Student artists from across St. Tammany Parish participated in the 35th annual Salad Days Juried Exhibition of Student Art at the George Dunbar Gallery in Slidell. The event featured an opening reception and awards ceremony, with 80 artists submitting 174 works, of which roughly 30% were selected for display. Artist and arts advocate Joshua Wichterich served as the juror for the competitive show.
The Martha Invitational and MarfaMUST are collaborating on a two-day arts weekend in Marfa, Texas, from May 29-30, 2026. The event, themed 'Home Coming,' features a pop-up opening at Rule Gallery for the Martha Invitational, a closing event for MarfaMUST, and open studios throughout the town, all free to the public. It reunites the founding organizers of the Martha Invitational and incorporates new participants, celebrating the local artist community across generations.
The Everhart Museum in Scranton, Pennsylvania, will host a panel discussion on April 30, 2026, featuring astronaut and artist Nicole Stott, composer Amanda Lee Falkenberg, projection designer Camilla Tassi, and museum curator James Lansing. The event will explore the connections between the NEPA Philharmonic's upcoming "Planets, Moons, & Star Wars" concert and the museum's "Hubble Space Telescope: New Views of the Universe" exhibition.
K Space Contemporary in Corpus Christi, Texas, will present a solo exhibition titled "Everything is Everything" featuring new work by artist Philana Oliphant from May 1 to June 25, 2026. The show opens during the downtown Corpus Christi ArtWalk and includes a closing reception, showcasing Oliphant's intricate drawings, sculptures, installations, and prints that explore themes of time, memory, and environmental change.
The Portland Art Museum is hosting the "HeART of Portland" exhibition, featuring over 100 artworks created by students from all 81 Portland Public Schools. The showcase includes a diverse range of media, from ceramics and rug tufting to screen-printed apparel and zines, and for the first time, the student work is being displayed in a professional gallery space within the museum's main building. The exhibition, which opened on Tax Day, serves as a tangible demonstration of the results of the city's unique arts tax.
El Paso Community College (EPCC) hosted the grand opening of its 49th Annual Juried Student Art Exhibition at the Transmountain campus Gallery of Fine Art. The event featured a wide range of visual art created by students across various disciplines and levels within the college district. Highlighting the evening was an awards ceremony judged by Michael Reyes, an EPCC alumnus and Senior Curator at the El Paso Museum of Art, who recognized top works including Camila Galindo’s "Medieval Sadness," which took home the Best of Show honors.
The Cleveland Museum of Art has opened "Epic of the Northwest Himalayas: Pahari Paintings from the ‘Shangri’ Ramayana," an exhibition featuring 40 rare paintings from a 1700s royal commission. These works, which depict the life of the Hindu deity Rama, have been reunited from 12 different lenders after being dispersed globally for centuries. The display is augmented by digital stations that animate over 100 additional paintings to illustrate the narrative's themes of virtue and heroism.
Upstairs Artspace in Tryon is launching two concurrent exhibitions, "Fight or Flight" and "Birds of a Feather," opening April 19. The solo show by Asheville-based artist Erika Diamond features textile sculptures crafted from bulletproof Kevlar and mirrored vinyl, exploring themes of queer safety, resilience, and survival. The accompanying group show, curated by Diamond, brings together eight artists whose works in photography, glass, and painting examine identity and the human body's relationship to the natural world.
The Charles H. MacNider Art Museum in Mason City has opened a solo exhibition titled "Ray Colby: Nature Photographer" in its Kinney-Lindstrom Gallery. The show features digital photographs printed on canvas, focusing on three specific themes: backyard insects and arachnids of the Midwest, urban birds from Minneapolis, and migrating Sandhill Cranes in Wisconsin. The works on display will be sold via auction to benefit the museum's programming.
The Azerbaijan National Carpet Museum has launched "Images Imprinted in Memory," a solo exhibition by multidisciplinary artist Madina Gasimova. Supported by the .ART domain, the showcase features 28 works produced over the last five years, including five new carpets woven using the museum's traditional techniques based on the artist's contemporary sketches. The exhibition highlights the fluidity of artistic motifs as they transition across various media, including painting, stained glass, mosaic, and digital formats, accompanied by a sound installation of the carpet-weaving process.
