The Carnegie Arts Center in Turlock, California, will host its annual youth art exhibition, “Ready, Set, Show!”, from May 29 to June 27. The show invites students in grades K–12 to submit up to three pieces of artwork for display in the Ferrari Gallery, with free entry and a special section for the “Parks Are Fun!” banner contest. A free Family Friday reception will open the exhibition on May 29.
An exhibition titled 'Drawings Against Genocide' by British artist Matthew Collings, scheduled to open at Delta House Gallery in Wandsworth, London, has been cancelled after complaints from UK Lawyers for Israel (UKLFI) about antisemitic content. The show, planned for May 2026, included graphic drawings depicting Jews with horns, devouring babies, and denying Hamas's October 7 attacks, and had previously sparked outrage at a Margate gallery. Gallery owners Pineapple Corporation and Delta House Studios Ltd confirmed the cancellation after UKLFI warned of legal risks under the Public Order Act 1986.
A London gallery, Delta House Gallery in Wandsworth, canceled a traveling exhibition titled "Drawings Against Genocide" by British artist Matthew Collings after UK Lawyers for Israel (UKLFI) intervened, citing antisemitic content. The show, scheduled for May 16-24, featured drawings with swastikas, comparisons of Israel to Nazi Germany, and depictions of Jewish figures with horns, among other imagery. Gallery owner Pineapple Corporation Chairman Tom Berglund confirmed the cancellation, stating the exhibition was arranged without owner consultation.
Maine Art Collective's (MAC) Gallery in Portland, Maine, has added five new artists to its roster for the 2026 season: Ann Tracy, Bill Elinoff, Sheri Oliva, donnersmith, and Tracy Hehmeyer. The gallery, which transitioned from a pop-up to a full-time space about a year ago, now features 17 artists total. Founder Susan Vittner, an artist herself, emphasizes the gallery's mission to support emerging artists through a cooperative model where artists retain most of their profits.
Student artists from across St. Tammany Parish participated in the 35th annual Salad Days Juried Exhibition of Student Art at the George Dunbar Gallery in Slidell. The event featured an opening reception and awards ceremony, with 80 artists submitting 174 works, of which roughly 30% were selected for display. Artist and arts advocate Joshua Wichterich served as the juror for the competitive show.
Peter Licht, a German musician, author, and playwright, appears as a guest on the 82nd episode of the "Fantasiemuskel" podcast, where he discusses his view of the world as a sound phenomenon. He reflects on his 2006 song "Lied vom Ende des Kapitalismus," which preceded the 2008 financial crisis, and explores how language, fear, and utopian moments manifest through sound in his work—whether in pop songs, theater pieces, or novels. Licht also describes a recent "problem-solving show" at Schauspiel Köln, where audience members submit problems that are collectively sung, turning singing into an act of resistance and community-building.
Venedig-Biennale-Chef unter Druck
Just before the opening of the Venice Art Biennale, its president Pietrangelo Buttafuoco is facing mounting criticism after the entire jury resigned. Italian Culture Minister Alessandro Giuli accused Buttafuoco of pursuing a form of "parallel foreign policy" by readmitting Russia to the six-month exhibition, calling him a "victim of a pacifist fantasy." The opening ceremony and the traditional Golden Lion awards have been canceled; prizes will now be decided by visitor vote at the end of the Biennale in November.
Jury der Venedig-Biennale tritt zurück
The entire jury of the Venice Biennale, appointed by artistic director Koyo Kouoh, has resigned with immediate effect. In a statement released on Thursday, the jury members—including chair Solange Oliveira Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi—cited a prior declaration from April 22 in which they announced they would not award Golden or Silver Lions to artists from countries whose political leadership is currently indicted by the International Criminal Court (ICC) for crimes against humanity. Although no specific countries were named, the move implicitly targets Russia (President Vladimir Putin) and Israel (Prime Minister Benjamin Netanyahu), both subject to ICC arrest warrants. The resignation comes amid escalating tensions over Russia's participation in the Biennale despite EU sanctions, which had already led to a freeze of EU funding and widespread protests.
Das ist das Pressefoto des Jahres
The World Press Photo competition has named Carol Guzy's photograph "Separated by ICE" as the World Press Photo of the Year. The image, taken for the Miami Herald in August 2025, shows children clinging to their father's shirt during a court hearing in New York after he was unexpectedly detained by U.S. Immigration and Customs Enforcement (ICE). The jury praised the photo as a stark documentation of family separation resulting from U.S. immigration policy. Two other finalists were recognized: Saber Nuraldin's image of the humanitarian crisis in Gaza and Victor J. Blue's photo documenting the Achi women from Guatemala who sought justice for wartime abuses.
Warum KI uns nicht die Fantasie raubt – mit Jenifer Becker
Author and cultural scholar Jenifer Becker discusses the impact of artificial intelligence on creativity in the Monopol podcast "Fantasiemuskel." She argues that while AI-generated text is often generic, it can liberate us from the romantic myth of the solitary genius by demonstrating that most ideas already exist. Becker leads the "AI Lab Kit" at the Hildesheim Literature Institute, using experimental projects to push language models beyond their algorithmic comfort zones.
