Art Heritage and the Lakshmi Mittal and Family South Asia Institute at Harvard University have opened 'A Space Between Selves,' an exhibition featuring work by three former Visiting Artist Fellows: Cop Shiva, Pattabi Raman, and Sunanda Khajuria. The show explores themes of identity, transformation, and cultural hybridity, with a guided walkthrough by the artists and remarks from Tariq Allana and Hitesh M. Hathi.
Artist Bharti Kher has returned to painting after a long period focused primarily on sculpture, with a new exhibition titled “The Sun Splitting Stones” opening at Perrotin Paris. The show features monumental, vividly colored oil paintings alongside sculptures, exploring themes of animism, the female body, and the harmony of nature and energy. Kher describes her painting process as introspective and fluid, moving between canvases to create works that feel both intimate and expressive.
This article highlights 11 must-see art and cultural exhibitions across India during the autumn season, spanning cities like Delhi, Mumbai, and Kolkata. Featured shows include the Bvlgari Serpenti Exhibition at NMACC Mumbai, a retrospective of women artists titled "Woman Song | Looking Back" at Vadehra Art Gallery, experimental works by modernist FN Souza at Emami Art Kolkata, and solo shows by artists such as Pema 'Tintin' Tshering, Madhvi Parekh, and Nikhil Chaganlal. The lineup also includes group shows like "Mishran: A Medley of Mediums" at India Habitat Centre, offering a diverse range of mediums from sculpture to digital art.
California State University, Northridge's Art Galleries presents two new exhibitions exploring Los Angeles, place, and people. The Main Gallery hosts "The Journey is the Destination: Recording Los Angeles," featuring photography, mixed-media, site-specific installations, and sculptures by artists including Marisela Norte, Debra Scacco, Fía Benitez, Aaron Douglas Estrada, Vincent Enrique Hernandez, Erick Medel, and Pamela Smith Hudson. Curated by Holly Jerger, the show challenges colonial mapping conventions and highlights gentrification, environmental depletion, and stereotypes affecting historically neglected parts of the city. In the West Gallery, "The Warmth of the Sun: A Recent Survey of Tierra Del Sol Artists" runs through October 15, the first of a three-part series spotlighting local San Fernando Valley art organizations, with subsequent exhibitions featuring Tia Chucha’s Centro Cultural and 11:11 Projects.
.jpg)
The third annual Space to Breathe summer art exhibition, titled 'Making Waves – Breaking Ground,' is on view at Bowhouse in St Monans, Fife, Scotland, from 19 July to 4 August 2025 and 16-31 August 2025. Organized by Sophie Camu Lindsay and Alexander Lindsay in collaboration with Purdy Hicks Gallery, the show features 11 artists and over 100 works—paintings, drawings, and photographs—that explore the natural world, particularly land and sea. The installation uses a unique hanging system in the 900-square-meter barn space, allowing visitors to create their own journey through the works. Artists push boundaries in technique, with many using innovative photographic processes that blur the line between photography and painting, such as Anaïs Tondeur's rayograms of radioactive plants from Chernobyl.
Bollywood star Sonam Kapoor discusses her evolution as an art collector, shaped by the women in her family—her mother Sunita Kapoor and aunt Kavita Singh, a Mumbai-based interior designer and art curator. Kapoor began collecting instinctively, drawn to South Asian modernists like Amrita Sher-Gil and Manjit Bawa, but has recently shifted toward contemporary works and underrepresented artists, especially women and those outside major art hubs. She sources art from galleries such as Jhaveri Contemporary, Chemould Prescott, and Nature Morte, as well as auction houses including Christie’s, Sotheby’s, and Saffronart. Kapoor was on the host committee for the Serpentine Summer Party in London, where she admired Arpita Singh’s first institutional solo show outside India.
Artsy Editorial's August 2025 edition of 'Artists on Our Radar' highlights five emerging visual artists: Jesse Akele, Ficus Interfaith (the duo of Ryan Bush and Raphael Martinez Cohen), and Shuling Guo. Akele's hazy figurative paintings explore fleeting place and memory, featured in WORKPLACE's group show 'Cold Enough for Snow.' Ficus Interfaith creates playful terrazzo sculptures blending fine art, design, and craft, with a solo exhibition 'Furniture Music' at P.P.O.W in New York. Shuling Guo produces transcendental works in color pencil and oil paint, alluding to her life experiences, with pieces at Hollis Taggart and Mindy Solomon Gallery.
