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Danielle Falls, a 32-year-old lawyer and fine art insurance broker, is profiled as a young collector building a contemporary art collection from a non-traditional background. She serves on the Bronx Museum of the Arts board of trustees, chairs its acquisitions committee, and is a patron of Project for Empty Space. Falls discusses her early collecting mistakes, her frustration with exclusivity in the art world, and her commitment to supporting underrepresented artists, particularly women sculptors and those working with unconventional materials and family archives. She has founded the Falls Foundation, a nonprofit private lending collection focused on emerging voices across the Americas.

Sur Arte Radio et dans une expo, l’enquête d’Adrianna Wallis sur les traces de sa grand-mère peintre spoliée par les nazis

Artist Adrianna Wallis (born 1981) discovers that her paternal grandmother, painter Diane Esmond (1910–1981), was a victim of Nazi looting during World War II. After being contacted by historians Patricia Helletzgruber and Sophie Juliard, Wallis learns that much of Esmond's work was systematically destroyed by the ERR, the Nazi organization responsible for art theft in occupied countries. This revelation sparks a personal investigation that becomes a podcast for Arte Radio titled "Il restera la gravité," blending documentary, autobiographical inquiry, and sound installation. Wallis delves into archives, examining microfilms and lists that detail 46 of Esmond's paintings—each methodically described and declared destroyed, such as "Woman in blue evening dress: annihilated."

A True-to-Life Biennale

Hakim Bishara, editor-in-chief of Hyperallergic, reflects on the 61st Venice Biennale after returning to New York, describing it as historical, political, and thrilling. He counters critics who claimed the Biennale imploded due to boycotts and resignations, arguing it was more alive than ever. The late Koyo Kouoh's main exhibition "In Minor Keys" is praised for reflecting global woes and joys. The article also highlights a major strike by artists and cultural workers that disrupted the pre-opening, the first cultural strike in the Biennale's 131-year history, with 54 artists in the international exhibition and 22 national pavilion teams withdrawing from awards consideration in solidarity with the jury's resignation.

Art Busan Bets on Sustainability Over Speculation

Art Busan's 15th edition, taking place May 21–24, 2026 at BEXCO Exhibition Center, will feature over 110 galleries from 18 countries, with expanded programming including craft and design sections, curated exhibitions, and a new section called LIGHTHAUS that reframes gallery booths as curated environments. Data from the 2025 edition indicates an art market reorganization rather than contraction, with increased pre-sale activity, repeat attendance, and purchases across a wide price spectrum, suggesting a shift away from speculation toward sustained engagement.

Sophia Rivera’s Mythology of Everyday New York

The article reviews "Sophie Rivera: Double Exposures" at El Museo del Barrio, the first survey of the late Nuyorican photographer Sophie Rivera, who died in 2021. The exhibition spans her career, including her feminist conceptual series "Rouge et Noir" and "Bowl Study" (c. 1976–78), which depict intimate bodily waste like used tampons and feces, and her socially engaged "Latino Portraits" series from the late 1970s, which countered negative media stereotypes of Puerto Ricans with affectionate, mythologizing portraits. The review highlights a moment where the critic misidentifies abstract toilet photographs as pinhole or double exposures before learning their true subject.

Counterpublic comes to New York ahead of its next triennial, Coyote Time

Counterpublic, a St. Louis-based non-profit that reimagines public art, is bringing its mission to New York ahead of its third triennial, titled "Coyote Time." The organization will kick off New York art week with a party celebrating the triennial's curators and artists, including Stefanie Hessler, Jordan Carter, and Wanda Nanibush. It has partnered with Frieze New York to present a new commission and performance by Oglála Lakȟóta artist Kite at The Shed, offering a preview of the triennial. The third edition, "Coyote Time," runs from September 12 to December 12 across five main sites in St. Louis, featuring nearly 50 artists, duos, and collectives. The title derives from artist Alice Bucknell's video game-inspired commission about suspended moments, and the exhibition will explore themes of migration, identity, climate, and technology through ambitious new works and historical reinterpretations.

Remembering Georg Baselitz, Nicole Hollander, and Doris Fisher

Hyperallergic's weekly 'In Memoriam' column honors seven figures from the art world who recently passed away, including German Neo-Expressionist painter Georg Baselitz, feminist cartoonist Nicole Hollander, and arts patron Doris F. Fisher, co-founder of The Gap. Other notable figures remembered are photographer Stephanie Chernikowski, West Coast assemblage artist George Herms, Spanish artist and designer José María Cruz Novillo, and Bay Area muralist Dan Fontes. The article provides brief biographies and highlights of their contributions to visual art, photography, comics, and public art.

