A new exhibition of Frank Bowling's work traces the artist's early struggle to find his voice within the rigid artistic categories of the 1960s. The show features paintings from his student days in London, where he grappled with expectations to be either a political 'Black artist' or a formalist 'artist' free from identity constraints, resulting in works that felt derivative of figures like Francis Bacon.
A new exhibition, "Collaborating in Conflict: The Yeats Family and the Public Arts," at the McMullen Museum of Art, spotlights the revolutionary contributions of sisters Susan Mary (Lily) and Elizabeth Corbet (Lolly) Yeats. Long overshadowed by their famous brothers, the sisters co-founded the Dun Emer Industries cooperative, which included a press and a textile guild, and produced embroidered banners of Irish saints for St. Brendan's Cathedral, playing a pivotal role in the Irish Arts and Crafts movement.
Yale University’s Beinecke Rare Book and Manuscript Library is hosting a new exhibition titled "'Beauties of My Style,'" which explores 500 years of printed errors and errata sheets. Curated by Rachel Churner and Geoff Kaplan, the show features approximately 30 artifacts ranging from James Joyce’s error-riddled first edition of Ulysses to the infamous 1631 "Wicked Bible," which accidentally commanded readers to commit adultery. The exhibition highlights how these slips of paper serve as more than just corrections, acting as sites of humor, legal maneuvering, and poetic reinterpretation.
Claude Cahun and Marcel Moore: Surrealist Lovers Who Defied the German Occupation
Claude Cahun and Marcel Moore, two Surrealist artists and life partners, are the focus of a new exhibition at the Contemporary Art Museum of St. Louis. The show, titled "And I Saw New Heavens and a New Earth," presents their collaborative work, including intimate portraits and photomontages, and highlights their daring resistance activities, such as creating anti-Nazi propaganda during the German occupation of Jersey.
Leeds Castle has launched an interactive AI avatar of Eleanor of Castile as the centerpiece of its new exhibition, "Pilgrimage of Love: Eleanor of Castile." Developed in collaboration with SKC Studios, the digital queen is housed in a screen shaped like a lancet window and is programmed to recognize visitors and answer questions about her life, from her 13th-century architectural projects to her marriage to Edward I. The exhibition traces her transformation of the castle from a Norman stronghold into a royal residence with Moorish-inspired gardens.
Laura Phipps has been appointed as the director of the Gochman Family Collection, a significant private collection primarily focused on contemporary Indigenous art. Phipps joins the organization following a distinguished 15-year tenure at the Whitney Museum of American Art, where she most recently served as an associate curator. In her new role, she succeeds Zach Feuer and will oversee a collection of over 750 works while managing the development of a new 10,000-square-foot public-facing exhibition space in Katonah, New York.
Jonas Wood has unveiled a new series of paintings at Gagosian in Beverly Hills that transforms global tennis courts into geometric abstractions. Derived from years of photographing tournament broadcasts and Nintendo games, the works strip away players and equipment to focus on the flat bands of color, white lines, and nets that define the sport's architecture. The collection represents a systematic exploration of the ATP and WTA tours, utilizing the tennis court as a formal vehicle for color theory and composition.
The Darwin D. Martin House in Buffalo, a landmark of Frank Lloyd Wright’s Prairie School architecture, has launched a new exhibition titled “Collecting Ourselves.” The show highlights the museum's decades-long, painstaking effort to track down and repatriate the original furniture and decorative objects designed specifically for the site. While the structural restoration of the complex was completed in 2017, the task of reuniting Wright’s holistic interior vision—including his iconic Barrel chairs and intricate art glass—remains an ongoing archival and curatorial challenge.
Peter Campus, a pioneering video artist, has a new exhibition at The Phillips Collection in Washington, D.C. The show features his early work, including the intense 1978 video 'Head of a Man with Death on His Mind,' alongside his recent 'philips quartet' (2023–24), a series of four landscape videos from his home on Long Island. The exhibition highlights his career-long themes of self-reflection, time, and mortality.
