The Musée d’Ixelles at the Crossroads of Different Perspectives

Le Musée d’Ixelles à la croisée de différents regards

The Musée d’Ixelles in Brussels, closed for eight years for expansion and renovation, is nearing completion of its architectural transformation with a reopening scheduled for spring 2027 (March 19). Founded in 1892 in a former slaughterhouse, the museum has grown through successive donations and a continuous acquisition policy, now holding over 15,000 works spanning Belgian art from the 19th century to the contemporary period. Director and curator Claire Leblanc, who has led the institution since 2006, emphasizes a participatory approach that integrates diverse public perspectives, including a project called "Musée comme chez soi" during the closure where locals hosted artworks in their homes.

From simple blue to haute couture suit: workwear studied at the Musée Postal

Du simple bleu au tailleur haute couture, le vêtement de travail étudié au musée Postal

The Musée Postal in Paris has reopened with a new name and identity, launching its first exhibition titled "Sous toutes les coutures" ("Under All Seams"). Curated by Elodie Goëssant and Didier Filoche, the show brings together 420 pieces, artworks, and archival objects to explore the history of workwear in France, from uniforms and protective clothing to high-fashion collaborations. It traces the evolution of work attire from the 18th century to the present, highlighting how women lacked dedicated work clothing until the 1970s and how airlines like Air France pioneered partnerships with luxury houses such as Christian Dior to dress flight attendants as national ambassadors.

À Marseille, l’installation textile monumentale d’Adrien Vescovi déploie ses couleurs

Artist Adrien Vescovi has installed a monumental textile work titled "Dormir comme le soleil" at the Vieille Charité in Marseille. The installation features over 600 dyed sheets suspended across 108 arches of the former hospice, using natural pigments from plants, spices, and ochres. The fabrics, dyed in a labor-intensive process involving large wooden spoons and cauldrons, are designed to fade and evolve over the eight-month exhibition, responding to wind, humidity, and Mediterranean light.

La Rocabella : une résidence d’artistes paradisiaque qui croise les disciplines près de Toulon

La Rocabella, a Belle Époque villa near Toulon, France, has been transformed into an interdisciplinary artist residency by Jean-Baptiste Rudelle, co-founder of Criteo. Built in 1898 by architect Hans-Georg Tersling, the estate now hosts ceramic sculptors, comic artists, documentary filmmakers, and musicians in two-month sessions, with themes like 'Les Gardiennes de la mer' linking their work. The residency, funded entirely by Rudelle, aims to foster cross-disciplinary collaboration in a serene Mediterranean setting.

At Chaumont-sur-Loire, incredible gardens recreate cult films

À Chaumont-sur-Loire, d’incroyables jardins recréent des films culte

The Domaine de Chaumont-sur-Loire in France has launched the 2026 edition of its Festival International des Jardins, themed around cinema. Participants including gardeners, landscape designers, and artists—among them actresses Sabine Azéma, Golshifteh Farahani, and Mélanie Laurent, and director Momoko Seto—have transformed small plots into living landscapes inspired by iconic films and cinematic genres, such as a vegetal Cannes Film Festival and a garden based on James Cameron's *Avatar* trilogy. The festival runs from April 22 to November 1, 2026, alongside the estate's ongoing 'Saison d'art' exhibition featuring works by Marc Desgrandchamps, Antonio Crespo Foix, and others.

Study Shows Engaging with Art as Effective as Exercise in Slowing Aging

A new study by University College London, published in the journal Innovation in Aging, reveals that engaging with arts and culture can slow biological aging at a rate comparable to exercise. Researchers found that attending performances or visiting galleries once a month led to a 3 percent reduction in aging speed, while weekly engagement produced a 4 percent slowdown. Those who participated in the arts at least weekly were biologically at least a year younger than non-participants, outperforming weekly exercisers, who were only six months younger biologically. The study tracked 3,356 adults from 2010 to 2012 using survey data and blood tests, measuring aging via epigenetic clocks that analyze DNA changes.

