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'Monuments' is the most significant American art museum show right now

The article reports on "MONUMENTS," a major exhibition jointly organized by the Museum of Contemporary Art (MOCA) in Los Angeles and the nonprofit Brick. The show features 10 decommissioned Confederate monuments, some splashed with protesters' paint, alongside works by 20 contemporary artists including Hank Willis Thomas and Karon Davis. It was assembled by curators Hamza Walker, Hannah Burstein, Bennett Simpson, Paula Kroll, and artist Kara Walker, and has been in development for nearly eight years, spurred by events such as the 2015 Charleston church massacre, the 2017 Charlottesville riot, and the 2020 George Floyd protests.

'It's about world-making': Tavares Strachan on his expansive new Lacma exhibition

Tavares Strachan's new solo exhibition, *The Day Tomorrow Began*, has opened at the Los Angeles County Museum of Art (Lacma), running until 29 March 2026. Co-organized with the Columbus Museum of Art, the show features 20 new works across neon, ceramics, bronze, painting, text, and performance, exploring invisible histories and challenging white-centric narratives. The exhibition includes a spotlight on his *Encyclopedia of Invisibility* (2018), bronze sculptures referencing the Haitian Revolution, and a neon piece contrasting James Baldwin and Mark Twain. Strachan, who trained as a cosmonaut and collaborates with MIT scientists, also unveils a permanent participatory speakeasy called *Bar Room* in Columbus.

LACMA Expands Local Access Initiative with New Museum Partners and Exhibitions

The Los Angeles County Museum of Art (LACMA) has expanded its Local Access program, adding three new museum partners: the California State University, Dominguez Hills (CSUDH) University Art Gallery, the Millard Sheets Art Center at the LA County Fair, and the Ontario Museum of History & Art. Supported by the Art Bridges Cohort Program, the initiative brings exhibitions sourced from LACMA's permanent collection to communities across Southern California. The program's latest exhibition, 'Act on It! Artists, Community, and the Brockman Gallery in Los Angeles,' opens at the Vincent Price Art Museum on September 27, exploring the legacy of the historic Brockman Gallery and its role in the Black Arts Movement.

13 Art Exhibitions You Don’t Want To Miss This Fall

This fall, galleries and museums across the United States are presenting a series of exhibitions centered on Black life, ranging from historic pioneers to contemporary voices. Highlights include Athi-Patra Ruga's immersive installation 'Lord, I gotta keep on (movin')' at the Leslie-Lohman Museum of Art, which imagines a queer Black nation called Azania; 'Edmonia Lewis: Indelible Impressions' at Stanford's Cantor Arts Center, showcasing the 19th-century sculptor's Neoclassical works; and 'Data Consciousness: Reframing Blackness in Contemporary Print' in New York, inspired by W. E. B. Du Bois's data visualizations. Other notable shows include 'A Taste of Beauty' at the Crocker Art Museum, featuring carved African spoons, and the reopening of the Studio Museum in Harlem, alongside the global energy of Art Basel Miami Beach.

LACMA Expands Local Access Initiative with New Museum Partners and Exhibitions

LACMA has expanded its Local Access initiative by adding three new museum partners: the California State University, Dominguez Hills (CSUDH) University Art Gallery, the Millard Sheets Art Center at the L.A. County Fair, and the Ontario Museum of History & Art. Supported by the Art Bridges Cohort Program, these institutions join four existing partners in creating exhibitions sourced from LACMA’s permanent collection. The program’s latest exhibition, "Act on It! Artists, Community, and the Brockman Gallery in Los Angeles," will open at the Vincent Price Art Museum on September 27. Local Access, launched in 2021, was the first Art Bridges Cohort Program in the Western United States.

Ben Millett Explores Queer Identity in Solo Quilted Art Exhibition in Des Moines

Ben Millett, a quilt maker based in Des Moines, Iowa, is presenting his first solo exhibition of quilts at the Des Moines Art Center as part of the Iowa Artists 2025 series. The show, on view through November 2, features approximately 20 quilts that explore themes of queer identity, pop culture, and the practice of quilting itself. Millett draws on Abstract Expressionism, Color Field painting, and queer abstraction, using solid-color fabrics inspired by the Progress Pride flag to create works that navigate transitions and nuance.