The Tarble Arts Center hosted the opening reception for the 2026 Master of Arts in Studio Art Exhibition, featuring thesis projects from 11 graduate students. The exhibition showcased a diverse range of mediums, including an immersive installation by Vitória Kazanovski that recreated her grandmother’s Brazilian kitchen using audio and textured cookbooks, and a ceramic series by Wendy Peters that highlighted the technical mistakes and evolution of her craft.
The Arizona State University Art Museum is set to open "Carmen Lomas Garza: Picturing the Familiar" this May, a retrospective dedicated to the 76-year-old Chicana artist and author. The exhibition highlights Garza’s career-long commitment to documenting South Texas and Mexican-American life through paintings, prints, and children's book illustrations. Her work focuses on intimate, everyday scenes—from domestic interiors to community celebrations—that were heavily influenced by her involvement in the Chicano movement.
Chicago-based artist Brian Sykes returned to the Beverly Arts Center for the opening of his multimedia exhibition, “I Heard the City Breathe.” The event drew a significant crowd and featured a unique blend of visual art, film, and live vocal performances, including a set by Sykes himself. The project explores the emotional and cultural realities of Chicago’s Black experience, utilizing an intergenerational approach to discuss identity and memory.
The Butler Institute of American Art in Youngstown, Ohio, recently hosted the opening reception for the 31st annual Accessible Expressions Ohio (AEO) exhibition. Featuring over 50 works by artists with disabilities from across the state, the event included live music from The Feral Cats and workshops for the Remember Love Recovery Project. The exhibition, which runs through June 7, showcases winners across various categories including youth, professional, and emerging artists.
Paris-based gallery Romero Paprocki is expanding its presence in the Italian art market with a multidisciplinary presentation at miart 2026. Following the opening of a second gallery space in Milan, the booth features a curated dialogue between four artists—Antoine Carbonne, Louis Jacquot, Winnie Mo Rielly, and Matisse Mesnil—spanning figurative painting, minimal works, and sculptural photography.
The Art Gallery of Peterborough is set to host "Elizabeth Thompson Advises," a multimedia exhibition by Cavan-based artist JoEllen Brydon running from April to June 2026. The show centers on the work of Brydon’s late mother, Jean Armstrong Brydon, who wrote a progressive advice column for The Globe and Mail under the pseudonym Elizabeth Thompson between 1966 and 1978. The exhibition integrates original letters and columns with JoEllen’s bold paintings, audio recordings, and short films to bring these mid-century narratives to life.
The Oceanside Museum of Art has opened "Brothers in Arts: James Hubbell and Bert Hubbell," a poignant exhibition curated by Brennan Hubbell, the son of James and nephew of Bert. The show explores the parallel creative lives of the two brothers, who lived on opposite sides of the Pacific for sixty years—James in San Diego and Bert in Japan—yet maintained a deep spiritual and artistic connection through letters and shared philosophies. Both artists passed away within weeks of each other in 2024, shortly after a final video call that reconnected them after a period of silence.
The Philadelphia Museum of Art and the Pennsylvania Academy of the Fine Arts (PAFA) have announced a major collaborative exhibition titled "A Nation of Artists," set to open in April 2026. Featuring over 1,000 works spanning three centuries, the show will integrate paintings, sculptures, and decorative arts, including more than 120 pieces from the prestigious Middleton Family Collection. The exhibition is designed to coincide with the United States' 250th anniversary and the reopening of PAFA’s Historic Landmark Building.
Artist Sean Benton is currently showcasing a solo exhibition at the Truro Public Library in Nova Scotia, running through April 24. The collection features a diverse range of subjects, including portraits, landscapes, and architectural studies, all unified by Benton’s commitment to expressive realism and observational painting. The exhibition was organized following an open call from the Colchester-East Hants Public Library system, reflecting the artist's ongoing effort to engage with new audiences outside of traditional gallery spaces.
The Yellowstone Art Museum in Billings, Montana, has launched two new ceramic-focused exhibitions: "Folktales and Fanfare" and "Embedded in the Overlap." A central highlight of the new programming is the work of Ukrainian ceramicist Janina Myronova, whose exhibition features whimsical stoneware figures and drawings that explore themes of home, hope, and human connection. Myronova’s work, including her 2023 piece "Two Heads Are Better Than One," blends traditional ceramic techniques with dreamlike narratives.
