The Loop Plus media art fair has launched its second edition in Busan, South Korea. The fair, dedicated exclusively to new media art, is confronting fundamental market challenges, specifically the public and collector uncertainty about whether such technologically dependent works can be owned and collected. It aims to build the market and ecosystem for the genre.
Chicago’s art history is defined by a series of indigenous movements that prioritized visceral, existential expression over commercial appeal. The article traces this lineage back to the late 1940s with the emergence of the Monster Roster, a group of artists including Leon Golub and Dominick Di Meo who returned from World War II to produce agonistic work. This movement was catalyzed by institutional resistance at the School of the Art Institute of Chicago, leading to the creation of the independent Momentum Exhibitions which bypassed conservative juried systems.
Tate Britain has launched the largest-ever museum survey of British painter Hurvin Anderson, featuring over 80 works spanning from 1995 to the present. The exhibition showcases Anderson’s unique blend of abstraction and figuration, highlighting major series such as his Barbershops, Country Clubs, and the monumental new 16-panel work "Passenger Opportunity." The show tracks his evolution from a Royal College of Art student to a Turner Prize finalist and one of the most significant Black painters in contemporary art.
British artist Celia Paul makes her debut at Gladstone Gallery with 'Innervisions,' a solo exhibition of new paintings in New York. The body of work continues Paul’s career-long exploration of her London studio—a space she has occupied for decades overlooking the British Museum—transforming the domestic environment into a vessel for temporal and psychological reflection.
The National Gallery of Art in Washington, D.C. has launched "Dear America," a major exhibition commemorating the U.S. semiquincentennial through more than 100 works on paper. Drawing from the museum’s deep permanent holdings, the show features a diverse range of media including photography, lithographs, and artist books by figures such as Andy Warhol, Ansel Adams, Faith Ringgold, and Kara Walker. The curation spans 250 years, juxtaposing iconic American imagery with lesser-known folk art and contemporary works that explore the complexities of national identity.
Ghanaian-British artist Godfried Donkor is set to debut his first UK institutional solo exhibition, "It’s a Numbers Game," at Firstsite in Colchester. The exhibition features a diverse array of media including collage, painting, embroidery, and installation, highlighted by a gallery transformed into a boxing ring to symbolize migration and endurance. Donkor utilizes materials like Financial Times pages and Adinkra symbols to explore the "triangle of commerce" between Britain, West Africa, and the Caribbean, while specifically linking the local history of Boudicca to the resistance of Ashanti leader Yaa Asantewaa.
Dublin’s Kerlin Gallery is hosting "Stasis field," a solo exhibition by Kathy Prendergast featuring sculpture, works on paper, and installations. The show highlights Prendergast’s long-standing fascination with cartography, where she subverts traditional maps using materials like textile, chalk, stone, and hand-applied pigments. Key works include hand-painted volcanic maps and a three-meter-high painted branch, all created through the artist's signature methodical and repetitive hand-crafting processes.
EXPO CHICAGO 2026 has launched at Navy Pier with a streamlined, highly curated format that emphasizes quality over quantity. The fair’s opening days have been defined by robust institutional engagement, with several major museums acquiring works for their permanent collections. This year’s edition features a diverse array of artists and galleries, reinforcing its position as the premier contemporary art platform in the American Midwest.
The Los Angeles County Museum of Art (LACMA) is preparing for the public debut of its $724-million David Geffen Galleries, designed by Pritzker Prize-winning architect Peter Zumthor. Ahead of the April 19 member opening, public discourse has intensified following a series of reports detailing the building's architecture, the reinstallation of Alexander Calder’s "Three Quintains (Hello Girls)," and the project's massive budget. Reader reactions remain deeply polarized, reflecting a two-decade-long debate over the structure's unconventional design and its impact on the urban landscape.
