I'm a punk artist, I don't give a damn

"Ich bin Punk-Künstlerin, ich geb einen Scheiß drauf"

During the opening week of the Venice Biennale, the Russian activist and Pussy Riot member Nadya Tolokonnikova staged a protest against the Russian pavilion, wearing pink balaclavas and chanting slogans like "Blood is Russia's Art." Meanwhile, Florentina Holzinger's Austrian pavilion, subtitled "I Live in Your Piss," drew massive crowds with its scatological installations and extreme performances, causing wait times of up to two and a half hours. German media critics have widely covered the Biennale's heightened political tone, with debates over boycotts of Russia and Israel, and the tension between art and activism.

"Hier darf laut gelacht werden"

During the opening week of the Venice Biennale, multiple reports detail controversies surrounding the Israeli and Russian pavilions. According to Hyperallergic, artist Belu-Simion Fainaru of the Israeli pavilion threatened legal action against the Biennale after the jury sought to exclude Israel and Russia from prizes over alleged human rights violations, citing antisemitism and nationality-based discrimination. This may have prompted the jury's sudden resignation. Meanwhile, taz reports that Russia's pavilion is a macabre 'dance of death' blending techno and political denial, while Israel's pavilion faces a 'silent boycott' and social ostracism. Zeit describes protests by Pussy Riot and Femen outside the Russian pavilion as a defining image, with activists chanting 'blood sticks to the art of this country.'

Where to go for the next scandal?

Wo bitte geht's zum nächsten Skandal?

The article reports on the 2024 Venice Biennale preview days, where the atmosphere is dominated by political protests, media stunts, and social-media pressure rather than the art itself. Incidents include a solidarity drone choir for Gaza, a Pussy Riot and FEMEN protest at the Russian Pavilion, and a planned demonstration near the Israeli Pavilion, all amplified by PR agencies and WhatsApp alerts. A journalist describes being pressured by editors to cover scandals and political controversies instead of art reviews, which they say no longer attract clicks.

A sturdy soldier in a sequin dress

"Eine kräftige Soldatin im Paillettenkleid"

Media reviews of the Venice Biennale's opening week offer contrasting takes on the German and US pavilions. Critics describe the German pavilion, curated by Sung Tieu and Henrike Naumann, as a dense, ironic East-West narrative that layers Nazi architecture with DDR prefab construction, creating what Jörg Häntzschel calls a "shockingly seamless symbiosis." The US pavilion, featuring sculptures by Alma Allen, is panned by Maximilíano Durón in ArtNews as politically timid and empty, lacking the clear colonial critiques of previous editions by Simone Leigh and Jeffrey Gibson.

Possible new Banksy appears in London

Möglicherweise neuer Banksy in London aufgetaucht

A life-sized statue has suddenly appeared on Waterloo Place in central London, depicting a figure stepping off a pedestal into the void with a flag blowing in its face. The base bears the signature "Banksy," leading to speculation that the anonymous street artist is behind the work. However, as of the morning, Banksy had not posted the piece on Instagram as he typically does, leaving its authenticity unconfirmed.

"Eine Idee, die gut ist, kann fast alles verändern"

Henrike Naumann's final major artistic project, the German Pavilion at the Venice Biennale, is completed posthumously by friends after her death from cancer at age 41. Meanwhile, the sudden death of curator Koyo Kouoh at 57 has left her team to finish the central exhibition "In Minor Keys" for the Biennale, opening May 9. The US Pavilion is openly crowdfunding for its 2026 presentation by sculptor Alma Allen, citing opaque funding under the Trump administration. Israel's foreign ministry has accused the Venice Biennale jury of boycotting its artist Belu-Simion Fainaru by excluding countries whose leaders face International Criminal Court charges.

Kunsthalle Mainz Facing the End?

Kunsthalle Mainz vor dem Aus?

The Kunsthalle Mainz is facing potential closure by the end of the year following the withdrawal of funding by the Mainzer Stadtwerke. The crisis is compounded by the departure of director Stefanie Böttcher, who is moving to the Kunsthalle Kiel, and the fact that her position has not been advertised for replacement. Despite its international reputation and successful recent exhibitions, such as the current Britta Marakatt-Labba retrospective, the institution lacks a secured financial future and a leadership succession plan.

