Ronald Rose-Antoinette is the new Max Stern Curator at the Ellen Art Gallery

Ronald Rose-Antoinette has been appointed the new Max Stern Curator at Concordia University’s Leonard & Bina Ellen Art Gallery. A Concordia graduate with a BFA, MA in film studies, and PhD in humanities, Rose-Antoinette has over 20 years of experience studying, working, and collaborating at the university. His role includes curating the SIGHTINGS exhibition series, developing public programming, and overseeing the gallery’s permanent collection of more than 1,800 works, primarily by Canadian artists. He describes his return as a "homecoming" and emphasizes a curatorial vision focused on decolonial practices, cross-cultural work, and intersectional approaches.

The Met's Costume Exhibit Finally Made This Obvious Change To Mannequins And Its Exhibit After Years

The Metropolitan Museum of Art's Costume Institute has made a historic shift toward disability and body inclusivity in its annual exhibition, titled "Costume Art." For the first time, the exhibit includes a section called "The Disabled Body," featuring mannequins modeled on disabled bodies, such as those of activist Aimee Mullins, model Aariana Rose Philip, and accessibility consultant Sinéad Burke. Burke and her team at Tilting the Lens consulted on the exhibit for 18 months, suggesting disabled designers like Sugandha Gupta and Helen Cookman, and donated pieces to the permanent collection. The Met Gala also became accessible for the first time since 1948, with wheelchair user Aariana Rose Philip attending as the first ever.

Linguistics

The Madison Museum of Contemporary Art (MMoCA) announced a lecture by linguist Dr. Salikoko S. Mufwene, exploring the evolution of language and symbols, alongside an exhibition of Gelsy Verna's artwork "Mother, Father, Please Help Me" (May 7–September 27, 2026). Verna, a Haitian-born Canadian artist and former University of Wisconsin–Madison professor, created the piece as a palimpsest over several years in collaboration with David Dunlap; the reverse side has been reproduced for display. MMoCA has added the work to its permanent collection.

A semester of SLAM

The St. Louis Art Museum (SLAM) hosted two special exhibitions during the past semester: the annual "Art in Bloom" floral exhibition from February 27 to March 1, 2026, and the solo show "Currents 125: Blas Isasi" opening February 6, 2026. "Art in Bloom" pairs 30 permanent collection pieces with ephemeral floral arrangements created by local designers, featuring a centerpiece by New York-based floral designer Rachel Cho. The exhibition has grown from an invitational event with 7,000 attendees to an open call drawing over 30,000 visitors. Isasi's exhibition, titled "The weight of a gaze (is to listen to the sound of a kilogram)," is part of SLAM's "Currents" series and the WashU Henry L. and Natalie E. Freund Teaching Fellowship, incorporating a Chincha Inka balance from the museum's collection alongside sandstone sculptures and aluminum foil pieces.

Landscape and Imagery Help MOWA Celebrate the Country’s 250th Birthday

The Museum of Wisconsin Art (MOWA) in West Bend has opened a new exhibition titled "The American Landscape: Beyond the Horizon," celebrating the role of Wisconsin artists in capturing the state's contributions to the United States ahead of the country's 250th birthday. The show features over 60 works, 60% from the museum's permanent collection and 40% borrowed from artists and collectors, including pieces by John Stuart Curry, Lois Ireland, Georgia O'Keeffe, Native American artists like Helen Lonetree and Lila Greengrass Blackdeer, and contemporary works by incarcerated artist M. Winston. Guest curator Rafael Salas, a professor at Ripon College, also includes three of his own works.

Where's Al? Andy Warhol Exhibit at Hilliard Art Museum

The Hilliard Art Museum in Lafayette, Louisiana, has opened a new exhibition titled "Andy Warhol: Plus One," featuring works by Andy Warhol drawn from the museum's own permanent collection. The exhibit showcases Warhol's photographic and screenprint pieces, exploring themes of intimacy, observation, and voyeurism in the artist's life and practice.

Exhibits celebrate 30 years of Santa Cruz Museum of Art & History

The Santa Cruz Museum of Art & History (MAH) is celebrating its 30th anniversary with two concurrent exhibitions: “This is Thirty: Celebrating the MAH and Our Creative Community,” which mixes permanent collection works with new acquisitions, and “The Things We Did and Didn’t Do,” an archival installation by local artist Joshua Moreno. The museum originated from a merger of the Santa Cruz Historical Society and the Art Museum of Santa Cruz County, delayed by the 1989 Loma Prieta earthquake, and opened in 1996. The exhibits feature earthquake-related artworks, pieces by founding director Charles Hilger, and contributions from the family of Executive Director Ginger Shulick Porcella, including wearable art by her late mother-in-law Yvonne Porcella.

