The New-York Historical Society has launched a major exhibition exploring the 17th-century origins of New York City during its era as the Dutch settlement of New Amsterdam. The show utilizes a diverse array of artifacts, maps, and historical documents to trace the colony's development from a fur-trading outpost to a diverse maritime hub, highlighting the complex interactions between Dutch settlers, Indigenous populations, and enslaved Africans.
Berlin-based Swedish artist Sanna Helena Berger makes her Danish debut with "Difference" at Matteo Cantarella in Copenhagen. The exhibition explores the concept of the remainder—the mathematical and physical space left behind when one value is subtracted from another—through a series of sculptural and spatial interventions.
Diego Perrone presents his first solo exhibition at Umberto Di Marino Gallery in Naples, titled "There’s a certain Slant of light." Taking its name from an Emily Dickinson poem, the show explores the concept of lateral, non-frontal light through a series of experimental works. The exhibition features Perrone’s signature technical mastery, including intricate glass sculptures and works on paper that manipulate transparency and shadow.
Walter Pichler's exhibition "Die Bleche und ich gehen heim" (The Sheets of Metal and I Are Going Home) is being presented at Contemporary Fine Arts in Basel. The show features a significant body of the artist's work, stemming from a long-standing relationship between the gallery and Pichler that began with an invitation in 1994.
MoMA PS1 has announced the artist list for the upcoming edition of 'Greater New York,' its signature survey of artists living and working in the New York City area. This iteration features 53 artists and collectives, maintaining the exhibition's long-standing tradition of serving as a critical launchpad for emerging talent while reflecting the current creative pulse of the city.
The Museum of Contemporary Art San Diego (MCASD) has launched "Giants: Art from the Dean Collection of Swizz Beatz and Alicia Keys," a major traveling exhibition showcasing the couple's extensive collection of Black diasporic art. The show features monumental works from 37 artists, including a 164-foot painting by Meleko Mokgosi and an 8,000-pound sculpture by Arthur Jafa that required structural reinforcement of the museum floor. To create a more inclusive atmosphere, the exhibition replaces traditional white gallery walls with bold colors and includes a curated musical playlist by Swizz Beatz.
Renowned British sculptor Antony Gormley is preparing for a major creative season, marked by two upcoming exhibitions at the Royal Museum of Fine Arts in Antwerp and Galleria Continua in San Gimignano, alongside the release of a new book dedicated to his drawings. Speaking from his David Chipperfield-designed studio in London, the artist reflects on his rigorous daily practice and his background in art history, contrasting his own ascetic, industrial aesthetic with the fleshy opulence of Flemish masters like Rubens.
The Fondation Louis Vuitton in Paris has launched "Calder: rêver en équilibre," a massive retrospective featuring over 300 works by the American modernist Alexander Calder. The exhibition spans the artist's entire career, from his early engineering-influenced "Circus" performances and hand-wrought jewelry to his iconic suspended mobiles and monumental outdoor sculptures. Notably, the show marks the first time the Frank Gehry-designed institution has installed artworks on its exterior lawns, creating a dialogue between Calder’s geometric forms and the building's avant-garde architecture.
The Norton Museum of Art is in negotiations to acquire a monumental sculpture by the late Richard Serra to serve as the centerpiece of a new public art park in West Palm Beach. The proposed Norton Cultural Park would transform a two-acre waterfront site into a series of 14 landscaped "garden rooms" featuring world-class artworks. City commissioners have granted preliminary approval for a lease agreement that allows the museum to manage the land, which was formerly a pioneer cemetery.
The Museum of Fine Arts, Houston (MFAH) has reinstalled Ernesto Neto’s monumental site-specific commission, "SunForceOceanLife," in its Cullinan Hall. The immersive installation consists of a massive, hand-woven crochet labyrinth suspended 12 feet in the air, featuring a vibrant color palette that symbolizes the cyclical relationship between the sun, sea, and earth. Visitors are invited to walk through the spiral pathways, which are filled with soft plastic balls designed to challenge their balance and induce a meditative state.
White Cube Paris is hosting a major retrospective of Park Seo-Bo’s 'Ecriture' paintings, covering five decades of the artist’s career. The exhibition notably features the debut of his 'Newspaper Ecritures' in Paris—a series he originally conceived in the city during the late 1970s—presented alongside the final works completed before his death in 2023.
