From gunshots to gilded plates: Who are the real hooligans of the art world?

Alex Burchmore reviews 'The Hooligans,' an exhibition that explores the Maoist concept of hooliganism in the context of contemporary Chinese art. The show features works by artists like Xiao Lu, who famously fired a gun at her installation during the 1989 'China/Avant-Garde' exhibition, as well as Zhu Yu and He Yunchang, known for incorporating human body parts and surgical procedures into their art. The exhibition contrasts these transgressive acts with more market-friendly works, such as Zhu Yu's gilded plate paintings and Hu Yinping's commercial-style figurines, highlighting the tension between artistic rebellion and commercial success.

The rare midnight photos that might reveal the ‘real’ Marilyn Monroe

A National Portrait Gallery exhibition and a BFI season are set to re-examine Marilyn Monroe, focusing on rare midnight photographs that may reveal a more authentic side of the iconic star. The show and film program aim to look beyond her public persona to explore her true self through lesser-known images and cinematic works.

The Sports Are Just the Tip of the Iceberg. Here’s What Else to Expect From the 2028 Olympics.

Los Angeles is preparing a comprehensive Cultural Olympiad for the 2028 Olympic and Paralympic Games, led by LA28 senior vice president Dwayne Jones and executive director Nora Halpern. The program will feature free sports movie screenings, live music, food experiences, art installations, community events, and special exhibitions at local museums. Sixteen local artists have been commissioned to create posters honoring the games, with a dedicated gallery exhibition planned for July 2027. A new digital calendar and mapping tool will help residents and visitors navigate the cultural offerings, and institutions like LACMA, the LA Philharmonic, and the Museum of Latin American Art have already expressed support.

Explore the poetry of body and gesture through this evocative solo exhibition in Kolkata

Architect and Interiors India has published an article promoting a solo exhibition in Kolkata that explores the poetry of body and gesture. The exhibition features works that focus on the expressive potential of the human form and movement, presented as a visual meditation on physicality and emotion.

Seattle galleries launch Seattle Art Fair alternative

Two prominent Seattle galleries, Traver Gallery and Greg Kucera Gallery, are launching a new art fair called Assembly to coincide with the 10th edition of the Seattle Art Fair in July. Assembly will take place at West Canal Yards from July 23-26, featuring 10 to 15 invited galleries from the Pacific Northwest and Dallas, with a more intimate, curated approach and significantly lower participation costs ($3,000–$6,500 per gallery versus $25,000+ at SAF). The fair is invitational, uses vacant spaces around a central atrium instead of traditional booths, and plans to redistribute ticket and booth revenue to participating galleries.

ARTIndia and Vadehra Art Collaborate for ‘Next/Now’ Exhibition in Delhi

A group exhibition titled 'Next/Now' will open in New Delhi on 29 May 2026, organized by ARTIndia Magazine and Vadehra Art Gallery. The show features 30 emerging artists selected from ARTIndia's '30 Under 30' list, working across painting, sculpture, installation, photography, and mixed media. The opening coincides with Defence Colony Gallery Night, and partial proceeds will support the ARTIndia Care Fund, which provides medical care for young artists.

Fátima González Doesn’t Want You to Shy Away From Asking Your Art Questions

Fátima González, founder of Mexico City-based gallery Campeche, recounts her journey from working the front desk at Kurimanzutto to opening her own gallery. After earning a graduate degree at the School of Visual Arts in New York and returning to Kurimanzutto in sales, she left in February 2020, just before lockdown. During the pandemic, she planned her gallery, found a space in one day, and opened with a group show of all-women artists from Mexico City. Campeche is now making its Frieze New York debut.

Last chance to see exhibition showcasing amazing local talent as it draws to a close

Bolton Museum's Open Art Exhibition, featuring over 240 artworks by local artists and photographers, is closing on Sunday, March 17. The show includes paintings, photography, and sculptures from creators who live, work, or study in Bolton. Grand prize winner Richard Wood received £1,000 from the Mayor for his landscape 'Ghost Chimneys', while University of Greater Manchester student Olivia Edge won the Young Artist Award for her acrylic painting 'Rewilding'.

Exhibition | 'New Voices in Paris Now: Between Memory and Matter' at Alisan Fine Arts, Alisan Atelier, Hong Kong

Alisan Fine Arts is presenting 'New Voices in Paris Now: Between Memory and Matter' at Alisan Atelier in Hong Kong as part of its 45th anniversary programme. The exhibition features four contemporary Chinese artists—Li Donglu, Qi Zhuo, Shi Qi, and Yao Qingmei—who currently live and work in Paris. Each artist explores themes of memory, cultural identity, and material transformation through diverse media including oil painting, eroded film, paper reliefs, and blown-glass sculptures. The show runs parallel to 'The Chinese Avant-Garde in Paris' at the gallery's Central location, both part of the French May Arts Festival.