A new exhibition at Philadelphia's Institute of Contemporary Art, titled “The Shakers: A World in the Making,” brings historic Shaker objects into dialogue with contemporary art, including newly commissioned works. The show, a collaboration with the Vitra Design Museum, Milwaukee Art Museum, and Shaker Museum, coincides with the release of the film *The Testament of Ann Lee* and focuses on Shaker values such as craft, patience, and care rather than their more controversial principles like celibacy and gender segregation. Featured artists include Amie Cunat, who created a contemplative cardboard meetinghouse, and Christien Meindertsma, who uses Shaker basket-making techniques for willow burial vessels.
The Musée Marmottan Monet in Paris has opened a new exhibition titled "The Empire of Sleep," curated by neurologist Laura Bossi and museum director Sylvie Carlier. The show gathers 130 artworks from the 19th and 20th centuries, exploring how artists have depicted sleep, dreams, nightmares, and the bed as a site of birth, love, illness, and death. Featured artists include John Everett Millais, Eugène Delacroix, Jean Cocteau, Giovanni Bellini, Gabriel von Max, Evelyn De Morgan, Odilon Redon, Gustave Courbet, Francisco de Goya, and Claude Monet, whose painting *Camille on Her Deathbed* is a centerpiece.
The Pennsylvania Academy of the Fine Arts (PAFA) has appointed Kristen Shepherd as its new president and CEO, effective February 9. Shepherd, 54, previously served as executive director and CEO of the Museum of Fine Arts in St. Petersburg, Florida, and held leadership roles at the Los Angeles County Museum of Art, the Whitney Museum in New York, and Sotheby’s in New York and London. She also runs her own consulting firm, Shepherd Lane + Associates. Shepherd takes over at a challenging time for PAFA, which closed its college last May due to rising costs and low enrollment, though it continues to offer K-12 and continuing education programs.
Beverly Buchanan, who lived in Athens, Georgia for over 20 years, often paid for everyday needs with her artworks, trading them with her doctor and local community members. A new exhibition titled "Beverly's Athens" at the University of Georgia's Athenaeum showcases works borrowed from local collections, including pieces from her doctor's personal collection and sculptures from her own backyard. The show features her flower drawings, which her dealer Betty Parsons once rejected, as well as her "ruins" sculptures and archival footage of her garden. Curators Mo Costello and Katz Tepper, both artists who are chronically ill, organized the exhibition to highlight Buchanan's ecosystem of exchange and survival.
Artist Ai Weiwei will unveil a new exhibition titled “Button Up!” at Factory International in Manchester, England, opening July 2. The show features monumental installations made from 30 tons of buttons he rescued from a shuttered British factory in 2019, along with over 3.5 million Lego pieces. Highlights include eight flags sewn with 9,000 buttons each, referencing the Eight-Nation Alliance that invaded China during the Boxer Rebellion, and a new version of his Lego work *History of Bombs*. The buttons were secretly shipped to China, where artisans assembled the works over 281 days.
Elizabeth Browning Jackson, a pioneering artist in the art-furniture movement, was rediscovered in 2021 after a phone call from Stephen Markos, founder of Superhouse Gallery, who had long admired her 1982 sculptural couch "Gloria." Markos urged Jackson to open a barn on her Rhode Island property, where she found her early works—hand-tufted rugs, cut-aluminum furniture, drawings, and prototypes—sealed away for 35 years. This rediscovery culminates at Design Miami 2025, where Superhouse presents Jackson as a foundational voice in the art-furniture movement, alongside contemporaries like Dan Friedman and Wendy Maruyama. Jackson's new exhibition "Re/construct" is also on view at Superhouse's Tribeca space through December 20, featuring reconstructed rugs based on her original 1980s designs.
A new exhibition titled “Rodin’s Egypt” opens November 19 at NYU’s Institute for the Study of the Ancient World (ISAW), exploring how ancient Egyptian art influenced Auguste Rodin’s sculptures. Guest curated by Bénédicte Garnier of the Musée Rodin in Paris, the show features 65 objects, including Rodin’s rarely seen assemblages that combine his plaster casts with Egyptian antiquities from his personal collection of over 1,000 Egyptian items. This marks the first US exhibition of Rodin’s Egyptian holdings.
