Column | I road-tripped the Midwest’s best art museums. It was anything but an escape.

Art critic Sebastian Smee embarked on a summer road trip to visit seven major art museums across five Midwestern cities over five days. The column reflects on how the rapid succession of artworks and ideas from these institutions—ranging from the Art Institute of Chicago to the Cleveland Museum of Art—creates oblique connections and correspondences, both among the works themselves and between art and the outside world. Smee describes the experience as anything but an escape, as the art continually mirrors real-world events and emotions.

When Art Meets Nature

The Taoyuan Museum of Fine Arts and the National Gallery Singapore have jointly organized "When Art Meets Nature," a children's art exhibition running from July 2 to November 9, 2025, at the Taoyuan Children's Art Center. Featuring five artists from Taiwan and Singapore, the show presents interactive installations, audiovisual works, and immersive environments centered on ecology, sustainability, and the human-nature relationship. Artists include Zul Mahmod, Chen Po-I, Hsu Yenting, Tan Zi Xi, and Soh Ee Shaun, with works inspired by local waterways, forests, and indigenous ecological wisdom.

Lesia Vasylchenko wins the PinchukArtCentre Prize

Lesia Vasylchenko, a Kyiv-born artist, has won the 2025 PinchukArtCentre Prize, receiving 400,000 Ukrainian hryvnia (about $10,000). Her winning installation includes two video works: one reflecting on the shelling during Russia's full-scale invasion of Ukraine, and another using AI to compress 30 years of sunrises into a single event. At the awards ceremony held on 18 June in Kyiv—a day after a deadly Russian drone attack killed at least 28 people—Vasylchenko announced she would donate the entire prize to support the Armed Forces of Ukraine. Special prizes were awarded to painter Kateryna Aliinyk and artist Yevhen Korshunov, each receiving 100,000 hryvnia and additional support.

Asian Art Museum’s exhibit finds hope and beauty in ‘Everyday War’

The Asian Art Museum in San Francisco is presenting "Everyday War," the first North American solo exhibition of Taiwanese artist Yuan Goang-Ming, on view through August 4. The show features two video installations—"Dwelling" (2014) and "Everyday War" (2024)—that depict domestic spaces being violently destroyed by unseen forces, only to reassemble moments later. Yuan, who created "Everyday War" for the Venice Biennale, uses slow-motion explosions and intimate household details to evoke anxiety, beauty, and catharsis without showing blood or fleeing figures.

More than 200 galleries are signed on for The Armory Show's next edition

The Armory Show has announced over 200 galleries for its September 2025 edition at the Javits Center in New York, including more than 135 returning exhibitors and around 55 first-time participants. New features include a design-focused sector called Function, curated by Ebony L. Haynes, and a large-scale sculpture sector Platform led by the nonprofit Souls Grown Deep. The fair will also introduce a non-profit sector and honor Silke Lindner with the Gramercy International Prize.

2025 MFA Thesis Exhibition Transforms the Miriam and Ira D. Wallach Art Gallery

On April 26, 2025, the School of the Arts held its annual MFA Thesis Exhibition at the Miriam and Ira D. Wallach Art Gallery, featuring twenty-nine emerging and established artists. Curated by Amal Issa, the show spans a wide range of mediums including installations, videos, paintings, drawings, and sculptures, with many works exploring themes of memory, ancestry, and identity. Notable pieces include Maya Dixon's immersive installation using gourds and found objects, Daniel Castro's surreal cityscapes, and Ridwana Rahman's interactive carpet piece that invites reflection on direction and prayer.

Modern and Contemporary African and Middle Eastern Art: Olympia Auctions’ Largest Sale to Date

Olympia Auctions will hold its largest-ever sale of Modern and Contemporary African and Middle Eastern Art on May 7, 2025, in London. The auction features over 100 lots including works by pioneering Nigerian artists appearing at auction for the first time, Egyptian modernists from the Zulficar collection, classic South African paintings from a major collection, and Botswanan works on paper. Highlights include a portrait of Oum Kalthoum by George Bahgoury (estimate £25,000-30,000) and satirical portraits by Kingsley Obasi. Olympia Auctions expert Janet Rady, who has led the secondary market for Middle Eastern art since 2013, curated the sale.