Christie’s expects Elaine Wynn’s collection to bring $75m, while her record-breaking Bacon triptych goes to Lacma

Christie’s will auction more than a dozen jewels from the collection of the late billionaire and philanthropist Elaine Wynn this autumn in New York, with total estimates exceeding $75 million. Highlights include Lucian Freud's *The Painter Surprised by a Naked Admirer* (2005) and Richard Diebenkorn's *Ocean Park #40* (1971), each estimated at $15–$25 million, alongside works by Joan Mitchell, J.M.W. Turner, Wayne Thiebaud, and others. Meanwhile, the crown jewel of Wynn’s collection—Francis Bacon’s 1969 triptych *Three Studies of Lucian Freud*, which she bought for a record $142.4 million at Christie’s in 2013—has been bequeathed to the Los Angeles County Museum of Art (Lacma) and will debut in its new David Geffen Galleries building next April.

8 Must-See Solo Gallery Shows in September

Galerie magazine has curated a list of eight must-see solo gallery shows across the United States for September, featuring artists from New York to San Francisco. Highlights include Yuan Fang's abstract exploration of her cancer journey at Skarstedt, Sam McKinniss's pop-culture-infused paintings at Jeffrey Deitch, María Berrío's mythological collages at Hauser & Wirth, and Maria Nepomuceno's contemporary take on ancient traditions at Sikkema Malloy Jenkins, among others.

Smithsonian leader asserts ‘authority over our programming’ in letters to staff and Trump White House

Smithsonian Secretary Lonnie G. Bunch III sent letters to the White House and staff asserting the institution's independence after President Donald Trump ordered a comprehensive review of eight Smithsonian museums. The review, initiated by an August 12 White House letter, targets exhibitions, collections, and programming for alleged bias and divisive content. Bunch stated the Smithsonian is conducting its own internal review to ensure nonpartisan, factual programming, emphasizing that the institution retains authority over its content. The letters follow Trump's social media attack on the Smithsonian and an earlier executive order directing Vice President J.D. Vance to remove what the administration calls 'race-centred ideology.'

Amy Sherald's canceled Smithsonian art show comes to Baltimore

Artist Amy Sherald has canceled her scheduled exhibition at the Smithsonian's National Portrait Gallery in Washington, D.C., due to censorship concerns over her painting "Trans Forming Liberty," which depicts the Statue of Liberty as a Black trans woman. The exhibition, titled "Amy Sherald: American Sublime," will instead travel to the Baltimore Museum of Art (BMA), where it will run from November 2, 2025, to April 5, 2026. Sherald will also receive one of the museum's "Artist Who Inspires" awards at its 2025 BMA Ball on November 22. The show is a mid-career survey of Sherald's work, previously shown at the San Francisco Museum of Modern Art and the Whitney Museum of American Art.

Frieze Seoul’s fourth edition takes on tariffs and a tough market

The fourth edition of Frieze Seoul (3-6 September) will host around 120 galleries at the Coex convention centre in Gangnam, including mega-galleries like Gagosian, Hauser & Wirth, Pace, David Zwirner, and White Cube. The fair welcomes about 20 new exhibitors, such as 10 Chancery Lane Gallery and de Sarthe from Hong Kong, The Breeder from Athens, Carvalho from New York, Make Room from Los Angeles, and Ota Fine Arts from Tokyo. However, more than 40 galleries are not returning, including Karma, Mariane Ibrahim, Michael Werner, and Neugerriemschneider. The event unfolds amid significant political and economic turbulence in South Korea, including the impeachment of former president Yoon Suk Yeol after a martial law declaration, the election of new President Lee Jae Myung, and ongoing tariff negotiations with the United States, all contributing to a climate of uncertainty.