Nickola Pottinger presents her first solo museum exhibition, "fos born," at the Aldrich Contemporary Art Museum in Ridgefield, Connecticut, curated by chief curator Amy Smith-Stewart. The show features Pottinger's emotive, organic sculptures called "duppies," inspired by Jamaican folklore and her West Indian upbringing in Brooklyn. Constructed from recycled materials like furniture, bones, bird cages, and pigmented paper pulp made from family documents and rubble, the works explore themes of cultural identity, motherhood, and the duality of post-colonial existence. The exhibition centers on the recent birth of Pottinger's daughter, Zora, with pieces like "Give tanks and praises" (2025) incorporating a cast of the artist's pregnant torso.
Sun Woo, a Korean-born artist who moved to Canada as a child, is featured in the Korean Artists Today project, which selects emerging Korean artists with global potential. Her work explores displacement, cultural hybridity, and the body's navigation of unfamiliar territories, blending digital and analogue techniques. Her paintings, sculptures, and installations often merge bodily elements with mechanical devices, referencing female exploitation and labor, as seen in her 2024 painting *Weaver's Room*.
Leon Gallery's 'The Spectacular Mid-Year Auction' in Makati City features several key artworks from the Zóbel de Ayala family collection, including Fernando Amorsolo's 'The Burning of Manila'—one of the largest Amorsolo paintings ever auctioned—and multiple pieces by Fernando Zóbel, such as 'Versión en Toledo', 'Variante Sobre Un Tema de Cassatt', 'Talgo', and 'Pequeño homenaje a Stravinski'. Other notable lots include Anita Magsaysay-Ho's 'Water Carriers', Vicente Manansala's 'From the Market', and Hernando R. Ocampo's 'Miners'. The auction, scheduled for June 7, 2025, marks Leon Gallery's 15th anniversary in the art business.
Ocula's China team has selected six must-see exhibitions in Beijing during Gallery Weekend Beijing (23 May–1 June 2025), highlighting emerging to mid-career Chinese artists. The article profiles shows at galleries including White Space, Tabula Rasa Gallery, and others, featuring artists such as Tant Yunshu Zhong, Xinyi Cheng, Evelyn Taocheng Wang, and Li Shurui. The 2025 edition of Gallery Weekend Beijing removes the Visiting Sector, which previously hosted international galleries like Chantal Crousel, Gladstone, and Sprüth Magers, shifting focus to domestic talent.
The inaugural Art Week Riyadh (AWR), organized by Saudi Arabia's Visual Arts Commission, took place from April 6-13 in the Jax district of Diriyah. Though officially billed as a non-commercial curated exhibition, the event functioned much like an art fair, with 32 galleries displaying available works, price lists visible on stands, and sales conducted throughout the week. The main exhibition, titled "At The Edge," was curated by Vittoria Matarrese with associate curators Basma Harasani and Victoria Gandit Lelandais, featuring galleries from Saudi Arabia and the wider region. Standout presentations included works by Ayesha Sultana, Mohamed Bourouissa, Mohammed Al Resayes, and Miramar Al Nayyar, alongside a moving image section and a satellite program of open studios and gallery shows.
The Met Gala, hosted by Anna Wintour at the Metropolitan Museum of Art in New York, raised millions for the museum's Costume Institute. This year's event featured celebrities like Beyoncé, Nicole Kidman, and Heidi Klum, with a dress code of "Fashion is Art." Beyoncé and Kidman brought their daughters for the first time, while Klum dressed as a stone statue. The gala opened the "Costume Art" exhibition and was co-sponsored by Jeff Bezos and Lauren Sánchez Bezos, drawing protests over Bezos's involvement.