Hedwig Fijen to Depart as Founding Director of Manifesta

Hedwig Fijen, the founding director of Manifesta, the nomadic European biennial launched in 1996, has announced she will depart on October 5. Fijen began working on the platform in 1991 under a commission from the Netherlands Office for Fine Arts, and oversaw editions in cities including Rotterdam, Palermo, Pristina, and Barcelona. The supervisory board has appointed Emilia van Lynden as general director and Catherine Nichols as artistic director to lead future editions, starting with Manifesta 16 in Germany’s Ruhr Valley this year and Manifesta 17 in Coimbra, Portugal, in 2028.

SILENCE HAS MATTER ETHIOPIA BRINGS THE WORK OF TEGENE KUNBI TO THE VENICE BIENNALE

The Ethiopia Pavilion at the 61st Venice Biennale presents "Shapes of Silence," an exhibition by artist Tegene Kunbi, curated by Abebaw Ayalew, running from May 9 to November 22, 2026, at Palazzo Bollani. The show marks the culmination of Kunbi's thirty-year practice, exploring silence as a social and political condition through abstraction, textiles, and assemblage, drawing on Ethiopian folkloric traditions and material histories.

The appalling mediocrity of the chosen project for the 'Grande Colonnade' of the Louvre

L'effarante médiocrité du projet retenu pour la « Grande Colonnade » du Louvre

The French Ministry of Culture has announced the winning team for the 'Grande Colonnade' project at the Louvre, selecting STUDIOS Architecture Paris and Selldorf Architects. The ministry's press release, described as self-congratulatory and written in trendy bureaucratic language, celebrates the choice as a major advancement. However, the article criticizes the lack of transparency, noting that only three exterior visuals have been released, and argues that the project is unfunded and threatens necessary renovations at the museum, as previously highlighted by the Cour des Comptes and parliamentary representatives.

D'Ette Nogle at Kunstverein Braunschweig

Kunstverein Braunschweig is presenting 'Let it R.I.P.', a solo exhibition by American artist D'Ette Nogle, curated by Junia Thiede and running from March 21 to May 31, 2026. The exhibition features 69 images documenting Nogle's work, with press releases available in both English and German, along with a booklet and venue website links.

Resisting Death: Glitches and Ornaments at CASTLE

An exhibition titled "Resisting Death: Glitches and Ornaments" is on view at CASTLE in Los Angeles from March 21 to May 2, 2026. Curated by Oriane Durand, the show features works by artists Ull Hohn, Bod Mellor, and Bruno Pélassy, presenting 22 images and no videos in the documentation.

Reba Maybury at Secession

Reba Maybury presents her solo exhibition "I Come in Peace" at Secession in Vienna, running from March 6 to May 31, 2026. The show features a press release, floor plan, and venue website, documented through 10 images and photographs by Lisa Rastl, courtesy of Secession.

Gaia Sleeps Amid Sarah Eberle’s Award-Winning Garden at the RHS Chelsea Flower Show

At the 2025 RHS Chelsea Flower Show, designer Sarah Eberle's garden "On the Edge" won the prestigious Garden of the Year award. The installation features a sleeping figure of Gaia, the personification of Mother Nature, crafted from willow branches by artist Tom Hare and carved from a fallen tree by Tim Wood. The garden, a collaboration with the Campaign to Protect Rural England (CPRE), highlights "edgelands"—the overlooked transitional spaces between rural and urban areas—using native plants, a dry stone arch by Noble Stonework, and a deliberately wild aesthetic to evoke nature in recovery.

From Two Tons of Celadon, Jean Shin Sculpts a Metaphor for the Korean Diaspora

Artist Jean Shin has created "Celadon Landscape," a monumental installation at the Green-House at Green-Wood in New York, using nearly two tons of discarded celadon porcelain fragments donated by studios in Icheon, South Korea. The work features two large bulbous vessels covered in broken shards of cups, saucers, and pots, appearing to emerge from the earth as if unearthed in an archaeological dig. The installation is on view through January 17.

We Spent a Week Quarantined on an Uninhabited Island with 80 Artists

A journalist from Colossal spent a week on an uninhabited island in the Balearic Islands with nearly 80 artists for a residency program called Quarantine, conceived by artist Carles Gomila. Participants follow a rigorous, opaque schedule of talks, workshops, and mentorship sessions, with phones and internet banned, and must stay on the island from early morning until late evening. The April 2026 edition, themed "Tears in Rain" after a Blade Runner monologue, began with a theatrical tour by an actor playing Captain Horacio Hollynwood, who introduced the historic Lazaretto of Mahón, an 18th-century fortress and infirmary.