The National Gallery of Australia is set to open the long-delayed exhibition "Ngura Pulka: Epic Country," but the show has been met with fresh controversy as a painting by a former executive of the APY Arts Centre Collective was mysteriously removed. The exhibition was originally postponed in 2023 following allegations of white staff members interfering with the work of Indigenous artists, and this latest withdrawal has prompted conflicting explanations from the involved parties.
Birmingham Museum & Art Gallery has launched a community-led exhibition exploring the universal experiences of death, dying, and grief. Curated in partnership with the local collective BrumYODO, the showcase features traditional mourning rituals alongside contemporary inquiries into how artificial intelligence might manage bereavement. The exhibition serves as the centerpiece for the annual "A Matter of Life and Death" festival, incorporating interactive workshops, clay-making sessions, and even a themed comedy night to engage the public with a typically taboo subject.
The Virginia Tech Carilion School of Medicine is launching a dual exhibition featuring "From These Hills" and "Making it in America," opening April 14 in Roanoke. "From These Hills," on loan from the William King Museum of Art and curated by Kathy Foley, showcases contemporary Appalachian art across various media that explore regional identity and memory. Complementing this, photojournalist Heather Rousseau’s "Making it in America" documents the lived experiences of immigrants and refugees in Southwest Virginia, capturing the resilience of Afghan, Ukrainian, and Latino newcomers through five years of visual storytelling.
The Inyo Council for the Arts (ICA) is launching a major solo retrospective titled “Drew Wickman: Getting Here,” featuring over 40 works by the local artist. Opening with a public reception on April 11, the exhibition spans more than five decades of Wickman’s creative output and will remain on view through May 26.
The Bascom: A Center for the Visual Arts is set to debut a new exhibition by photography resident Dean Kessmann titled "realism succumbing to abstraction or is it the other way around" on April 18, 2026. The show features medium-format digital photographs captured during Kessmann’s sabbatical residency, focusing on the overlooked textures of urban landscapes such as sidewalks, graffiti, and signage. The exhibition includes unique physical presentations, with some works mounted on oriented strand board to mirror the industrial surfaces depicted in the images.
The Fairbanks Arts Association has issued a call for entries for its upcoming juried exhibition, "Interdependence," scheduled to run from May 1 to May 30 at the Bear Gallery in Pioneer Park. Open to artists aged 18 and older living in Interior Alaska, the show will kick off with a First Friday opening reception and an awards ceremony on May 1.
Cultural institutions across Kenosha and Racine counties in Wisconsin have announced their exhibition schedules and public hours for the week of April 9, 2026. Featured venues include the Anderson Arts Center, the Carthage College Art Gallery, and the Kenosha Public Museum, which continues to showcase its permanent collection including "The Wisconsin Story" and "Mammoths at the Museum." Local galleries such as Lemon Street Gallery and OS Projects are also hosting open hours for the public to engage with regional contemporary art.
Students at Emerson College recently completed a comprehensive curatorial project titled "Gather," an exhibition that served as the capstone for their Curatorial Practices course. Tasked with managing every facet of the show—from registrarial duties and marketing to the physical installation of artworks—the students juried a regional open call that resulted in a final selection of 14 artists. The project was designed to provide a holistic understanding of the industry, moving beyond the siloed experience of traditional museum internships to prepare students for a volatile professional landscape.
Artists Emily and George Thompson are set to debut a joint exhibition titled “Double Feature: A Two-Person Show” at the historic Stover Mill Gallery in Erwinna, Pennsylvania. The exhibition juxtaposes Emily’s contemporary urban landscapes and architectural forms with George’s traditional landscape paintings, showcasing the creative dialogue between the couple who share a studio.
Berlin-based artist Matthias Esch presents a survey of his painterly practice in the solo exhibition 'Slice Through Reality' at Kutlesa in Goldau, Switzerland. The show features works from several years that explore the tension between rigid visual systems and deliberate disruptions, utilizing patterns and schematic forms that are systematically 'sliced' or broken open.