Displaying the gallery

The Los Medanos College Art Gallery is preparing for its spring student exhibition, which opened April 15. Gallery director Sarah Lee oversees the installation process, working with student workers and volunteers like Jordan Castro, Dasha Shevchenko, and Eric Sanchez to arrange artworks—including paintings, sculptures, and ceramics—into a cohesive display. A guest juror selected the pieces, and this year's show features an interactive element created by senior lab coordinator Cesar Reyes and Nick Nabas, inviting visitors to engage directly with the exhibit.

For Which It Stands...

The Fairfield University Art Museum has launched "For Which It Stands…," a landmark exhibition featuring over 70 artworks that utilize the American flag as a central motif. Curated by Carey Mack Weber, the show spans more than a century of artistic production, from World War I-era paintings by Childe Hassam to contemporary works by artists such as Julie Mehretu and Danielle Scott. The exhibition is a centerpiece of the university's America250 programming, marking the 250th anniversary of the United States.

Mandopop Icon Jay Chou Curates Two Dazzling Sales of Art and Memorabilia

Taiwanese Mandopop superstar Jay Chou has curated two simultaneous auctions on Pharrell Williams's platform Joopiter: one featuring 14 personal memorabilia items from his three-decade career, and another titled "The Contemporary Take: A Look With Jay Chou" offering 25 paintings and prints by international artists. Highlights include works by Oscar Yi Hou, Young-il Ahn, Daniel Richter, Hajime Sorayama, Diane Dal-Pra, Ernie Barnes, and Yoshitomo Nara. Bidding closes on October 31 for the art sale and November 4 for the memorabilia. Proceeds from the memorabilia sale will support a charitable initiative backed by Chou.

From Mondrian to Man Ray, Here Are the Best-Sellers at Auction So Far This Year

The article analyzes the best-selling artworks at auction in the first half of 2025, covering Old Masters, Impressionist and Modern, and Postwar categories. Notable sales include a pair of Francesco Guardi views of Venice that sold for $10.5 million at Sotheby’s New York, a Piet Mondrian abstraction from the estate of Barnes & Noble founder Leonard Riggio that fetched just under $50 million, and a monumental rhinoceros-shaped desk by François-Xavier Lalanne that more than tripled its high estimate after a 13-minute bidding war. The report highlights that Old Masters sales were up 24% year-over-year, while top Impressionist and Modern lots saw lower prices compared to 2024.

Sex, beauty and the body: how Helen Chadwick shaped British contemporary art

A new critical biography, "Helen Chadwick: Life Pleasures," has been published, marking the first comprehensive study of the British artist Helen Chadwick (1953-96). Edited by Laura Smith, director of collections and exhibitions at the Hepworth Wakefield, the book includes contributions from historian Marina Warner, curator Katrin Bucher Trantow, and artist Maria Christoforidou. A touring exhibition of Chadwick's work opens at the Hepworth Wakefield on 17 May and runs until 27 October. The article highlights Chadwick's provocative, punky, and perverse body-focused works, such as "Untitled (Eat Art)" (1973), where she cast her face in jelly for viewers to consume, and "Piss Flowers" (1991-92), made from snow she urinated on. It also recounts the infamous 1986 incident at the Institute of Contemporary Arts in London, where her sculpture "Carcass"—a glass tower of rotting vegetables—leaked and collapsed.

In Venice, famous street artist JR completely wraps a historic palazzo with an installation

A Venezia il famoso street artist JR avvolge completamente un palazzo storico con un’installazione

Street artist JR has wrapped the historic Palazzo Ca' da Mosto in Venice—now the Venice Venice Hotel—with a large-scale installation timed to the 61st Venice Biennale. The project, titled "Il Gesto," reinterprets Paolo Veronese's 1563 masterpiece "The Wedding at Cana" as a contemporary fresco featuring 176 people from the Refettorio Paris community kitchen. Inside the palazzo, an immersive installation combines photographic portraits, reflective surfaces, and audio recordings to create a layered narrative. A monumental tapestry woven by Giovanni Bonotto and the Fondazione Bonotto, made from recycled plastic, wool, cotton, and washi paper, extends the work into a durable, contemplative form.

