Order and chaos in contemporary Israeli art

Basia Monka profiles three contemporary Israeli artists—Ariel Hacohen, Jessica Moritz, and others—who, despite diverse backgrounds and mediums, share a common drive to explore order and chaos through repetition in their work. Hacohen, a 2024 Rappaport Prize laureate, uses photography, video, and sculpture to blend archaeology, history, and memory, with current exhibitions at the Haifa Museum of Art and Tel Aviv Museum of Art. The article presents each artist's answers to three questions about inspiration, the definition of art, and what makes their work unique.

wes anderson rebuilds joseph cornell's legendary studio inside gagosian paris

Wes Anderson has recreated Joseph Cornell's legendary studio inside Gagosian Paris for an exhibition titled 'The House on Utopia Parkway: Joseph Cornell’s Studio Re-Created by Wes Anderson.' The show, curated by Jasper Sharp and running from December 16, 2025, to March 14, 2026, reconstructs the artist's basement workspace in Queens, New York, complete with over three hundred objects from Cornell's own collection, alongside iconic box constructions such as 'Pharmacy' (1943) and 'A Dressing Room for Gille' (1939). Exhibition design is by Cécile Degos.

Malba acquires collection of more than 1,200 Latin American works

The Argentine real-estate developer and collector Eduardo F. Costantini has acquired the entire Daros Latinamerica Collection, adding 1,233 works by 117 artists to his Museo de Arte Latinoamericano de Buenos Aires (Malba). Previously housed in Zurich, the collection includes key pieces by artists such as Ana Mendieta, Hélio Oiticica, Lygia Clark, and Cildo Meireles. The acquisition brings 75 new artists to Malba's holdings, including Doris Salcedo and Jesús Rafael Soto, and strengthens existing ones like Guillermo Kuitca and León Ferrari. Plans for a museum expansion to accommodate the works are already underway.

Spring 2026 Exhibitions Opening Celebration

The Wexner Center for the Arts at Ohio State University has announced its Spring 2026 exhibitions lineup, featuring works by Vitória Cribb, Ximena Garrido-Lecca, Eric N. Mack, Hew Locke, and Naeem Mohaiemen. Highlights include Cribb's 'echoes of a wet finger,' commissioned by Sharjah Art Biennial 16 and Mercosul Biennial 14, and solo presentations by Garrido-Lecca, Mack, and Locke, as well as Mohaiemen's film and video works. The season is supported by a range of funders including the American Electric Power Foundation, the Mellon Foundation, and the National Endowment for the Arts.

These 16 Miami Art Week 2025 Exhibitions Are Already Creating Buzz Among Collectors

Miami Art Week 2025 is set to take place December 3–7, headlined by Art Basel Miami Beach (public days December 5–7) and concurrent fairs including Design Miami (20th anniversary) and NADA Miami. The article highlights 16 must-see exhibitions across venues such as the Miami Beach Convention Center, Wynwood, and the Miami Design District. Featured galleries include Pace Gallery (presenting Alexander Calder, Elmgreen & Dragset, James Turrell), Locks Gallery (Louise Bourgeois, Isamu Noguchi), Southern Guild (debuting at Art Basel with Zizipho Poswa and others), and Leon Tovar Gallery (focusing on Latin American women modernists).

Interview: Jon Seydl, John G.W. Cowles Director of the Allen Memorial Art Museum

Jon Seydl has been appointed as the new John G.W. Cowles Director of the Allen Memorial Art Museum at Oberlin College. Seydl, who previously served as director of the Krannert Art Museum at the University of Illinois Urbana-Champaign and worked at the Cleveland Museum of Art, brings extensive experience in university museums and a background in early modern Italian art history. In an interview, he discusses his deep appreciation for the Allen's collection, particularly self-portraits by Michael Sweerts and William Hogarth, and his vision for the museum as a sanctuary for mental health and interdisciplinary learning.

Inside the museum that doesn’t exist

California-born artist Matt Mullican has created 'THAT NOTHING SHOULD EXIST: 55 Years of Work', the largest exhibition of his career, which will inaugurate the Roarington Art Center—a virtual museum in the metaverse. The museum, designed by Italian architect Benedetto Camerana, is embedded in the City of Roarington, a digital dreamland launched by Liechtenstein-based entrepreneur Fritz Kaiser through his non-profit The Classic Car Trust (TCCT). The exhibition is scheduled to open to the public in February next year, with viewers navigating the space like an immersive three-dimensional video game.