The Cultural Council for Palm Beach County has highlighted three major cultural events in the region, including two significant visual arts exhibitions. The Norton Museum of Art is hosting "Shelter," a survey of paintings by Danielle Mckinney that explores themes of solitude and domestic life, while the Cultural Council’s own gallery is debuting "Kinetic Energy," a group show featuring 14 local artists whose work captures the intersection of athleticism and artistic expression.
Cartwright Hall Art Gallery in Bradford has launched a new exhibition of Pre-Raphaelite masterpieces paired with contemporary reflections from the local LGBT+ community. Members of the Equity Partnership charity collaborated with museum staff to reinterpret 19th-century works by artists such as Dante Gabriel Rossetti, Ford Madox Brown, and John Collier through the lens of lived queer experience.
The Surrey Art Gallery has launched "In the Shadow of the Pavilions," an exhibition exploring the complex artistic legacy of Vancouver’s Expo 86. Curated by Jordan Strom, the show features works and archival materials from over 50 artists, including those officially commissioned for the world’s fair and those who were excluded or responded critically to the event. Highlights include documentation of Michael Snow’s pioneering holography and Bill Reid’s Haida canoe, Loo Taas, alongside works by Stan Douglas and Rodney Graham.
The High Museum of Art in Atlanta is hosting a major retrospective titled “Isamu Noguchi: ‘I am not a designer,’” featuring nearly 200 works by the Japanese-American artist. The exhibition highlights Noguchi’s philosophy that art should exist in everyday spaces, showcasing everything from his iconic midcentury furniture and floor lamps to his functional playground designs. Simultaneously, the city is preparing for 'illumine 2026,' an outdoor light-based art exhibition at the Historic Oakland Cemetery that further explores the integration of art into public life.
The Blanton Museum of Art in Austin has launched 'Run the Code: Data-Driven Art Decoded,' a major exhibition featuring over 20 digital artworks produced between 2004 and 2022. On loan from the Thoma Foundation, the collection includes pieces by prominent figures such as teamLab, Leo Villareal, and Marina Zurkow that utilize coding, real-time data, and generative AI. The show highlights the evolution of digital practice in the "post-social media era," ranging from interactive installations to algorithmic critiques of environmental and social issues.
Monmouth University senior Thea Merritt has curated the exhibition "Robert Mueller: Man and Machine" at the Ice House Gallery, focusing on the interdisciplinary legacy of the late artist and scientist Robert E. Mueller. Drawing from a massive estate donation of 1,500 objects, Merritt selected works that highlight Mueller’s unique fusion of electronic science, philosophy, and fine arts. The show represents the culmination of Merritt's work cataloging the collection and her research into contemporary curatorial practices.
The Los Angeles County Museum of Art (LACMA) has unveiled the first look at its new David Geffen Galleries, a radical horizontal structure designed by Pritzker Prize-winning architect Peter Zumthor. Scheduled to open to the public in May 2026, the sinuous concrete and glass building is elevated thirty feet above the ground, spanning Wilshire Boulevard. The interior departs from the traditional "white cube" museum model, featuring 27 non-linear galleries that utilize natural light and custom-designed metallic curtains to showcase the museum's encyclopedic collection in a fluid, interdisciplinary environment.
Latin American Art: Structural Growth between Market and Institutions
Latin American contemporary art is experiencing structural growth and increased global visibility between 2024 and 2026, moving beyond speculative trends toward deep-seated institutional legitimacy. This shift is highlighted by the prominent inclusion of regional artists in major international platforms, most notably the 2026 Venice Biennale and the Pinault Collection. Key figures such as Rosanna Paulino, Adriana Varejão, and Paulo Nazareth are leading this movement, utilizing diverse media to explore themes of post-colonialism, racial violence, and ecological memory.
The Fondation Louis Vuitton in Paris has launched a major retrospective dedicated to the American artist Alexander Calder, featuring approximately 300 works. The exhibition showcases 139 of his signature kinetic sculptures and 33 paintings, utilizing the institution's vast internal galleries as well as its external gardens. This marks the first time the museum's outdoor spaces, designed by the late architect Frank Gehry, have been used to host such a comprehensive display of Calder's monumental works.