Fight in the Museum: Q&A with Sean Carney

Sean Carney, a painter and longtime art teacher at Lawrence High School, discusses his artistic journey and evolving practice in a Q&A with Thomas Kelly. Carney, who works with water-based wood stains on wood panels, recently shifted his subject matter from cityscapes to iconic automobiles in his "Driven by Design" series, inspired by a visit to the Saratoga Automobile Museum. His work has been exhibited at Barsky Gallery in Hoboken and other venues, and he credits influences including professors Ray Statlander and Ben Jones, as well as artist Mel Leipzig.

Katie DeGroot: The Arboreal Life

Katie DeGroot's exhibition "The Arboreal Life" at Kathryn Markel Fine Arts in New York (April 2–May 9) presents tree paintings that anthropomorphize branches into human-like figures. Works such as "Chit Chat" (2026) and "Family Matters" (2025) depict trees leaning, gesturing, and tangling in ways that suggest intimate relationships, arguments, and familial bonds. DeGroot, who moved from New York City to a farm in upstate Fort Edward, began using fallen branches as models after lacking human subjects, developing compositions that emphasize color, texture, and the interplay of fungi and lichen. Her use of opaque and translucent watercolors balances natural observation with poetic interpretation.

What We Saw at Buffalo Prescott’s 'Vernal 2026'

Buffalo Prescott’s Detroit headquarters is hosting 'Vernal 2026,' a spring-inspired contemporary arts exhibition running through June 27, with a public opening on May 22. The exhibition features works by resident artists including Jessica Wildman Katz, Halima Afi Cassells, Cyrah Dardas, Sara Nickleson, and Tony Printz, alongside metro Detroit and international artists. Highlights include Katz's botanical rabbit sculpture 'Kindling,' Cristina Umaña's whimsical 'Mesa De Centro' (a stack of white tables with human-like limbs), and Amelia Burns's photographic diptych 'Evil Eye' and 'Evil Eye Transmuted onto Organza, 2026,' which explores contemporary American culture through collage.

Exhibition | Travis MacDonald, 'Had a Farm' at Contemporary Fine Arts | CFA, Berlin, Germany

Contemporary Fine Arts in Berlin is presenting 'Had a Farm', a solo exhibition by New Zealand-born artist Travis MacDonald, opening during Gallery Weekend Berlin 2026. The show features new paintings that explore countercultural aesthetics through long-haired, androgynous figures set in a rural-subcultural landscape, drawing on photographic archives of 1970s experimental communes and referencing Pier Paolo Pasolini's essay on hair as a political sign.

2026 Future Fair: Everything You Need To Know About the Art Fair Before It Opens Next Month

Future Fair, a contemporary art fair focused on community and emerging talent, will hold its sixth edition at Chelsea Industrial in New York from May 14 to 16, 2026. The fair brings together nearly 70 exhibitors, including brick-and-mortar galleries, artist-run initiatives, and collaborative platforms from nine countries, with nearly half hailing from the New York tri-state area. Highlights include the return of the Pay-It-Forward Fund, which allocates 15% of annual profits as grants to participating galleries and dealers, and a VIP preview day on May 13.

Cinematic Painting Series

Cary Kwok's exhibition at Sessions Arts Club in London presents four new paintings created with support from Herald St, Cabin Studio, Jonny Gent, and David Southard. The works, rendered in acrylic and ink on paper, explore still lifes, silhouettes, and staged interiors inspired by 1980s visual culture, including interior design, cinematography, fashion editorials, and advertising. Featured pieces include *Eclipse* (2026) and *Anticipation* (2026), with the artist's signature subtly embedded in objects like jewelry and glassware. The show opens May 18 and is viewable by appointment or during dining hours, alongside a related wine label collaboration for the Sessions Arts Club Lost Wines Project.

Coolidge Corner art gallery relocates, brightening downtown Boston neighborhood

Praise Shadows Art Gallery, a contemporary art gallery focusing on untapped and unrecognized artists, has relocated from Coolidge Corner in Brookline to a larger 2,000-square-foot space on Kingston Street in downtown Boston. The gallery reopened in mid-March after moving in January, with founder and CEO Yng-Ru Chen citing the convenience and breathing room of the new location. The move was facilitated by the Mayor's Office of Arts and Culture and the Downtown Boston Alliance, which aims to fill vacant storefronts with arts businesses and revitalize the neighborhood.