Arts Center donates works for library sale

The Davis Arts Center (DAC) has donated approximately 100 artworks from its permanent collection to the Friends of the Davis Public Library for a sale starting this weekend. The works, mostly from the 1960s-1980s, include pieces by notable Davis-area artists such as Richard Nelson, Robert Arneson, Margery Mann, and Roland Petersen, and are priced under $100. The donation follows DAC's 2019 transformation from an exhibition space to a studio-focused nonprofit offering classes and camps, which led to most of its collection being placed in storage. DAC executive director Sam King enlisted Davis High School art teacher Luke Turner—a former museum professional—to help curate and place select pieces with institutions like the Mills College Art Museum and the Manetti Shrem Museum, while the remaining works are now being offered to the community at bargain prices.

Paul’s Show of the Month: Cristallina Fischetti – Alchemea

Cristallina Fischetti's solo exhibition 'Alchemea' is on view at the Art Centre in the crypt of St Marylebone Parish Church, London, from 25 April to 18 May. The show presents ten works from the first two acts of a planned 33-painting cycle, incorporating unconventional materials such as coffee, wine, plastic, and leather. Fischetti's process involves ritualistic dance, drawing on her background in ballet, yoga, alchemy, and mystical healing, with influences from abstract expressionists like Frankenthaler and Motherwell, as well as Hilma af Klint.

The Italian Way of Symbolism in the Exhibition at the Fondazione Magnani-Rocca

La via italiana del Simbolismo nella mostra alla Fondazione Magnani-Rocca

The Fondazione Magnani-Rocca in Mamiani di Traversetolo, Parma, recently made headlines due to a dramatic theft targeting its permanent collection. Despite the incident, the museum's temporary exhibition spaces remain unaffected, and the show "Simbolismo in Italia" (Symbolism in Italy), curated by Francesco Parisi, continues without disruption. The exhibition aims to update critical discourse on Symbolism, a movement that spread across Europe from the 1880s to the early 1900s and arrived in Italy with a distinct, often tradition-rooted character. It features works by artists such as Cesare Saccaggi, Giulio Aristide Sartorio, and Adolfo Wildt, organized into thematic sections exploring literary sources, mythological landscapes, and the dual nature of femininity.

Curatori e allestitori ci raccontano la grande mostra dedicata a Franco Vaccari a Bolzano

A major retrospective exhibition titled "Feedback. Gli ambienti di Franco Vaccari" has opened at Museion in Bolzano, Italy, dedicated to the late artist Franco Vaccari (1936–2025). The show features over twenty immersive environments, historical works, and recent video experiments drawn largely from the museum's permanent collection and the Franco Vaccari Archive of Visual Writing. Curated by Frida Carazzato and Luca Panaro in collaboration with Fosbury Architecture, the exhibition explores Vaccari's cross-disciplinary practice spanning photography, writing, and participatory installation art.

MOWA hosting new landscape exhibition for America’s 250th

The Museum of Wisconsin Art (MOWA) in West Bend is presenting a new exhibition titled "The American Landscape: Beyond the Horizon" from Saturday through July 19, in celebration of America’s 250th anniversary. The show brings together works from MOWA’s permanent collection and select loans, spanning the 19th century to the 2020s, to examine how artists have interpreted Wisconsin’s landscape through painting, photography, and sculpture, highlighting native voices and immigrant narratives.

Special Private Tour and Luncheon Hosted by the Hiram Blauvelt Art Museum

On April 25, 2026, the Hiram Blauvelt Art Museum in Oradell, New Jersey, hosted a private tour and luncheon led by wildlife artist Dwayne Harty, whose exhibition "Bison Legacy" had recently concluded at the museum. The event welcomed over thirty guests, including friends of the artist and Foundation Board President James Bellis Jr. Harty, trained at the Art Students League of New York under Bob Kuhn, Robert Lougheed, and Clarence Tillenius, is known for his accurate and expressive wildlife depictions. The museum will present its Permanent Collection starting at the end of May 2026.

AN INSIDE JOB: Clymer Museum of Art reopens after renovations with show by CWU student

The Clymer Museum of Art in Ellensburg reopened on Friday after renovations, featuring a new exhibition titled "Plastic Souls" by Margot Massey, a junior at Central Washington University pursuing a Bachelor of Fine Arts. The show explores themes of artificiality and performance in social media, with paintings depicting actors, cowboys, showgirls, and rodeo clowns, and will later include two life-size figurative sculptures. The museum closed in January for renovations, which expanded wall space by roughly 30% and created a new gallery near the entrance for rotating student exhibitions.

​Big visions for the Plains Art Museum: renovation, expansion and opportunities abound

The Plains Art Museum in Fargo, North Dakota, is preparing to break ground on a major renovation and expansion of its permanent collection facility, working with architecture firms Olson Kundig and JLG. The project will create an open storage concept design, adding a fourth gallery and allowing public access to the museum's basement collection storage, where over 6,000 artworks are housed. This follows the museum's history of adaptive reuse, having transformed a 1904 International Harvester warehouse into its main building in 1997 and adding the Katherine Kilbourne Burgum Center for Creativity in 2012.