At 90, Printmaker Mohammad Omer Khalil Gets His Due

Mohammad Omer Khalil, the 90-year-old Sudanese-born printmaker based in New York, is the subject of a multi-city retrospective titled "Common Ground." The anchor exhibition runs through May 31 at the Blackburn Study Center in Manhattan, with satellite events at venues including Twelve Gates Arts in Philadelphia, the Arab American National Museum in Michigan, the New York Public Library, and Anthology Film Archives. Curated by Amina Ahmed and Jenna Hamed, the show spans Khalil's entire career, from his first etching made in Florence in 1964 to large-scale works inspired by Bob Dylan songs, poetry by Adonis, and films such as "The Chalk Garden."

Rollicking Protest Against Bezos's Met Gala Erupts in Manhattan

On May 4, 2026, a small but spirited protest organized by the advocacy group Rise and Resist erupted near the Metropolitan Museum of Art during the Met Gala. Dozens of costumed demonstrators gathered on a makeshift "Resistance Runway" to denounce billionaire Jeff Bezos, who co-chaired the event with his wife Lauren Sánchez Bezos. Participants held signs addressing trans rights, fascism, and wealth inequality, and danced to ABBA's "Money, Money, Money." The protest highlighted Bezos's role as co-chair, with activists criticizing his company Amazon's profits from immigration crackdowns and layoffs at the Washington Post. Bezos reportedly did not attend the gala, while his wife walked the red carpet alone.

The Carnegie International Looks Back at Itself

The 58th Carnegie International at the Carnegie Museum of Art in Pittsburgh looks back at its own 130-year history, featuring a gallery dedicated to past iterations. The exhibition includes Chris Ofili's "The Adoration of Captain Shit and the Legend of the Black Stars" (1998), which was originally shown in the 53rd International in 1999, the same year Ofili's more notorious "The Holy Virgin Mary" sparked controversy at the Brooklyn Museum. The article reviews how the current iteration captures the excitement of earlier exhibitions while providing commentary on authoritarianism and militarism.

I’ve Got the Post-Duchamp Blues

The article is a review of the Marcel Duchamp retrospective at the Museum of Modern Art (MoMA) in New York, the first such show since 1973. Featuring around 300 works from Duchamp's six-decade career, the exhibition includes his iconic readymades like "Fountain" (1917) and early paintings such as "Nude Descending a Staircase, No. 2" (1912). Co-curated by MoMA's Ann Temkin and Michelle Kuo along with Matthew Affron of the Philadelphia Museum of Art, the show runs through August 22, 2026, before traveling to Philadelphia.

A Venezia una mostra ripercorre l’opera di Jenny Saville con un inedito omaggio a Tiziano. La recensione

A major solo exhibition of British painter Jenny Saville has opened at Ca' Pesaro in Venice, tracing her career from early works like "Propped" (1992) and "Hybrid" (1997) to new paintings explicitly inspired by Titian. The show, curated by Elisabetta Barisoni, highlights Saville's monumental female nudes, her engagement with Renaissance masters, and her place within the Young British Artists generation that also included Damien Hirst and Tracey Emin.

​​​​Art Movements: Curators Named for El Museo's Latine Art Survey

El Museo del Barrio has announced the curatorial team for the 2027 edition of La Trienal, its landmark survey of Latine contemporary art. The show will be organized by Susanna V. Temkin, interim chief curator at the museum; Zuna Maza, assistant curator; and guest curator Kaitlin Garcia-Maestas, formerly of Socrates Sculpture Park. In other biennial news, Amanda Carneiro and Raphael Fonseca were named chief curators of the 37th Bienal de São Paulo, the jury of the 61st Venice Biennale resigned after omitting Russia and Israel from awards consideration, and Marcello Dantas was appointed senior curator of the Vancouver Biennale. Hedwig Fijen will step down as director of Manifesta, with Emilia van Lynden and Catherine Nichols taking over in a new co-leadership model. Janne Sirén will resign as director of the Buffalo AKG Art Museum, Kate Kraczon was named chief curator at the Montclair Art Museum, and Charlie White was appointed dean of WashU’s Sam Fox School of Design & Visual Arts. Marina Abramović has designed wine labels for the Ornellaia estate, with limited-edition bottles to be auctioned by Bonhams to benefit the Guggenheim Pop exhibition.

