Craig Alan's 2024 print "Summer Love" is being offered for sale through Art Leaders Gallery on Artsy. The limited-edition giclee on canvas, part of his Populous series, depicts a heart-shaped formation of miniature figures on a beach, hand-signed by the artist and priced between $2,400 and $2,550.
Laura Pass Barry has been appointed the Carlisle H. Humelsine chief curator at Colonial Williamsburg, a role that expands her responsibilities to include leadership of Collections, Conservation and Museums as vice president. Barry began her career at Colonial Williamsburg over 30 years ago as a curatorial intern in folk art, later working as assistant curator to Margaret Pritchard and eventually overseeing the graphics, paintings, and folk art collections. She holds degrees from the College of Wooster and the College of William & Mary.
Amanda Heng Liang Ngim's exhibition 'A Pause' has opened at the Singapore Pavilion of the 61st International Art Exhibition – La Biennale di Venezia. The installation transforms the historic Sale d’Armi into a contemplative space using larch wood platforms, photographs, and a dual-channel video that observes everyday gestures of rest and renewal in Venice and Singapore. The presentation also includes a reprint of her 1990 series 'Parts of My Body' and is accompanied by a comprehensive monograph, 'Amanda Heng: On and On'.
This article highlights a variety of art exhibitions and events taking place in Alexandria, Virginia, during May 2026. Featured shows include the "Floret 2026" floral exhibit and the May 2026 Open Exhibit juried by Jowita Wyszomirska at the Art League Gallery of the Torpedo Factory Art Center, as well as the Alexandria City High School Titan Student Art Exhibition at Del Ray Artisans Gallery. Other offerings include a mask exhibit at Mount Vernon Unitarian Church, multiple ART + WINE + CHEESE soirées at Nepenthe featuring artists like Leah Sturgis, Sunny Goode, and Evelyn Dunphy, and special print exhibits at Printmakers, Inc. honoring Avis Fleming.
Jasmine Lezema, an art history major and museum intern at the Janet Turner Print Museum, has organized a peer-led exhibition tour titled "Through an Art Historian’s Lens," scheduled for Wednesday from 5 to 5:30 p.m. The tour focuses on printmaking at Chico State and encourages students to engage deeply with artworks. Lezema selected three pieces from the current exhibition that personally resonated with her, drawing on her art history training to interpret symbolism, materials, and context. The museum’s director, Rachel Skowoski, and education assistant, Dylan Charlton, emphasize that student interns are empowered to shape programming around their interests, making this tour a product of that philosophy.
The Victoria and Albert Museum (V&A) in London has reportedly removed maps and images from exhibition catalogues on multiple occasions following pressure from its Chinese publisher, C&C Offset Printing. The publisher cited directives from China's General Administration of Press and Publication (GAPP), which enforces the Chinese Communist Party's official narratives on sensitive topics like territorial borders.
K Space Contemporary in Corpus Christi, Texas, will present a solo exhibition titled "Everything is Everything" featuring new work by artist Philana Oliphant from May 1 to June 25, 2026. The show opens during the downtown Corpus Christi ArtWalk and includes a closing reception, showcasing Oliphant's intricate drawings, sculptures, installations, and prints that explore themes of time, memory, and environmental change.
The Charles H. MacNider Art Museum in Mason City has opened a solo exhibition titled "Ray Colby: Nature Photographer" in its Kinney-Lindstrom Gallery. The show features digital photographs printed on canvas, focusing on three specific themes: backyard insects and arachnids of the Midwest, urban birds from Minneapolis, and migrating Sandhill Cranes in Wisconsin. The works on display will be sold via auction to benefit the museum's programming.
The Azerbaijan National Carpet Museum has launched "Images Imprinted in Memory," a solo exhibition by multidisciplinary artist Madina Gasimova. Supported by the .ART domain, the showcase features 28 works produced over the last five years, including five new carpets woven using the museum's traditional techniques based on the artist's contemporary sketches. The exhibition highlights the fluidity of artistic motifs as they transition across various media, including painting, stained glass, mosaic, and digital formats, accompanied by a sound installation of the carpet-weaving process.
Atlanta’s cultural landscape is undergoing a significant transformation as its major museums spearhead ambitious expansions and programming shifts. Institutions like the High Museum of Art, the Spelman College Museum of Fine Art, and the Atlanta Contemporary are leveraging the city's economic growth and its status as a hub for Black culture to redefine their roles within the community. These developments include physical renovations, record-breaking acquisitions, and a renewed focus on local and diverse artistic voices.
The Arizona State University Art Museum is set to open "Carmen Lomas Garza: Picturing the Familiar" this May, a retrospective dedicated to the 76-year-old Chicana artist and author. The exhibition highlights Garza’s career-long commitment to documenting South Texas and Mexican-American life through paintings, prints, and children's book illustrations. Her work focuses on intimate, everyday scenes—from domestic interiors to community celebrations—that were heavily influenced by her involvement in the Chicano movement.