In Seine-Saint-Denis, the clever housing for migrants by architect Patrick Rubin

En Seine-Saint-Denis, les logements futés pour les migrants de l’architecte Patrick Rubin

Architect Patrick Rubin of the firm Canal has transformed the former National Road Information Center, known as Bison Futé, in Rosny-sous-Bois (Seine-Saint-Denis) into a housing complex for 169 migrants. The project, commissioned by social landlord Batigere Habitats Solidaires, preserves the original 1986 half-moon building by Ludwik Peretz and Gilbert Delecourt, adding a new floor and a rear half-crown structure. Rubin used 79 prefabricated modules (17–25 m² each), built in workshops near Lyon, each equipped with a bed, kitchenette, bathroom, and window. Inspired by ship cabin manufacturing in Dunkirk and traditions of tiny houses and capsule hotels by Charlotte Perriand, Herman Hertzberger, and Shigeru Ban, the modules were craned into place. The project faced delays due to differing tolerances between concrete and wood construction, pushing delivery from early 2026 to late 2026.

Museum Night 2026: Events in Belarus and Beyond

On May 16, 2026, Museum Night celebrations will take place across Belarus and beyond, with cultural institutions offering extended hours and special programs. Highlights include the National Centre for Contemporary Arts in Minsk hosting lectures, artist talks, and exhibitions such as “Forms and Shadows: Feminine” and “Difficulties of Translation,” while the National Art Museum explores the color blue through its program “Blue of Blue.” Literary museums dedicated to Maksim Bahdanovich, Yakub Kolas, and Yanka Kupala will feature space-themed activities, reenactments, and fashion shows, and the “Sula” History Park will offer an interactive journey called “Hunting the Dragon.”

Exhibition | Dai Chenlian, 'Waxing and Waning of the Augustness III' at ShanghART, M50, Shanghai, China

ShanghART Gallery presents Dai Chenlian's solo exhibition 'Waxing and Waning of the Augustness III' at its M50 space in Shanghai from April 10 to May 29, 2026. The show is the final chapter of the artist's 'Mother Trilogy,' centering on his mother's life from 1954 to 2025. Through a reconstructed old house made from loom parts, along with painting, installation, performance, sound narration, and shadow puppetry, the exhibition explores themes of memory, migration, and female resilience, drawing on a line by Tang dynasty poet Li Shangyin.

In Venice two new cultural realities in the Civic Museums circuit: a contemporary art center is born in Mestre and the Wagner Museum enters the network

A Venezia due nuove realtà culturali nel circuito dei Musei Civici: nasce un centro d’arte contemporanea a Mestre e entra nella rete il Museo Wagner

The Fondazione Musei Civici di Venezia (MUVE) has opened a new contemporary art museum called MUVEC (Casa delle Contemporaneità) at the Centro Candiani in Mestre, inaugurated on April 24. Simultaneously, MUVE has signed an agreement with the Casinò di Venezia and the Associazione Richard Wagner to bring the Museo Wagner in Ca' Vendramin Calergi into its network starting in 2027, expanding the MUVE circuit to 14 museums (excluding MUVEC). MUVEC features a permanent collection spanning from 1948 to the present, drawn from the Galleria d'Arte Moderna di Venezia Ca' Pesaro, and will host temporary exhibitions including a 2026 show on Klimt, Schiele, Kokoschka and the body.

Pussy Riot and FEMEN protest at the Russian Pavilion at the Venice Biennale. "Blood is the true language of Russia"

Le Pussy Riot e le FEMEN in protesta al Padiglione russo alla Biennale di Venezia. “Il sangue è il vero linguaggio della Russia”

On May 6, 2026, during the preview days of the 61st Venice Biennale, Pussy Riot and FEMEN staged a joint protest outside the Russian Pavilion. Led by Nadya Tolokonnikova, the activists denounced Russia's participation in the Biennale as a form of political normalization while the war in Ukraine continues. The action included chants and slogans such as "Russia kills, Biennale exhibits. Blood is Russia's art," and targeted the Russian ambassador present inside the pavilion. The protest was unannounced and caught Biennale security off guard, drawing a crowd of journalists, visitors, and art professionals.