Teiger Foundation gives grants totalling $7m to 85 curators

The Teiger Foundation, a US-based nonprofit supporting art curators, has announced its 2025 grantees, awarding a total of $7 million to 85 curators at institutions across the country. This nearly doubles last year’s grants as the foundation transitions to a biennial model, with individual grants ranging from $50,000 to $150,000 for exhibitions, research, touring shows, and three years of programming. Notable projects include a major survey of the late artist L.V. Hull organized by curators Ryan N. Dennis, Annalise Flynn, and Yaphet Smith, and a Theresa Hak Kyung Cha retrospective curated by Victoria Sung and Tausif Noor.

How Banksy’s Stenciled Satire Took the Aughts by Storm

Four screenprints by Banksy from the 2000s are featured in Artnet Auctions’s Contemporary Editions sale, running through August 28, 2025. The lots include 'Bomb Love (Bomb Hugger)' (est. $25,000–$35,000), 'Welcome to Hell (Pink)' (est. $30,000–$50,000), and 'Morons (Sepia)' (est. $25,000–$35,000), tracing the artist’s rise from Bristol street graffiti to international fame. The article highlights key milestones: his 2002 Los Angeles show 'Existencilism,' his counterfeit £10 notes featuring Princess Diana, and the Oscar-nominated documentary 'Exit Through the Gift Shop.'

This Week at LACMA

LACMA announces a week of programming from August 18–24, headlined by the opening of *Now Showing: Youssef Nabil’s I Saved My Belly Dancer*, an exhibition featuring the artist’s 2015 video starring Tahar Rahim and Salma Hayek, alongside related photographs and Egyptian movie posters. Member previews run August 21–23 before the public opening on August 24. Other highlights include a mindful evening with Buddhist art tied to the ongoing exhibition *Realms of the Dharma: Buddhist Art Across Asia*, plus concerts, workshops, and family programs.

A brush with… Jane and Louise Wilson—podcast

Jane and Louise Wilson, identical twin artists born in Newcastle-upon-Tyne in 1967, are featured in a podcast interview where they discuss their collaborative practice since the late 1980s. Working primarily in video installation, photography, and sound, they explore duality and selfhood through loaded sites like abandoned military bases and borderlands. The podcast covers their early inspirations, including John Martin and Cindy Sherman, and the influence of filmmakers such as Rainer Werner Fassbinder, Jean Cocteau, and Stanley Kubrick. Their current exhibitions include 'Performance of Entrapment' at London Mithraeum Bloomberg SPACE (until 10 January 2026) and 'Dendrophiles' at Leadenhall Building as part of Sculpture in the City, London (until spring 2026).

‘Everyone's suffering right now’: New York and Los Angeles gallery Clearing will close

Clearing, the influential New York and Los Angeles gallery that launched the careers of many prominent artists, will close both locations. Founder Oliver Babin announced the closure on August 7, citing crushing overhead costs—rent, shipping, and art fair expenses—that outpaced declining revenue. The gallery opened in 2011 in Bushwick, later moved to the Bowery in Manhattan in 2023, and expanded to Brussels and Los Angeles. Babin described the decision as inevitable, noting that the gallery had been kept alive by hope but now faces no viable path forward. The closure follows a wave of US gallery shutdowns this summer, including Kasmin, Venus Over Manhattan, and Tim Blum’s spaces.

Museums in New York and Los Angeles receive collection of 63 Modern works

The Henry and Rose Pearlman Foundation has announced the distribution of its 63-work collection of Impressionist, Post-Impressionist, and modern art among three major US museums: the Brooklyn Museum (29 works), the Los Angeles County Museum of Art (LACMA, 6 works), and the Museum of Modern Art (MoMA, 28 works). The collection includes pieces by Chaïm Soutine, Edgar Degas, Amedeo Modigliani, Vincent van Gogh, Édouard Manet, and Paul Cézanne. The foundation, established in the 1950s by Brooklyn-born businessman Henry Pearlman and his wife Rose, had long-term loans to the Princeton University Art Museum and organized traveling exhibitions before deciding to permanently place the remaining works.

