Monopol magazine is giving away 5 × 2 tickets to Marina Abramović's exhibition "Balkan Erotic Epic" at the Gropius Bau in Berlin. The show, which opened in 2025, explores erotic energy through Balkan myths, rituals, and folklore, combining new video works with historical pieces from the 1970s onward, including installations, sculptures, and live performances.
10 Highlights, die Sie in Venedig nicht verpassen sollten
The article presents ten must-see highlights of the 61st Venice Biennale, curated by the editors of Monopol magazine. It covers the main exhibition at the Arsenale, national pavilions, and collateral events, including Sandra Knecht's beehouse installation, Isabel Nolan's Irish Pavilion exploring dreams and late medieval humanism, Chiara Camoni's Italian Pavilion blending ceramics and found materials, and Asim Waqif's bamboo construction in the Indian Pavilion. Other featured works include a church filled with surveillance cameras and the new Fondazione Dries Van Noten.
The article highlights 34 of the best London art exhibitions to see in May 2026, focusing on three major shows: the V&A's 'Schiaparelli: Fashion Becomes Art', the first UK exhibition dedicated to designer Elsa Schiaparelli; Tate Modern's 'Tracey Emin: A Second Life', the largest retrospective of the YBA artist's 40-year career; and the Design Museum's 'NIGO: From Japan with Love', a retrospective of Japanese creative NIGO spanning over 700 objects. These exhibitions showcase fashion, contemporary art, and street culture, with the V&A show running until November, Tate Modern until August, and the Design Museum until October.
Wie Tech-Milliardäre Couture zu Content machen
The Met Gala, long considered the premier event for fashion and cultural influence, has become increasingly dominated by tech billionaires. This year, Jeff Bezos and Lauren Sánchez Bezos purchased their role as co-hosts, sparking protests in New York and raising questions about whether money alone now buys entry into the highest echelons of fashion. Individual tickets cost $10,000 and a table $350,000, with sponsors including OpenAI, Snapchat, and Meta. The event, organized by Anna Wintour to raise funds for the Costume Institute at the Metropolitan Museum of Art, raised $31 million last year but has transformed from a benefit into a spectacle optimized for viral moments and algorithmic appeal.
"Man hat hier das Gefühl, dass die Realität eine andere ist"
Austrian artist Erwin Wurm discusses his exhibition at the Museo Fortuny in Venice, where he confronts the overwhelming collection of the 19th-century polymath Mariano Fortuny. In an interview, Wurm describes the venue as a historic atelier house filled with tapestries and artifacts, and reflects on how his contemporary sculptures and performances will engage with the dense, time-capsule atmosphere of the space.
Meister der Madonnen und des Marktes
A major exhibition titled "Raphael: Sublime Poetry" has opened at the Metropolitan Museum of Art in New York, exploring how the Renaissance master Raphael's work was deeply intertwined with money, prestige, and patronage. The show traces his career from early mentorship under his father and influences from Leonardo da Vinci to his rivalry with Michelangelo, highlighting commissions from wealthy supporters like the aristocrat Elena Duglioli and Pope Leo X, who commissioned Raphael's extravagant tapestries for the Sistine Chapel.
The Fondation Beyeler in Riehen, Switzerland, invited visitors to enter the museum for free if they came wearing swimwear, as part of a "Bathing Day" promotion. The event was inspired by Paul Cézanne, whose famous paintings of bathers are the subject of a current exhibition at the museum. The museum reported strong attendance and stated that the unusual setting brings art and visitors closer together, changing perception and reducing distance.
The Gropius Bau in Berlin has extended its evening opening hours by one hour, now open until 8 PM (closed Tuesdays), due to high demand for its exhibition of performance artist Marina Abramović. The show, titled "Balkan Erotic Epic," opened two weeks ago and drew long queues from the start. It features both new and older works, including performances where Abramović carved a star into her abdomen or lay in a burning installation until losing consciousness. The exhibition explores eroticism, politics, Balkan folklore, sexual energy, death, the political dimension of the body, and the Yugoslav wars.