Sun, Sea, and Security

"Sonne, Meer und Sicherheit"

The Art Cologne Palma Mallorca art fair has emerged as a strategic hub for wealthy German collectors, positioning the Mediterranean island as a safe and accessible alternative to more volatile global markets. While sales have been strongest in the lower price segments, the fair's revival highlights a trend toward 'lifestyle' art events that prioritize security and leisure. Simultaneously, the German art market faces a broader crisis of regionalization, where galleries are increasingly focusing on local buyers despite declining overall sales and a lack of transformative economic growth.

What is Art Allowed to Do?

Was darf die Kunst?

German Minister of State for Culture Wolfram Weimer has sparked a heated debate over artistic freedom after excluding three bookstores from the German Bookstore Prize due to undisclosed intelligence reports. The controversy has escalated into a broader confrontation with cultural institutions, highlighted by the Berlin Volksbühne's public criticism and Weimer's subsequent refusal to participate in a scheduled panel discussion. This incident follows a string of high-profile disputes regarding political expression in the arts, particularly concerning the Berlinale and documenta fifteen.

Why Do the Women Have to Be Naked?

"Warum müssen die Frauen nackt sein?"

A series of cultural controversies highlight growing tensions between artistic freedom and political pressure. In Germany, cultural minister Wolfram Weimer faces criticism for opaque funding decisions and alleged interference in jury processes, with critics arguing this undermines artistic freedom and free speech. Simultaneously, the European Media Art Festival in Osnabrück defends filmmaker Basma al-Sharif against accusations of antisemitism, illustrating how cultural funding can become a test of political ideology.

There were gardens at King's Leap

King's Leap gallery in New York presents "There were gardens," a group exhibition running from April 3 to May 9, 2026, featuring works by Dara Birnbaum, Gina Folly, Collin Leitch, Chris Marker, Jeff Preiss, Julia Scher, Jason Simon, and Mira M. Yang. The show includes 37 images documented in the Contemporary Art Library, with photography by Stephen Faught.

Stamina at DREI

A group exhibition titled "Stamina" opened at DREI gallery in Cologne, featuring works by artists Stephan Dillemuth, Matthias Groebel, and Julia Scher. The show ran from February 28 to April 4, 2026, and was documented extensively with 41 installation images.

sophia cohen party cultured frieze new york

Cultured magazine hosted a party at the Twenty Two in New York to celebrate Sophia Cohen's appointment as arts editor-at-large. Cohen, a former Gagosian associate director and founder of the consultancy Siren, will write a monthly column called "In the Know." The event, timed to Frieze New York, brought together figures including fashion designer Kim Shui, writer Nate Freeman, art advisors Ralph DeLuca and Sandy Heller, artist Rogan Gregory, critic Johanna Fateman, collector Lucas Hoffmann, and David Zwirner senior director Lucas Zwirner.

Contrast Reigns in Austn Fischer’s Conspicuous Black-and-White Photos

Austn Fischer, a Wisconsin-born, London-based photographer, creates black-and-white images that explore fashion as performance and identity. His work features striking contrasts, such as lace ruffs paired with athletic wear, and he has collaborated with clients like The New Statesman and Crack Magazine, photographing subjects including Ai Weiwei and David Byrne. Fischer describes his process as working backwards, arranging scenes intuitively and later reflecting on their personal significance, especially regarding his sexuality and masculinity.

“Magnanrama. Portraits, Networks, and News of Nathalie Magnan” at Villa Arson, Nice

Mousse Magazine reports on the exhibition “Magnanrama. Portraits, Networks, and News of Nathalie Magnan” at Villa Arson in Nice, which celebrates the life and work of Nathalie Magnan (1956-2016). Magnan was a media theorist, filmmaker, cyberfeminist, educator, webmistress, hacktivist, and interdisciplinary figure who navigated the internet and the high seas, contributing to the history of thought, technology, feminism, and LGBTQI+ struggles. The show presents portraits, networks, and news related to her legacy, positioning her as a mediator and artist despite her reluctance to use that term.

Open Letter on Auction of “Tributes” to the Russian Avant-Garde

An open letter signed by art historians, curators, and researchers protests an upcoming auction at Stanley's Auction House in Zaventem, Belgium, scheduled for April 23, titled “Tributes to the Russian Avant-Garde & Constructivists.” The second sale is organized in cooperation with Drouot, a major French auction platform, and offers approximately one hundred works from the so-called Toporovsky collection, which has been linked to a scandal involving forged Russian modernist paintings at the Museum of Fine Arts Ghent. The alleged suppliers, Igor Toporovsky and Olga Toporovsky, face criminal charges including the sale of 171 forged works for about €20 million, with court proceedings beginning in May in Ghent. The signatories argue that the auction, with works priced around €300 each, is deeply troubling given the pending legal case and the undisclosed consignor identity.