Lord of the Flies: How This Artist Enlists an Army of Tiny Collaborators

Los Angeles artist John Knuth uses flies as collaborators to create paintings, with over one million insects contributing to his current exhibition 'The Hot Garden' at Hollis Taggart Downtown in New York. Inspired by flyspecks he noticed on a windowsill in 2005, Knuth orders fly larvae by the thousands, letting them hatch on canvases where their regurgitation deposits pigment. The show features works priced between $700 and $20,000, and a custom enclosure at the gallery allowed visitors to see the flies working live during the opening. Knuth's fly paintings gained viral attention in 2013 after a video by the Los Angeles Museum of Contemporary Art received over 100,000 views, helping launch his career.

The new era of fashion’s art exhibitions

LACMA's upcoming David Geffen Galleries, opening in 2026, will feature over 130 costumes and textiles in its inaugural installations—more than any other time since the museum opened in 1965. The museum also plans exhibitions such as 'Fashioning Chinese Women: Empire to Modernity' (with mannequins by Jason Wu) and 'Fashioning Fashion' (1900–2025). Other major fashion exhibitions include 'Virgil Abloh: The Codes' at Paris's Grand Palais, 'Westwood Kawakubo' at the National Gallery of Victoria, and 'Schiaparelli: Fashion Becomes Art' at London's V&A. The article notes that fashion exhibitions are increasingly popular and profitable for museums, citing the Met's Costume Institute and its record-breaking Met Gala fundraising.

Moving On Up: 24 Museum Curators and Art Leaders Who Took on New Appointments in First Half of 2025

Culture Type has published its annual list of new appointments among museum curators and arts leaders for the first half of 2025, highlighting two dozen hires and promotions at major institutions. Notable appointments include Deana Haggag as program director for arts and culture at the Andrew W. Mellon Foundation, Ann Collins Smith as chief curator at the New Orleans Museum of Art (the first Black American in a full-time curatorial role there), and Vincent van Velsen as head of exhibitions at Eye Filmmuseum in Amsterdam. The list also features curators such as Alisa Chiles at the Virginia Museum of Fine Arts and Brittany Webb at the Museum of Fine Arts, Houston.

Bronx Museum of the Arts appoints Shamim M. Momin as director and chief curator

The Bronx Museum of the Arts has appointed Shamim M. Momin as its next director and chief curator, effective September. Momin, who previously served as director of curatorial affairs at the Henry Art Gallery in Seattle, succeeds Klaudio Rodriguez, who left to lead the Museum of Fine Arts in St. Petersburg, Florida. She is also a co-founder of the Los Angeles Nomadic Division and has curated biennial exhibitions at the Whitney Museum of American Art.

Why ‘devastating’ climate control rules for museum collections need a rethink

Museums are rethinking decades-old climate control standards that dictate strict temperature and humidity ranges for preserving collections. These guidelines, originally based on 1970s research for paintings in London, have been widely adopted globally despite being designed for temperate climates. Conservator Caitlin Southwick of Ki Culture argues this is a "big misunderstanding," as the standards were never intended for diverse collections like stone in Brazil or tapestries in Italy. Climate control systems now account for 60-70% of a typical museum's energy consumption, creating high costs and carbon footprints.

8 Must-See Solo Gallery Shows in July

Galerie magazine has curated a list of eight must-see solo gallery shows across the United States for July, highlighting exhibitions from New York to California. Featured artists include Nancy Dwyer, whose word-based paintings and sculptures are on view at Ortuzar in New York; Marcel Dzama, showing storytelling drawings and a surreal film at David Zwirner in Los Angeles; Francis Picabia, with a focus on his Art Informal period at Hauser & Wirth in New York; and Igshaan Adams, presenting tapestries and textile works at Casey Kaplan in New York, among others.

LACMA shares images of Zumthor-designed David Geffen Galleries building

LACMA has released new images of the David Geffen Galleries, the centerpiece of its campus transformation designed by architect Peter Zumthor. The building, which is currently under construction, will house the museum's permanent collection and is part of a larger overhaul of the Los Angeles County Museum of Art's campus.