Staatssekretär im Streit um Fördermittel entlassen
Berlin's culture administration has dismissed State Secretary Oliver Friederici, who was responsible for distributing funds for projects combating antisemitism. The move follows a prolonged controversy over the allocation of millions of euros in grants, with allegations of unclear criteria and potential political influence from the CDU party.
This article lists numerous gallery openings and ongoing exhibits in Central Oregon for the current week. Venues include Amejko Artistry, Art Adventure Gallery, Artists’ Gallery Sunriver, ArtHouse LTA, Belknap Exhibit Center, Canyon Creek Pottery, Deschutes Historical Museum, Dry Canyon Community Arts Center, High Desert Museum, Hood Avenue Art, Jeffrey Murray Fine Art Photography, John Paul Designs, Kreitzer Art Gallery and Studio, Lubbesmeyer Fiber Studio, Makin’ It Local, Nancy McGrath Green Gallery, and Nashwood Gallery, featuring works by artists such as Anna Amejko Peterson, Jana Charl, Kenneth Merrill, Jesica Carleton, Jeffrey Murray, Lori and Lisa Lubbesmeyer, Kara Frampton, and Will Nash.
The French Parliament has definitively adopted a permanent law on the restitution of cultural property looted during colonization, replacing the previous case-by-case legislative approach. The Senate unanimously approved the final text on May 7, 2026, following agreement in a joint committee on April 30, and the National Assembly had approved it the day before. The law creates a general derogation from the principle of inalienability of public collections, establishing a bilateral scientific committee to examine provenance, with final decisions made by decree of the Council of State. Key amendments from the National Assembly—including binding parliamentary votes on restitution and conditions on conservation and public access—were removed by the joint committee to avoid perceptions of neocolonial tutelage.
The French Parliament has definitively adopted a framework law on the restitution of cultural property that was illicitly acquired. The Senate unanimously approved the conclusions of the joint committee on May 7, following the National Assembly's approval on May 6, after an agreement was reached on April 30. The law establishes a general mechanism for returning objects from French public collections without requiring a specific law for each case, covering items acquired through looting, theft, forced sale, or other illicit means before the 1970 UNESCO Convention. It creates a permanent national commission and a bilateral scientific committee to assess claims, with restitution ultimately decided by government decree subject to legal review by the Council of State.
Anne-Claire Legendre : « Redonner de la sérénité et de la transparence à l’institution »
Anne-Claire Legendre has been appointed to succeed Jack Lang as president of the Institut du Monde Arabe (IMA) in Paris. A French diplomat, Legendre aims to restore confidence in the institution through governance reform, increased transparency, and a new strategic plan following an external financial audit.
Le teaser délirant des créateurs de « Panique au village » pour la réouverture du musée de la Figurine à Compiègne
The Musée de la Figurine in Compiègne, France, is set to reopen on May 23, 2026, after a major renovation. To promote the reopening, the museum commissioned Stéphane Aubier and Vincent Patar, the creators of the cult stop-motion series "Panique au village" (known for its absurd plastic figurines), to produce a teaser video. The museum, which holds a rare collection of nearly 155,000 figurines spanning from prehistory to the present, has been redesigned with a 1,000-square-meter space, six thematic areas, interactive displays, and a monumental diorama of the Battle of Waterloo featuring 12,000 figurines, now enhanced with augmented reality. Admission will be free for all from May 23 to August 16, 2026.
Victoria Smith presents "Apples and Oranges," a solo exhibition at Roland Ross in Kent, running from April 11 to May 23, 2026. The show features a series of new works by the artist, documented through eight images on the gallery's page, with photography by Ollie Harrop.
Photographer Jon McCormack, who grew up in the Australian Outback and has traveled to all seven continents, has a new book titled "Patterns: Art of the Natural World," forthcoming from Damiani Books. The project emerged during the pandemic when limited travel led him to revisit local spots and develop a patient, attentive approach to capturing nature's hidden harmony and symmetry. The book features 90 images ranging from microscopic crystals to aerial views of flamingos in Kenya, along with text contributions from fellow photographers and conservationists.
Mudam Luxembourg—Musée d’Art Moderne Grand-Duc Jean will present "A Journey," a performance program running throughout 2026. The series features artist Ivan Cheng with his work "Casemates," which explores cultural memory, technological progress, and embodied interpretation through the concept of a journey as both method and metaphor.
Jungeun Park, an artist based between New York and Seoul, creates sculptures that blend glass, ceramics, and textiles to evoke raw biological forms and alien organic matter. Her 2025 graduate presentation at the Rhode Island School of Design featured works like *Skin Mite (demodex)* (2024), sewn from old pillowcases, and *Period Chalice* (2024), made from resin, metal chain, metal ring, water, and strawberry syrup, which transform the repulsive into something tender and strange.
Moroccan artist M’barek Bouhchichi presents 'Les mains des poètes' at Foundation H in Antananarivo, Madagascar, running until 17 October 2026. The exhibition stems from a residency in Madagascar where Bouhchichi collaborated with local artisans—blacksmiths, weavers, ceramists, and musicians—to create works that resist singular authorship. Central to the show is the revival of sorabe, the Arabico-Malagasy script, treated as an embodied, gestural practice rather than fixed writing.
