A major exhibition, 'Frida: Making of an Icon,' at the Museum of Fine Arts, Houston, re-examines the legacy of Frida Kahlo. It moves beyond her iconic status by presenting her early works, influences, and, most significantly, over a hundred works by artists she inspired, demonstrating her impact across generations and cultures.
An exhibition titled "The New York Sari" is on view at the New York Historical Society, exploring the sari as a living art form, heirloom, document, and political statement for the South Asian diaspora in New York City. The show features contemporary artworks, historical materials, and personal garments, framing the sari not as a static cultural artifact but as a dynamic site of identity, labor, and community history.
Haroutiun Galentz: The Form of Colour
A new English-language monograph, *Haroutiun Galentz: The Form of Colour*, repositions the Armenian-Lebanese painter as a major cosmopolitan modernist. The book assembles his work from international collections, arguing his career—spanning formative years in Beirut's pre-war art scene and a later period in the Soviet Union—must be understood beyond national art historical frameworks.
The Mayor Gallery in London is celebrating its centenary with a three-part exhibition series revisiting its history. The second part, 'Celebrating 100 years – Part 2: European Art,' is on view through February 20, 2026, showcasing post-war European artists from movements like ZERO, Arte Povera, and Concrete art, including works by Armando, Lucio Fontana, François Morellet, and Man Ray.
Nahmad Contemporary is presenting a new exhibition at Tarmak22 in Gstaad, Switzerland, focusing on Pablo Picasso's 1963–65 series 'Le Peintre et Son Modèle' ('The Painter and His Model'). The show features 14 paintings that explore the artist's gaze, power dynamics, and the relationship between painter and sitter. Uniquely, British supermodel Naomi Campbell contributes her personal reflections on the works, drawing from her own experience of being photographed and observed throughout her career.
The National Museum of Contemporary Art in Athens has opened "Why Look at Animals: A Case for the Rights of Non-Human Lives," a major exhibition curated by Katerina Gregos that spans seven floors and features over 60 artists. The show confronts animal exploitation through works such as Ang Siew Ching's video "High-Rise Pigs" (2025), depicting a 26-story factory farm in China, and Art Orienté Objet's charcoal map of endangered species slowly erased by a robotic arm. Other artists include Sue Coe, Igor Grubić, and Janis Rafa, with the exhibition taking its title from a John Berger essay.
Artnet News has published a spring roundup of five artists to watch from its Gallery Network, featuring Julian Charrière, Xiangjie Rebecca Wu, Michael Abel, Nathan Myhrvold, and Lulu Varona. The article highlights each artist's recent work and unique approach, from Charrière's cross-media exploration of time and nature to Varona's hand-embroidered botanical pieces. The artists are represented by galleries including Sies + Höke Galerie, LATITUDE Gallery, YVEYANG Gallery, Modernist Cuisine Gallery, and TW Fine Art.
Christie's London will host 'Close Encounters: Figuration, Painting and Landscape in the Arts Council Collection' from 3 to 23 June 2026, in partnership with the Arts Council Collection to mark its 80th anniversary. The exhibition brings together historical works by artists such as David Hockney, Sonia Boyce, Peter Doig, Lynette Yiadom-Boakye, Michael Armitage, and Claudette Johnson alongside new acquisitions by Christina Kimeze and Vanessa Raw, exploring themes of gender, sexuality, landscape, and Black British women's representation.
The article highlights 34 of the best London art exhibitions to see in May 2026, focusing on three major shows: the V&A's 'Schiaparelli: Fashion Becomes Art', the first UK exhibition dedicated to designer Elsa Schiaparelli; Tate Modern's 'Tracey Emin: A Second Life', the largest retrospective of the YBA artist's 40-year career; and the Design Museum's 'NIGO: From Japan with Love', a retrospective of Japanese creative NIGO spanning over 700 objects. These exhibitions showcase fashion, contemporary art, and street culture, with the V&A show running until November, Tate Modern until August, and the Design Museum until October.
The article previews major art exhibitions scheduled for 2026, highlighting two standout shows. At Basel's Fondation Beyeler, a Cezanne exhibition from January to May will focus on the artist's later works, featuring around 60 oil paintings and 20 watercolours, half from private collections. Highlights include a privately owned oil study of 'The Bathers' (around 1902-06) and 'The Boy in the Red Vest' (1888-90), with curator Ulf Küster emphasizing Cezanne's fragmentary, radical perspective. Separately, the traveling exhibition 'Edmonia Lewis: Said in Stone' will premiere at the Peabody Essex Museum in February, showcasing 30 sculptures by the 19th-century Black and Indigenous artist, organized after a 2016 acquisition by the Georgia Museum of Art spurred curators to track down her works.