Water Samples from Around the World Melt into Dima Rebus’ Dreamy Paintings

London-based artist Dima Rebus creates large-scale watercolor paintings using water samples collected from strangers around the world. In her series "Floaters," she freezes the crowdsourced water with pigments, then lets it melt across paper to form abstract color fields, later adding figures and aquatic landscapes. Each sample arrives with a letter, building an archive of rain, rivers, seas, oceans, and glaciers that serve as both material and human message.

Romane de Watteville “I’ll miss you when I scroll away” at Istituto Svizzero, Milan

Romane de Watteville's exhibition "I'll miss you when I scroll away" opens at Istituto Svizzero in Milan, featuring an environmental installation designed specifically for the venue. Her figurative paintings explore the tension between aesthetic saturation and the disorienting experience of digital consumption, drawing from online imagery and personal archives.

Hisae Ikenaga ”Anatomies of Use” at KIOSK, Ghent

From April 4, KIOSK in Ghent presents a new solo exhibition by Hisae Ikenaga titled "Anatomies of Use." The Mexican-Japanese artist brings together sculptures, assemblages, and collages that rework industrial materials and everyday objects into hybrid forms, blending ceramic fragments with a visual language that balances functionality and abstraction.

Nancy Lupo “Meow Meow Real Estate” at Nicoletta Fiorucci Foundation, London

Nancy Lupo's exhibition "Meow Meow Real Estate" opens at the Nicoletta Fiorucci Foundation in London's Chelsea neighborhood, curated by Vittoria de Franchis. The show shares its title with Lupo's first novel, which follows a woman searching for an apartment—a quest that is both literal and existential. The foundation's Victorian architecture serves as the bourgeois dwelling central to the narrative.

“In corpo presente” at IED, Florence

On Tuesday, April 28, at IED Firenze (former Teatro dell'Oriuolo), the collective performance "In corpo presente" took place as the final act of a research project exploring contemporary meanings of freedom, presence, belonging, and collective action. Since December 2025, 50 students from various disciplines at IED Firenze have been involved in the project, guided by artist Jacopo Benassi.

Lake Flato Architects creates gallery for Marble Falls Arthouse

Texas-based Lake Flato Architects has completed the Marble Falls Arthouse, a 4,119-square-foot infill gallery in downtown Marble Falls, Texas, opened on April 25. The intimate venue, designed with a restrained palette of limestone and corrugated metal, houses the art collection of Mickey and Jeanne Klein and features a contemplative courtyard by Japanese gardener Sada Uchiyama. The ground floor hosts rotating exhibitions curated by Mickey Klein, beginning with 'Words Matter' featuring works by Mary C Sloane, Kenturah Davis, and Faith Ringgold.

Magazzino Italian Art: a major exhibition on Alighiero Boetti in New York.

Magazzino Italian Art in Cold Spring, New York, will present a major retrospective of Alighiero Boetti titled "Tutto Boetti 1966-1993," running from April 26, 2026 to April 26, 2028. The exhibition features about 30 works drawn from the museum's permanent collection, loans from the artist's heirs, and a private collection, spanning Boetti's career from 1966 to 1993. Highlights include large-scale pieces such as "Mazzo di tubi" (1966), "Da mille a mille" (1975), "Insicuro Noncurante" (1975-76), and the kilim "Alternando da uno a cento e viceversa" (1993). The show is part of Magazzino's ongoing series of monographic exhibitions on Arte Povera artists, following earlier focuses on Piero Gilardi and Michelangelo Pistoletto.

Printing the Unprinted: The Reversal of World Discovery

The Indonesian Pavilion at the Venice Biennale presents "Printing the Unprinted: The Reversal of World Discovery," a project that reimagines global history by casting an Indonesian kingdom as the explorer who discovers the West. Seven Indonesian artists—Agus Suwage, Syahrizal Pahlevi, Nurdian Ichsan, R.E. Hartanto, Theresia Agustina Sitompul, Mariam Sofrina, and Rusyan Yasin—participated in a two-month residency at the Scuola Internazionale di Grafica in Venice, collaboratively creating works through printmaking and expanded forms. The pavilion includes exhibitions, workshops, and symposiums that challenge dominant narratives and highlight Indonesia's contributions to maritime technology, commerce, arts, and knowledge.

