Mooneyham Art Gallery in Alton, Illinois, will host a dual-artist exhibition titled "Nature Framed and Authenticity Is the New Gimmick" on May 9, featuring new works by professional wrestler and painter Devin "Itchy" Gable alongside wildlife photographer Carol Bock. The event includes dessert from Dolci's Cafe and Bakery and music by Psychedelic Symphony, and is free and open to the public.
The University's art gallery at 41 Park Row hosted its Annual Art Student Exhibition from April 10 to April 25, 2026, featuring 75 student artists. Notable works include Kaitlin Espinal's painting "La Casa de Tia Lelia," inspired by her great aunt's house in the Dominican Republic; Jet Coyan's digital photography piece "Trauma Imposter" exploring depersonalization and anxiety; and Deilene Rodriguez's "Vino," which celebrates her Hispanic heritage through a wine-inspired composition. Students credited their professors, classmates, and the University's art classes for supporting their creative development.
Edmonds College Art Gallery in Lynnwood, Washington, is presenting its spring exhibition, "Student Art Show," from May 8 to June 12. The show features works by nine emerging student artists—Alexandria Ashley, Christian Douglas, Karis Johnson, Daphne Lynch, Zoe Mody, Aya Nakano, Jinx Pineda, Lika Rukhadze, and Felicity Silvers—across mixed media, painting, sculpture, and ceramics. An opening reception will be held on May 8 with food, refreshments, and live piano music.
The Princeton Symphony Orchestra (PSO) has launched its annual “BRAVO! Listen Up!” exhibition at the Adriana Groza Art studio, featuring visual and written works by thirty-two middle school students. The participants created these pieces in response to composer Andreia Pinto Correia’s orchestral work "Ciprés," following a creativity workshop led by artist April Zay. The collection includes a diverse range of media, from traditional watercolors and acrylics to 3D sculptures made of rosewood and yarn.
The Museum of Oriental Art in Venice is presenting "MUSHI 虫. Dragonflies and Other Insects in the Painting of Stéphane Dubé," a solo exhibition featuring twenty-seven gouache works on paper. Curated by Marta Boscolo Marchi, Sachiko Natsume, and Giulia Passante, the show is organized into three thematic sections focusing on dragonflies, moths, and dead snakes. These contemporary works are displayed in dialogue with traditional Japanese artifacts from the museum's permanent collection, such as netsuke and military items, highlighting the symbolic significance of these creatures in Eastern culture.
Student artists at Emory University are exhibiting works from a compassion-focused visual arts course in a new show titled "Between Shadow and Light: Artwork on Compassion" at the Emory Center for Ethics' hallway gallery. The assignment, part of the Creative Conscience Project in partnership with the Emory Center for Ethics, asked students in Aaron Putt's "Introduction to Painting and Drawing" class to write personal notes on paper, crumple them, and create photorealistic still-life drawings incorporating intimate objects like family recipes, flowers, or seashells. The exhibit features drawings, paintings, and photographs by 13 students and will remain on display through January 2027.
The CaminARTE art walk returns to historic downtown Laredo, Texas, on the first Friday of February. The event, organized by the Laredo Cultural District, features art exhibits, live music, and a Valentine's-themed market across multiple downtown venues including the Laredo Center for the Arts, Casa Ortiz, and La Posada Hotel. It showcases local and visiting artists, performers, and vendors, bringing activity to Iturbide Street.
The University of Massachusetts Dartmouth's College of Visual and Performing Arts (CVPA) is hosting the Emerging Young Artists and Designers 2026 Juried Exhibition. The virtual opening and awards ceremony will be held on February 6, featuring 100 works selected from over 550 submissions by high school students across New England. Award winners will have their work displayed in the CVPA Campus Gallery from February 14 to 22.
The Visual Arts Studio Association (VASA) is opening a new group exhibition titled "Yellow" on February 3, featuring 26 paintings by 10 local artists. The show explores the color yellow through diverse perspectives, including landscapes, abstracts, and still lifes, and will run until March 27 in the association's Corridor Gallery.
SPARC Gallery in South Pasadena is opening two concurrent exhibitions: "The Best of Times," a solo show by painter Clifford Bailey, and "Emerging Artists 2026," featuring three up-and-coming sports photographers. Bailey, a School of Visual Arts graduate now based in Los Angeles, presents his imaginative and highly individualized paintings from January 31 to February 28, with an opening reception on January 31. The sports photography exhibition runs through February 20 and is free to the public, with both shows participating in the South Pasadena Arts Crawl on February 7.
Arleen Olshan, a Mt. Airy–based artist and activist, opens her latest exhibition “Arleen Olshan: The Tangle I’ve Gotten Into” on Jan. 16 at iMPeRFeCT Gallery in Germantown, running through Feb. 21. The show combines two series: “Dead Dykes & Some Gay Men,” a memorial portrait series honoring LGBTQ+ activists and loved she has lost—including a long-delayed painting of her friend Gil Forman and his partner Zach—and “Women Loving Women,” large-scale figurative works from the 1970s and 1980s celebrating lesbian feminist intimacy and liberation. The exhibition also includes an archival element of memorial cards and newspaper clippings Olshan saved over decades.
