A viral Instagram video by Emily Kaplan claims that two artworks stolen from the Isabella Stewart Gardner Museum in 1990 appear in tax estate documents from the Jeffrey Epstein files. Kaplan suggests the Rembrandt etching and a painting attributed to Govaert Flinck were listed, potentially linking the infamous art heist to Epstein's financial network for money laundering.
The Intuit Art Museum in Chicago has received a major gift of 61 artworks through two donations, one from the estate of founding supporter Jan Petry and another from scholar and collector Gordon W. Bailey. The works, by artists like Emery Blagdon and Mose Tolliver, will help the museum expand its presentation of works by women artists of color.
The Art Institute of Chicago has acquired a preparatory oil study for Norman Rockwell's 1948 painting *The Dugout*, donated by former Illinois Governor Bruce Rauner and his wife Diana Rauner. This marks the first work by the iconic American illustrator to enter the museum's collection, where it now hangs alongside Grant Wood's *American Gothic*.
The article is a table of contents for Issue 42 of Contemporary Art Review LA, which includes a review of an exhibition by artist Devin Troy Strother at ArtCenter. The review, written by Janelle Zara, is listed among other reviews, interviews, and features in the publication's November 2025 issue.
David A. Ross, a prominent museum director and chair of the MFA Art Practice program at New York's School of Visual Arts, resigned after ARTnews revealed his numerous appearances in the newly released Jeffrey Epstein files. The documents, released by the Justice Department, show correspondence between Ross and Epstein dating back to 1995, including emails where Ross offered support to Epstein after his 2008 arrest and discussed a controversial exhibition concept proposed by Epstein.
A wave of paintings by women depicting women dominated New York galleries this fall, sparking a critical examination of contemporary feminist figuration. Artists like Emily Coan and Anna Weyant create images of idealized, often sexualized femininity, framing their work as a reclamation of beauty and personal expression.
The Museum of Fine Arts, Boston (MFA) has denied targeting Diversity, Equity, and Inclusion (DEI) staff after laying off 33 employees, including its only Muslim, Native American, and Black curators. The layoffs, effective January 30, 2026, prompted a petition with nearly 2,000 signatures and a demand from 130 staff at the Massachusetts College of Art and Design for the curators' reinstatement. MFA Director Pierre Terjanian attributed the cuts to financial deficits from the COVID-19 pandemic, stating the proportion of staff of color remained unchanged.
Emails released by the U.S. Department of Justice in January 2026 reveal that convicted sex offender Jeffrey Epstein boasted to associates about securing a private after-hours visit to the Musée d'Orsay in Paris with filmmaker Woody Allen on March 18, 2012. In the correspondence, Epstein wrote to a recipient identified only as 'junkermann' that the French government would open the museum for him and Allen, and later messaged others including former girlfriend Eva Dubin, who responded with a 'King of the castle' quip. Epstein also made crude sexual references in connection with the visit, mentioning Edgar Degas's depictions of nude women.
Thaddaeus Ropac is opening a new project space in New York and has hired Emilio Steinberger as a senior director. Hauser & Wirth now represents artist Conny Maier in collaboration with Société in Berlin. Zippora Elders Tahalele has been appointed director of the Nederlands Fotomuseum. The Tulsa Artist Fellowship announced its 2026–28 cohort of ten artists and arts workers. The ADAA appointed four new board members: Elizabeth Feld, Bridget Moore, Yancey Richardson, and Melissa Timarchi. Sotheby's second sale in Saudi Arabia, 'Origins II,' totaled $19.6 million, with a record $2.1 million for Safeya Binzagr's work. The article also covers Art Basel Qatar's first edition, with comments from Sheikha Al-Mayassa bint Hamad bin Khalifa Al-Thani and artistic director Wael Shawky.
An open letter demanding curatorial independence at the Art Gallery of Ontario (AGO) has gathered over 500 signatures after trustee Judy Schulich reportedly blocked the acquisition of Nan Goldin's moving-image work *Stendhal Syndrome* (2024), calling the Jewish American photographer “antisemitic.” The AGO had planned to acquire the work jointly with the Vancouver Art Gallery and the Walker Art Center, but the vote was 11–9 against acquisition. In response, curator John Zeppetelli resigned, two volunteer committee members stepped down, and Goldin herself criticized the decision as censorship driven by donor influence. The AGO has since announced a restructuring of its modern and contemporary curatorial committee, splitting it into two groups for 20th- and 21st-century art, effective in 2026.
Icelandic artist Björn Roth, known for his collaborative installations and as a member of the artist collective The Roth Family, has died at the age of 64. His death was reported alongside other significant arts news, including the planned closure of the Kennedy Center for renovations and the permanent shuttering of Glasgow's Centre for Contemporary Arts due to financial difficulties.
The Kanal–Centre Pompidou in Brussels, a major new modern and contemporary art center housed in a converted 1930s Citroën garage, will open on November 28 with a launch program of 10 exhibitions. Its centerpiece, "A truly immense journey," will feature over 350 works from the Centre Pompidou's collection, exploring themes of migration and exchange.