Children curate exhibition of Clyfford Still works inspired by their reservation

The Clyfford Still Museum in Denver has handed curatorial authority to 100 children from the Confederated Tribes of the Colville Reservation for the exhibition "Tell Clyfford I Said ‘Hi’" (on view until May 10, 2026). The show features works by Clyfford Still, who in 1936 traveled to the Colville Reservation with colleague Worth Griffin to document tribal members and landscapes. The museum collaborated with tribal youth from three schools—Nespelem School, Nespelem Head Start, and Hearts Gathered Montessori—who selected artworks from facsimiles of Still’s paintings and photographs, drawing connections between his abstract works and their own cultural experiences, such as a student noting that a painting resembled a pow wow blanket.

Groundbreaking Art Takes Spotlight at O’Donnell Athenaeum Exhibit

A new exhibition titled “Groundbreakers: Post-War Japan and Korea from the Dallas Museum of Art and The Rachofsky Collection” has opened at the Edith and Peter O’Donnell Jr. Athenaeum at The University of Texas at Dallas, running through July 2026. Curated by Dr. Natalia Di Pietrantonio of the Crow Museum of Asian Art, the show features works from three major postwar movements—Mono-ha, Dansaekhwa, and Gutai—using unconventional materials like white glue, bells, wires, tin, and rocks. Highlights include Kazuo Shiraga’s foot-painted canvases, Takesada Matsutani’s vinyl glue sculptures, Atsuko Tanaka’s interactive wire installation, and Do Ho Suh’s translucent polyester corridor inspired by homesickness.

The Interview: Thelma Golden

Thelma Golden, director and chief curator of the Studio Museum in Harlem, is interviewed ahead of the museum's reopening in a new Adjaye Associates-designed building following a $300 million capital campaign. Golden reflects on her career, including curating the politically charged 1993 Whitney Biennial and the landmark exhibition "Black Male: Representations of Masculinity in Contemporary American Art" (1994–95), as well as her influential 2001 show "Freestyle," which introduced the concept of "post-Black" art. The article also highlights the museum's first exhibition in the new building, focusing on artist Tom Lloyd, whose work was featured in the museum's inaugural show in 1968.

A new hope: Lucas Museum of Narrative Art sets September 2026 opening date

The Lucas Museum of Narrative Art in Los Angeles has announced its opening date of September 22, 2026, more than a decade after the project was first conceived by filmmaker George Lucas and his wife Mellody Hobson. The museum, which moved from San Francisco to Chicago before settling in Los Angeles's Exposition Park, has grown from a $700 million budget to a reported $1 billion and will house over 40,000 works across 100,000 square feet of exhibition space. The collection spans ancient artifacts, canonical artists like Frida Kahlo and John Singer Sargent, comic book legends such as Jack Kirby and Alison Bechdel, photography by Gordon Parks and Dorothea Lange, and the Lucas Archives of film memorabilia.

‘Truly inspiring’: New Princeton University Art Museum opens its doors to all

The new Princeton University Art Museum opened its doors to the public on Oct. 31, 2025, with a 24-hour open house that drew 21,763 visitors. The event featured dancing, stargazing, artmaking, live performances, film screenings, and a trivia contest, with highlights including Claude Monet's "Water Lilies and Japanese Bridge" and Nick Cave's mosaic. Director James Steward welcomed the crowd, and the museum also hosted previews for students, faculty, staff, and tradespeople, attracting thousands more.

New York Galleries: Openings and Closings of the Week (11/03—11/09)

New London venue to focus on global majority arts—and host ‘necessary conversations’

A new cultural centre called Ibraaz is opening on 15 October in a historic Grade II-listed mansion at 93 Mortimer Street in London’s Fitzrovia. The inaugural exhibition is Ibrahim Mahama’s installation *Parliament of Ghosts*, which fills the ballroom with colonial furniture and plinths evoking Ghana’s past. The multi-disciplinary art space is entirely funded by the Kamel Lazaar Foundation and led by Lina Lazaar, who previously founded Jeddah Art Week and worked at Sotheby’s. Ibraaz will host talks, performances, film screenings, and exhibitions, and includes a bookshop, café, screening room, and a library-in-residence by the Otolith Group.

Gustave Caillebotte: Painting His World

The Art Institute of Chicago presents 'Gustave Caillebotte: Painting His World,' a major exhibition running from June 29 to October 5, 2025, featuring over 120 works including paintings, works on paper, photographs, and ephemera. The show explores the personal interests and relationships that shaped the Impressionist artist, highlighting his focus on family, friends, sportsmen, and workers, as well as his unique depictions of nude men. It includes iconic pieces like 'Paris Street; Rainy Day' and 'Floor Scrapers,' alongside lesser-known works such as the Musée d'Orsay's recent acquisition 'Boating Party' and the Louvre Abu Dhabi's 'The Bezique Game,' many from private collections rarely seen by American audiences.