The Society of Bluffton Artists (SOBA) announces its "Large Art" exhibition, running from January 5 to February 2 at the SOBA Gallery in Old Town Bluffton, South Carolina. The show features oversized works by SOBA member artists, including vibrant abstracts, mixed media, and contemporary compositions. Proceeds from artwork sales and donations during the exhibition will support SOBA's fundraising efforts to secure a new, permanent home for the nonprofit organization.
Canada's monument to the victims of communism in Ottawa, officially opened a year ago, will no longer include individual names on its Wall of Remembrance after a federal government report revealed that many of the unvetted "victims" had ties to Nazi or fascist groups. Originally designed by architect Paul Raff to feature 553 entries, the Department of Canadian Heritage reversed its decision following alarms raised by Jewish groups and independent media outlets like Ricochet and The Maple, which found that more than half of the 550 names should be removed. The department stated that the wall will now feature only thematic content aligned with Canadian values of democracy and human rights.
The Art Spirit Gallery in Coeur d'Alene, Idaho, faced backlash from the local art community after announcing an exhibition titled "No Permission Needed," featuring AI-generated images by Mike Baker, CEO of Heritage Health. The exhibition, which opened on Nov. 12, sparked nearly 200 comments on Facebook, with local artists calling the work "disgusting," "slop," and "unethical." Four artists protested outside the gallery during the city's monthly ArtWalk event on Nov. 14, and a subsequent panel discussion on Nov. 22 included Baker, gallery owner Blair Williams, former NASA scientist Denise Yost, and Jen Jackson Quintano. Williams noted that three artists have severed ties with the gallery over the show.
Maltese abstract artist and poet Michelle Cassar Cavarra is hosting her first charity art exhibition to raise funds for her neighbor Kate, who has been diagnosed with Tatton-Brown-Rahman syndrome, a rare condition affecting only about 400 people worldwide. The exhibition, sponsored by Marsovin, takes place at Ic-Civil Valletta and features Cassar Cavarra's unique abstract works, with proceeds going toward Kate's specialized equipment, therapies, and a home pool to aid her mobility.
Geneva is hosting a new anti-nuclear art exhibition by Italian artist and activist Enrico Muratore, known professionally as EMA, under the title "Promemoria: Sending out an SOS." The multimedia project, which began as a series of paintings and now includes a book, song, video, and live readings, is presented at ICAM (Institut des Cultures Arabes et Mediterraneennes) with support from ICAN and the organization Colorier L’Avenir. The exhibition features selected paintings from the Promemoria series and live readings of EMA's fable inspired by George Orwell's Animal Farm and 1984. It was officially opened by Christoph Wieland, Deputy Permanent Representative of Austria to the United Nations in Geneva, and Melissa Parke, Executive Director of ICAN.
This research paper proposes an AI-based predictive model that uses deep learning and text mining techniques to forecast visitor numbers at art museums. The study employs eight deep learning algorithms—including RNN, LSTM, and Transformer—to analyze unstructured textual data from museum websites, visitor comments, and social media, integrating a Balanced Scorecard framework with four strategic perspectives: social value, visitor experience, exhibition management, and art education.
Megan Clarke of Good Morning Washington visited McLean’s Historic Pleasant Grove Church to report on a new exhibition featuring the work of photographer Bernie Boston. Boston, a DMV native and longtime McLean resident, was the first African American member of the White House Press Corps and covered presidents from Truman through Clinton. He is best known for his iconic “Flower Power” photograph, which earned him a runner-up spot for the Pulitzer Prize. The exhibit showcases photographs spanning his career, including both celebrated images and candid shots of the photographer himself.
Iranian-Australian artist Yasamin Khadembashi will present her debut solo exhibition, "Dreaming in Farsi," at PS Art Space (PSAS) in Perth from January 16, 2026. The two-week show features large-scale sculptural paintings that blend Persian miniature traditions with Western portraiture, using materials like piped impasto oil paint, gold leaf, and rhinestones. Khadembashi, who has been working from a subsidized studio through the PSAS Studio 7 initiative and completed a residency at WFAC, will also include a performance element, painting in the gallery to engage visitors in dialogue about her process and themes.
The Forest Exploration Center in Tosa, Wisconsin, has opened its first art exhibition titled “All That Trees Provide: The Value of Trees and Forests in Our Everyday Lives.” The community-curated trail features 14 panels along the middle trail segment, showcasing seven works each from photographer Holden Van Dyke, a 15-year-old from Pleasant Prairie, and painter John Suess, a Milwaukee-based artist. A “Meet the Artists” event is scheduled for October 4. The exhibition is part of the center's Community-Curated Trail Spur, which aims to share forest art, stories, and research through rotating curated exhibitions.