A new exhibition at Singapore's National Gallery, "City of Others: Asian Artists in Paris, 1920s-1940s," highlights the experiences of Asian painters who worked in Paris during the interwar period. These artists, including Le Pho, Sanyu, Tsuguharu Foujita, Liu Kang, and Georgette Chen, faced marginalization and exoticized expectations from European critics, who dismissed their work as either not "Asian" enough or insufficiently Western. Despite these challenges, they produced significant bodies of work blending Eastern and Western traditions.
Annabelle Ténèze, now Director of the Musée du Louvre-Lens, has curated a new exhibition titled 'The Art of Dressing – Dressing like an Artist' at the museum. The show explores how artists from Rembrandt to Warhol use clothing and self-fashioning in their self-portraits and public personas, drawing on examples such as Niki de Saint Phalle's eccentric wardrobe and Rembrandt's deliberate sartorial choices. Ténèze was inspired by her earlier work on de Saint Phalle at Les Abattoirs in Toulouse and by Charlie Porter's book 'What Artists Wear'.
German painter Harald Metzkes has died at the age of 97 in Wegendorf, Brandenburg, surrounded by his family. His son, sculptor Robert Metzkes, confirmed the news to the German Press Agency. Metzkes, who grew up in East Germany, was a leading figure of the Berlin School of painting and resisted the official doctrine of socialist realism, instead creating a personal "world theatre" of harlequins, circus scenes, and theatrical figures inspired by Rembrandt, Velázquez, and Paul Cézanne. His best-known work includes "Der Abtransport der sechsarmigen Göttin." After training as a stonemason and studying at the Dresden Academy of Fine Arts, he worked as a freelance artist in Berlin, supporting himself with book illustrations. His work gained international attention when one of his paintings was sent to the Venice Biennale in 1984, and after the fall of the Berlin Wall he built connections with Western collectors.
Munich's art festival "Various Others" kicks off this week with major city museums participating. The Pinakothek der Moderne presents "Reflexion," a group show of 100 works across fine art, architecture, graphic design, and design by artists including Isa Genzken, Ludwig Mies van der Rohe, Piet Zwart, and Ettore Sottsass. The Alexander-Tutsek-Stiftung celebrates its 25th anniversary with a glass-focused exhibition featuring Monica Bonvicini, Tony Cragg, and Laure Prouvost. The Villa Stuck reopens after renovation with four shows: Philipp Messner's sculptures, Ilit Azoulay's macro-film installation, a returning Franz von Stuck painting, and Delschad Numan Khorschid and Jan-Hendrik Pelz's migration-themed "Zehn Leben." The Lenbachhaus presents "Ein Ferngespräch. Szenen aus der Weimarer Republik" with works by Jeanne Mammen, Gabriele Münter, and Christian Schad. Museum Brandhorst's "Carrying" addresses the history of the Maxvorstadt art district, once site of a military barracks built by Ottoman prisoners. The Eres Stiftung continues "Seeing the Unseen" on quantum physics. The Flux meeting space, designed by Morag Myerscough, moves indoors at the Pinakothek der Moderne.
"Eines der größten fotografischen Dokumente des 20. Jahrhunderts"
A New York court has concluded an eleven-year legal battle by awarding Amedeo Modigliani’s 'Seated Man with a Cane' to the heirs of Jewish art dealer Oscar Stettiner. The ruling rejected the claims of the powerful Nahmad family, with the judge determining that Stettiner never voluntarily relinquished the work during the Nazi era. Additionally, a significant photographic archive belonging to darkroom technician Roland Haupt has surfaced, containing previously unseen World War II images by Lee Miller and Cecil Beaton.
The Vatican has announced a star-studded lineup of musicians and artists for its pavilion at the 2026 Venice Biennale, titled "The Ear Is the Eye of the Soul." Curated by Hans Ulrich Obrist and Ben Vickers in collaboration with Soundwalk Collective, the exhibition features commissioned sound works from figures including Brian Eno, FKA Twigs, Patti Smith, and the late Alexander Kluge. The project is inspired by the 12th-century mystic Saint Hildegard of Bingen and will be staged across two historic Venetian locations: the Mystical Garden of the Discalced Carmelites and the Complesso di Santa Maria Ausiliatrice.