Artist Marina Kappos opens her solo exhibition 'Piercing the Veil' at SHRINE gallery in New York City, running from May 15 to June 27. The show features her signature acrylic-on-wood-panel paintings that use thin layers of pigment to create gauzy, prismatic effects. Inspired by the sculptural figures of grieving women she encountered at Père Lachaise Cemetery in Paris, Kappos explores themes of loss, memory, presence and absence, and the threshold between life and death. Works like 'Veil Study (Eclipse)' (2026) and 'Quantum Study (Green Entanglement)' (2025) depict hazy landscapes and keyhole-shaped portals that invite viewers to contemplate the unknown and the spiritual.
Lo Brutto Stahl in Paris is hosting a group exhibition titled "Where it doesn’t reach," featuring the works of Hélène Janicot, Park McArthur, and the late conceptual artist Bas Jan Ader. The show creates a dialogue between contemporary sculpture and installation by Janicot and McArthur and historical lens-based media by Ader. Notably, the exhibition's reach extends beyond the Parisian gallery space to include a presence in Basel.
A roundup of art news covers multiple stories: Stefan Trinks criticizes Berlin's 'MuseumsMeileMitte' as a symptom of urban and cultural misdevelopment, where museums are co-opted by real estate marketing. At the Venice Biennale, the German Pavilion by Henrike Naumann and Sung Tieu explores East German identity and post-reunification trauma, while Patti Smith performed a 'sonic prayer' at the Vatican Pavilion curated by Hans Ulrich Obrist and Ben Vickers. A study from University College London suggests regular arts engagement may slow biological aging.
During the opening week of the Venice Biennale, multiple reports detail controversies surrounding the Israeli and Russian pavilions. According to Hyperallergic, artist Belu-Simion Fainaru of the Israeli pavilion threatened legal action against the Biennale after the jury sought to exclude Israel and Russia from prizes over alleged human rights violations, citing antisemitism and nationality-based discrimination. This may have prompted the jury's sudden resignation. Meanwhile, taz reports that Russia's pavilion is a macabre 'dance of death' blending techno and political denial, while Israel's pavilion faces a 'silent boycott' and social ostracism. Zeit describes protests by Pussy Riot and Femen outside the Russian pavilion as a defining image, with activists chanting 'blood sticks to the art of this country.'
"Eine kräftige Soldatin im Paillettenkleid"
Media reviews of the Venice Biennale's opening week offer contrasting takes on the German and US pavilions. Critics describe the German pavilion, curated by Sung Tieu and Henrike Naumann, as a dense, ironic East-West narrative that layers Nazi architecture with DDR prefab construction, creating what Jörg Häntzschel calls a "shockingly seamless symbiosis." The US pavilion, featuring sculptures by Alma Allen, is panned by Maximilíano Durón in ArtNews as politically timid and empty, lacking the clear colonial critiques of previous editions by Simone Leigh and Jeffrey Gibson.
Henrike Naumann's final major artistic project, the German Pavilion at the Venice Biennale, is completed posthumously by friends after her death from cancer at age 41. Meanwhile, the sudden death of curator Koyo Kouoh at 57 has left her team to finish the central exhibition "In Minor Keys" for the Biennale, opening May 9. The US Pavilion is openly crowdfunding for its 2026 presentation by sculptor Alma Allen, citing opaque funding under the Trump administration. Israel's foreign ministry has accused the Venice Biennale jury of boycotting its artist Belu-Simion Fainaru by excluding countries whose leaders face International Criminal Court charges.
Japanese sculptor Shigeo Toya died of pneumonia in Tokyo on April 15, 2026, at age 78. Known for his conceptual approach, Toya spent five decades redefining sculpture beyond Western frameworks, creating works such as *Bamboo Grove II* (1975), the *Woods* series (shown at the 1988 Venice Biennale), and the *Minimal Baroque* series. He was a professor emeritus at Musashino Art University and received Japan's Medal of Honor with Purple Ribbon and the Order of the Rising Sun.
Claude Monet's "Impression, soleil levant" (Impression, Sunrise), the painting that gave Impressionism its name, is analyzed in detail by Beaux Arts Magazine on the centenary of the artist's death. The article examines the work brushstroke by brushstroke, recounting how Monet painted it from his hotel room in Le Havre, capturing the fleeting effects of light and atmosphere that became the hallmark of the movement.
