The Philomath Museum's Moreland Gallery will open a new exhibition titled "Refuge: Where Life Endures" on May 2, running through July 25. The show features works from the Corvallis Art Guild, a community art group founded 80 years ago after World War II, and explores themes of shelter, safety, and survival. A public reception will be held on May 8.
Masonicare Hospice & Palliative Care has launched "Completing the Journey: The Art of Hospice Care," an art exhibit featuring works created by patients in hospice care across its senior living communities in Connecticut. The exhibit, the first of its kind from Masonicare in over 15 years, includes small artworks on self-standing screens, accompanied by portraits of the artists and brief statements about their creative process. It opened at the Hartog Activities Center in Wallingford on April 28 and will travel to other Masonicare facilities, including Rocky Hill, after previous stops in Chester and Mystic. The project was funded by the Masonic Charity Foundation of Connecticut.
An art exhibition titled 'No Strings' has opened in Ann Arbor, inspired by the city's guaranteed income program. The show features works from local artists who explore themes of economic security, dignity, and community support, drawing directly from the experiences and principles of the universal basic income initiative.
CONDUCTOR, a new art fair curated by Adriana Farietta in collaboration with Powerhouse Arts, launches this week in Brooklyn, New York. The fair features individual artists and galleries from Africa, Latin America, the Caribbean, South Asia, Southeast Asia, the Middle East, Oceania, and Indigenous Nations, with a focus on the Global Majority. A key innovation is its onsite fabrication model, allowing some works to be produced locally at Powerhouse Arts' facilities, reducing shipping and customs issues. The fair also offers an exclusive preview of artists presenting at the Venice Biennale, including Annalee Davis, Tammy Nguyen, RojoNegro, Beya Gille Gacha, and Bugarin + Castle.
Art students from a local university, under the guidance of assistant professor Dawn Kramlich, collaborated with the Elmhurst Art Museum after an assignment inspired by a visit to the museum's "Living with Modernism" exhibition featuring artist Kelli Connell. The museum shared the students' resulting artwork on Instagram and invited several to exhibit in the new Emerging Artists Pavilion at the Art in Wilder Park festival. Students received private tours and one-on-one feedback from museum director Allison Peters Quinn, deepening their professional experience.
Over 900 art enthusiasts attended 'The Coalition' art exhibition in Ibadan, Nigeria, held from April 24 to 26, 2026, at the International Institute of Tropical Agriculture (IITA). The three-day event featured more than 600 artworks by 60 Nigerian artists, showcasing abstract works, portraits, and contemporary pieces exploring identity and culture. Organizers, including Constance and Sons Art Gallery founder Dunmade Ayegbayo, reported strong visitor engagement and sales, highlighting the commercial potential of Nigerian art.
Over 600 artworks by 60 artists from across Nigeria were displayed at 'The Coalition' exhibition held at the International Institute of Tropical Agriculture in Ibadan from April 23 to 25, 2026. The show, organized by Dunmade Ayegbayo of Constance and Sons Art Gallery, featured a diverse range of styles including abstract works, portraits, and pieces exploring African identity, family, and everyday life. Notable participating artists included Ogo-Oluwa Christianah, Okunade Olamilekan, and Gobe Joseph.
Interdisciplinary St. Louis artist Jen Everett will discuss her work in the Elevate exhibition at 21c Museum Hotel St. Louis, joined by artist-scholar Dr. Blair Ebony Smith. The conversation will focus on themes of Black interiority, memory, archives, deep listening, sound, and collaboration, followed by an audience Q&A. The event takes place on April 26, 2026, from 11:00 AM to 1:00 PM.
Studio A, a leading Australian supported studio for artists with intellectual disability, is celebrating its tenth anniversary with a retrospective exhibition titled "SAD, MAD, THINKING birthday." The show features iconic Archibald Prize portraits by the studio's finalists, works that inspired major public artworks, and standout pieces from across the studio's artists. It culminates in a dining room installation created in collaboration with designers and brands including Mud Australia, Canberra Glassworks, Alémais, Erth, and Armadillo.
The Smithsonian Institution has altered or removed interpretive wall text that accompanies artworks on display, according to a New York Times report. Critics argue these changes amount to self-censorship, suggesting the institution is bowing to political pressure by softening or eliminating contextual language that could be seen as controversial.
The article reports on the return and expansion of a major independent art fair, now located on the far side of Chinatown. It highlights six standout artists whose works are featured at the fair, emphasizing the event's stylish and curated atmosphere.
