippi sharecropper, whose life and family became a recurring subject. Lemon's recent exhibition "Ceremonies Out of the Air: Ralph Lemon" at MoMA PS1 (November 14, 2024–March 24, 2025), curated by Connie Butler and Thomas Lax, featured videos, found African sculptures, drawings, and a four-channel performance piece, Rant (redux), with Kevin Beasley and Okwui Okpokwasili.
The second annual ARTnews Awards have announced their 2025 winners, selected by a jury of five esteemed US-based curators: Ryan N. Dennis (Co-Director & Chief Curator, Contemporary Arts Museum Houston), Anne Ellegood (Executive Director, Institute of Contemporary Art, Los Angeles), Rosario Güiraldes (Curator of Visual Arts, Walker Art Center, Minneapolis), Ruba Katrib (Chief Curator and Director of Curatorial Affairs, MoMA PS1, New York), and Victoria Sung (Phyllis C. Wattis Senior Curator, Berkeley Art Museum and Pacific Film Archive). These jurors reviewed exhibitions held between August 2024 and July 2025, meeting twice alongside two ARTnews senior editors to nominate and select winners across six categories.
A devastating fire in Hong Kong's Tai Po neighborhood, which killed at least 151 people, has prompted a period of mourning and led several major cultural institutions to cancel or postpone public events. The Hong Kong Arts Festival and the Hong Kong Jockey Club Charities Trust cancelled a press conference for the "No Limits" program, while M+ rescheduled its "Night: Festive Play" event. Meanwhile, art fairs and galleries continue to announce developments: Kiaf Seoul will run concurrently with Frieze Seoul in 2026, Contemporary Istanbul will introduce a new Focus Asia section, and Art Basel Hong Kong 2026 will feature new sectors Echoes and Zero 10. In the market, On Kawara's "NOV. 27, 1984" sold for HK$8.5 million at Bonhams Hong Kong, and standout results were seen at Sotheby's Hong Kong.
The article recounts the author's experience at the 2025 Performa biennial in New York, beginning on November 4 with the death of Dick Cheney and the election of Zohran Mamdani as mayor. The author attended Diane Severin Nguyen's performance "War Songs," which restaged historical protest concerts from the Vietnam War era, blending anti-war anthems with pop music. The piece also highlights missing performances by Lina Lapelytė and Ayoung Kim, and expresses anticipation for Aria Dean's play "The Color Scheme."
Canal Projects, a nonprofit art space in New York's Tribeca neighborhood, announced it will close its physical location on May 23, 2026, after just four years of operation. The organization will pivot to a grant-making model, allocating $3 million over three years to support arts projects, including Ayoung Kim's upcoming exhibition at MoMA PS1. The decision was driven by the high costs of maintaining an outdated building and a desire to redirect resources toward direct financial support for artists. The space, launched in 2022 by the YS Kim Foundation, hosted notable shows by artists such as Karimah Ashadu, Sin Wai Kin, Candice Lin, Geumhyung Jeong, and Seung-taek Lee. Artistic director and curator Summer Guthery departed at the end of March 2025. The final exhibition will feature Jakkai Siributr, opening January 30, 2026.
The John D. and Catherine T. MacArthur Foundation announced its 2025 class of 22 MacArthur Fellows, each receiving an $800,000 no-strings-attached grant. Among the winners are several visual artists: Garrett Bradley, known for her Oscar-nominated documentary *Time* (2020) and works centering Black resistance; Gala Porras-Kim, whose practice questions how art institutions convey or conceal information about objects; Tuan Andrew Nguyen, whose films and installations explore trauma and colonization; and Jeremy Frey, a seventh-generation Passamaquoddy basket maker whose midcareer survey is on view at the Bruce Museum. Photographers Matt Black and Tonika Lewis Johnson also received fellowships, along with archaeologist Kristina Douglass and non-artists such as novelist Tommy Orange and astrophysicist Kareem El-Badry.
The Studio Museum in Harlem will open its new building on Saturday, November 15, with a Community Day celebration, after being closed since 2018. Designed by Adjaye Associates, the 82,000-square-foot, seven-story structure features 14,000 square feet of exhibition space, expanded studios for its Artist-in-Residence program, and dedicated education areas. The reopening includes four exhibitions, two site-specific commissions, and reinstallations of iconic works, including a survey of Tom Lloyd, the subject of the museum's first exhibition in 1968. The museum has also updated its hours and admission policies, offering free entry on Sundays.
Curator Klaus Biesenbach, now director of the Neue Nationalgalerie in Berlin, gave a lengthy interview to Der Spiegel in which he explained his decision to leave the American art scene, citing what he described as an oppressive climate of "political correctness." He claimed that DEI (diversity, equity, inclusion) initiatives in U.S. museums had become "unbearable" quota requirements, and recounted a story about mandatory Zoom meetings after George Floyd's murder where he felt pressured to share personal experiences of discrimination. He also referenced the resignation of SFMOMA curator Gary Garrels over "reverse discrimination" comments and acknowledged his own controversial tenure at MOCA Los Angeles, which saw two high-profile resignations and a leadership restructuring.