Casa Sanlorenzo, a new cultural space in Venice established by yacht builder Sanlorenzo, has opened its inaugural exhibition titled "Breathtaking." The installation by Italian artist and photographer Fabrizio Ferri addresses ocean plastic and microplastic pollution, featuring large-scale portraits of celebrities including Sting, Helena Christensen, Willem Dafoe, Isabella Rossellini, Susan Sarandon, and Naomi Watts, all depicted covered in plastic and debris. At the center of the installation is a glass coffin filled with seawater, symbolizing the fragility of marine ecosystems. The exhibition was previously shown at the Museo di Storia Naturale in Milan, where it attracted over 40,000 visitors in four days.
The Moore Art Gallery at The Citadel has opened a new exhibition titled “From Space to Sea: The Navy’s Role in Manned Space Flight,” running from September 4 to December 10. The show features artworks on loan from the Navy Art Collection, depicting key moments from the 1960s and 1970s, including portraits of astronauts Alan Shepard and John Glenn, as well as scenes of spacecraft recovery at sea. The exhibition highlights the Navy’s contributions to early American spaceflight, from pilots and engineers to recovery crews.
An upcoming exhibition titled 'Me, Myself and Art' will showcase the work of local figurative artist Neal Whelan at The Willis Museum and Sainsbury Gallery in Basingstoke, running from September 6 to October 5. The show features a diverse collection of Whelan's best works, including familiar North Hampshire landscapes and abstract pieces like 'An August Dance', inspired by Brian Friel's play 'Dancing at Lughnasa'. Whelan's art has previously been displayed at THAT Gallery and the 7Artists+ exhibitions at Proteus.
In July 2025, 25 artists in Gaza staged an exhibition titled "Aphenix" inside a coffee shop in Gaza City, organized by Mohaned Asayas, a student at Al-Aqsa University. The exhibition featured 55 new works created during a month-long workshop that provided a rare space for artistic expression amid the ongoing war, offering materials like soft charcoal, pastel, and acrylic. Artists such as Bisan Al Amasy produced pieces addressing themes of starvation, displacement, bombardment, and loss, using symbolic imagery like a fatigued donkey to represent Gaza City.
A Thai gallery has removed artworks focused on China from its exhibition after reportedly facing pressure from Beijing. The pieces, which addressed sensitive political themes, were taken down following diplomatic or official intervention, according to the gallery's statement. The incident highlights ongoing tensions between artistic expression and geopolitical influence in Southeast Asia.
Throughline Collective in Houston has announced the 15 artists selected for "Future Forward," a group exhibition featuring graduate and undergraduate art students from across Texas. Guest curated by Madi Murphy, Associate Curator of FotoFest, the show opens with a public reception on August 8, 2025, at Throughline Gallery and runs through August 30. Selected artists include students from universities in Denton, Houston, Lubbock, and San Antonio, working in painting, drawing, photography, sculpture, and textile-based art.
State legislatures across the US have continued to fund their arts and humanities agencies for fiscal year 2026, with aggregate spending totaling $649.2 million across 50 states and four territories—a 7.4% decrease from 2025 levels. While 29 states increased their arts funding, others saw significant cuts, including New Hampshire (90% reduction), Hawaii (74.9% drop), and Missouri (59.7% decline). The data comes from the National Assembly of State Arts Agencies (NASAA), which notes an uncertain fiscal environment but highlights that overall state investment in the arts is being sustained despite federal pressures.
A live exhibition titled "Uncovering / Recovering the Past" was held on 21 May at the Stellenbosch University Museum in South Africa, featuring sound, sculpture, and archival material. Created by artist Haroon Gunn-Salie, the exhibition explores the Truth and Reconciliation Commission's failure to prosecute apartheid-era crimes, focusing on the reopened inquest into the 1969 death of anti-apartheid cleric Imam Abdullah Haron while in police detention. The event was presented by the Centre for the Study of the Afterlife of Violence and The Reparative Quest (AVReQ) and included speakers such as human rights lawyer Odette Geldenhuys and senior research coordinator Westley Ceasar.
Charles Lunn, a 35-year-old nonverbal autistic artist from Bethesda, Maryland, will debut his exhibition "Nonsense & Hopeful Songs: My Inner Fight to be Heard" at Lost Origins Gallery in Mount Pleasant, Washington, D.C. The show features his paintings and poetry, which serve as his primary means of communication. Lunn's mother, Lorie Peters-Lauthier, explains that his art allows him to express emotions and social commentary that his body cannot verbalize due to a brain-body disconnect.
Local artist Keni Davis, known as Keni Arts, will present his exhibition "Beauty for Ashes" at the Altadena Main Library throughout May 2025. The show documents the aftermath of January's Eaton Fire, which destroyed over 9,000 homes and businesses in Altadena, including Davis's own home, studio, and most of his paintings. Through his watercolor works, Davis captures the destruction, renewal, and emerging hope in the community he has called home since 1977.