A Collection Built Through Exchange. “Gifts of Friendship” at the Muzeum Sztuki in Łódź.

The Muzeum Sztuki in Łódź is opening an exhibition titled "Gifts of Friendship" on 15 May, featuring nearly 150 works donated to the museum between 2024 and 2026 by some 80 artists from dozens of countries. The exhibition, curated by Barbara Piwowarska, traces the museum's origins to the 1920s when avant-garde artists like Władysław Strzemiński and Katarzyna Kobro built the International Collection of Modern Art through artist-to-artist gifts, bypassing market logic. The current show responds to the institution's recent crisis by turning again to the artistic community for support, resulting in a wave of donations that reaffirm the museum's founding ethos.

Paolo Roversi on Getting a Permanent Gallery Space in His Italian Hometown

Italian photographer Paolo Roversi, based in Paris since 1973, has opened a permanent gallery space in his hometown of Ravenna. The Paolo Roversi Gallery officially opened at the Art Museum of the City of Ravenna (Mar), featuring a recreation of his Paris studio, an archive room, and a muses' room with portraits of Kate Moss, Naomi Campbell, and others. The gallery was curated by Chiara Bardelli Nonino and designed by longtime collaborator Ania Martchenko, building on a previous exhibition at the museum.

At the Venice Biennale, protests, self-mutilation and rage against Israel and Russia. Is anyone left to talk about the art?

At the 61st Venice Biennale, protests and controversies have overshadowed the art itself. The Art Not Genocide Alliance (ANGA) demonstrated against the inclusion of Israel and Russia, while the Israeli Pavilion became a flashpoint. Artist Belu-Simion Fainaru, presenting his installation "Rose of Nothingness" in a temporary space, complained that he was forced to defend his art's right to exist amid questions about politics rather than his work. The Biennale also saw barricades, strikes, the resignation of the Golden Lion jury, Iran's last-minute withdrawal, and anger directed at the American pavilion over Trump administration policies. The central exhibition, "In Minor Keys," curated by the late Koyo Kouoh, was eclipsed by these events.

75 Years of Making Art in Ardsley

The Ardsley Art Commission is presenting a unique exhibition featuring the works of mother-and-son artists Valda Hancock Wagner and Rich Wagner, spanning 75 years of artistic creation. The show includes oil and acrylic paintings, watercolors, drawings, etchings, and wood block prints, ranging from traditional realism to abstraction. Valda studied with notable artists such as Reginald Marsh, Robert Rauschenberg, and Robert Beverly Hale, and later taught art in inner-city New York. Rich studied at the Art Students League, the Royal Academy of Arts, and the Royal Drawing School, and has participated in over 80 exhibitions. The exhibition is on view at Ardsley Village Hall through October 1.

From gunshots to gilded plates: Who are the real hooligans of the art world?

Alex Burchmore reviews 'The Hooligans,' an exhibition that explores the Maoist concept of hooliganism in the context of contemporary Chinese art. The show features works by artists like Xiao Lu, who famously fired a gun at her installation during the 1989 'China/Avant-Garde' exhibition, as well as Zhu Yu and He Yunchang, known for incorporating human body parts and surgical procedures into their art. The exhibition contrasts these transgressive acts with more market-friendly works, such as Zhu Yu's gilded plate paintings and Hu Yinping's commercial-style figurines, highlighting the tension between artistic rebellion and commercial success.

Twelve Exhibitions, One Looming Question: Bard Student Curators Take on the Meaning of Now at Hessel Museum

The Hessel Museum at Bard College has launched its annual spring exhibition season, featuring twelve distinct curatorial projects titled "Everything That Happens Will Happen Today." Organized by graduating students from the Center for Curatorial Studies (CCS), the showcase serves as a professional debut for an emerging cohort of curators. The projects range from solo retrospectives of under-recognized artists like Brazilian painter Maria Auxiliadora Silva to explorations of feminist art history through the work of A.I.R. Gallery co-founder Anne Healy.