Jorge Nava | Untitled (2022) | Art & Prints

This article presents Jorge Nava's 2022 painting "Untitled," an oil-on-linen work measuring 180 × 180 cm, offered by Arma Gallery in Madrid. Nava, a Spanish artist born in Gijón in 1980, studied at the University of the Basque Country and Kunsthochschule Berlin Weissensee under Professor Katherina Grosse. His career includes participation in international fairs such as ARCO, CIRCA in Puerto Rico, Scope Art Fair in New York, and Photo Miami Art Basel, as well as exhibitions at Alzueta Gallery and the Barjola Museum. His work belongs to collections including the María Cristina Masaveu Peterson Foundation and private collections across Europe and North America.

Multimedia arts project wins Sycamore Gap tree commission after public vote

A community arts charity, Helix Arts, and George King Architects have won a public vote to create 'The People's Tree', a multimedia artwork using preserved wood from the illegally felled Sycamore Gap tree in Northumberland. The National Trust commission, announced in September 2025, will transform the tree into a 'living archive' featuring participatory storytelling, a national sound archive, seed pods for digital recordings, a soundscape from growth rings, and a sound sculpture near the original site. The project is expected to begin public engagement in summer 2026 and be completed by autumn 2027.

CalArts President Booed During Commencement Speech

California Institute of the Arts (CalArts) President Ravi S. Rajan was loudly booed by students during the school's commencement ceremony on May 15, as they held signs reading “Hold the Admin Accountable” and “Save Our Faculty & Staff.” The protest stemmed from ongoing financial turmoil at the esteemed art school, including a multi-million-dollar budget deficit, significant staff and faculty layoffs, and a decline in enrollment from 1,500 to roughly 1,200. Despite Rajan's attempts to redirect focus to the graduates, the booing persisted, and board chair Charmaine Jefferson unsuccessfully appealed for calm. The incident follows a broader crisis at CalArts, where over 75% of staff sought to unionize in 2024, and faculty held a “Chop from the Top” rally in March against proposed $5 million in cuts.

A Persian Garden Blooms on Governors Island

Artist Bahar Behbahani organized a four-hour event called "Damask Rose: A Gathering" on Governors Island, transforming three shallow fountains with handwoven carpets and crocheted canopies. The gathering featured West African musical improvisation, Kurdish poetry, a cyanotype workshop, and communal activities like hair braiding and tea ceremonies, involving over two dozen community groups including the Asia Contemporary Art Forum and Eat Offbeat. The event was part of Governors Island Arts's annual Interventions series, curated with associate curator Juan Pablo Siles.

ArtPhilly Presents “What Now: 2026”

ArtPhilly has announced the inaugural edition of its city-wide festival, "What Now: 2026," scheduled to open on May 27, 2026, coinciding with the 250th anniversary of the United States. The five-week event will feature over 30 newly commissioned projects by Philadelphia-based artists, including performances, installations, and podcasts, staged across festival districts in public spaces and institutions. The festival is led by Creative and Executive Director Bill Adair and Curatorial and Deputy Director Tania Isaac, with a curatorial committee of 17 local curators selecting works that explore the nation's past, present, and future.

Art and Cultural Engagement Can Slow the Pace of Aging: Report

A new study published in the journal *Innovation in Aging* finds that engaging with arts and cultural activities can slow biological aging at a molecular level. Led by Daisy Fancourt of University College London, the research measured participation in four types of activities—participatory arts, receptive arts, visiting heritage sites, and other cultural activities—and used epigenetic clocks to assess aging. Those who engaged at least once a week showed a four-percent slowdown in aging, while monthly engagement yielded a three-percent slowdown.

Federal Panel Considers Plan to Paint Granite Eisenhower Executive Office Building White

The Trump administration has proposed painting the granite Eisenhower Executive Office Building in Washington, D.C., white. The National Capital Planning Commission met on May 7, 2026, to review the plan, which was also submitted to the U.S. Commission of Fine Arts on April 16. That commission approved the idea conditionally, pending successful paint testing. The project, estimated to cost $7.5 million, has drawn over 2,000 public comments, most negative.

