Diego Gualandris presents "Floralia" at ADA gallery in Rome, an exhibition that explores themes of growth, nature, and human intervention through a poetic lens. The show features works that evoke the cycle of life and decay, using floral motifs to reflect on the fragility of existence and the tension between natural processes and external forces.
As the art market continues to experience softer demand for a third summer, galleries in the US and the Americas are rethinking the traditional August break. Dealers like Wendi Norris (San Francisco), Omayra Alvarado-Jensen (Instituto de Visión, Bogotá and Manhattan), Pali Kashi (Europa, New York), and Davida Nemeroff (Night Gallery, Los Angeles) describe varied approaches: some remain open to meet traveling collectors, others close for weeks to regroup, and many launch offsite pop-ups to maintain momentum. There is no industry consensus, with decisions shaped by geography, cultural heritage, and collector migration patterns.
Ecco di cosa parlerà la Biennale Architettura di Venezia 2027 dei curatori cinesi Lu Wenyu e Wang Shu
For the first time in the history of the Venice Architecture Biennale, two Chinese architects—Wang Shu (Pritzker Prize 2012) and Lu Wenyu—have been appointed as curators of the 20th International Architecture Exhibition, scheduled from May 8 to November 21, 2027. The duo, who co-founded Amateur Architecture Studio in 1997 and are partners in life and work, previously participated in the Biennale in 2010 under Kazuyo Sejima (receiving a Special Mention for their project "Decay of a Dome") and in 2016 under Alejandro Aravena. Their edition will follow the 2025 edition curated by Carlo Ratti and will be titled "Fare Architettura" (Doing Architecture), focusing on the coexistence of diversity in real reality.
A 15-foot-tall gold-leafed bronze statue of Donald Trump, titled "Don Colossus," was unveiled at his National Doral golf club in Miami, Florida, ahead of the G20 summit. The statue, funded by $450,000 raised by cryptocurrency moguls and sculpted by Alan Cottrill (founder of Four Star Pizza), depicts Trump raising a triumphant fist with a plaque reading "FIGHT, FIGHT, FIGHT!" The unveiling was organized by televangelist Mark Burns of "Pastors for Trump," who posted that the statue was "not a golden calf," and was attended by evangelical Christian leaders and reportedly some Hassidic rabbis.
Alla Biennale Arte 2026 la Spagna trasforma il suo Padiglione in museo dell’accumulo con l’artista Oriol Vilanova
Spain has announced its participation in the 61st Venice Biennale Arte 2026, selecting Catalan artist Oriol Vilanova to represent the country in its newly renovated national pavilion. The project, titled "Los restos," transforms the pavilion into a pseudo-museum of accumulation, featuring Vilanova's vast personal archive of postcards collected over twenty years from flea markets and secondhand circuits. The installation presents these ephemeral fragments as an infinite, non-narrative mural, exploring themes of accumulation and loss. Curated by Carles Guerra, the project also includes a performative intervention titled "Il fantasma della libertà" (2026), which will unfold across the Giardini and Arsenale during the Biennale.
Artist and writer Sarah Hotchkiss recounts two personal experiences where galleries and residency programs used standard contracts to limit artists' rights. In the first, a new gallery refused to shorten a six-month consignment period after an exhibition, leaving her work in "contractual limbo" where she would owe the gallery half of any sale even if she found the buyer herself. In the second, a residency required her to waive moral rights under the Visual Artists Rights Act, protections that allow artists to prevent distortion and control attribution of their work.
Archaeologists in Mexico discovered 16 pre-Hispanic paintings and petroglyphs along the planned route of a high-speed passenger train connecting Mexico City to Querétaro. The discovery, made in the state of Hidalgo, includes rock art dating from 4,000 years ago to the Postclassic period (900-1521 CE), with imagery linked to Aztec deities and the Toltec city of Tula. In response, President Claudia Sheinbaum announced the $8 billion train project will be rerouted to preserve the ancient site.
I dimenticati dell’arte. La storia dell’architetto e scultore Pietro De Laurentiis
The life and legacy of Pietro De Laurentiis, a multifaceted Italian architect, sculptor, and cultural activist, are being rediscovered through a retrospective look at his prolific career. Born into a peasant family in Abruzzo, De Laurentiis rose to prominence in Rome's mid-century art scene, balancing a forty-year teaching career at the Faculty of Architecture with significant public commissions, including bronze panels for the ACEA headquarters and marble works for INPS. His artistic style evolved from rural-inspired figuration to a unique geometric abstraction that blended Cubism with folk traditions.
A Firenze l’arte crea comunità e confronto nello spazio Bagasseria. Intervista al suo fondatore
Painter Samuele Alfani has launched Bagasseria, a new independent art space and studio in the Sant’Ambrogio district of Florence. Named after the Catalan word for a house of prostitution as a gesture of reclamation and freedom, the venue functions as a porous community hub that blends artistic production with public engagement. Its inaugural exhibition, "Bau Bau Baby," is a group show curated by Luigi Presicce and Anna Capolupo featuring artists such as Francesco Lauretta, Davide Serpetti, and Thomas Berra.