Sundaram Tagore Gallery is expanding its international footprint with the opening of a new 310-square-meter flagship space in London’s St James’s district this May. Located in a renovated Edwardian building on Pall Mall, the multi-level gallery will feature exhibition areas, a private viewing room, and dedicated spaces for live performances and screenings. The inaugural exhibition, titled "Hybridity and Belonging in Contemporary Art," will showcase a diverse roster of artists including Hiroshi Senju, Tayeba Lipi, and Sohan Qadri, focusing on themes of displacement and cross-cultural identity.
Cornelia Stokes, the newly appointed assistant curator of the art of the African Diaspora at SFMoMA and MoAD, shares her top selections from Frieze Los Angeles. Her picks highlight a diverse range of artists including Narsiso Martinez, Ebony G. Patterson, Hugh Hayden, and Kenturah Davis, focusing on themes of migrant labor, the African Diaspora, and the intersection of personal history with material culture.
London’s art scene sees a surge of activity this week with five notable openings across the city. Highlights include a rare exhibition at Hazlitt Holland-Hibbert featuring Rachel Whiteread’s drawings alongside her sculptures, breaking her long-standing rule of keeping the two mediums separate. Other significant shows include LA Timpa’s UK solo debut at Cell Project Space, Hannah Lim’s exploration of cultural heritage at Wilder Gallery, and a group exhibition at Woodbury House featuring Los Angeles street art pioneers like RETNA and Chaz Bojórquez.
A series of gallery openings are taking place across London this week, featuring solo exhibitions by a diverse group of artists. Cristine Brache's "Centerfolds" at Bernheim explores persona and omission through the lens of Dorothy Stratten's poetry. Ella Wright presents new paintings at Cedric Bardawil, Dylan Doe's "Muscle Memory" opens at Mandy Zhang Art, Isaac Julien's film installation premieres at Victoria Miro, and Paul Winstanley's "Bringing It All Back Home" debuts at Anthony Wilkinson.
The article highlights 20 art exhibitions across India running concurrently with the India Art Fair, focusing on six key shows. Atul Dodiya presents 'The Gatecrasher' at Vadehra Art Gallery in Delhi, featuring 12 large-scale oil paintings that weave pop culture, art history, and personal memory. Sudarshan Shetty's 'A Breath Held Long' at GallerySKE explores the intersection of voice, body, and urban life through film and steel sculptures. Bikaner House hosts 'Typecasting: Photographing the People of India 1855-1920,' a critical exhibition of colonial ethnographic photographs. The Kolkata Centre for Creativity presents 'Convergences: A Shared Ground' examining artistic and architectural practices from eastern and northeastern India. Nilaya Anthology in Mumbai showcases a retrospective of architect Pinakin Patel, 'The Turning Point,' featuring 11 signature pieces.
Art historian Amy Dempsey has published a new book, 'The Female Body in Art,' which examines the historical representation of women in Western art. The book moves from Renaissance archetypes to contemporary works, focusing on a celebratory selection of artists and images rather than critiquing the often problematic history of the female nude.
Five new art books are set for release this spring, including a biography of 17th-century painter Michaelina Wautier, a study of Louise Bourgeois using unpublished archival material, a dual biography exploring the rivalry between Michelangelo and Titian, a catalog accompanying the Frida Kahlo exhibition at the Museum of Fine Arts, Houston and Tate Modern, and a volume on Francis Bacon’s literary influences housed at the Hugh Lane Gallery.
Vulture's 2026 Preview highlights ten highly anticipated art exhibitions across New York City museums and galleries. Featured shows include Raphael at the Metropolitan Museum of Art, a Marcel Duchamp retrospective at the Museum of Modern Art, the Whitney Biennial, and solo presentations by artists such as Paul Chan at Greene Naftali, Carol Bove at the Whitney, and a MacArthur-winning artist at Marian Goodman Gallery. Other venues include the Morgan Library & Museum, The Drawing Center, the Guggenheim Museum, Canada gallery, and the New Museum, which is expected to reopen after delays.