The article highlights standout booths at Frieze New York, held at the Shed, featuring 65 galleries. It notes a dominant presence of paintings alongside a surprising array of small sculptures, offering a curated look at the fair's most compelling presentations.
The New York Times Art section published a primer on three architecturally significant Buddhist stupas (reliquary mounds) located in Nepal, Thailand, and Taiwan. The article highlights the distinct design and cultural importance of each monument, serving as an educational overview for readers interested in Buddhist architecture.
The article highlights eight standout national pavilions at the Venice Biennale, the world's premier contemporary art event. These include a doll-focused exhibition, a contemplative garden, and a sizzling hothouse, each generating significant buzz among attendees and critics.
Barack and Michelle Obama commissioned 30 artists to create site-specific works for the Obama Presidential Center on Chicago's South Side, which begins visitor previews next week. The commissioned artworks span multiple media and will be integrated throughout the campus, reflecting the Obamas' commitment to public art and community engagement.
The jury of the Venice Biennale, the world's most prominent art exhibition, has resigned collectively amid a dispute over a proposed ban on awarding artists from countries whose leaders are accused of crimes against humanity. The jury had declared it would not consider such artists for prizes, leading to internal tensions and ultimately their resignation.
The Miguel Hernández University in Elche, Spain, presents "Vientos del pueblo. Voices of Exile and Resistance," a group exhibition curated by Mónica Sotos. Inspired by Miguel Hernández's poem "Vientos del pueblo," the show features Argentine artists Ježik and Costa alongside Eugenio Merino, Gloria Oyarzábal, Ricardo Calero, Óscar Seco, Pierre Valls, and María Rosa Aránega. Through photography, video, installation, drawing, and archival works, the exhibition examines violence, borders, exile, and colonial legacies, challenging dominant power narratives.
Cuba presents Roberto Diago's installation "Hombres Libres (Free Men)" at the 61st Venice Biennale, curated by Nelson Ramirez de Arellano Conde and commissioned by Daneisy García Roque. The work, on view from May 9 to November 22, 2025, features a group of sculpted heads made from oxidized metals, wood, plastics, and reclaimed materials that advance toward viewers, bearing scars that evoke a history of pain and resistance.
The Today Art Museum in Beijing hosted an exhibition titled "Dialogue through Art," featuring works by Azerbaijani artists. Organized by the Embassy of Azerbaijan in China in collaboration with the Innovation Art and Travel Center and the AYDANI Art Gallery, the show included paintings, sculptures, digital art, and animation by both established and emerging Azerbaijani artists.
Lo street artist Ozmo assolto in tribunale: “La sua opera non è imbrattamento e ha valore culturale” (ma nel frattempo è stata cancellata)
In summer 2022, street artist Ozmo (Gionata Gesi) created an unauthorized site-specific work on the Fonte di San Cerbone in Baratti, Italy, depicting two Etruscan coins with Medusa's face. The work sparked debate: the Piombino municipality and museum director Carolina Megale welcomed it, but the Soprintendenza (cultural heritage authority) reported it to prosecutors as illegal defacement. The artwork was vandalized and later removed in April 2023. On April 29, the Livorno court acquitted Ozmo, ruling that his intervention was not a crime but an artwork with cultural value, setting a legal precedent.
Due grandi studi di architettura puntano a rivoluzionare Roma nei prossimi 25 anni
A multidisciplinary team led by Italian architecture and urban planning firm IT'S and Dutch firm OMA has won the international ideas competition "Vision for Rome," promoted by the Fondazione Roma REgeneration. Their project, "Roma Continua," was presented at the Auditorium della Tecnica di Confindustria during the second ROMA REgeneration FORUM. The proposal aims to rethink Rome over the next 25 years through a paradigm shift in urban, social, and cultural planning, envisioning the city as a living ecosystem. It is based on five guiding principles—care, beauty, knowledge, movement, reuse, and grafting—and includes five green corridors anchored to the Tiber River, "Fori dell'innovazione" (innovation forums), and a continuous mobility network. The project also seeks to reduce tourist pressure on the historic center by creating new cultural itineraries and sustainable transport links.
Il linguaggio oltre l’umano nel sorprendente Padiglione Polonia alla Biennale di Venezia 2026. L’intervista
The Polish Pavilion at the 2026 Venice Biennale presents "Liquid Tongues," a project by artists Bogna Burska and Daniel Kotowski, curated by Ewa Chomicka and Jolanta Woszczenko with the collective Choir in Motion. The installation eschews spectacle for a subtle, immersive exploration of language beyond the human voice, incorporating sign language, underwater immersion, choreography, and whale songs to destabilize conventional communication.