Newly released documents from the Department of Justice, part of the Jeffrey Epstein case, contain email exchanges from 2013 that reference prominent art collectors Steve Tisch and Jean Pigozzi. The emails show Epstein facilitating introductions between Tisch and multiple women, with discussions about their backgrounds and travel arrangements. Tisch has stated the association was brief and expressed regret.
Brendan and Celia Wilson are selling Rossett Mill, a Grade II-listed 16th-century water mill in Wrexham, Wales, for £1.5 million ($2 million). The couple purchased the derelict property 17 years ago for £660,000 and spent two years and roughly £250,000 restoring it into a four-bedroom home, sourcing reclaimed oak beams from France and preserving its historic character. The mill, which dates to 1588, once inspired an early painting by J.M.W. Turner titled *Marford Mill* (1795), created during one of his tours of Wales. The Wilsons are selling to move closer to their children.
Swatch has announced a new collaboration with the Guggenheim, releasing a collection of watches featuring artworks from the Solomon R. Guggenheim Museum in New York and the Peggy Guggenheim Collection in Venice. The collection includes designs based on works by Edgar Degas, Paul Klee, Claude Monet, and Jackson Pollock, and is part of Swatch's ongoing Art Journey series, which has previously partnered with institutions like the Museum of Modern Art and the Louvre Abu Dhabi.
The Louvre Museum in Paris was forced to close on Monday, January 12, 2026, after staff launched a strike over pay, staffing levels, and working conditions. The closure is the latest in a series of disruptions since mid-December, including a three-day walkout before Christmas and multiple delayed openings in early January. Unions representing employees say the museum is understaffed, poorly maintained, and workers are overworked, calling for increased hiring, higher wages, and greater infrastructure investment. The labor unrest has been compounded by heightened scrutiny following an October daytime robbery of crown jewels valued at over $100 million, and tensions have also flared over a proposed standalone gallery for Leonardo da Vinci's *Mona Lisa*, which unions deem unrealistic given existing problems.
South Africa selected a work by artist Gabrielle Goliath for its Venice Biennale pavilion, then rescinded the decision on January 2, just eight days before the finalization deadline. The culture ministry, led by Minister Gayton McKenzie, objected to a section of Goliath's "Elegy" series that included words by Palestinian poet Hiba Abu Nada, who was killed in an Israeli airstrike in 2023. The pavilion's selection committee publicly disagreed with the cancellation, calling it censorship and highlighting a history of mismanagement.
Newly uncovered documents from the Museum of Modern Art’s archives confirm that the Franco regime in Spain attempted to censor Robert Motherwell’s painting *Elegy to the Spanish Republic No. 35* (1954–58) before its scheduled 1958 exhibition in Madrid. The painting was part of MoMA’s traveling show “The New American Painting,” which introduced Abstract Expressionism to Europe. Spanish authorities demanded Motherwell remove the phrase “Spanish Republic” from the title, but the artist refused, leading to the work’s exclusion from the exhibition. The documents, reviewed by *El País*, also reveal that Catalan artist Antoni Tàpies boycotted state-sanctioned shows, calling the regime’s cultural propaganda “scandalous.”
Jacqueline Humphries's survey exhibition at the Aspen Art Museum features her painting installation "TSLA" (2025), a five-panel work hung on bare metal studs that bisects the gallery space. The installation plays with perception through mirrors and anamorphic imagery, including a distorted Tesla logo, and includes a hidden set of red paintings visible only as reflections. The show also presents nine smaller works generated in part by artificial intelligence, housed in a green-walled adjacent room.
The Flemish government's plan to dissolve M HKA, a contemporary art institution in Antwerp, has been met with legal opposition after the museum initiated a legal review that claims the move would be illegal. The review, presented to the press on Tuesday with artists Luc Tuymans and Otobong Nkanga in attendance, argues that the government's proposal—which would close M HKA, transfer its collection to Ghent, and rebrand S.M.A.K. as the Flemish Museum of Contemporary and Current Art by 2028—contains "flagrant illegalities." The plan has drawn widespread condemnation from museum directors and artists, including Anish Kapoor, who demanded the removal of his work from M HKA's website.
An unsanctioned augmented reality exhibition titled “Encoded” has taken over the American Wing of the Metropolitan Museum of Art, featuring works by 17 North American Indigenous artists. The exhibition, organized by the nonprofit media lab Amplifier and co-curated by Tracy Rector, overlays digital artworks onto iconic paintings and sculptures, including a piece by Josué Riva that replaces Thomas Sully’s portrait of Queen Victoria with a moving image of Acosia Red Elk (Umatilla, Cayuse & Nez Perce) delivering the message “Be a Good Ancestor.” The intervention launched on Indigenous Peoples’ Day and Columbus Day, October 13, 2025, and runs through December 13, without the Met’s permission.