The Obama Foundation has unveiled the final group of artists commissioned to create site-specific works for the Obama Presidential Center in Chicago. This prestigious roster includes Jeffrey Gibson, Rashid Johnson, Lorna Simpson, and Njideka Akunyili Crosby, whose works will be integrated into the 19.3-acre campus. The announcement completes the artistic vision for the center, which aims to blend public space with high-caliber contemporary art when it opens on June 19th.
In 2026, a rare alignment of major biennial exhibitions will take place globally, including the Venice Biennale (opening May 9, curated by Koyo Kouoh), MoMA PS1's Greater New York, the Whitney Biennial, and the Bronx Museum's AIM Biennial, alongside events in Toronto, Pittsburgh, Gwangju, Sydney, Diriyah, and Busan. CULTURED interviewed curators from four of these shows—such as Marcela Guerrero and Drew Sawyer of the Whitney Biennial—to explore how these sprawling group exhibitions come together, revealing a trend toward smaller, internally organized shows with less declarative themes.
The Loewe Foundation has announced the shortlist for the 2026 Loewe Craft Prize, selecting 30 finalists from over 5,100 submissions across 133 countries and regions. The winner will be revealed on May 12 at a ceremony in Singapore, receiving €50,000, with two special mentions earning €5,000 each. An exhibition of the finalists' work will be held at the National Gallery Singapore. New Loewe creative directors Jack McCullough and Lazaro Hernandez will join the jury for the first time. The nominated works span ceramics, woodwork, textiles, metal, glass, and more, with finalists hailing from 19 countries including Nigeria, Japan, South Korea, Brazil, and the United States.
Cyle Warner, a 2023 graduate of the School of Visual Arts, is gaining recognition for his mixed-media works that incorporate photographs, textiles, and sculptures to explore personal memory and fill gaps in untold stories. His fiber piece "chasing a second sunrise; it’s no fun running alone" was selected for "The Brooklyn Artists Exhibition" at the Brooklyn Museum’s 200th anniversary last year, and he will be featured in the Bronx Museum’s AIM Biennial opening in January 2026.
Artist Kathleen Ryan creates large-scale sculptures of rotting fruit and food items, meticulously covering them with thousands of semiprecious stones and beads to mimic the textures and colors of mold and decay. Works like "Bad Lemon (Slice of Paradise)" and "Screwdriver" juxtapose luxurious materials like amethyst, turquoise, and serpentine with salvaged metal from vintage cars, creating a dual personality of hidden beauty and grotesque rot.
The Private Museum in Singapore presents "Human Being Human: Selections from the Collection of John and Cheryl Chia," an exhibition running from January 19 to April 26, 2026. Organized into four chapters—"Stateless," "State," "Statehood," and "Rebirth"—the show features works by artists including Joseph Beuys, Lee Wen, Eadweard Muybridge, Sherman Ong, John Clang, Sun Xun, and Green Zeng, exploring the body as a central site of inquiry into identity, vulnerability, and societal conditioning. The collection, amassed over 25 years by doctors John and Cheryl Chia, uses the body to examine themes of statelessness, state control, collective ideology, and rebirth, with works that challenge linear narratives and embrace conceptual loops.
The article profiles the Ball-Eastaway House, a home designed by pioneering Australian architect Glenn Murcutt in 1983 for artist Sydney Ball and his partner Lynne Eastaway. Located on a 10-hectare block of dry sclerophyll forest northwest of Sydney, the house is elevated on 14 steel columns sunk into a sandstone rock shelf, allowing it to float above the landscape and minimize its environmental impact. Murcutt, who later won the Pritzker Prize, incorporated sustainable design features such as natural ventilation, a gutter system inspired by eucalypt leaf patterns, and a structure that can be dismantled without trace.
Le mostre più particolari e ricercate da vedere a Bruxelles nella primavera 2026
Brussels is hosting a series of niche and research-focused contemporary art exhibitions in spring 2026, coinciding with the 42nd edition of Art Brussels. Highlights include Jean-Michel Othoniel's "Diary of Happiness" at the Boghossian Foundation, Caroline Achaintre's "Extrazimmer" at La Verrière, a six-decade survey of the Art & Language collective at Fondation CAB, and a dialogue between Nassos Daphnis and Rita McBride titled "Abstract Constructions."