NBMAA chooses its first Hamm Family Curatorial Fellow

The New Britain Museum of American Art (NBMAA) has appointed Lydia Holleck as its first Hamm Family Curatorial Fellow. This new full-time position is dedicated to researching, exhibiting, and engaging the public with artwork from the museum’s permanent collection that is currently in storage and rarely seen by visitors.

Art in Bloom returns to Mia, transforming galleries with floral interpretations

Art in Bloom, the Minneapolis Institute of Art's annual floral showcase, returned from April 23 to 26, 2026, featuring over 160 flower arrangements inspired by artworks from the museum's permanent collection. The free, four-day event, presented by the Friends of the Institute, drew thousands of visitors and included guided tours, family activities, and expanded programming. Floral designers, florists, and garden clubs placed their interpretations alongside original pieces, with this year's centerpiece inspired by a Japanese Presentation vase from the early 20th century, once owned by railroad magnate James J. Hill.

Cedarburg Art Museum announces summer exhibitions

The Cedarburg Art Museum in Wisconsin has announced its summer exhibition lineup, running from April 30 through October 4. Featured shows include "Deeply Rooted: Small Family Farms," a photography exhibition by Cedarburg native Leslie Witte documenting life on her family’s farm; "This is Cedarburg," a display of landscape and plein air works from the museum’s permanent collection; the annual juried exhibition "America: A Wisconsin Perspective," showcasing artists from across the state; and outdoor sculptures by local artist Dan Grunst on the museum grounds.

Senior Art Show Reception Highlights Student Artists and Award Winners

Hartwick College's Art and Art History Department held its Senior Art Show Reception on May 15 in the Foreman Gallery, showcasing graduating students' work across diverse media. Awards included the Presidential Purchase Prize ($1,000) to Marissa Yanacheak for "Transformation," a plexiglass layered piece; first-place Best in Show ($600) to Kylee Hosmer for "Minoans in the Modern Day," a 3D installation inspired by ancient Minoan civilization; and second-place Best in Show ($400) to Megan Bryla for "Internal Integrity," a ceramic work. Additional awards were given earlier in May to Devlin Woughter and Samuel Scott.

Icelandic artist Roza Gisladottir to hold first solo exhibition in Yerevan

Icelandic artist Roza Gisladottir will hold her first solo exhibition in Armenia, titled *Reflection of Time*, opening May 11 at the Centre for Contemporary Art (HayArt Centre) in Yerevan. The show features 23 works, including sculptures and photographs, with five large-scale installations placed along Mashtots Avenue and Saryan Street at the “Art Crossroads.” Gisladottir is donating five works to the museum’s permanent collection. The exhibition is supported by the Yerevan Municipality and the Honorary Consulate of Iceland in Armenia.

Brushes at the ready: entries open for Redland Art Awards

Entries have opened for the 2026 Redland Art Awards, a biennial contemporary painting prize coordinated by Redland Art Gallery in Queensland, Australia. The competition is open to all Australian artists, offering a total prize pool of $30,500, including a $20,000 acquisitive first prize. The lead judge is curator and arts writer Alison Kubler. The awards, which began in 1981 as a local prize by Redland Yurara Art Society, will culminate in a finalist exhibition from November 2026 to January 2027.

8,000-year-old artifact on display at Moose Jaw Museum & Art Gallery

Moose Jaw Museum & Art Gallery in Saskatchewan is presenting an exhibition titled "môso-tâpiskan: Indigenous Living Heritage," curated by local artist Sadi Rose Vaxvick. The show features artifacts from the permanent collection, including a projectile point identified by an archaeologist as 8,000 years old, as well as pottery pieces dating back 2,000 years. Vaxvick consulted an Indigenous advisory committee of elders, repatriation liaisons, historians, and Métis locals, and worked with language speakers to translate all artifact notations into their original Indigenous languages.

UW Art Museum presents ‘Global Collection: Masks of the World’

The University of Wyoming Art Museum will open 'Global Collection: Masks of the World' on Saturday, May 2. The exhibition features 28 masks from the museum's permanent collection, spanning diverse regions and cultural contexts, and explores masks as cultural agents, works of art, and objects shaped by circulation and interpretation. The show is drawn from donations made over the past 50 years and was curated with assistance from UW Honors College intern Carter Coggins. Funding comes from the Barbara J. and V. Frank Mendicino Endowment for Collection Conservation and the Patricia R. Guthrie Special Exhibitions Gallery Endowment.

Panagyurishte Art Gallery gets Optimal Audio upgrade

Panagyurishte Art Gallery in Bulgaria has upgraded its audio system with an Optimal Audio solution. The installation aims to enhance the visitor experience by providing high-quality sound throughout the gallery spaces, supporting both permanent collections and temporary exhibitions.