The Art Institute of Chicago announced its top acquisitions from over 1,000 works added to its collections in 2025. Highlights include Kay WalkingStick’s two-panel painting *The Silence of Glacier* (2013), which overlays Northern Cheyenne beadwork onto a Glacier National Park landscape; Christian Schad’s *Portrait of Composer Josef Matthias Hauer* (1927); Frans Francken II’s *Esther Before Ahasuerus* (1622); a rare 17th-century Indian textile titled *A Nayaka Nobleman with Courtiers and Courtesans*; an untitled photograph from Francesca Woodman’s “Caryatid” series (1980); and the *Ovejo Armchair* (1972) by Jaime Gutiérrez Lega.
Banksy's Walled Off Hotel in Bethlehem has reopened for the first time since the October 7 attacks on Israel and the subsequent war in Gaza. The hotel, which opened in 2017 across from the West Bank barrier, functions as a guesthouse, museum, art gallery, bookstore, and spray-paint shop, with nearly every window facing the 30-foot-high concrete wall. Manager Wisam Salsaa described the reopening as a symbol of hope and a cultural platform carrying the narrative of Palestine, featuring more than 20 original Banksy works and accommodation ranging from $70 bunk beds to a $495 presidential suite.
The Barbican Centre in London will close for one year starting in June 2028 as part of a five-year "Barbican Renewal Programme" to renovate its three gallery spaces and other infrastructure. The City of London Corporation has committed £191 million (about $255.8 million) toward the £240 million ($321.3 million) project, with the remainder to be raised through a fundraising campaign. During the closure, the Barbican plans to collaborate with partners and present programming beyond its walls.
Walton Ford's new series of paintings, on view at Gagosian in New York through April 19, centers on the Marchesa Luisa Casati and her two cheetahs. The works depict the Milanese heiress and Futurist muse in early 20th-century Venice, but the animals—not the glamorous woman—command the focal point. Ford, known for subverting natural history illustration, uses watercolor to balance trompe-l'oeil realism with painterly abandon, developing the characters across multiple canvases with Italian titles referencing literature by Casati's lover, poet Gabriele D'Annunzio.
Maria Balshaw, director of Tate in London, will step down in spring 2026 after nearly a decade leading the institution. During her tenure, she oversaw major exhibitions including "Van Gogh and Britain," "Yoko Ono," and "Sargent and Fashion," and her final project will be a Tracey Emin survey at Tate Modern. Separately, the Smithsonian Institution's National Museum of Asian Art announced it will return three Khmer Empire sculptures—Head of Harihara, The Goddess Uma, and Prajnaparamita—to Cambodia, citing evidence they were looted during the country's civil conflict. The US Senate also unanimously approved the HEAR Act of 2025 to help heirs reclaim art looted during the Holocaust.
David Zwirner gallery in New York hosted a four-day benefit exhibition titled “Toward the Light: Artists for the Ali Forney Center,” which raised $950,000 for the Ali Forney Center, a nonprofit supporting queer youth with housing, education, job training, and medical care. Curated by art adviser Stephen Truax, the show featured 37 artists, including Ross Bleckner, Marlene Dumas, Jenna Gribbon, Julie Mehretu, and Wolfgang Tillmans, and generated $1.2 million in sales, with artists receiving $250,000 and the gallery waiving its commission. Truax, who previously co-organized smaller editions with Sotheby’s, shifted to a gallery partnership to gain more control over sales and pricing, more than doubling his initial $350,000 fundraising goal.
Maria Balshaw, director of London’s Tate, has announced she will step down in spring 2026 after nearly a decade leading the museum network. She joined in 2017, succeeding Nicholas Serota, and previously directed the Manchester Art Gallery and the Whitworth Art Gallery. During her tenure, she oversaw major exhibitions including “The EY Exhibition: Van Gogh and Britain” (2019), a Yoko Ono retrospective, and “Sargent and Fashion.” Her final project will be co-curating the largest-ever survey of Tracey Emin at Tate Modern, running from February 27 to August 31, 2026.
Swiss art dealer Yves Bouvier has filed a Section 1782 petition in US federal court to locate 91 artworks he claims are his, worth approximately $100 million. The filing targets roughly 15 major banks and two auction houses (Sotheby's and Christie's) to compel disclosure of financial and transactional records. The request is tied to Hong Kong legal proceedings against French dealer Pascal de Sarthe, whom Bouvier accuses of failing to return works placed with him for safekeeping. De Sarthe disputes Bouvier's ownership, and his attorney has asked the New York court to delay or deny the application as premature.
A new documentary titled "Pretty Dirty: The Life and Times of Marilyn Minter" premiered at the DOC NYC film festival at IFC Center, chronicling the artist's four-decade career and personal struggles. Directed by Jennifer Ash Rudick and Amanda Benchley, the film follows Minter's journey from a dysfunctional upbringing in the South—with an emotionally abusive mother and her own battles with addiction—to her eventual rise as a major figure in contemporary art. It highlights her gritty, provocative enamel-on-metal paintings, her commercial work for Tom Ford and Zara, and her cultural impact through projects like Madonna's 2009 tour and the TV show Gossip Girl. The documentary features interviews with celebrities such as Lizzo, Jane Fonda, and Miley Cyrus, as well as art-world peers like Laurie Simmons and Jeff Koons.