Sur l’île Seguin, le nouveau centre d’art Large dévoile son bâtiment spectaculaire et une première expo tournée vers l’histoire de Renault
On Île Seguin, the new contemporary art center Large unveiled its spectacular building designed by Catalan firm RCR Arquitectes during a press preview on May 21. The center, backed by real estate developer Emerige and its president Laurent Dumas, will open to the public on October 17. Its inaugural exhibition, curated by Cecilia Alemani, explores the history of the automobile and the island's industrial past as the site of Renault factories from 1929 to 1992, featuring works by 55 contemporary artists including Julio Le Parc, Nina Beier, Thomas Bayrle, Mohamed El Khatib, and Giulia Andreani.
Nouveau centre d’art et pépites cachées : un week-end plein de surprises à Bruges
Bruges, the Flemish city known for its medieval charm and UNESCO World Heritage status, has inaugurated a new art center called BRUSK in spring 2026. Located in the museum district, the building designed by Robbrecht en Daem and Olivier Salens features a monumental 350-square-meter fresco by French artist Laure Prouvost titled "The Whispering Walls Rêve," which references the city's past and present. The center also includes a conservation and research facility, with free access to the ground floor. The article proposes a weekend itinerary starting at the Grand-Place (Markt) and highlights Bruges as a hub for contemporary creation alongside its historic treasures.
Sofiane Pamart : « Avec mon piano, je sculpte la matière sonore »
French pianist Sofiane Pamart discusses his creative process in an interview with Beaux Arts Magazine, explaining how his music is inspired by contemplative cinema, particularly the films of Takeshi Kitano and Wong Kar-wai. He describes his approach to composition as sculpting sound, drawing parallels to impressionist painting and the works of sculptors Auguste Rodin and Camille Claudel. Pamart also expresses a preference for art that interacts with nature, citing the open-air museum of sculptor Anachar Basbous in Lebanon as an example.
La recette d’art d’Alain Passard : les sublimes « Nymphéas » de Monet s’invitent dans l’assiette
Chef Alain Passard shares a recipe inspired by Claude Monet's "Nymphéas" (Water Lilies) series, connecting the painter's obsessive depictions of his Giverny water garden to a spring consommé decorated with flower petals. The article recounts Monet's move to Giverny in 1883, his creation of a water garden, and his decades-long focus on painting the pond's surface, light, and reflections—culminating in the immersive panoramic panels gifted to France in 1918 and now housed at the Musée de l'Orangerie in Paris.
The article explores an exhibition at the Grand Trianon in Versailles dedicated to the English garden, a style that emerged in 18th-century Europe as a deliberate contrast to the rigid symmetry of the formal French garden. Curator Élisabeth Maisonnier and museum director Laurent Salomé explain how these gardens, with their winding paths, irregular flowerbeds, and surprise features like grottoes and pagodas, were carefully constructed to imitate and amplify nature's complexity, drawing on influences from antiquity, the Middle Ages, and China.
Le meilleur et le pire des stars au Met Gala 2026 inspiré par l’histoire de l’art
On May 4, 2026, the Met Gala brought together 450 guests at the Metropolitan Museum of Art in New York under the theme "Fashion is Art," tied to the exhibition "Costume Art." Attendees were asked to draw inspiration from specific artworks, resulting in standout looks: Madonna channeled Leonora Carrington's "The Temptation of Saint Anthony" (1945) in a Saint Laurent gown, Kim Kardashian wore a custom piece by Allen Jones extending his "Cover Story 4/4" (2021), Hunter Schafer embodied Gustav Klimt's portrait "Mäda Primavesi" (1912-1913) in Prada, and Tessa Thompson referenced Yves Klein's "Anthropométries" in Valentino. Gracie Abrams also paid homage to Klimt's "The Kiss."
Le Journal des Arts reports on a new exhibition titled "La nature morte" (Still Life), presented by a gallery as a continuation of its previous monographic shows on Boetti and Burri and the thematic exhibition "On Fire." The exhibition focuses on the classical genre of still life, positioning it as a field of experimentation that accompanies the renewal of painting in the 20th century. It brings together three artists—Picasso, Morandi, and Parmiggiani—who, though not from the same school or direct lineage, each explore the subject through distinct artistic languages: Picasso asserts the presence of the object, Morandi delves into its meditative and silent dimension, and Parmiggiani pushes the reflection toward a form of disappearance. The show is curated by Cécile Debray, president of the Musée national Picasso-Paris, and involves collaborations with institutions such as the Museo Morandi.