Julian Charrière: ‘The deep sea is a phantasmagorical space’

French Swiss artist Julian Charrière presents 'Midnight Zone' at Museum Tinguely in Basel, an exhibition that plunges viewers into the oceanic abyss through four new commissions and earlier works. The show features video installations, sculptural works, and acoustic pieces that explore deep-sea ecologies, including a film set in the Clarion-Clipperton Zone targeted for deep-sea mining, and a rotating Fresnel lens installation that translates low-frequency noise pollution into vibration. Charrière’s multidisciplinary approach draws on fieldwork in extreme geographies like the Arctic and deep ocean.

A natural history of the studio

William Kentridge presents his first exhibition with Hauser & Wirth in New York, titled "A natural history of the studio." The show features his acclaimed episodic film series "Self-portrait as a coffee-pot" (completed in 2024) alongside over seventy works on paper and sculptures. Spanning two floors at 542 West 22nd Street and extending to the gallery's 18th Street location, the exhibition includes charcoal drawings used in the film's animation, Paper procession sculptures, and the animated video "Fugitive words" (2024). The installation, designed by longtime collaborator Sabine Theunissen, evokes Kentridge's Johannesburg studio environment.

Review: Guadalupe Rosales crafts an analog Wayback Machine for a vibrant show at Palm Springs Art Museum

Guadalupe Rosales presents a solo exhibition titled "Tzahualli: Mi memoria en tu reflejo" at the Palm Springs Art Museum, centered on a checkerboard dance floor with a makeshift DJ booth, motorized blue spotlights, and mirrored disco fixtures. The show gathers ephemera from the 1990s—magazines, snapshots, lowrider bicycle parts, bandannas, street signs, and more—used in assemblage sculptures and display cases. Four thematic sections include a dance room, an entryway, a nighttime space, and a car culture gallery, with imagery referencing Chicana culture, Los Angeles' Eastside, and historic clubs like Arena and Circus.

Amid a wave of political hostility, the Getty Center uses photography to tell stories of queer resistance and love

The Getty Center in Los Angeles has opened a new exhibition, "Queer Lens: A History of Photography," coinciding with Pride Month amid rising political hostility toward LGBTQ+ communities. Curated by Paul Martineau over six years, the show features 300 photographs from the 19th century to the present, including works by Claude Cahun, Imogen Cunningham, and Peter Hujar, alongside anonymous and amateur images. A companion exhibition at the Getty Research Institute, "$3 Bill: Evidence of Queer Lives," displays printed ephemera from the Merrill C. Berman Collection, highlighting queer resistance and community-building.

Gustave Caillebotte: Painting His World

The Art Institute of Chicago announces "Gustave Caillebotte: Painting His World," a major exhibition running from June 29 to October 5, 2025. Featuring over 120 works—including paintings, drawings, photographs, and documents—the show offers a fresh perspective on the Impressionist artist, highlighting his intimate focus on family, friends, sportsmen, and neighborhood life, in contrast to his peers. Key loans include the Musée d'Orsay's recent acquisition "Boating Party" and the Louvre Abu Dhabi's "The Bezique Game," alongside the Art Institute's own "Paris Street; Rainy Day." The exhibition is organized collaboratively by the Art Institute of Chicago, the Musée d'Orsay, and the J. Paul Getty Museum.

Artist couple open north London not-for-profit in former Zabludowicz gallery

Artist couple Philip and Charlotte Colbert have opened a new not-for-profit art space called Camden Arts Projects (CAP) in north London, taking over the former Zabludowicz Collection gallery at 176 Prince of Wales Road. The venue, a former Methodist church, was bought by the Colberts last year and now operates under an umbrella company called Contemporary Culture Collective. The opening exhibition features works by Turner Prize-winning artist Martin Creed, including an immersive balloon installation and a neon piece, and is free to the public. Curator Hala Matar, formerly of The Little House in Los Angeles, is running the exhibition programme.