Photographer Alfredo Cunha presents 'Rostos da Imigração' at the UCCLA gallery in Lisbon, a photographic exhibition featuring portraits of individuals from lusophone communities. The series resists anonymity and aestheticization, instead focusing on the lived experiences of migrants in contemporary Portugal. The exhibition is on view until 20 May 2026.
This article lists numerous gallery openings and ongoing exhibits across Central Oregon, including venues such as Amejko Artistry, Art Adventure Gallery, Artists’ Gallery Sunriver, and the High Desert Museum. Featured shows include nomadic woven artwork by Anna Amejko Peterson, a 40th anniversary exhibition of Jefferson County artists, “A Man Named York” at the Belknap Exhibit Center, and “Drawn West — A History of Promoting Place” at the High Desert Museum, among many others spanning pottery, photography, fiber art, and historical displays.
The Fort Smith Museum of History will open two new exhibitions on May 15. 'The Art of the Brick' features large-scale sculptures by contemporary artist Nathan Sawaya, built entirely from LEGO bricks, while 'The Art of Native American Basketry' showcases a collection of woven baskets from regional tribes.
Phoenix Sky Harbor International Airport is celebrating Museum Month and International Museum Day (May 18) by highlighting the Phoenix Airport Museum's exhibitions. The museum, which began as an art program in the 1960s with Paul Coze's mural "The Phoenix" and officially became a museum 38 years ago, has presented over 500 exhibitions focusing on Arizona's culture. It now houses more than 1,000 artworks across 40 display areas, including architecturally integrated pieces and portable works. Current exhibitions include "Spectral Alchemy" (15 local artists exploring light), "Fluoresce" (blacklight paintings), "Time & Place" (paintings by Martin Dimitrov), "Runway Fashion" (vintage flight attendant uniforms), and several others in Terminals 3 and 4, both pre- and post-security.
Toronto-based artist Laura Findlay presents *Night Vision*, a solo exhibition at Glenhyrst Art Gallery in Brantford, Ontario, featuring ethereal oil paintings of nocturnal garden scenes. Using an Old Masters subtractive technique, Findlay applies dark glazes and wipes away pigment to create luminous images of birds, blooms, and bats that appear to emerge from darkness. The show runs through the spring of 2026.
Fabian Perez Gallery in Los Angeles is hosting the Neo-Emotionalism Group Exhibition, featuring 20 artists working in painting, photography, and sculpture. The show, running through May 23, centers on feeling and memory, with artists like Shaylen Nelson, Awadé Wade, James Smith, and Martinos Aristidou presenting works that explore personal and cultural narratives. Nelson, an Afrocentric Realism painter, uses Black figures and music to place culture within traditional painting, while Wade’s piece "Abstract Love" draws on a Prince song and uses a tree as a symbol of life and transition.
The Indah Gallery, located within the Roblar Winery complex near Santa Ynez, is hosting a solo exhibition titled "Many Roads" by Native American artist Mitchell Robles. The show features works such as the large triptych "Thunder Mountain," along with pieces like "Little Thunder Horse," "Leaping Brown Horse," and "Sitting Bull," which blend ancient indigenous iconography with contemporary neo-Expressionist techniques. Gallerist and founder Max Gleason, himself an artist, has transformed a former barn into a dedicated art space that provides a serene setting for Robles's culturally resonant work.
Perché la ricchezza culturale italiana non entra mai davvero nei conti e nei bilanci pubblici?
Italy has exceeded the European Commission's structural adjustment path by 0.1 percentage points of GDP, reopening fiscal scrutiny. Amid this debate, the article highlights a deeper issue: Italy's immense cultural heritage is drastically undervalued in public accounts. For example, the Pompeii Archaeological Park is recorded at just €48.9 million, the Colosseum at under €15 million, and the Uffizi at about €2 billion—figures based on outdated 2002 ministerial criteria that bear no relation to actual economic or cultural worth. The State General Accounting Office, with the University of Roma Tre and EU technical assistance, has proposed a new methodology to value cultural assets by discounting their future net financial flows, including direct revenues and indirect tourism-related returns.
La grande fiera dell’antiquariato di Assisi ha mezzo secolo di storia. L’intervista
AMAB – Assisi Mostra Arte Antiquariato Bastia Umbra, the antique fair founded in Assisi in 1973 and moved to the Umbria Fiere exhibition center in 1989, celebrated its 50th edition in 2025 and will reopen from April 24 to May 3, 2026. The 10-day event features 90 exhibitors and includes special exhibitions marking the 800th anniversary of the death of Saint Francis of Assisi (at Palazzo Collicola in Spoleto and the Galleria Nazionale dell'Umbria in Perugia) and the centenary of the birth of artist Giorgio Ascani, known as Nuvolo, curated by Bruno Corà, as well as a project on costume designer Tita Tegano with costumes from the Renato Bruson collection. Director Emo Antinori Petrini, son of founder Mario, discusses the fair's evolution, its commitment to quality, and its new focus on contemporary art installations and performances.