Cécile Debray, president of the Musée national Picasso-Paris, discusses a rare collaboration with galleries to present a three-artist exhibition in Venice during the Biennale. The show brings together Pablo Picasso, Giorgio Morandi, and Claudio Parmiggiani around the theme of the object and still life, highlighting unexpected philosophical and poetic connections. Debray explains how the selection of 14 Picasso works balances iconic pieces with lesser-known ones, including sculptures, to create a dialogue with Morandi's rigorous, serial approach and Parmiggiani's metaphysical art.
The article explores the enduring relevance of still life and vanitas in contemporary art, tracing their evolution from the biblical proclamation "Vanity of vanities; all is vanity" through modern masters like Paul Cézanne, Pablo Picasso, and Giorgio Morandi to contemporary practitioners such as Claudio Parmiggiani. It highlights how artists continue to use everyday objects—compotes, skulls, pitchers, apples—as vehicles for formal experimentation and philosophical reflection, with still life serving as a minimalist device that allows infinite plastic research.
The Musée Marmottan Monet in Paris is hosting the first retrospective in France of Giovanni Segantini (1858–1899), a major but little-known figure of Symbolism. The exhibition traces his career through the lens of his geographical ascent into the Alps, from his early success with "Ave Maria à la traversée" (1886–1888) to his final triptych "La Vie, La Nature, La Mort," which he was working on when he died at age 41. Segantini's divisionist technique, which Vassily Kandinsky considered a precursor to abstraction, is highlighted as a means of expressing a dematerialized vision of the world.
Les expos et visites immersives à ne pas rater du printemps à l’été en France
The article from Beaux Arts Magazine highlights a selection of immersive art exhibitions and experiences across France for spring and summer 2026. Featured attractions include "Passion Japon" at Parc de la Villette in Paris, a journey through Japanese culture with Hokusai and Hiroshige projections; "L'Odyssée Céleste" at Église Saint-Eustache, a 3D light spectacle with live choral music; "Frissons" at the Musée d'Orsay, an interactive light installation by artist Adrien M responding to visitors' movements; and a Picasso immersive experience at Les Baux-de-Provence.
L’ouverture du Berlin Modern repoussée à 2030
The opening of the Berlin Modern museum has been delayed to 2030 due to construction setbacks and cost overruns. According to German media outlet Monopol, the project has been plagued by humidity issues, including mold, algae, and bacteria on new surfaces, caused by winter dampness, concrete sensitivity, and faulty ventilation. Originally launched in 2019 with a planned opening in mid-2020, the museum's completion has been repeatedly pushed back, with costs soaring from an initial €200 million to over €500 million, making it the most expensive museum ever built in Germany. The building, designed by Swiss firm Herzog & de Meuron, is located at the Kulturforum and will house 20th-century art collections from the Nationalgalerie, the Marx Collection, the Pietzsch Collection, and holdings from the Kupferstichkabinett and the Kunstbibliothek.
5 joyaux secrets à découvrir en Europe
L'Œil magazine has curated a list of five European cities rich in art historical treasures, highlighting hidden gems for cultural getaways. The first city profiled is Mainz, Germany, featuring the Romanesque-Gothic Mainzer Dom (Imperial Cathedral of St. Martin), the Gutenberg Museum showcasing the 42-line Bible as a landmark of printing history, and the Church of St. Stephen with its iconic blue stained-glass windows designed by Marc Chagall. The second city is Plovdiv, Bulgaria, where the old town blends ancient Roman ruins (a stadium, forum, odeon, and theater from the 2nd century) with 19th-century Bulgarian National Revival houses, such as the Balabanov, Hindliyan, and Kuyumdzhioglu houses, now converted into museums.
Biennale d’art de Venise : le temps des nuances
The 61st Venice Biennale, titled "In Minor Keys," opened under the artistic direction of the late Swiss-Cameroonian curator Koyo Kouoh. The exhibition features 111 artists and collectives, presenting a more subdued, poetic, and experiential approach compared to the previous edition's explicit decolonial program. It navigates contemporary political tensions, including the participation of Israel and the reopening of the Russian pavilion, while aiming for a radical return to art's own environment and its place in society.