The British Museum has organized a new exhibition titled “Ice Age Art Now,” installed at Cliffe Castle Museum in Yorkshire, England, that presents Ice Age artifacts—carved images, figurines, and engravings dating from 24,000 to 12,000 years ago—alongside more recent artworks, including a print after Goya and a charcoal sketch by Maggi Hambling. Curated by Jill Cook, the show aims to reframe these prehistoric objects as artistic expressions rather than mere archaeological curiosities, highlighting their use of line, space, and scale to capture the observed world and communicate emotion.
A new exhibition titled “Heiress: Sargent’s American Portraits” at London’s Kenwood House explores the phenomenon of the “dollar princesses”—American heiresses who married into the British aristocracy between 1870 and 1914. The show features eight paintings and ten charcoal studies by John Singer Sargent, including portraits of notable figures like Nancy Astor and Consuelo Vanderbilt, and runs through October 5. Curated by Wendy Monkhouse of English Heritage, the exhibition examines the complex social dynamics behind these transatlantic unions, which were often criticized as mercenary transactions.
A new exhibition at the Gibbes Museum of Art in Charleston, South Carolina, titled “Picturing Freedom,” highlights Harriet Tubman’s role in the Combahee River Raid of 1863, where she guided Union troops to free 756 enslaved people in a single night. The show features works by Jacob Lawrence, Aaron Douglas, Elizabeth Catlett, and Faith Ringgold, alongside contemporary artists, and includes multimedia elements such as audio interviews with descendants, a video reenactment, and landscape photographs by J. Henry Fair. Guest curated by Vanessa Thaxton-Ward of Hampton University Museum, the exhibition is based on Edda L. Fields-Black’s Pulitzer Prize-winning book "COMBEE."
Leonard Lauder, the 85-year-old chairman emeritus of Estée Lauder Companies, has amassed a collection of approximately 130,000 postcards, many of which are a promised gift to the Museum of Fine Arts, Boston. A selection of 350 propagandist postcards from the World War I and World War II eras is now featured in a new exhibition at the MFA titled “The Art of Influence: Propaganda Postcards from the Era of World Wars” (through January 21), accompanied by a publication. Lauder began collecting as a boarding school student in Miami Beach, drawn to the idealized images and vibrant colors of Art Deco hotel postcards, and later expanded to historical and propagandist cards that he describes as “living history.”
A new exhibition at the British Museum, “Hiroshige: Artist of the Open Road,” showcases over 100 works by the Japanese ukiyo-e master Utagawa Hiroshige, including a landmark gift of 35 prints from U.S. collector Alan Medaugh. Many of the prints have never been publicly displayed before, and some are believed to be the only surviving examples of their kind. The show runs through September 7 and features landscapes, bird-and-flower prints, fan prints, and an immersive digital experience created with Outernet London.
The article highlights Medardo Rosso, an Italian sculptor largely overlooked despite his pioneering role in modernist sculpture. A new exhibition at the Kunstmuseum Basel, "Medardo Rosso: The Invention of Modern Sculpture," showcases 50 of his works alongside pieces by over 60 artists including Rodin, Degas, and Brancusi, aiming to reassert his influence. Rosso's radical approach rejected monumentality for materiality and process, embracing subjects from society's fringes and anticipating 20th-century art developments. The show also revisits his bitter rivalry with Rodin, whom Rosso accused of borrowing his signature tilting effect.
The article examines the life and work of Dora Carrington, a painter associated with the Bloomsbury Group, whose bohemian lifestyle and complex relationships—particularly with writer Lytton Strachey—have long overshadowed her artistic output. A new exhibition at Pallant House Gallery, the first dedicated to Carrington in three decades, aims to refocus attention on her paintings, including early pencil studies and academic female nudes, which impressed her peers but received little critical acclaim during her lifetime.