MoMA PS1 has opened its marquee spring exhibition, “The Gatherers,” a group show featuring 14 artists from around the world who explore the psychic and material burdens of climate change, globalization, and neoliberalism. Curated by Ruba Katrib, the exhibition includes works in sculpture, video, assemblage, and installation, spanning regions from the Democratic Republic of Congo to Lithuania, and is on view through October 6. Katrib, PS1’s chief curator and director of curatorial affairs, emphasizes that the show lets the artworks speak for themselves through form and material rather than delivering a direct lecture.
Cultured magazine has published a guide to gallery and museum exhibitions taking place during Miami Art Week, spanning from December 2025 through early 2026. The roundup highlights solo shows by Studio Lenca at David Castillo Gallery, Aneta Grzeszykowska at Voloshyn Gallery, and Woody De Othello at Pérez Art Museum Miami, alongside a posthumous survey of Richard Hunt at the Institute of Contemporary Art, Miami, and a pop-up exhibition organized by Jeffrey Deitch in the Miami Design District. Other featured presentations include Shayla Marshall's installation at a Walgreens storefront, Lawrence Lek's "NOX Pavilion" at the Bass, and a show by Thomas Houseago.
Luis Emilio Romero, a Jersey City native, moved from Bushwick to the Monira Foundation's residency at Mana Contemporary in Jersey City, where he now paints intricate, textile-influenced patterns in a calm basement studio. Mana Contemporary, a 2 million-square-foot former tobacco warehouse converted in 2011 by Moishe Mana, Eugene Lemay, and Yigal Ozeri, hosted its Spring Open Studios on May 17, with over one-third of its 300 artists participating—the largest turnout in years. The event featured installations by TLaloC, sculptures by John Chamberlain, and an exhibition of artist books, "Open Book(s): Observations," presented by Pierogi Gallery, Mana, and the Monira Foundation. Pierogi co-owners Joe Amrhein and Susan Swenson also brought their Flat Files containing nearly 4,000 works to Mana for six months to a year.
Domenick Ammirati returns to New York after a year-long writing residency in Siena and Provincetown to cover the spring art fairs, including Frieze New York 2026. He observes a notably calm art week, attributing the subdued atmosphere to the fair's proximity to the Venice Biennale, which left key players exhausted. Highlights include a Rei Kawakubo installation at Independent, Gucci's Cruise show in Times Square, and MoMA PS1's 50th anniversary gala, where he mingles with curator Jody Graf and spots Klaus Biesenbach.
MoMA PS1 held its annual gala on Tuesday night, celebrating the institution's 50th anniversary and honoring founding director Alanna Heiss and former MoMA Director Glenn D. Lowry. More than 500 guests attended the Surrealist-themed event, which featured artistic direction by the fashion and art collective Women’s History Museum, with stilt walkers, custom posters, performances, and DJ sets. Notable attendees included artists Wolfgang Tillmans and Camille Henrot, dealers Jeffrey Deitch, and musicians Swizz Beatz, along with museum leadership and collectors.
Cynthia Hawkins, a 76-year-old Black abstract painter, discusses her latest work and career in an interview with Cultured. She describes her ongoing "Maps Necessary for a Walk in 4D" series, which began in 1979, and her current exploration of a new iteration called "Fielding Space" or "Maps Fielding Space." Hawkins will be featured in the upcoming "Hard Art" exhibition at MoMA PS1 opening November 5, which places her work alongside over 40 other Black abstract artists including Sam Gilliam and Carolyn Lazard. She reflects on her early art experiences, from learning to draw Mickey Mouse with her father to rejecting paint-by-numbers, and her enduring fascination with color, particularly orange and yellow.
The Bunker Artspace in Palm Beach, Florida, has opened "Beyond the Rainbow," a major exhibition of LGBTQ+ art curated by Laura Dvorkin and Maynard Monrow, along with 19 other artists, curators, gallerists, architects, and writers. The show draws from the collection of patron Beth Rudin DeWoody and features works by Catherine Opie, Andy Warhol, Nicole Eisenman, Lyle Ashton Harris, and others, running from December 7 through May 1, 2026. The exhibition was inspired by a visit to the Centre Pompidou's "Over the Rainbow" show in Paris.
A major survey of the work of Vaginal Davis, spanning five decades of her contributions to drag, queercore, experimental film, and fine art, is opening at MoMA PS1 in New York on October 9. Titled "Vaginal Davis: Magnificent Product," the exhibition debuted at Moderna Museet before traveling to New York. In an interview, Davis discusses her lifelong performance practice, the blurring of her public persona and private self, and the unlikely survival of her archive, much of which was preserved by a high school student in the 1980s.
Ayoung Kim's video "Delivery Dancer's Sphere" (2022) captures the experience of delivery workers during the Covid-19 pandemic in Seoul, following two female riders navigating the city via app-based systems. Kim shadowed real delivery workers to create the work, which blends documentary footage, anime-style animation, and AI-generated imagery. The video is part of a series that will be featured in Kim's first US solo exhibition at MoMA PS1 in New York, opening this week, and she will also debut a new motion-capture piece at the Performa festival later this month. Kim recently won a $100,000 award from the Guggenheim Museum and LG.