The United Asian American Alliance hosted the 3rd Annual AAPI Art Exhibit at the Cinema Arts Centre in Huntington, a month-long showcase of Asian American creativity and heritage. Curated by artist Joan Kim Suzuki, the exhibition features works in painting, mixed media, photography, and textile that explore themes of memory, identity, migration, and belonging. The opening reception welcomed distinguished guests including Tracey Edwards, New York State NAACP Vice President, and actor Lisa Yang, a Golden Horse Award nominee.
Student artists from across St. Tammany Parish participated in the 35th annual Salad Days Juried Exhibition of Student Art at the George Dunbar Gallery in Slidell. The event featured an opening reception and awards ceremony, with 80 artists submitting 174 works, of which roughly 30% were selected for display. Artist and arts advocate Joshua Wichterich served as the juror for the competitive show.
Two Rooms gallery in Auckland presents 'Past Perfect,' a group exhibition featuring works by Gretchen Albrecht, Noel Ivanoff, John Nixon, Jeena Shin, and Helen Calder. The show explores geometric abstraction and the interplay of light, shadow, and transparency through works produced over the last several decades.
Private & Public Gallery has partnered with Green Island Restaurant in Jersey to install a rotating display of works by local artists Jacques Le Breton, Charles Haydn Taylor, Claire Haithwaite, and Hazel Wynn. The exhibition features a diverse range of media, including ceramics, iPad drawings, and paintings created from found coastal materials, all arranged in a traditional French Salon style.
Collectible design fair returned for its second edition in New York, taking over the entire 39th floor of the WSA building in Manhattan’s Financial District. The fair featured 123 exhibitors, many local, presenting limited-edition and unique design objects. Highlights included Tuleste Factory's lighting-heavy stand 'Afterglow' with ceramic lamps by Ethan Streicher, a collaborative living-room set by Streicher and Ian Love called the Kindred Collection, and a special-projects section with a performance dinner and a piercing station. Co-founder Liv Vaisberg emphasized the fair's curated, designer-centered approach and experimental spirit.
Das sollten Sie auf der Art Düsseldorf nicht verpassen
The eighth edition of Art Düsseldorf is set to launch at the Areal Böhler with its most diverse lineup to date, featuring 119 galleries. This year's iteration marks a significant organizational shift with the appointment of Gilles Neiens as the fair's first Artistic Director, a role created to oversee the event's curatorial and programmatic direction. The fair continues to balance its strong regional roots in the Rhineland with an increasingly international selection of painting, sculpture, and experimental works.
Le musée de La Poste redevient le « musée postal »
The Musée de La Poste in Paris has rebranded itself as the "Musée Postal," reclaiming its original 1946 name as it approaches its 80th anniversary. Alongside a new visual identity featuring a blue and white "M" logo, the institution is shifting its focus from a strictly corporate museum to a "museum of society" with a more universal outlook. Under the leadership of director Guillaume Goy, the museum aims to modernize its permanent collection and recover its pre-pandemic attendance figures, targeting 150,000 annual visitors.
A team of six graduates from the École des Nouvelles Images in Avignon has released 'Jour de Vent' (Windy Day), a sweeping animated short film that captures a transformative moment in a public park. The narrative follows a diverse cast of characters—ranging from a businessman to a picnicking family—whose mundane routines are abruptly upended by a powerful gust of wind. This meteorological disruption serves as a catalyst for themes of surrender and human connection, mirroring a fluid production process where the filmmakers finalized the story's conclusion just days before completion.
FORJAR CAMINOS: ANCESTRALIDAD AFROBRASILEÑA Y PODER FEMENINO EN LA OBRA DE NÁDIA TAQUARY
The exhibition "Ònà Irin: caminho de ferro" by artist Nádia Taquary has opened at Sesc Belenzinho in São Paulo, featuring large-scale sculptures and an immersive video installation. Curated by Amanda Bonan, Ayrson Heráclito, and Marcelo Campos, the show centers on a massive installation of iron rails that symbolize the Yoruba deity Ogum, the opener of paths. The works integrate traditional Afro-Brazilian materials such as cowrie shells, beads, and metals to explore spiritual protection and the historical significance of jewelry as a form of resistance and identity for enslaved and freed Black women.
Mariah Nielson, director of the JB Blunk Estate, reflects on growing up in the Blunk House—a home built by her father, artist JB Blunk, in the 1950s from salvaged materials in Point Reyes Station, California. She describes the house as a living sculpture where art, craft, and daily life merge. Today, she runs Blunk Space, the estate's gallery, and currently presents the exhibition “100 Candleholders,” featuring works by artists connected to the Blunk legacy. Nielson shares how her father's philosophy of functional, un-precious art shapes her collecting and curatorial practice.
Apple is launching iOS 26, its first-ever cross-platform design update, featuring a new digital material called Liquid Glass. This translucent interface element refracts light like real glass and responds to touch, created by Apple's Vice President of Human Interface Design Alan Dye and his team in collaboration with the industrial design studio. The article includes reflections from artists Alice Bucknell and P. Staff on how Apple's technology and design philosophy intersect with their own practices.