Arts and cultural engagement ‘linked to slower pace of biological ageing’

A new study published in the journal *Innovation in Aging* finds that engaging in arts and cultural activities—such as singing, painting, visiting museums or galleries—is linked to a slower pace of biological ageing. Researchers from University College London analyzed blood test and survey data from 3,556 adults in the UK Household Longitudinal Study, using epigenetic clocks to measure biological ageing. Those who participated in arts activities at least weekly showed a 4% slower ageing process, while monthly engagement yielded a 3% slowdown. The effect was comparable to the difference between smokers and those who quit smoking.

Dozens of Pavilions Close During Strike at 61st Venice Biennale

On May 8, 2026, a 24-hour strike organized by the Art Not Genocide Alliance (ANGA) and several Italian activist groups brought the 61st Venice Biennale to a standstill. Approximately 27 of the 100 national pavilions closed fully or partially in solidarity with protesters demanding Israel’s exclusion from the event, including those of Austria, Belgium, France, Great Britain, Japan, South Korea, and Ukraine. Over 3,500 people marched through Venice, with speakers including artist Gabrielle Goliath and curator Caroline Dumalin. The main exhibition, "In Minor Keys," curated by the late Koyo Kouoh, closed by late afternoon, and riot police were stationed outside the Arsenale. The Israeli pavilion, already shuttered during previews, remained closed.

“Human Being Human” at The Private Museum

The Private Museum in Singapore presents "Human Being Human: Selections from the Collection of John and Cheryl Chia," an exhibition running from January 19 to April 26, 2026. Organized into four chapters—"Stateless," "State," "Statehood," and "Rebirth"—the show features works by artists including Joseph Beuys, Lee Wen, Eadweard Muybridge, Sherman Ong, John Clang, Sun Xun, and Green Zeng, exploring the body as a central site of inquiry into identity, vulnerability, and societal conditioning. The collection, amassed over 25 years by doctors John and Cheryl Chia, uses the body to examine themes of statelessness, state control, collective ideology, and rebirth, with works that challenge linear narratives and embrace conceptual loops.

The Founders of Open Restitution Africa (ORA) on Their New Open Data Platform

On March 31, the research initiative Open Restitution Africa (ORA) launched the ORA Open Data Platform, a database providing information on the restitution of African artifacts and ancestral remains. Developed over six years by ORA’s all-woman, pan-African team, the site uses case histories and AI-powered tools to offer practical insights into the return process, available in French and English. It presents 25 case histories spanning 200 years, using data visualizations, essays, and interactive tools to help individuals and communities develop their own restitution strategies. ARTnews interviewed founders Chao Tayiana Maina and Molemo Moiloa about the project's origins and goals.

Not Just the Biennale: What to See in Venice in Spring 2026 Among Galleries, Independent Spaces, and Special Projects

Non solo Biennale: cosa vedere a Venezia nella primavera 2026 tra gallerie, spazi indipendenti e progetti speciali

The article highlights a curated selection of exhibitions to see in Venice during spring 2026, beyond the main shows of the 61st Venice Biennale. It features projects in galleries, independent spaces, and historic venues, including a group show titled "Waves" at Casa Sanlorenzo with works by Alexander Calder and Lucio Fontana, a video installation by Ieva Lygnugarytė at Oratorio dei Crociferi, a Judy Chicago survey at Galleria Alberta Pane, a solo show by Hanna Rochereau at Mare Karina, and a Barry X Ball retrospective at the Abbey of San Giorgio Maggiore.

Portland’s Converge 45 Reveals Theme and Artists, Including Trisha Baga, Rose Salane, and Srijon Chowdhury

Converge 45, a citywide triennial in Portland, Oregon, has announced the theme and 28 participating artists for its upcoming edition, launching August 27. Curated by New York–based Lumi Tan, the exhibition is titled “Here, To you, Now,” borrowing a phrase from Ursula K. Le Guin’s 1985 novel *Always Coming Home*. More than half of the artists are based in Portland, including Srijon Chowdhury, Aaron Cunningham, and keyon gaskin, while out-of-state participants include Trisha Baga, Rose Salane, and Jacqueline Kiyomi Gork. The triennial will take place across 16 venues, including the Portland Institute of Contemporary Art and Oregon Contemporary.

