Hyperallergic's ongoing series "A View From the Easel" features two artists describing their unconventional studio practices. Georgina Arroyo works in a shared academic space at Purchase College, compartmentalizing her process-intensive mold-making and casting work around her job schedule. Linda Jacobson, based in her Venice, California studio for 17 years, works on multiple pieces simultaneously, currently focusing on a large commissioned painting.
This week's cultural roundup connects diverse stories from art conservation to literary analysis. Novelist Karma Brown draws parallels between restoring artworks and revising novels, inspired by visits to the Art Gallery of Ontario, while an interview with Namwali Serpell examines the complex "monumentalization" of Toni Morrison's legacy. The column also includes a poignant image from Tehran—a framed artwork hanging in a bomb-damaged apartment—and touches on topics ranging from celebrating Eid in Gaza to discussions about "girl games" and the Lindy West drama.
How Much Did It Cost to Paint a Pompeii Room Egyptian Blue?
A new study has calculated the staggering cost of painting a room in Pompeii with Egyptian blue pigment. Researchers determined that covering the walls of a recently discovered "Blue Room," a sacred shrine, would have required between 2.7 and 4.9 kilograms of the prized synthetic pigment. Based on prices recorded by Pliny the Elder, this quantity of high-grade pigment would have cost between 50% and 90% of a Roman legionary's annual salary, highlighting it as an extreme luxury.
English farmer Nicholas Wood, known as the "Great Eater of Kent," was famed in the 17th century for consuming staggering quantities of food, including a mutton shoulder—bones and all. The article highlights other historic eating feats, from Nathan's Famous first hot dog contest in 1972 to extravagant 19th-century "Fat Men's Clubs" and a massive ice cream sundae competition in 1976.
The hot dog ascended from a humble street food sold by German immigrants in 19th-century New York to a symbol of American culture, famously served to King George VI at a 1939 presidential picnic. Its journey was propelled by vendors on Coney Island's boardwalk and its introduction to massive crowds at events like the 1893 Chicago World's Fair, eventually becoming a staple at ballparks and backyard gatherings.
The Spring 2026 issue of ArtReview Asia has been published, featuring a cover profile of artist Li Yi-Fan. The issue includes an in-depth look at Li's work, which explores the relationship between humans and machines through video installations and performance lectures, ahead of his representation of Taiwan at the Venice Biennale. Other articles examine the contemporary art scene in Bangkok, urban redevelopment in Colombo, a colonial-era plant hunting exhibition in London, and Taiwan's museum boom.
The Art Museum at the University of Toronto has opened a new exhibition titled "Land. Sea. Sugar. Salt.: Terrestrial and Aquatic Contemplations of the Caribbean." The show features works by contemporary artists from the Caribbean and its diaspora, exploring the region's complex geography, layered histories, and cultural intersections through themes of land, water, and the legacies of colonial industries like sugar production.
Un « trésor national » entre au Louvre
The Musée du Louvre has quietly acquired and installed a major masterpiece of French decorative arts: a commode adorned with Sèvres porcelain plaques by the renowned cabinetmaker Bernard II van Risen Burgh (BVRB). Formerly part of the prestigious Rothschild family collections, the piece was classified as a "national treasure" by the French government in 2023. Although the museum originally planned a public fundraising campaign to finance the acquisition, the initiative was canceled following a high-profile burglary at the museum in October 2025.
Photographer Lee Jung-jin has launched a major solo exhibition titled "Unseen/Thing" at PKM Gallery in Seoul, marking her first solo show in six years. The exhibition is divided into two parts: her latest "Unseen" series, captured during a 2024 trip to Iceland, and her "Thing" series from the early 2000s, which features analog still lifes printed on traditional Korean hanji paper. The new works depart from Lee’s previous focus on the static silence of deserts, instead capturing the volatile, forceful energy of the Icelandic landscape.
Foundation, a prominent Ethereum-based NFT marketplace that launched during the 2021 digital art boom, has announced it will shut down following a failed acquisition by the digital art company Blackdove. CEO Kayvon Tehranian confirmed that the platform has entered a one-year wind-down phase, urging users to migrate their assets as no other viable buyers exist in the current market. The closure follows the collapse of a deal that was intended to provide long-term stewardship for the platform, which had facilitated over $230 million in sales since its inception.