The Mangaweka Yellow Church Gallery in New Zealand, known for its annual Fakes and Forgeries exhibition, is celebrating its 20-year anniversary. Owner and artist Richard Aslett will host a high tea on Monday to mark the milestone. The gallery opened in 2006 and has since fostered emerging and established artists, hosted live music events, and added antiques and retro-curios to its offerings. Its most famous exhibition pays tribute to Karl Sim, New Zealand’s only convicted art fraudster, who was born in Mangaweka and known for his Charles Goldie forgeries.
Surrey Art Gallery in British Columbia will host a free art party on January 17, 2026, to launch its winter exhibition season. The event features the group exhibition "remember the earth, remember the sky," inspired by a Joy Harjo poem and focused on ancestral connections through land, air, and memory, with works by early-career artists and pieces from the gallery's permanent collection by Salish artists. Also opening are solo shows by Zachery Cameron Longboy ("HOST") and Atheana Picha, along with the exhibition "What Bodies Know" reflecting on lived experiences in Vancouver's Downtown Eastside. The evening includes artist talks, a piñata breaking, and hands-on artmaking workshops.
A collective of artists in Sunderland, England, is transforming the former Sweet Home Alabama shop on Fawcett Street into a new art gallery called Twenty-Four North East (24NE). Led by Sunderland artist Ken Devine, along with Graham Bowes, Darren Timby, and others, the group has leased the unit and is renovating it with donated paint from Albert's Place. The gallery will operate as a permanent independent retail fine art gallery, funded and run by the artists themselves, selling original artworks with zero commission. It is set to open on November 20 with a winter exhibition and will be open Wednesdays to Saturdays for shows, classes, workshops, and art sales.
Ringo Starr, at 85, is balancing a six-date residency with his All-Starr Band at The Venetian in Las Vegas with a concurrent art exhibition at the Animazing Gallery in the same resort. The show, titled "Starr Art" and curated by Neal Glaser of ArtCelebs, features Starr's original paintings, limited edition works, and spin-art pieces, with all artist proceeds benefiting his charity, The Lotus Foundation. Starr, who began painting in the late 1990s and discovered spin art online, describes his abstract, colorful Pop Art as a joyful creative outlet.
The Marjorie Barrick Museum of Art in Las Vegas will present 'Living Here,' an exhibition running from June 20 to December 20, 2025, featuring 26 artists from the East and Southeast Asian diasporas. The show explores how food, clothing, movies, and everyday objects carry the sensory and emotional weight of diaspora, with works ranging from painting and sculpture to video and installation. Artists include Eliza O. Barrios, Ching Ching Cheng, Jiha Moon, Stephanie Shih, TT Takemoto, and Christine Wong Yap, among others. The exhibition incorporates oral histories from the Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project at UNLV Libraries.
The Fort Smith Museum of History will open two new exhibitions on May 15. 'The Art of the Brick' features large-scale sculptures by contemporary artist Nathan Sawaya, built entirely from LEGO bricks, while 'The Art of Native American Basketry' showcases a collection of woven baskets from regional tribes.
Slanted Art Co-Op in Montrose hosted its fourth annual student art show, featuring high school artists from four of the six school districts in the county. Students displayed works in acrylic, oil, pastels, ceramics, and mixed media, with some pieces available for sale. Notable participants included Forest City senior Amanda Borsheski, whose acrylic painting "Mandarin" and other works won multiple awards, and Blue Ridge senior Madison Gaylord, who exhibited a paint-dotted vinyl record and a relief sculpture. The event was curated by the students themselves and included awards such as Judges Delight and People's Choice.
Seoul-based painter Choe Vio has launched a new solo exhibition titled “Time Interface” at Page Gallery in Seongsu-dong. The show, which marks the artist's first solo presentation in four years, features new paintings and a central interactive installation titled “137 Silent Observers.” This centerpiece invites visitors to move stones on an aluminum plate, triggering a process where the changes are recorded at specific intervals and eventually translated into video and painting.
Chiang Mai’s art scene is hosting a diverse range of exhibitions this April, anchored by a major retrospective of Araya Rasdjarmrearnsook at the MAIIAM Contemporary Art Museum. The survey, curated by Kittima Chareeprasit and Roger Nelson, spans four decades of the artist's provocative video and installation works. Other highlights include Myrtille Tibayrenc’s installation of 108 Buddha paintings at the Museum of Something (MOS), Chatchai Notananda’s process-oriented solo show at Haan Studio, and Houda Bakkali’s digital compositions at Alliance Française.
The Spruill Center for the Arts is expanding its footprint by converting the former Chamblee City Hall into a new creative hub called Spruill Studios. Scheduled to open in June 2026, the 6,796-square-foot facility will house 15 affordable artist studios and a dedicated exhibition space. The project is the result of a strategic partnership with the City of Chamblee, which is leasing the 2002 building to the nonprofit for just $1 per year.