Ten essential works of art to see at the Museum of Modern Art, New York

The article presents a curated list of ten essential artworks at the Museum of Modern Art (MoMA) in New York, coinciding with the departure of longtime director Glenn Lowry after 30 years and the appointment of Christophe Cherix as his successor. It highlights iconic pieces such as Picasso's "Les Demoiselles d'Avignon" (1907) and Matisse's "The Red Studio" (1911), while reflecting on MoMA's history, its founding vision by Alfred Barr, and its evolution through expansions including the incorporation of PS1 and the $450 million renovation of its 53rd Street building.

Phillips’ Mill’s “96th Juried Art Show” Opens Sept. 20

Phillips’ Mill Community Association will host its 96th Juried Art Show from September 20 to October 26 at the historic grist mill in New Hope, Pennsylvania. The exhibition features a record-breaking 700+ artworks submitted by artists from Bucks County and the River Towns region, with an opening night preview on September 19 for patrons and accepted artists. The event includes 25 awards totaling $14,500, and for the first time, the opening requires tickets. Honored Artist Shawn Campbell and Signature Image artist Jay McPhillips will greet guests, and a jury of art professionals selected the works.

Exhibition Opening: Body Vessel Clay: Black Women, Ceramics & Contemporary Art

The Ford Foundation Gallery in New York will host 'Body Vessel Clay: Black Women, Ceramics & Contemporary Art,' curated by Dr. Jareh Das, from September 10 to December 6, 2025. The exhibition brings together over fifty works by three generations of Black women artists, including Simone Leigh, Magdalene Odundo, and Ladi Kwali, spanning ceramics, film, photography, and archives, and traces the influence of Nigerian potter Ladi Dosei Kwali on contemporary practice.

Christie’s expects Elaine Wynn’s collection to bring $75m, while her record-breaking Bacon triptych goes to Lacma

Christie’s will auction more than a dozen jewels from the collection of the late billionaire and philanthropist Elaine Wynn this autumn in New York, with total estimates exceeding $75 million. Highlights include Lucian Freud's *The Painter Surprised by a Naked Admirer* (2005) and Richard Diebenkorn's *Ocean Park #40* (1971), each estimated at $15–$25 million, alongside works by Joan Mitchell, J.M.W. Turner, Wayne Thiebaud, and others. Meanwhile, the crown jewel of Wynn’s collection—Francis Bacon’s 1969 triptych *Three Studies of Lucian Freud*, which she bought for a record $142.4 million at Christie’s in 2013—has been bequeathed to the Los Angeles County Museum of Art (Lacma) and will debut in its new David Geffen Galleries building next April.

Huge fashion photography archive heads this month’s acquisition round-up

The New York Historical has acquired the vast archive of legendary New York Times fashion photographer Bill Cunningham, nearly a decade after his death in 2016. The collection includes tens of thousands of images, negatives, slides, contact sheets, and correspondence documenting Manhattan street style and high-society events over 50 years. Separately, the J. Paul Getty Museum received a gift of 38 Italian manuscript illuminations from T. Robert Burke and Katherine States Burke, doubling its holdings in that area. The Hamburger Kunsthalle purchased René Magritte's painting *Le Palais de Rideaux* (1928) for €2.4 million from a Belgian private collection.

London’s National Gallery receives record-breaking donations for new wing—and will start collecting contemporary art

London's National Gallery has announced plans for a major new extension, costing around £400 million, with £375 million already raised in record-breaking donations. Two anonymous pledges of £150 million each, from Michael Moritz's Crankstart foundation and the Julia Rausing Trust, are described by director Gabriele Finaldi as the largest-ever known cash donations to any cultural institution globally. The new wing, to be built on the site of St Vincent House, will open in the early 2030s following an international architectural competition launching on 12 September. The gallery also revealed it will begin collecting 20th-century and contemporary art, expanding its traditional cutoff of around 1900, in collaboration with Tate.

Smithsonian leader asserts ‘authority over our programming’ in letters to staff and Trump White House

Smithsonian Secretary Lonnie G. Bunch III sent letters to the White House and staff asserting the institution's independence after President Donald Trump ordered a comprehensive review of eight Smithsonian museums. The review, initiated by an August 12 White House letter, targets exhibitions, collections, and programming for alleged bias and divisive content. Bunch stated the Smithsonian is conducting its own internal review to ensure nonpartisan, factual programming, emphasizing that the institution retains authority over its content. The letters follow Trump's social media attack on the Smithsonian and an earlier executive order directing Vice President J.D. Vance to remove what the administration calls 'race-centred ideology.'