The Mauritshuis museum in The Hague has reclassified three paintings previously attributed to Rembrandt as copies or studio works: *Portrait of Rembrandt with a Gorget* (ca. 1629), *Study of an Old Man* (ca. 1655–60), and *‘Tronie’ of an Old Man* (ca. 1630). The first was identified as a copy in 1999, the second was found to be by a student despite a genuine signature, and the third may have been painted by a student or Rembrandt himself. The museum now lists 11 works as authentic Rembrandts, including *The Anatomy Lesson of Dr. Nicolaes Tulp* (1632), and seven works whose authenticity has been questioned.
Michael Heizer, the pioneering Land Art figure known for monumental desert works like "City" and "Double Negative," is presenting a new exhibition of smaller-scale, indoor sculptures at Gagosian Gallery in New York. The show, titled "Collapse," features a series of large, geometric steel forms that, while still substantial, represent a significant shift in scale and context from his earth-moving outdoor projects.
The Clyfford Still Museum in Denver, Colorado, has opened a new exhibition titled "Still in Sound," which pairs abstract paintings by Clyfford Still with original sonic interpretations by contemporary sound artists. Co-curated by Bailey Placzek, the museum's curator of collections, and British multidisciplinary artist Ben Coleman, the exhibition features works by artists Maria Chávez, Maya Dunietz, Kalyn Heffernan, Matana Roberts, and Michael Schumacher. Each artist selected a Still painting and composed a sound piece in response, with the compositions playing in shuffled order to create a non-linear, immersive experience. A digital guide offers full recordings, and Denver artist Phillip David Stearns designed an interactive component based on Still's pastel drawings. The exhibition runs through February 2027.
A new exhibition titled "A Necessary Fiction: Maps, Art, and Models of Our World" has opened in Venice, presented by the Saudi Ministry of Culture in tandem with the 61st International Art Exhibition of La Biennale di Venezia. Held at the Abbazia di San Gregorio from 6 May to 22 November 2026, the show is curated by Sara Almutlaq and Aurora Fonda, with associate curators Zaira Carrer and Amina Diab. It features historical maps and contemporary artworks by artists including Wael Shawky, Nasser Al Salem, Matilde Sambo, Monira Al Qadiri, Shilpa Gupta, Reena Saini Kallat, Manal AlDowayan, Nolan Oswald Dennis, Ibrahim Mahama, Trevor Paglen, Eva & Franco Mattes, Giorgio Andreotta Calò, and Yoko Ono, exploring cartography as an imaginative and ideological act rather than a neutral science.
Fred Tomaselli presents his new exhibition “Blooms Disrupted,” opening May 15 at James Cohan’s 48 Walker Street location in New York. The show features his signature densely layered resin paintings embedded with organic matter like leaves and pharmaceutical pills, alongside a new series of collages constructed from New York Times front pages. The anchor piece, *Month of August (evening)*, combines a geometric spiral of headlines with a photographic Mexican sunflower, while other works reference art-historical gardens such as Frederic Edwin Church’s estate. Tomaselli, a Brooklyn-based artist born in 1956, uses the garden as both subject and metaphor throughout the exhibition.
This article from Cultured magazine covers multiple art-related stories, including a profile of restaurateur Keith McNally's memoir, a list of must-see museum exhibitions in New York for spring, a review of Mary Abbott's overlooked Abstract Expressionist work now on view at Schoelkopf Gallery, a feature on Salman Toor's major new exhibition "Wish Maker" at Luhring Augustine, and a discussion on designing more empathetic museums. It also includes a beauty and fashion trends piece with creative nominations.
The Rose Art Museum held its first-ever New York benefit gala, marking its return to the fundraising circuit after two decades. Co-chaired by advisor Abigail Ross Goodman and Christie’s Sara Friedlander, the event honored sculptor Hugh Hayden and philanthropist Lizbeth Krupp, the longtime chair of the museum’s board of advisors. The evening raised $900,000 toward a new $2 million Exhibition Endowment Fund, with Krupp making the first gift. Guests included artists Salman Toor, Leilah Babirye, Ali Banisadr, and Ilana Savdie, as well as gallerist Jeanne Greenberg Rohatyn and Public Art Fund’s Nicholas Baume.