The University of Wisconsin-Whitewater's Crossman Gallery recently hosted the BA & BSE Senior Show, a showcase of diverse artworks created by graduating students. The exhibition featured a wide range of mediums, including photography, painting, sculpture, and print design, highlighting the creative versatility of the senior class. The event served as a professional milestone for students, allowing them to navigate the gallery submission process and network with faculty and the community.
Paris-based gallery Romero Paprocki is expanding its presence in the Italian art market with a multidisciplinary presentation at miart 2026. Following the opening of a second gallery space in Milan, the booth features a curated dialogue between four artists—Antoine Carbonne, Louis Jacquot, Winnie Mo Rielly, and Matisse Mesnil—spanning figurative painting, minimal works, and sculptural photography.
The Michener Art Museum is hosting "Pieces of a Life," a retrospective exhibition dedicated to the 60-year photography career of Bruce Katsiff. Running from April 11 to August 12, the show features 60 works including his 1970s "River Town Portraits," the "Nature Morte" series exploring mortality through animal remains, and his recent digital "Face Maps." The exhibition is guest-curated by art historian Dorothy Fisher and highlights Katsiff's technical mastery ranging from platinum prints to modern digital composites.
The Phoenix Gallery and Music Hall in Burlington, Vermont, will host the exhibition “Sensual Turns” opening January 23, with a reception from 6 to 8 p.m. The show features new work by guest curator and featured artist Elizabeth Powell, alongside pieces by artists Jenny Kemp and Bonnie Morano. Powell, a painter and printmaker, holds an MA and MFA from the University of Iowa and has exhibited at Kishka Gallery and Hexum Gallery. Morano, based in Brooklyn, earned an MFA from Hunter College and has been selected for the XL Catlin Artist Prize. Kemp, a 2015 NYFA Fellowship recipient, has shown work nationally and internationally.
Hui Noʻeau Visual Arts Center on Maui is presenting its Annual Juried Exhibition from January 16 to February 20, 2026. The open-theme show features works in ceramics, printmaking, sculpture, photography, painting, digital media, jewelry, Hawaiian cultural arts, wood, fiber, and more, juried by Denise Karabinus, Executive Director of Honolulu Printmakers. The exhibition opens with a juror walkthrough and reception on January 16, and artists from Maui and beyond were invited to submit work created within the past two years.
The American Folk Art Museum in New York is presenting "An Ecology of Quilts: The Natural History of American Textiles," an exhibition of 30 quilts from its collection of over 600 pieces. Co-curators Austin Losada and Emelie Gevalt highlight the materials and labor behind the quilts, including indigo dye and cotton, while featuring works by Malissia Pettway of Gee's Bend and Japanese artist Tomie Nagano, the only living artist in the show.
The Getty has released a comprehensive climate impact assessment of its PST Art initiative, titled Art & Science Collide (2024-25), based on its inaugural Climate Impact Program (CIP). Developed with climate adviser Laura Lupton and artist Debra Scacco, the program provided webinars, guidance, and networking to participating institutions, with over two-thirds completing a climate impact report. Key findings show that air travel and air freight of art are the most carbon-intensive activities, and shifting to sea freight could reduce total emissions by 18%. Many institutions reduced waste through simple, low-cost changes, with some committing to permanent sustainability practices.
The Cedar Rapids Museum of Art has received a collection of Oaxacan prints donated in memory of Ellen Barth, a longtime art teacher at St. Pius Elementary School in Cedar Rapids, Iowa. The donation was organized by her husband, Chuck Barth, a local artist and former Mount Mercy University instructor, who worked with museum staff and Oaxacan artists to select works reflecting the culture of Oaxaca, Mexico, where the couple spent part of each year. The museum plans to feature the collection in an exhibition, though it is booked through 2027, and will also use the works in future displays and educational programs.
The Brooklyn non-profit space Pioneer Works is hosting an exhibition titled "How to Get to Zero" by artists Tega Brain and Sam Lavigne, featuring climate-focused interactive installations. The centerpiece, "Cold Call" (2023), invites visitors to don headsets and call fossil fuel executives, following a script designed to keep them on the line as long as possible to disrupt their productivity. Another work, "Offset" (2023-25), parodies carbon offset markets by allowing visitors to purchase credits for dissident acts like deflating SUV tires, with proceeds going to activists. The exhibition also includes "Perfect Sleep" (2021), an anti-productivity phone app that encourages rest to reduce carbon footprints, and "Synthetic Messenger" (2021), where cell phones click on climate news ads to boost journalism engagement.
Sasha Fishman '24, an alum and adjunct assistant professor at Columbia, presents her solo exhibition 'Shad Mode' at ILY2 Gallery in Portland, Oregon. The show, which culminates her summer residency at ILY2, features sculptures made from materials like egg yolk-tanned sturgeon skin, ceramics, and lamprey teeth, exploring the relationships between fish, their ecosystems, and human intervention. Works such as 'Immortal by Wifi' and 'Each Time You Bathe Me' blend natural and synthetic elements, while a fish cannon encircles the gallery to highlight modern technologies used to transport fish over dams.