Artnet and Artsy, two of the most influential digital platforms in the art world, have merged under a single leadership structure following a series of acquisitions by Beowolff Capital. Jeffrey Yin has been appointed CEO of the unified company, while Beowolff founder Andrew Wolff will serve as chairman. Despite the shared management, both entities will maintain their distinct branding, with Artnet focusing on market data and journalism while Artsy continues its emphasis on art discovery and e-commerce.
The Center for Art, Research and Alliances (CARA) in New York is hosting "The Earth, the Fire, the Water, and the Winds: For a Museum of Errantry with Édouard Glissant," an exhibition traveling from the Instituto Tomie Ohtake in São Paulo. The show eschews traditional curatorial hierarchies, instead utilizing the theories of Martinican philosopher Édouard Glissant to present works by artists such as Gerardo Chávez and Eduardo Zamora. Rather than providing didactic labels, the installation encourages "errantry" and "relationality," allowing visitors to discover visual resonances and meanings through their own active engagement with the landscape of the gallery.
The exhibition "état bruit" at Konschthal Esch explores the concept of noise as a form of interference, cultural signal, and political tool. Featuring works by seven contemporary artists, including Nik Nowak’s Indonesian-inspired sound truck and Open Group’s haunting video installation of refugees mimicking artillery, the show investigates how sound reflects both community identity and the trauma of conflict.
Two Rooms gallery in Auckland presents 'Past Perfect,' a group exhibition featuring works by Gretchen Albrecht, Noel Ivanoff, John Nixon, Jeena Shin, and Helen Calder. The show explores geometric abstraction and the interplay of light, shadow, and transparency through works produced over the last several decades.
The Walters Art Museum in Baltimore is launching "Douriean Fletcher: Jewelry of the Afrofuture," an exhibition featuring the intricate metalwork and costume designs from the Marvel Cinematic Universe’s Black Panther franchise. The show highlights the work of self-taught artist and metalsmith Douriean Fletcher, whose collaboration with Oscar-winning costume designer Ruth Carter helped define the visual identity of Wakanda. On display are iconic pieces such as Nakia’s gold-plated brass necklace and Queen Ramonda’s silver bodice cage, alongside new works created specifically for the museum.
Hotel Confidential is a new contemporary art exhibition hosted at the Royal Hotel in Picton, Ontario, featuring original projects by 16 artists. The show utilizes the hotel's Annex Building to display site-specific installations, such as a collection of vintage suitcases containing miniature dioramas and various architectural interventions. Co-curated by Stacey Sproule and Christina Zeidler, the event aims to bridge the gap between the region's luxury tourism industry and its dense local artist community.
The Vantaa Art Museum Artsi has launched "Empathy," a multifaceted exhibition exploring the psychological, social, and technological dimensions of emotional connection. The show features diverse works that examine how facial expressions and gestures communicate feelings, while also addressing the power dynamics of who is allowed to tell their story. A central highlight is Ali Akbar Mehta’s immersive installation, which utilizes an archive of 30,000 video clips and XR technology to analyze how digital algorithms and visual overexposure to violence affect human compassion.
The Massillon Museum is currently hosting "Isabelle Crawford: Pure Potentiality," a solo exhibition in its Studio M space featuring paintings and drawings by the Akron-based artist. Crawford’s work explores the intersection of human connection and perception, reflecting her commitment to using art as a tool for community engagement and social change. The exhibition, which runs through April 26, will be supplemented by a featured interview with the artist on the museum’s "MassMusings" podcast.
The DePaul Art Museum (DPAM) is hosting a career-spanning retrospective for New York-based artist Barbara Nessim titled "My Compass Is the Line" before the institution permanently closes in June. The exhibition marks Nessim’s first solo show in Chicago, featuring works from the 1960s to the present that span painting, computer art, and her iconic 1982 Time magazine cover. The show highlights Nessim’s exploration of femininity and sexuality, drawing stylistic parallels to the Chicago Imagists while showcasing her technical versatility.