The great Anselm Kiefer arrives in Valencia for an exhibition. There is a rare work for the first time in Europe

Il grande Anselm Kiefer arriva in mostra a Valencia. C’è un’opera rara per la prima volta in Europa

German artist Anselm Kiefer is coming to Valencia for the first time, inaugurating the temporary exhibition program at the CAHH – Centro de Arte Hortensia Herrero. The show, curated by Javier Molins, will run from April 29 to October 25 at the Palacio de Valeriola, featuring Kiefer's works in dialogue with the permanent collection. A highlight is "Danaë," a monumental painting over 13 meters wide that depicts the interior of Berlin's Tempelhof airport and references the myth of Danaë; this work has only been shown once before, in New York in 2022, and is now on view in Europe for the first time.

The Revolutionary Tapestry of Nigerian Modernism

The exhibition "Nigerian Modernism" at Tate Modern in London is the first show of its kind in the UK, surveying how Nigerian artists forged a postcolonial identity across the 20th century. It features works by pioneers such as Aina Onabolu, Benedict Enwonwu, and members of the radical Zaria Art Society, including Uche Okeke, Jimo Akolo, and Clara Etso Ugbodaga-Ngu, highlighting their break from British artistic traditions and embrace of local visual heritage.

Can an Artwork Have Personhood?

The article explores a growing trend in contemporary art where artists like Pierre Huyghe, Nina Katchadourian, and Marge Monko create works that blur the line between art objects and sentient beings. These works incorporate human performers, animals, AI, and smart devices, prompting viewers to question whether these entities possess or simulate personhood, and forcing an examination of our instinct to anthropomorphize.

The Future of Museums Is a Dance Floor

Museums and art institutions are increasingly incorporating nightlife and rave culture into their programming, treating the dance floor as a site of cultural and political significance. Exhibitions like Steve McQueen's 2024 Dia Beacon show, the 2018 'Elements of Vogue' in Madrid, the Swiss National Museum's 2025 'Techno' exhibition, and the author's own 2025 curatorial project 'Rave into the Future: Art in Motion' at the Asian Art Museum demonstrate this institutional turn.

Marcel Duchamp Was the Messenger of History

The Museum of Modern Art (MoMA) in New York is launching the first comprehensive U.S. exhibition of Marcel Duchamp’s work in over 50 years. In an interview regarding the opening, renowned scholar Thierry de Duve discusses the artist's enduring legacy, from his infamous readymades like "Fountain" to his complex, labor-intensive works like the "Large Glass." The exhibition seeks to reconcile Duchamp’s identity as both a conceptual provocateur and a meticulous craftsman.

What If Every City Provided Artists With Free Supplies?

Materials for the Arts (MFTA), a program of the New York City Department of Cultural Affairs, provides free art supplies and tools to over 4,500 organizations, including public schools, nonprofits, and social justice groups. By diverting millions of pounds of materials from landfills—ranging from film production sets to high-end fabrics—the organization has reallocated over $40 million worth of goods to the creative community. The program's leadership is now advocating for an expansion of this model, envisioning dedicated reuse centers in every borough to meet the growing demand for accessible creative resources.

Josh Kline Misses the Mark

Critic Aruna D’Souza responds to a viral essay by artist Josh Kline regarding the extreme financial pressures of living and working in New York City. While Kline suggests that artists should abandon the city due to the affordability crisis, D’Souza argues that leaving is not a viable long-term solution and calls for a more proactive approach to systemic change within the urban art ecosystem.

Elucidating the Esoteric with Hilma's Ghost

The feminist art collective Hilma’s Ghost, founded by artists Dannielle Tegeder and Sharmistha Ray, is reclaiming the role of alternative spiritualities and the occult within art history. Sparked by the 2018 Hilma af Klint retrospective at the Guggenheim, the collective emerged during the COVID-19 pandemic as a research-based project that bridges artmaking with esoteric practices like tarot, witchcraft, and neo-tantric cosmologies. Through workshops and collaborative paintings, the duo explores how women and queer artists have historically been erased from the canon due to their unconventional, mystical methods.