Haitham Al Busafi to Represent Oman at 2026 Venice Biennale

Oman has chosen artist, architect, and curator Haitham Al Busafi to represent the country at the 61st Venice Biennale in 2026. Al Busafi will curate and present his own monumental installation, Zīnah, in the national pavilion, commissioned by the Omani Ministry of Culture, Sports and Youth. The work transforms a traditional Omani horse harness into an interactive spatial experience using sand, metal, and sound.

The Condé M. Nast Galleries Open at The Metropolitan Museum of Art

The Condé M. Nast Galleries have opened at the Metropolitan Museum of Art's Costume Institute, a 12,000-square-foot space designed by architecture firm Peterson Rich. The galleries feature white granite floors, classic pedestals, and recessed uplighting to protect fragile fabrics, creating a seamless integration with the museum's existing architecture.

Gaby Hurtado-Ramos: Last Night and Tomorrow

Gaby Hurtado-Ramos presents "Last Night and Tomorrow" at BOX 13 ArtSpace in Houston from May 22 to June 27, 2026. The exhibition explores queer social spaces—dance parties, gay bars, karaoke—through layered drawings, photographs, and prints, imagining futures of acceptance and connection. Hurtado-Ramos is an artist and educator whose practice includes risograph publishing under Rear-View Press, and they have exhibited and taught widely across the U.S.

Met Gala 2026 – Everything to know about fashion's biggest night

The Metropolitan Museum of Art's 2026 Met Gala will take place on May 4, themed "Costume Art" to highlight fashion as a central artistic discipline. Co-chairs include Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, with a host committee featuring Anthony Vaccarello, Zoë Kravitz, and other celebrities. The event coincides with the opening of the new Condé M. Nast Galleries and the spring exhibition "Costume Art," which pairs historic garments with artworks spanning 5,000 years. The dress code is "fashion is art," and the red carpet will be livestreamed by Vogue.

Marinella Senatore's exhibition in Milan is a party in name and in fact

La mostra dell’artista Marinella Senatore a Milano è una festa di nome e di fatto

Marinella Senatore's solo exhibition "FESTA!" opens at Mazzoleni's Milan space, marking both the artist's first show at the gallery and the gallery's 40th anniversary. The exhibition presents new works including sketches, drawings, and embroidered tapestries that reinterpret Baroque public celebrations as participatory, community-driven art. The tapestries, produced in collaboration with the Chanakya school in Mumbai, feature motifs from 17th- and 18th-century festivities—ephemeral architecture, light displays, and fireworks—transformed into contemporary banners that activate the gallery space.

What Did the Golden Lion Die Of? On Judgment and Disavowal at the Venice Biennale

The international jury of the 61st Venice Biennale announced it would exclude from prize consideration countries whose leaders are charged with crimes against humanity by the International Criminal Court, specifically targeting Russia and Israel. This prompted the Italian culture minister to send inspectors to the Biennale's offices, leading the jury to resign. The Biennale then replaced the Golden Lion with "Visitors' Lions" prizes voted by ticket-holders, immediately making Russia and Israel eligible again. The article traces this crisis to the Biennale's historical structure under Mussolini's 1930 Royal Decree, which established the national pavilion system as a diplomatic concession system designed to serve state power, and notes the recent acceptance of a €50 million donation from Qatar for a new permanent pavilion in the Giardini.

Meet The Canadian Artist Behind The Mirrored Mannequins That Transformed The 2026 Met Gala

The Metropolitan Museum of Art's 2026 Costume Institute exhibition, titled "Costume Art," will feature special mannequins with mirrored steel heads created by Toronto-born, Dubai-based artist Samar Hejazi. The mannequins, designed in collaboration with Curator in Charge Andrew Bolton, represent differently sized and abled bodies and replace traditional faces with reflective surfaces to disrupt the conventional presentation of fashion. Hejazi attended the Met Gala wearing a gown by Palestinian designer Zaid Farouki and described the project as a meaningful collaboration aimed at fostering empathy and self-reflection.