Monopol verlost 5 × 2 Tickets für Peter Hujar und Liz Deschenes im Gropius Bau
Monopol magazine is giving away 5 × 2 tickets to the exhibition "Peter Hujar / Liz Deschenes: Persistence of Vision" at the Gropius Bau in Berlin. The show pairs Hujar's iconic black-and-white photographs of New York's downtown scene—featuring figures like Susan Sontag, Divine, and David Wojnarowicz—with Liz Deschenes' abstract, material-focused works on glass and photosensitive paper. To enter, readers must email their name with the subject line "Hujar" by May 30.
Wie viel Berlin passt auf 230 Quadratmeter?
The Neue Nationalgalerie in Berlin has opened a compact exhibition titled "Ruin und Rausch: Berlin 1910–1930," featuring 35 works across just 230 square meters in a side cabinet of the lower floor. The show uses paintings, sculptures, film clips, and audio poems to tell the story of Berlin between World War I and the Nazi takeover, contrasting themes of excess and poverty, emancipation and extremism. It is structured in three chapters: "Berlin im Taumel" (Berlin in Frenzy), "Schatten der Großstadt" (Shadows of the Big City), and "Die Urbane Frau" (The Urban Woman), with works by artists such as Ernst Ludwig Kirchner, Otto Dix, and Otto Nagel.
Schloss Bellevue, the official residence of German President Frank-Walter Steinmeier in Berlin, will be transformed into a temporary pop-up gallery for two weeks from June 13 to 28, before undergoing a major renovation expected to last around eight years. The exhibition, organized in cooperation with the Akademie der Künste, will feature works by artists including Katharina Grosse, Wolfgang Tillmans, and Monica Bonvicini, taking advantage of the emptied rooms ahead of the president's move-out before the summer break. Free timed-entry tickets will be available from May 18 via the Akademie's website.
Berlin's cultural senator Sarah Wedl-Wilson resigned on Friday after the Berlin Court of Auditors ruled that millions in funding for antisemitism prevention projects were illegal. The resignation has sparked a political debate, with CDU general secretary Ottilie Klein defending governing mayor Kai Wegner against opposition criticism, while Franziska Stoff of the Berlin Culture Conference demands stability and a reversal of budget cuts. Thomas Fehrle, director of the Deutsche Oper Berlin, expressed personal regret over Wedl-Wilson's departure, praising her competence and engagement.
The article surveys recent art-world commentary, focusing on a critical review of the Turner Prize shortlist in The Guardian, where Eddy Frankel calls the selection "timid, anxious, safe" and laments a self-perpetuating, elitist system. It also covers a Hyperallergic essay by Lisa Siraganian questioning whether artworks can possess personhood, sparked by Pierre Huyghe's Venice exhibition. Additionally, it reports on controversy at the Venice Biennale, where the jury preemptively excluded countries whose leaders are sought by the International Criminal Court—namely Russia and Israel—drawing sharp criticism from Die Welt's Marcus Woeller. A podcast interview with US sculptor Alma Allen, selected for the US Pavilion, rounds out the coverage.
Bruno Bischofberger, the influential Swiss gallerist who founded his eponymous gallery in 1963, has died at age 86. He was best known for his decades-long relationship with Andy Warhol, securing right of first refusal on all of Warhol's new works after purchasing eleven early paintings in 1968. Bischofberger also represented Jean-Michel Basquiat internationally from 1982 and gave solo exhibitions to a generation of major artists including Julian Schnabel, David Salle, George Condo, and Francesco Clemente. In 2013, his gallery relocated to a former factory in Männedorf, Switzerland, redeveloped by his daughter and son-in-law.
Une décision de justice favorable aux vitraux contemporains à Notre-Dame
A French court has ruled in favor of keeping contemporary stained-glass windows installed at Notre-Dame Cathedral, rejecting a legal challenge from traditionalists who sought their removal. The decision upholds the controversial replacement of 19th-century grisaille windows designed by Eugène Viollet-le-Duc with modern works by artist Pierre Soulages and others, as part of the cathedral's post-fire restoration.
JR : « Réfléchir à la caverne, c’est se pencher sur notre humanité profonde, sur nos origines, sur l’art en général »
French artist JR is transforming the Pont-Neuf in Paris into a giant inflatable cave structure, titled "La Caverne du Pont-Neuf," set to debut on May 23, 2026. The project, conceived with producer Vladimir Yavachev, pays homage to Christo and Jeanne-Claude's 1985 wrapped Pont-Neuf, using inflatable techniques inspired by Christo's unrealized designs. JR's team built a prototype in a hangar at Orly, and the work involves complex permissions from the French president, the Paris mayor, and local authorities.