Read a book, flip off a Nazi: when reading meant resistance – in pictures

A new exhibition at Poster House in New York, titled "Reading Under Fire: Arming Minds & Hearts During Wartime," showcases vintage posters from World War I and World War II that promoted reading and book donations to support troops. The posters, drawn from the collections of the American Library Association, the YMCA, and other organizations, encouraged the public to supply soldiers with reading material as a form of morale-boosting and education. The exhibition runs until 1 November and is curated by Molly Guptill Manning.

Grimes joining LinkedIn is artwashing at its most brazen. I should know – I released my new film on there

Artist Alan Warburton critiques the migration of creative professionals to LinkedIn, sparked by musician Grimes' recent pivot to the platform to promote her appearance at an Nvidia tech conference. Warburton, who recently released his AI-focused film 'Image Empire' on the site, describes the move as a desperate response to the 'enshittification' of traditional creative platforms like Twitter and Vimeo, which have been overrun by bots and AI-generated content.

250-Year-Old Kiln Discovered on Thomas Jefferson’s Monticello Estate

Archaeologists at Thomas Jefferson’s Monticello estate have unearthed a 250-year-old kiln used to fire bricks for the plantation’s original construction. Located on the East Lawn just feet from the main house, the site was identified through the discovery of specialized curved bricks, including cyma-shaped and ovolo-molded specimens. These architectural details confirm the kiln dates back to the "Monticello I" period (1768–1782), as these specific water table features were omitted during Jefferson’s later 18th-century renovations.

What can 160-million-year-old clay tell us about AI and ethics? Inside Es Devlin’s tech and pottery summit

Artist and stage designer Es Devlin convened a diverse group of AI researchers, tech experts, and academics at the Oxford Kilns for a unique summit blending pottery with ethical debate. Participants engaged in the tactile process of shaping 160-million-year-old Jurassic clay while discussing the moral implications of artificial intelligence, ranging from the Turing test to Isaac Asimov’s laws. This collaborative workshop serves as a precursor to Devlin’s upcoming installation, "360 Vessels," created in partnership with composer Nico Muhly.

michelangelo sculpture reattributed rome

A marble bust of Jesus Christ located in Rome’s Basilica of Sant’Agnese fuori le mura has been reattributed to Michelangelo. Independent researcher Valentina Salerno, a member of the Vatican committee for Michelangelo’s 500th anniversary, used archival records and inventories to trace the sculpture back to the Renaissance master, reversing a 19th-century dismissal of its origins. Simultaneously, a private owner in Belgium is claiming a recently acquired Pietà painting is also a work by Michelangelo, supported by carbon dating and stylistic analysis from art historian Michel Draguet.

mindy seu lecture a sexual history of the internet

Designer and digital researcher Mindy Seu presented her performance lecture "A Sexual History of the Internet" at New York's Performance Space, using an Instagram Stories format to explore how sex has shaped digital tools and infrastructure. The audience followed synchronized prompts on their phones, reading scripted text and viewing archival materials, with the lecture credited to Julio Correa's influence from Seu's class at the Yale School of Art. The sold-out event is part of a tour that will next visit the Kunstverein in Hamburg and the Museum of Contemporary Art in Tokyo.

rabkin foundation 2025 arts journalism grant winners

The Dorothea & Leo Rabkin Foundation in Portland, Maine, has named eight recipients of its 2025 Rabkin Prize for visual arts journalists. Each winner receives an unrestricted $50,000 grant. This year's honorees are Tempestt Hazel, Jessica Lynne, Nicole Martinez, Brandy McDonnell, America Meredith, Eva Recinos, Paul Chaat Smith, and J Wortham. The foundation also commissioned portraits by photographer Kevin J. Miyazaki and will publish a series of interviews with the winners starting September 10.

as seen on goodfellas

Martin Scorsese's 1990 film *Goodfellas* features a brief but memorable scene where mobsters Tommy DeVito (Joe Pesci), Jimmy Conway (Robert De Niro), and Henry Hill (Ray Liotta) visit Tommy's mother, played by Scorsese's own mother Catherine. She shows them a small painting of a man in a boat with two dogs facing opposite directions, prompting an improvised, humorous exchange of amateur art criticism that ties into the film's dark plot. The painting was actually based on a photograph by Adam Woolfitt from the November 1978 issue of *National Geographic*, depicting Irish river advocate John Weaving and his dogs Brocky and Twiggy; the on-screen version was created by Pileggi's mother.