Counterpublic Triennial Names 47 Artists and Collectives for Upcoming Third Edition, Including Glenn Ligon, Rebecca Belmore, Rirkrit Tiravanija

The St. Louis-based triennial Counterpublic has unveiled the artist list for its third edition, titled "Coyote Time," scheduled to run from September 12 to December 12, 2025. The exhibition features 47 artists and collectives, including major figures such as Glenn Ligon, Rebecca Belmore, and Rirkrit Tiravanija, alongside posthumous presentations of works by Juanita McNeely and Benjamin Patterson. Curated by a five-person international team, the triennial will activate various sites across the city, including the Mississippi Riverfront and the historically Black neighborhood of The Ville.

Philadelphia Museum of Art Rebrands Again as "PhArt"

The Philadelphia Museum of Art has announced a rebranding to "PhArt," following the discovery of a long-lost Marcel Duchamp readymade—an early prototype of a whoopee cushion titled "Le rire"—in its archives. The institution is dropping "Museum" from its name to signal a commitment to art that transcends traditional boundaries, and the new branding will be featured prominently on social media.

The Sartorial Is Political in “The New York Sari”

An exhibition titled "The New York Sari" is on view at the New York Historical Society, exploring the sari as a living art form, heirloom, document, and political statement for the South Asian diaspora in New York City. The show features contemporary artworks, historical materials, and personal garments, framing the sari not as a static cultural artifact but as a dynamic site of identity, labor, and community history.

Art Problems: How Do I Get Gallery Representation?

Art Problems: How Do I Get Gallery Representation?

Paddy Johnson, in a Hyperallergic advice column, demystifies the process for artists seeking gallery representation. She explains that galleries primarily seek artists with proven sales records to mitigate their own high financial risks, such as exorbitant rent and operational costs. Johnson advises artists to build this track record independently by selling work themselves or securing spots in low-pressure group shows, then aggressively promoting those exhibitions to demonstrate market potential to dealers.

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Intersect Aspen Art and Design Fair returns for its 2025 edition from July 29 to August 3, featuring the largest roster of galleries and programming in its 15-year history. Highlights include works by Shepard Fairey, Pierce Brosnan, and Fernando Botero, with artists such as Cristina Mittermeier, David Drebin, and Kay Seohyung Lee in attendance. The fair will also host talks and signings with photographer Maryam Eisler and a panel on art and the Aspen community.

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The National Museum of Contemporary Art in Athens has opened "Why Look at Animals: A Case for the Rights of Non-Human Lives," a major exhibition curated by Katerina Gregos that spans seven floors and features over 60 artists. The show confronts animal exploitation through works such as Ang Siew Ching's video "High-Rise Pigs" (2025), depicting a 26-story factory farm in China, and Art Orienté Objet's charcoal map of endangered species slowly erased by a robotic arm. Other artists include Sue Coe, Igor Grubić, and Janis Rafa, with the exhibition taking its title from a John Berger essay.

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Artist Brian Donnelly, known as KAWS, won a $900,000 damages award from a U.S. District Court on May 2 against Dylan Joy An Leong Yi Zhi and two Singapore-based companies, the Penthouse Theory and the Penthouse Collective, for counterfeiting replicas of KAWS's signature "Companion" figure, toys, skateboards, and artworks. The court also ordered the defendants to stop producing the knockoffs, with KAWS's attorney Aaron Richard Golub calling it a significant international case that can now be enforced globally, including in Singapore.

Curators Announced for 16th Baltic Triennial

The Contemporary Art Center (CAC) Vilnius has appointed artist Nikita Kadan and curator Natalia Sielewicz as curators of the 16th Baltic Triennial, scheduled for 2027. Kadan is a Kyiv-based artist, while Sielewicz is chief curator at Warsaw's Museum of Modern Art. The duo has proposed "grief and resurrection" as the triennial's theme, framing despair and mourning as spaces for careful listening and potential renewal.

34 Of The Best London Art Exhibitions To See In May 2026

The article highlights 34 of the best London art exhibitions to see in May 2026, focusing on three major shows: the V&A's 'Schiaparelli: Fashion Becomes Art', the first UK exhibition dedicated to designer Elsa Schiaparelli; Tate Modern's 'Tracey Emin: A Second Life', the largest retrospective of the YBA artist's 40-year career; and the Design Museum's 'NIGO: From Japan with Love', a retrospective of Japanese creative NIGO spanning over 700 objects. These exhibitions showcase fashion, contemporary art, and street culture, with the V&A show running until November, Tate Modern until August, and the Design Museum until October.