Art museums and institutions across West Texas and the Panhandle have announced their spring 2026 exhibition seasons. Highlights include the LHUCA Review (formerly the LHUCA Members' Show) and Laura Veles Drey's installation "Passerby: Americana" at the Louise Hopkins Underwood Center for the Arts in Lubbock; "A Texas Legacy: Gifts from the Bill and Mary Cheek Collection" and the San Angelo North American Ceramic Competition featuring Marc Leuthold at the San Angelo Museum of Fine Arts; and three exhibitions at the Stanlee and Gerald Rubin Center for the Visual Arts at UTEP in El Paso, including "The Edge is a Center" showcasing graphic design from the U.S.-Mexico borderlands, "Les Sembrantes" by artists from La Semilla Food Center's fellowship, and Cynthia Gutierrez-Krapp's solo show "Strangers In Our Own Land."
The article recaps the most memorable Denver art exhibitions of 2025, highlighting five standout shows from Front Range galleries and museums. Featured exhibits include Kent Monkman's provocative retrospective "History is Painted by the Victors" at the Denver Art Museum, Bruce Price's "Harmonious Dissonance" at Redline Art Center, Black Cube Nomadic Museum's tenth-anniversary show "What We Hold On To," the textile group exhibition "Rosas y Revelaciones" at Museo de las Américas, and Melissa Furness's mid-career retrospective "Embedded" at the Arvada Center. Several of these exhibits remain on view through early January 2026.
Kunsthal KAdE in Amersfoort, Netherlands, is hosting 'Jacob Lawrence: African American Modernist,' the first European retrospective of the American artist Jacob Lawrence (1917-2000). The exhibition spans his six-decade career from the 1930s, featuring 70 paintings, 25 drawings, and 75 prints, along with photographs and archival materials. It includes works from his celebrated series on the Great Migration, Builders, World War II, and historical figures like Harriet Tubman and Toussaint L'Ouverture, as well as new works by contemporary artists Barbara Earl Thomas and Nina Chanel Abney inspired by Lawrence.
This article features an in-depth interview with artist Olafur Eliasson, who discusses his career-long focus on human perception, environmental concerns, and the concept of "we-ness" in his work. Eliasson reflects on key installations such as *Beauty* (1993) and *Your lost lighthouse* (2020), his influences from thinkers like Donna Haraway and Alva Noë, and his fascination with James Turrell and early Renaissance art. He also shares insights into his Berlin studio and answers the question "what is art for?" The piece is accompanied by details of his current exhibitions in Brisbane, Jakarta, and Singapore, as well as a new permanent public work in Oxford, UK.
The Center for Curatorial Studies at Bard College (CCS Bard)’s Hessel Museum of Art will present "Betty Parsons: An Expanded World" from June 27 to October 18, 2026. It is the first major retrospective to examine Betty Parsons (1900-1982) as both a pioneering abstract artist and a trailblazing gallerist who launched the careers of Barnett Newman, Mark Rothko, and Jackson Pollock. Organized by curator Kelly Taxter with artist Amy Sillman, the exhibition features approximately 80 works spanning painting, sculpture, and works on paper, alongside a new film by G. Anthony Svatek and Kaija Siirala about the Betty Parsons Gallery.
Napoles Marty, a US painter and sculptor based between Connecticut and Rhode Island, has won the 2026 Frieze Los Angeles Impact Prize. The award includes $25,000 and a solo stand at the fair, which opens in late February at Santa Monica Airport. Marty, whose work draws on dream imagery and his Cuban heritage, was selected by a jury including collectors Allison K. Berg and Maisha C. Clark. He will collaborate with fair organizers and Diana Nawi, curator of special projects at the Los Angeles County Museum of Art, on his presentation. Marty was previously a member of the sixth cohort of Nxthvn, a Connecticut-based arts incubator founded by artist Titus Kaphar and impact investor Jason Price.
Glasstire's staff and contributors have compiled their personal "best of" lists for 2025, highlighting standout Texas-based exhibitions, events, and artworks. Notable mentions include Victoria Gonzales' solo show "Stay" at the Moncrief Cancer Institute, curated by Chris Wicker, which explores memory through dreamlike paintings; the exhibition "Feeling Color: Aubrey Williams and Frank Bowling" at the Modern Art Museum of Fort Worth, praised for its bold experimentation with color and texture; the community-driven group show "A Good Gathering" at The Pool in Fort Worth; and the Lorne Michaels Collection exhibition at the Harry Ransom Center, offering an inside look at the Saturday Night Live creator's archive. The list also features the Corsicana Artist and Writer Residency's open studios and a performance by Houston Contemporary Dance Company.