A Landmark Benjamin Franklin Collection Is Hitting the Auction Block

A landmark collection of Benjamin Franklin memorabilia assembled by sports and entertainment mogul Jay Snider is heading to Sotheby’s New York on June 24. The collection includes over 150 items—books, broadsides, letters, and manuscripts—tracing Franklin’s career from printer to scientist to diplomat. Highlights include a 1758 letter to Joseph Galloway (estimated $70,000–$100,000), a 1778 letter from George Washington introducing the Marquis de Lafayette (which sold for over $1 million in January), and a bound volume of Franklin’s electrical experiments ($75,000–$125,000). The full catalogue is valued at $3 million to $4.5 million, and 40 artifacts will be displayed at the Library Company of Philadelphia from May 5 to 7.

Reaching for the stars: enduring symbols of Soviet science – in pictures

Photographer Eric Lusito documents Soviet-era scientific institutes across former USSR states in his book "Soviet Scientific Institutes," published by FUEL. The photo essay captures decaying facilities and enduring equipment at locations including the Institute of Radio Astronomy in Kharkiv, Ukraine; the Byurakan astrophysical observatory in Armenia; the Andronikashvili Institute of Physics in Tbilisi, Georgia; and the Fesenkov Astrophysical Institute in Kazakhstan, among others.

These Four Filmmakers Have Never Fully Gotten Their Due. The Kitchen Wants To Change That.

The Kitchen, a New York nonprofit arts organization, held its annual spring gala at City Winery to honor four female filmmakers: Cheryl Dunye, Garrett Bradley, Shari Frilot, and Catherine Gund. The event was co-chaired by prominent figures including Ava DuVernay, Julie Mehretu, and Komal Shah, and featured performances, remarks, and a crowd of artists, curators, and collectors. The gala celebrated the filmmakers' contributions to cinema, with special recognition of their work in expanding representation and narrative boundaries.

Can a Venice Biennale Pavilion Be Rock ‘n’ Roll? At the Belgium Pavilion, Miet Warlop Makes the Case.

Miet Warlop, a Belgian artist known for her avant-garde theater work, is representing Belgium at the 2026 Venice Biennale with a performance-installation titled "IT NEVER SSST." The project transforms the Belgian Pavilion into a chaotic, sensory-filled space where performers climb wooden structures, bang drums, and break plaster boards inscribed with multilingual text, reflecting the noise and misunderstandings of contemporary life. Curated by Caroline Dumalin, the pavilion blurs the line between theater and visual art, with live performances occurring only part of the time while sculptors continuously remake plaster reliefs throughout the Biennale's run.

FROM SÃO PAULO TO NEW YORK: THE MUSEUM OF ERRANCY OF ÉDOUARD GLISSANT

DE SÃO PAULO A NUEVA YORK: EL MUSEO DE LA ERRANCIA DE ÉDOUARD GLISSANT

The exhibition "La tierra, el fuego, el agua y los vientos: Por un Museo de la Errancia con Édouard Glissant" has traveled from the Instituto Tomie Ohtake in São Paulo to the Center for Art, Research and Alliances (CARA) in New York, marking its first U.S. presentation. Curated by Manuela Moscoso with Marian Chudnovsky, and building on prior work by Ana Roman and Paulo Miyada, the show engages with the philosophy of Martinican poet and philosopher Édouard Glissant, particularly his concepts of errantry, Relation, opacity, and the Tout-Monde. It centers on Glissant's unrealized idea of a museum as a fluid, porous space that resists colonial frameworks and fixed origins, featuring works by artists such as Melvin Edwards, Gerardo Chávez, and Eduardo Zamora.

Monuments in Motion

Denkmäler in Bewegung

Berlin-based artist Sarah Ama Duah, who transitioned from fashion to sculpture, creates works that explore Afro-German memory culture. Her practice includes beeswax portraits, found objects like Delft porcelain and baroque vases, and performances at venues such as the Humboldt Forum. In 2025, she received the Wolfram Beck Prize for Sculpture. Duah's early fashion work, including silicone garments shown at the Fashionclash Festival in Maastricht, evolved into sculptural investigations of clothing, body, and space, leading her to study performance and sculpture at the Berlin University of the Arts under Jimmy Robert.

Introducing the Etnia House of Arts Residency Program

Etnia Eyewear Culture, the cultural arm of Etnia Barcelona, has launched the Etnia House of Arts residency program in Venice. Housed in the restored Chiesa dell’Abbazia della Misericordia, the contemporary art space invites artists to create site-specific works during two-week residencies, using eyeglasses as a conceptual starting point to explore vision, identity, and representation. The first two residents, Conxi Sane and Greta Pllana, have already produced interventions—Membrane and The Shape I Kept—that expand the symbolic possibilities of the object.