Sur l’île Seguin, le nouveau centre d’art Large dévoile son bâtiment spectaculaire et une première expo tournée vers l’histoire de Renault
On Île Seguin, the new contemporary art center Large unveiled its spectacular building designed by Catalan firm RCR Arquitectes during a press preview on May 21. The center, backed by real estate developer Emerige and its president Laurent Dumas, will open to the public on October 17. Its inaugural exhibition, curated by Cecilia Alemani, explores the history of the automobile and the island's industrial past as the site of Renault factories from 1929 to 1992, featuring works by 55 contemporary artists including Julio Le Parc, Nina Beier, Thomas Bayrle, Mohamed El Khatib, and Giulia Andreani.
The French Senate has definitively adopted a law on the restitution of cultural property looted during the colonial period, marking a major legislative step in France's approach to colonial-era artifacts. The law establishes a legal framework for returning objects held in French public collections to their countries of origin, potentially affecting thousands of items in museums across the country.
The latest issue of Le Journal des Arts (n°677, May 15, 2026) covers several major art-world stories: the Venice Biennale opening amid controversy, the final adoption of a French law on the restitution of cultural property looted during colonization, the V&A East museum's strategy to attract younger audiences, the uneven economic impact of Monet's legacy on the town of Giverny, and the structuring of the market for Nabis artists.
Frida Kahlo et Diego Rivera au MoMA de New York dans un dialogue théâtral plein d’ardeur
The Museum of Modern Art (MoMA) in New York has opened a theatrical exhibition titled "Frida and Diego: The Last Dream," curated by Beverly Adams, the museum's curator of Latin American art. The show features around twenty paintings and drawings by Frida Kahlo and Diego Rivera from MoMA's collection, alongside photographic portraits. The exhibition's dramatic staging, designed by British set designer Jon Bausor—who also worked on the Metropolitan Opera's concurrent production of "El Último Sueño de Frida y Diego"—creates a tense dialogue between the artists' contrasting styles: Rivera's political murals and Kahlo's intimate, colorful self-portraits. Highlights include Kahlo's "Self-Portrait with Cropped Hair" (1940) and Rivera's "Zapata, Agricultural Leader" (1931).
À Bâle, plongée dans le grand bain de couleurs d’Helen Frankenthaler
The Kunstmuseum Basel has opened a major retrospective of American painter Helen Frankenthaler (1928–2011), a key figure in Color Field painting who is less known in Europe than her contemporaries Jackson Pollock and Mark Rothko. The exhibition was sparked by a 2024 donation of Frankenthaler's 1963 painting "Riverhead" from the Helen Frankenthaler Foundation, and features around fifty works showcasing her signature soak-stain technique, in which she applied thinned paint to unprimed canvas using sponges, brooms, and scrapers. The show traces her career chronologically, highlighting influences from Old Masters and her physical approach to painting on the floor.
On May 14, the Metropolitan Museum of Art and the Neue Galerie in New York announced a historic merger set for 2028. The Neue Galerie, founded in 2001 by billionaire Ronald Lauder in a Fifth Avenue mansion, will become part of the Met under the name The Met Ronald S. Lauder Neue Galerie, modeled after the Met's Cloisters. The transfer includes the historic building and a collection of 600 works valued at over $1.5 billion, featuring artists such as Gustav Klimt, Egon Schiele, Ludwig Kirchner, Max Beckmann, and Oskar Kokoschka. Lauder and his daughter Aerin Lauder Zinterhofer are also donating thirteen works from their personal collection, and a $200 million endowment fund has been established.
Beaux Arts Magazine analyzes Fernand Cormon's monumental 1880 painting "Caïn," currently held at the Musée d'Orsay. The article describes the scene: a prehistoric, weary clan trudges through a desert, led by a haggard patriarch, with a tired mother on a litter and hunters carrying game. Cormon's work is presented as the antithesis of classical triumph, evoking a melancholic, post-traumatic atmosphere. The painting is linked to the biblical story of Cain, who killed his brother Abel and was condemned to exile, and is accompanied by verses from Victor Hugo's poem "Conscience."