Hyperallergic's staff and contributors present their picks for the best New York City exhibitions of 2025, highlighting a year marked by major museum reopenings, including the Studio Museum in Harlem after a seven-year hiatus and the Frick's expansion. Notable shows include Amy Sherald's 'American Sublime' at the Whitney Museum, Rashid Johnson at the Guggenheim, Wifredo Lam at MoMA, and surveys of Indigenous design at the Ford Foundation Gallery, Seydou Keïta at the Brooklyn Museum, and hometown heroes like Jack Whitten at MoMA and Coco Fusco at El Museo del Barrio. The list also features Saya Woolfalk at the Museum of Arts and Design, Nayland Blake at Matthew Marks Gallery, and Ben Shahn at the Jewish Museum.
A roundup of the best art shows of 2025 highlights standout exhibitions across New York galleries and museums. Notable shows include Reverend Joyce McDonald's first major exhibition at the Bronx Museum, Laura Owens' interactive takeover at Matthew Marks Gallery, and Harkawik's refrigerator-mounted photo display featuring 280 artists. Other featured shows include Maxwell Gallery's unsold works, Elisabeth Kley's curator-driven show at White Columns, Cady Noland's sculpture at Gagosian, and Falcon Art Collective's group show in an unfinished midtown building. The article also mentions Alannah Farrell's trans-themed work in Chinatown, Bradford's blue-field paintings at Canada gallery, and the reopening of institutions like the Frick Collection.
The article offers a behind-the-scenes look at British artist David Shrigley’s Brighton studio, where he prepares for a London exhibition titled 'Exhibition of Old Rope' at Stephen Friedman Gallery. Shrigley, known for his humorous, naive-style paintings and conceptual approach, describes his process of working from word lists generated by assistants, producing up to 12 paintings a day, and embracing absurdity and chance. The studio, a former office building he bought two years ago, is filled with recent large-scale works, a guitar collection, and studio paraphernalia, reflecting his playful yet disciplined practice.
The Eli and Edythe Broad Art Museum at Michigan State University is presenting a survey exhibition titled “unbecoming” by Syrian-American artist Diana Al-Hadid, curated by Dr. Rachel Winter. The show features Al-Hadid’s sculptural wall panels made from polymer gypsum, steel, plaster, metal leaf, and pigment, many of which break rectilinear forms and reveal their fragile internal structures. The works incorporate recognizable imagery—silhouettes, bodies, art-historical references—that dissolves into the surface, creating tension and inviting viewers to question fixed meanings. The article also recounts a personal encounter with the artist, highlighting the humor and resistance embedded in her practice.
The article features a conversation between Los Angeles-based artist Sam Falls and Edoardo Zegna, chief marketing, digital and sustainability officer at the Italian luxury menswear brand Zegna, during Miami Art Week. Falls creates works that blend Land Art and plein air photography by leaving materials in natural environments, while Zegna discusses the brand's century-long stewardship of Oasi Zegna, a 100 sq. km forest in the Italian Alps. Zegna has created an invitation-only pop-up space called Villa Zegna in the Design District showcasing Falls's works, and Falls also has pieces at 303 Gallery's stand at Art Basel Miami Beach and in the Ruinart Lounge.
Miami-born artist Woody De Othello presents his first solo museum exhibition in his hometown, titled "coming forth by day," at the Pérez Art Museum Miami (PAMM). The show, named after the Egyptian Book of the Dead, explores ritual objects and spirituality across the African diaspora, connecting Othello's ceramic works to ancestral beliefs. In an interview with The Art Newspaper, Othello discusses how his Haitian Catholic upbringing and Miami's multiculturalism shape his practice, and he acknowledges the vulnerability of delving into African religious traditions that may be taboo within his family.