Art critic Philip Kennicott reflects on the profound psychological impact of Raphael’s Renaissance masterpieces, specifically citing the 'Madonna of the Meadow' in Vienna and the 'Alba Madonna' in Washington, D.C. He describes how these works possess a unique ability to cure 'museum fatigue' and mental clutter, offering a sense of serenity and clarity that feels particularly necessary in the current cultural climate.
Canadian artist Steven Shearer will present a major exhibition of new figurative oil paintings, drawings, and significant loans at David Zwirner’s London gallery in June 2026. The showcase marks Shearer’s first solo presentation in the city since 2007, highlighting his unique ability to blend canonical art history with contemporary subcultures. His work frequently explores classical subjects like the artist’s studio and the Rückenfigur through a modern, often visceral lens.
A group of 74 artists and curators invited to the 61st Venice Biennale have issued an open letter to the institution's president, Pietrangelo Buttafuoco. The signatories are protesting the decision to relocate the Israeli Pavilion to the Arsenale, placing it in close proximity to the central exhibition 'In Minor Keys' curated by the late Koyo Kouoh. The letter demands the exclusion of official delegations from countries accused of war crimes—specifically Israel, Russia, and the United States—and accuses the Biennale of complicity through its silence on global atrocities.
Pitzhanger Manor & Gallery in West London has announced a major retrospective of Sir Peter Blake, scheduled to open in November 2026. The exhibition, titled 'Peter Blake: In the Studio,' features a full-scale reconstruction of the artist's Hammersmith workspace, providing an immersive look at the environment where his seven-decade career unfolded. The show will display a wide range of media, including his iconic Pop Art paintings, sculptures, and recent collages that respond to the works of William Hogarth.
Pitzhanger Manor & Gallery in West London has announced a major exhibition, "Peter Blake: In the Studio," scheduled to run from November 2026 to April 2027. The landmark show will feature a full-scale recreation of the artist’s Hammersmith workspace, providing an immersive look at the environment where the 'Godfather of British Pop Art' conceived his most famous works. The exhibition will span seven decades of Blake's career, showcasing paintings, collages, and sculptures alongside his personal collection of curiosities and memorabilia.
The Metropolitan Museum of Art has launched a major retrospective titled 'Raphael: Sublime Poetry,' featuring over 230 works sourced from more than 60 international institutions and private collections. The exhibition provides a chronological survey of the Renaissance master’s career, spanning his early years in Urbino to his definitive period at the papal court in Rome, and includes iconic paintings such as the 'Alba Madonna' alongside rare preparatory sketches and immersive projections of his Vatican frescoes.
Sam Quigley, the director of the Lyman Allyn Art Museum in New London, Connecticut, has announced his retirement after 12 years at the helm. During his tenure, Quigley was instrumental in modernizing the institution by establishing the Near :: New Gallery for regional contemporary art, creating a permanent Louis Comfort Tiffany exhibition, and overseeing the development of the 12-acre Lyman Allyn Park. He also significantly bolstered the permanent collection with acquisitions by major figures such as John Singer Sargent and David Driskell.
The city of Pécs, Hungary, has reopened the Victor Vasarely Museum following a comprehensive renovation to mark the 120th anniversary of the artist's birth. The updated institution features a modernized building and a redesigned curatorial approach that showcases approximately 400 works, including monumental screen prints from the "VI-VA Album" that have been in storage for over 50 years. New interactive spaces and a focus on international dialogue place Vasarely’s Op Art legacy within the broader context of 20th-century geometric abstraction.
The High Museum of Art in Atlanta has launched "Isamu Noguchi: ‘I am not a designer’," the first major design retrospective of the artist’s work in nearly 25 years. Featuring approximately 200 objects, the exhibition spans Noguchi's diverse career, from early commercial products like the Radio Nurse and fashion illustrations to his iconic furniture for Herman Miller and Knoll. The show is organized thematically, exploring how Noguchi blurred the lines between industrial design, architecture, and fine art.
The Institute of Contemporary Art, Miami, has launched "Perfect Nonsense," a comprehensive survey of Harmony Korine’s multidisciplinary career. Curated by Alex Gartenfeld, the exhibition features a vast array of works spanning film, painting, installation, and digital media, marking the artist's first major museum survey in the United States. The presentation highlights Korine’s experimental visual language, blending analog techniques with gaming aesthetics and contemporary digital culture across several gallery spaces.