Dubaï veut donner le change en annonçant un nouveau musée d’art numérique
Dubai has announced plans for a new Museum of Digital Art (MODA), designed by Adrian Smith + Gordon Gill Architecture, the firm behind the Burj Khalifa. The five-story museum will be located in the DIFC Zabeel District and feature permanent and temporary exhibitions, immersive experiences, educational spaces, and a digital twin for global access. The announcement comes amid regional turmoil, including Iranian missile and drone strikes on the UAE in March 2025 that damaged infrastructure, disrupted tourism, and reduced the 20th edition of Art Dubai from 120 galleries to just 50 stands.
En 1955, Calder active son célèbre « Cirque » face à la caméra de Jean Painlevé
A 1955 film by Jean Painlevé captures Alexander Calder performing his famous "Cirque" (Circus), a handmade miniature circus he created between 1926 and 1931 in Paris. The film shows Calder manipulating fragile wire-and-wood figures—weightlifters, trapeze artists, clowns, and dancers—while a gramophone plays. The work, now preserved at the Whitney Museum of New York, is on loan for a major Calder retrospective at the Fondation Louis Vuitton in Paris (April 15–August 16, 2026). Painlevé's film is also the subject of a concurrent exhibition at the Musée de Pont-Aven (February 7–May 31, 2026).
The Journal des Arts' issue No. 677, dated May 15, 2026, leads with the opening of the Venice Biennale amid a tense climate. Other top stories include the final adoption of a French law on the restitution of cultural property looted during colonization, the V&A East museum's strategy to attract younger audiences, a report on how Monet's legacy in Giverny does not benefit everyone locally, and an analysis of the structuring market for the Nabis artists.
Nouveau centre d’art et pépites cachées : un week-end plein de surprises à Bruges
Bruges, the Flemish city known for its medieval charm and UNESCO World Heritage status, has inaugurated a new art center called BRUSK in spring 2026. Located in the museum district, the building designed by Robbrecht en Daem and Olivier Salens features a monumental 350-square-meter fresco by French artist Laure Prouvost titled "The Whispering Walls Rêve," which references the city's past and present. The center also includes a conservation and research facility, with free access to the ground floor. The article proposes a weekend itinerary starting at the Grand-Place (Markt) and highlights Bruges as a hub for contemporary creation alongside its historic treasures.
Le destin de « Guernica », icône politique née sous les bombes, retracé en réalité virtuelle au musée Picasso
The Musée Picasso-Paris is launching a virtual reality experience that traces the epic journey of Pablo Picasso's "Guernica," one of the most iconic political paintings of the 20th century. Guided by the voices of writer Juan Larrea and photographer Dora Maar, visitors are transported to Picasso's Paris studio and the bombed ruins of Gernika, reliving the creation of the masterpiece commissioned for the Spanish Republic's pavilion at the 1937 International Exposition in Paris. The VR experience covers the painting's genesis, its global tour, and its eventual exile at MoMA in New York until 1981.
Au musée du Louvre, ORLAN donnera ce vendredi un cours d’histoire de l’art (gratuit)
French artist ORLAN will deliver a free art history lecture at the Musée du Louvre on Friday, May 22, 2026, as part of the fourth edition of the museum's "Leçons d'artiste" lecture series. Titled "Le musée et l'histoire de l'art cellules souches de nos nouvelles images," the talk will examine how museums like the Louvre shape art history—with its omissions, censures, and rewritings—and how new technologies, including artificial intelligence, feed on existing imagery. Two additional lectures will follow on June 12 (on body representation) and September 25 (on artists' responsibility in times of war and oppression).
À quoi ressemblera le futur musée du Louvre ? Les architectes du chantier du siècle désignés
On May 18, the French Ministry of Culture announced the winner of the international competition for the 'Louvre Nouvelle Renaissance' plan, championed by President Emmanuel Macron in January 2025. The winning consortium, led by Studios Architecture Paris and Selldorf Architects with landscape firm Base, will design a major renovation of the Louvre. The project includes a new entrance on the east side near Saint-Germain-l’Auxerrois to relieve congestion at the pyramid, a belvedere overlooking vegetated moats, and a new 3,000-square-meter gallery dedicated to the Mona Lisa. Construction is not expected to begin before 2028.