The Fitzwilliam Museum in Cambridge is opening an exhibition titled "Made in Ancient Egypt" that shifts focus from pharaohs and iconic treasures to the anonymous craftspeople who built and decorated the civilization's artifacts. Featuring loans from the British Museum, Berlin State Museums, and the Musée du Louvre, the show includes jewelry, ceramics, stonework, and personal items like ostraca—pottery shards used as notepads—that reveal the lives, skills, and even the days off of ancient makers. Curator Helen Strudwick highlights recent discoveries, including a handprint on a "soul house" and an unreadable signature on a shrine, emphasizing the human connection these objects provide.
The University of Montana's Montana Museum of Art and Culture (MMAC) will present three solo exhibitions by Montana artists this fall: Sara Mast's "Standing in the River" (opening Oct. 16), Manette Rene Bradford's "Unsettled Lands" (opening Nov. 13), and a posthumous show for Rand Robbin (opening Dec. 4). The exhibitions span painting, glass sculpture, collage, drawing, and printmaking, with each artist offering a distinct perspective on landscape, nature, and Montana's artistic traditions.
West Chelsea Contemporary in Austin, Texas, is presenting “LUX ÆTERNA,” a joint exhibition featuring more than 40 works by Swiss visual artist Simon Berger and British artist Gary James McQueen. Berger is known for portraits created from hammered laminated safety glass, while McQueen, nephew of the late fashion designer Alexander McQueen, works with lenticular prints that shift optically. The show includes two collaborative pieces that combine their respective mediums, exploring themes of classical mythology, perception, and the nature of light.
SOLO CSV, a new art venue in Madrid, Spain, has opened as part of the international SOLO arts project led by Ana Gervás and David Cantolla. The space, located near Parque del Oeste, was transformed from a 4,000-square-meter former printworks by Spanish architecture firm Estudio Herreros into an unconventional art labyrinth. Its inaugural exhibition at the Bowman Hal gallery featured William Mackinnon, followed by Aaron Johnson's current show 'WE ALL SHINE ON.' The venue also houses the SOLO arts incubator, including the ONKAOS digital arts initiative, a conservation lab, and the newly announced Movimiento 37 program.
Hyderabad will host 'Edition 2', a landmark printmaking exhibition at the Chitramayee State Gallery of Art from September 19 to 28. Curated by Annapurna M. and Attri Chetan, the show features 30 artists from 14 states, tracing printmaking's history from the Indus Valley and 16th-century India to contemporary reinventions. Chief Guest Shilpa Reddy and Dr. Sanjeev Kishor Goutam, Director General of the National Gallery of Modern Art, will inaugurate the event, which also launches a public printmaking studio and offers artist-led workshops and a mini print portfolio initiative.
The Alberta Foundation for the Arts (AFA) opened its first-ever gallery in Calgary on September 10, 2025, called the AFA art house, located on the second floor of the Edison building. The space, previously used as a temporary gallery by the Glenbow Museum during its renovation, will host rotating exhibitions from the AFA’s 10,000-piece collection, including the opening show "New Views" featuring 50 works purchased in the last decade. The gallery also allows Alberta artists to display and sell their art, and will feature a solo exhibition by Samantha Williams-Chapelsky, the 2024-25 AFA Alberta Artist in Residence, beginning in October.
Selina Roman's new exhibition "Abstract Corpulence" at the Sarasota Art Museum presents abstract photographs created from tightly cropped images of her own body, wearing pastel bodysuits and tights to transform her physique into rolling landscapes and modernist-inspired compositions. The show runs from August 31, 2025 through March 29, 2026, featuring works from her XS series, including pieces like 'Ballhead, 2021' and 'Blockhead, 2025', printed as dye sublimation on aluminum. Roman, a Tampa-based artist and former print journalist, was named a 2024 Critical Mass Top 50 Artist for this series.
The Vincent Price Art Museum is hosting 'Before You Now: Capturing the Self in Portraiture,' an exhibition drawn from LACMA's collection that explores self-portraiture through over 50 contemporary American artists working in photography, prints, drawings, video, and installation. The show includes a video series featuring artists like Jessica Wimbley, who discusses her work 'Cabinet Portrait: Wife Portrait' (2022), a large-scale reimagining of a 19th-century cabinet card bridal portrait that centers Blackness in American material culture by depicting herself in a non-traditional black wedding dress. The exhibition runs through August 30, 2025, with a related collage workshop led by Kalli Arte Collective on August 23.
Researchers at the Fitzwilliam Museum in Cambridge, UK, have discovered a 4,000-year-old handprint on the base of an ancient Egyptian "soul house"—a clay model of a building used in burial rituals. The handprint was found during preparations for the museum's upcoming exhibition "Made in Ancient Egypt" (3 October–12 April 2026), when senior conservator Julie Dawson examined the object under different lighting. The soul house, excavated at Deir Rifa north of Luxor, dates to Egypt's First Intermediate Period or Middle Kingdom and was likely left by the artisan who moved it to dry before firing.