Christie’s Paris Sells $64 Million Worth of 20th- and 21st-Century Art at Auction

Christie’s Paris held a series of auctions focused on 20th- and 21st-century art, achieving over $64 million in total sales with a 92% sell-through rate. The sales included works from the Lise and Roland Funck-Brentano Collection and the Henri Canonne Collection, and featured Impressionist, Modern, and Contemporary art. Three world records and one national record were set, including a wooden relief by Sophie Taeuber-Arp that sold for $3.4 million and Jane Avril au Divan Japonais by Henri de Toulouse-Lautrec, which fetched over $6 million and set a national auction record for the artist. The evening sale alone brought in over $34 million, and the Contemporary Art sale exceeded its high estimate at over $9.4 million.

Studio Art MFAs Present Thesis Exhibition “TRANSIT”

American University's 2025 Master of Fine Arts Thesis Exhibition, titled “TRANSIT,” is on view at the AU Art Museum from April 19 to May 18. The show features the culminating works of six graduating Studio Art MFA students: Phaedra Askarinam, Pooja Campbell, Patricia Edwine Poku, Connor Gagne, Andrés Izquierdo, and Julia Cheng Zhang. Their diverse practices span painting, ceramics, installation, and performance, unified by the theme of transit—interpreted as acts of passage, transformation, and self-discovery. Curated around this shared concept, the exhibition explores life transitions such as grief and parenthood, as described by Professorial Lecturer Molly Springfield.

Are All Crises Equal? A Conversation with MOS’s Michael Meredith and Hilary Sample by ANY

Architects Michael Meredith and Hilary Sample of the firm MOS discuss the concept of "polycrisis"—the intersection of economic, political, and ecological failures—and its impact on architectural form. The conversation highlights a growing void between the formal aesthetic project of architecture and the urgent political realities of the modern world. Sample specifically addresses how the dominance of political and regulatory restrictions in collective housing has stifled formal innovation, often reducing architecture to a mere byproduct of governance rather than a tool for social or cultural expression.

Katie DeGroot: The Arboreal Life

Katie DeGroot's exhibition "The Arboreal Life" at Kathryn Markel Fine Arts in New York (April 2–May 9) presents tree paintings that anthropomorphize branches into human-like figures. Works such as "Chit Chat" (2026) and "Family Matters" (2025) depict trees leaning, gesturing, and tangling in ways that suggest intimate relationships, arguments, and familial bonds. DeGroot, who moved from New York City to a farm in upstate Fort Edward, began using fallen branches as models after lacking human subjects, developing compositions that emphasize color, texture, and the interplay of fungi and lichen. Her use of opaque and translucent watercolors balances natural observation with poetic interpretation.

Coolidge Corner art gallery relocates, brightening downtown Boston neighborhood

Praise Shadows Art Gallery, a contemporary art gallery focusing on untapped and unrecognized artists, has relocated from Coolidge Corner in Brookline to a larger 2,000-square-foot space on Kingston Street in downtown Boston. The gallery reopened in mid-March after moving in January, with founder and CEO Yng-Ru Chen citing the convenience and breathing room of the new location. The move was facilitated by the Mayor's Office of Arts and Culture and the Downtown Boston Alliance, which aims to fill vacant storefronts with arts businesses and revitalize the neighborhood.

Late Night Art Returns to DUMBO This Fall

DUMBO's First Thursday Gallery Walk returns on October 2, offering free late-night access to galleries and cultural spaces across the neighborhood. The event features live music, artist talks, exhibitions, and a free Insider's Tour from 6:30 to 7:30 PM, with stops at Platform Project Space, Lucky Risograph, A.I.R. Gallery, and Loop of the Loom. Participating venues include A.I.R. Gallery, AMR Art DUMBO, Center for Cuban Studies, Smack Mellon, and many others, showcasing works by artists such as Abbey Williams, Elizabeth Bick, Samuel E. Vázquez, and Chang Yuchen.