Frieze Seoul’s fourth edition takes on tariffs and a tough market

The fourth edition of Frieze Seoul (3-6 September) will host around 120 galleries at the Coex convention centre in Gangnam, including mega-galleries like Gagosian, Hauser & Wirth, Pace, David Zwirner, and White Cube. The fair welcomes about 20 new exhibitors, such as 10 Chancery Lane Gallery and de Sarthe from Hong Kong, The Breeder from Athens, Carvalho from New York, Make Room from Los Angeles, and Ota Fine Arts from Tokyo. However, more than 40 galleries are not returning, including Karma, Mariane Ibrahim, Michael Werner, and Neugerriemschneider. The event unfolds amid significant political and economic turbulence in South Korea, including the impeachment of former president Yoon Suk Yeol after a martial law declaration, the election of new President Lee Jae Myung, and ongoing tariff negotiations with the United States, all contributing to a climate of uncertainty.

Hunterdon Art Museum presents Annual Members Show

The Hunterdon Art Museum in Clinton, New Jersey, will host its Annual Members Show from September 21, 2025, to January 11, 2026, featuring 35 artists working in ceramics, sculpture, glass, wood, fiber, printmaking, painting, photography, and collage. The exhibition was juried by Donna Gustafson, a freelance curator and critic with a PhD in Art History, who selected works from 84 artists and nearly 400 slides, noting themes of nature, identity, community, and politics. An opening reception is scheduled for September 21.

Stories brought to life: the National Portrait Gallery's latest virtual reality venture is a triumph of immersive storytelling

The National Portrait Gallery has partnered with Frameless Creative, a London-based immersive experience studio, to launch 'Stories—Brought to Life,' a virtual reality exhibition that brings portraits of historical and contemporary figures to life through dynamic 150-second animated sequences. The experience, projected onto a mosaic of screens, features figures including Queen Elizabeth I, Audrey Hepburn, Nelson Mandela, David Bowie, and Ncuti Gatwa, drawing on the museum's collection. It debuted at a temporary site in MediaCity, Manchester, and is designed to travel to other locations.

Teiger Foundation gives grants totalling $7m to 85 curators

The Teiger Foundation, a US-based nonprofit supporting art curators, has announced its 2025 grantees, awarding a total of $7 million to 85 curators at institutions across the country. This nearly doubles last year’s grants as the foundation transitions to a biennial model, with individual grants ranging from $50,000 to $150,000 for exhibitions, research, touring shows, and three years of programming. Notable projects include a major survey of the late artist L.V. Hull organized by curators Ryan N. Dennis, Annalise Flynn, and Yaphet Smith, and a Theresa Hak Kyung Cha retrospective curated by Victoria Sung and Tausif Noor.

Epic Palmer Museum exhibition explores 30 years of ecology and art

The Palmer Museum of Art at Penn State is opening "Mark Dion and Alexis Rockman: Journey to Nature’s Underworld" on August 30, the first survey of the two artists' work spanning three decades. The exhibition features sculptures, paintings, works on paper, and a new collaborative diorama, exploring themes of ecology, environmental collapse, invasive species, and climate change through scientific and artistic lenses. Both artists, who met in New York in the 1980s, combine intensive research, dark humor, and museum display methods to subvert traditional narratives about nature and humanity.

Elizabeth Catlett: “A Black Revolutionary Artist and All That It Implies”

The Art Institute of Chicago announces a major retrospective of Elizabeth Catlett, titled “A Black Revolutionary Artist and All That It Implies,” on view from August 30, 2025, through January 4, 2026. The exhibition brings together over 100 works spanning Catlett’s career as a sculptor, printmaker, feminist, and social activist, highlighting her enduring influence and her commitment to addressing poverty, racism, and imperialism through art and activism.

At this Houston-area art museum, you can walk right up and touch the paintings

The Pearl Fincher Museum of Fine Arts in Spring, Texas, has opened an interactive exhibition called "Art Unleashed" that invites visitors to touch tactile recreations of famous artworks, including Leonardo da Vinci's "The Mona Lisa" and Vincent van Gogh's "Starry Night." The show features contoured bronze and three-dimensional reproductions, fabric sculptures, and woven textiles, all designed to be handled. Each piece includes braille placards, and the exhibition is free and runs through August 30.

The new era of fashion’s art exhibitions

LACMA's upcoming David Geffen Galleries, opening in 2026, will feature over 130 costumes and textiles in its inaugural installations—more than any other time since the museum opened in 1965. The museum also plans exhibitions such as 'Fashioning Chinese Women: Empire to Modernity' (with mannequins by Jason Wu) and 'Fashioning Fashion' (1900–2025). Other major fashion exhibitions include 'Virgil Abloh: The Codes' at Paris's Grand Palais, 'Westwood Kawakubo' at the National Gallery of Victoria, and 'Schiaparelli: Fashion Becomes Art' at London's V&A. The article notes that fashion exhibitions are increasingly popular and profitable for museums, citing the Met's Costume Institute and its record-breaking Met Gala fundraising.