Japanese artist Etsu Egami is set to debut a solo exhibition titled "Blessings from Afar" at Tang Contemporary Art’s Wong Chuk Hang space in Hong Kong on March 21, 2026. The showcase features over ten recent works that bridge the artist's cross-cultural background with her evolving visual language of rainbow hues and rhythmic line work. The exhibition specifically explores themes of miscommunication and sonic perception, drawing from Egami's experiences living between Japan, China, Germany, and the United States.
The Pharmacy Gallery and Art Space in Springfield, Illinois, is set to participate in the international Slow Art Day on April 11. This grassroots event encourages visitors to move away from the typical museum-going experience of rushing through exhibits, instead focusing deeply on a small selection of works. The Springfield location will feature concurrent exhibitions by Bob Waldmire and photographer David Schwartz, whose work will be featured on upcoming Route 66 Centennial stamps.
Seattle-based artist Lauren Boilini has reached a significant career milestone with the simultaneous opening of her first museum exhibition at the San Juan Islands Museum of Art and her first solo gallery show, "The Good Death," at J. Rinehart Gallery. Boilini’s practice is rooted in deep scientific research, including residencies at biological stations and insectariums, which she translates into large-scale, frenetic paintings of animals and ecosystems. Her current work explores the intersection of animal behavior and the human condition through dense, layered compositions that blur the lines between struggle and pattern.
South African artist Lulama Wolf presents 'The Architecture of Memory,' an online-only exhibition hosted by THK Gallery. Wolf utilizes a distinct material language of pigmented sand and acrylic to create tactile surfaces that reference the weathered walls of domestic and sacred spaces. Her work moves beyond simple representation, using geometric abstraction and earth-based materials to explore the intersection of personal history and collective generational memory.
Four graduating seniors at Shippensburg University—Drew Weaver, Greg Schultz, Ally Richwine, and Katelyn Bard—unveiled their capstone art exhibition at the Huber Arts Center. The showcase features a diverse array of media, including surrealist paintings of liminal spaces, printmaking focused on mental health and friendship, experimental ceramics, and biblical-themed paintings exploring personal identity.
Students from Old Rochester Regional High School in Mattapoisett have swept top honors at the 9th Congressional District Art Competition. Ian Hartwig secured first place in the Drawing category, while Lauren Serpa and Jocelyn Yurof earned second and third place respectively in the Mixed Media category. The award-winning works will be featured in an upcoming exhibition and awards ceremony at the Plymouth Center for the Arts.
A local art exhibition in Waterford City, Ireland, has sparked controversy after residents labeled its content 'immoral' and pressured local officials to shut it down. The installation, which depicted a love story through various media, led to a series of complaints directed at Councillor Eamon Quinlan and other local representatives who serve on the boards of community arts organizations. Despite the public outcry, Quinlan refused to intervene, citing concerns over censorship and the role of a director.
Art House Gallery in Jersey City is set to host "Expanded Metamorphosis: Contemporary Approaches to Process," a group exhibition curated by Andrea McKenna. Running from April 4 to April 26, 2026, the show features ten artists—including Jan Huling, Valerie Huhn, and Dan Payton—who utilize industrial, organic, and repurposed materials. The collection emphasizes the physical act of creation, showcasing works that have been shaped through rigorous methods of alteration, accumulation, and construction.
Sotheby’s has reported a return to profitability in 2025, posting a $53 million pre-tax profit following a significant $190 million loss the previous year. Driven by a 20 percent increase in sales totaling $7.1 billion, the auction house benefited from a broader 4 percent recovery in the global art market. Despite these gains, the company is navigating complex financial pressures, including a $10.2 million commission lawsuit from Cushman & Wakefield and the need to refinance $765 million in debt by 2027.
A distinctive bicorne hat belonging to Napoleon Bonaparte, worn during his final exile on Saint Helena, has been rediscovered after more than a century in storage at the Condé Museum. Curators found the beaver pelt hat, made by his official hat-maker Poupard, while preparing for an upcoming exhibition, and its provenance has been confirmed through extensive study.
Danish museums have recovered strongly from the pandemic, with 2025 attendance matching 2024's record levels of around 9 million visitors. However, a new state-funding model introduced in January 2025 now makes government subsidies increasingly dependent on measurable outputs, primarily visitor numbers. Institutions must meet minimum thresholds for annual visitors and income, and produce peer-reviewed research to secure and retain funding.