TAILOR, the vertical newsletter from Artribune exploring the intersections of art and fashion, returns on Sunday, May 17, 2026. The upcoming issue focuses on "Science Fashion," an event held from May 13 to 15 at the MACRO – Museo d'Arte Contemporanea di Roma, curated by Dobrila Denegri, which investigates relationships between fashion, science, and new technologies. The newsletter also examines the rapid spread of the non-color white in fashion and design as a response to pandemic, crisis, and geopolitical tensions, offering analytical content for professionals, students, and enthusiasts.
Come cambiano le aste d’arte se online tutto sembra un video game?
The article examines how digital infrastructure has transformed art auctions from exclusive in-person rituals into real-time competitive interfaces. Online sales, which peaked during the pandemic, now account for about 16% of the global art market in 2025 (down from 18% in 2024), according to the Art Market Report by Art Basel and UBS. Digital tools enable instant bidding, global streaming, and discreet participation, allowing collectors to compete without physical presence. The piece highlights the gamification of auctions, noting that ArtTactic has launched Art Forecaster, a platform where users predict auction prices in tournament-style competitions, blending market engagement with ludic elements.
Una recensione della Biennale di Venezia 2026 senza nominare neppure un artista
This review of the 2026 Venice Biennale describes an exhibition that overcame dire circumstances—the death of curator Koyo Kouoh early in preparations, losses of key artists, and international political controversies—to deliver a surprisingly joyful and engaging show. Titled "In Minor Keys," the Biennale features a well-conceived, flowing presentation across the Giardini and Arsenale that prioritizes beauty, craftsmanship, and hope over a punitive or documentary tone.
Il Marocco è per la prima volta con un Padiglione alla Biennale d’Arte di Venezia. L’omaggio alla tessitura di Amina Agueznay
Morocco is participating for the first time with an official national pavilion at the Venice Art Biennale, presenting a monumental installation by artist Amina Agueznay. Titled "Asǝṭṭa" (2026), the site-specific work at the Arsenale's Artiglierie space explores ritual weaving and the transmission of traditional craftsmanship, using sewn panels to create a second skin over the 300-square-meter pavilion. Curated by Meriem Berrada, the project draws on Agueznay's two-decade-long research in dialogue with Moroccan artisan communities, including spinners, embroiderers, basket makers, and goldsmiths.
In una mostra a Napoli è possibile perdersi senza urgenza in un equilibrio instabile. La recensione
The exhibition "A Gentle Collapse," curated by Marta Ferrara at Andrea Nuovo Home Gallery in Naples, explores the contemporary psychic state through a spatial and perceptual construction. Featuring works in photography, painting, engraving, and installation, the show creates a sense of instability, with meaning emerging gradually through shifts between familiar and altered forms. Artists include Dorottya Vékony, Matteo Silverii, Flora Villaumié, and Zoë Pelikan, whose works engage with themes of genetic engineering, serial accumulation, and subtle disorientation across two gallery levels.
Fare varietà nella Roma contemporanea: la storia della Conventicola degli Ultramoderni su Sky Arte
On Sunday, May 3, Sky Arte will premiere the documentary "Ultramoderni," which chronicles the rise of the Conventicola degli Ultramoderni, a unique artistic collective in Rome. Founded by Sior Mirkaccio and Madame de Freitas, who met in 2011, the group operates from a small hidden venue in the San Lorenzo district, blending music, cabaret, burlesque, and contemporary variety shows with a retro-futuristic aesthetic. The documentary, filmed in their Roman space, features interviews with the duo and excerpts from their performances, tracing how they built a diverse community of enthusiasts around their reinvention of past traditions.
Jaya Ganguly, one of India's most prominent contemporary feminist artists, is the subject of a video feature exploring her exhibition at CIMA in Kolkata. Curated by Rakhi Sarkar, the show presents Ganguly's deeply emotional and thought-provoking artworks that address themes of feminism, pain, and resistance. The exhibition runs until June 13.
An exhibition titled "Arte de la Resistencia" (Art of Resistance) was held from May 13 to May 17 at Free Associates gallery in Tucson, Arizona. Curated by a psychologist who uses the pseudonym Rosa for safety reasons, the show featured artwork created by immigrant children aged 7 to 19, many of whom are affected by deportation, family separation, and ICE enforcement. The pieces, including works like "Adiós Tucson" and "Silencio," express pain, grief, and resilience, with identities kept anonymous to protect the young artists. Proceeds from sales of original works and prints directly benefit the children's families.