The exhibition "Plenty more" has opened at the Cherry Hill gallery in Cologne, featuring works by artists Asta Lynge, Jakob Ohrt, and Eleanor Ivory Weber. The show is a reinterpretation of their previous 2024 exhibition "Plenty," held at Astrid Noacks Atelier in Copenhagen, with the curatorial decision to remove or reinterpret existing works rather than add new ones. The exhibition will run until April 18, 2026.
L'édition 2026 du Salon du Dessin
The 2026 edition of the Salon du Dessin, a specialized drawing fair, is underway at the Palais Brongniart in Paris. The fair features a new 'young collectors' pathway designed to appeal to those not spending hundreds of thousands, alongside the traditional stand for anonymous works. Major pieces, like two allegorical drawings by Grégoire Huret, sold immediately at the opening, and the event maintains its characteristic scholarly yet warm atmosphere with notable new exhibitors.
Marga Sánchez Romero, a professor of Prehistory at the University of Granada and a leading voice in feminist archaeology in Spain, argues in an interview that prehistory has been misrepresented as a sequence of violence and hierarchies. She emphasizes that new questions are reshaping our understanding of the past, highlighting that care, cooperation, and solidarity were as crucial as conflict in human evolution. The conversation covers biases in archaeological interpretation, the famous Viking tomb of Birka, the origins of inequality, and the role of museums in creating more inclusive narratives.
A Lucca c’è la mostra perfetta per riscoprire il talento del pittore Emilio Malerba
The Fondazione Ragghianti in Lucca is hosting a major retrospective dedicated to Emilio Malerba, a key member of the Novecento Italiano movement who died a century ago. Curated by Paolo Bolpagni and Elena Pontiggia, the exhibition marks the first solo presentation of Malerba’s work since 1931. The showcase spans his early career in commercial advertising for brands like Amaro Ramazzotti to his mature paintings that lean toward Magic Realism, featuring intimate portraits that prioritize psychological depth over narrative.
The Museum of Contemporary Art Chicago has opened 'Dancing the Revolution: From Dancehall to Reggaetón,' a major exhibition exploring dance as a political language. It features over forty artists working across installation, video, sculpture, and sound, tracing the cultural trajectories of dancehall and reggaetón from the Caribbean diaspora to global contexts.
Buccellati, the Milanese jewelry house founded in 1919 and now owned by Richemont, held a major retrospective titled “The Prince of Goldsmiths” in Shanghai. The exhibition traced the family-run enterprise’s 100-plus-year history, showcasing signature pieces such as four butterfly brooches representing successive generations of the Buccellati family—from founder Mario to great-granddaughter Lucrezia—alongside sumptuous jewelry and lesser-known home decor, including animal-inspired silverware and chrome lobster sculptures.
From April 30 to May 4, 2026, the "Long March Eve·Fuzhou Beacon" art sketching and creation event was held in Fuzhou to commemorate the 90th anniversary of the Red Army's Long March. Organized by the Jiangxi Artists Association and the Fuzhou Municipal Propaganda Department under the guidance of the China Artists Association, 15 artists including China Artists Association Chairman Fan Di'an and Secretary-General Wang Ping visited revolutionary heritage sites such as the Red Ninth Army Luojiapu Command Post, the Dengxian Bridge Victory Site in Le'an County, and the Long March National Cultural Park (Guangchang Section). They also explored the intangible cultural heritage Nuo Dance in Shiyou Village, Nanfeng County, to absorb local cultural roots for their creations.
Paxton House is set to host a major solo exhibition featuring the work of Ian J. Cowan, an artist known for a vibrant and eclectic style that ranges from custom-painted guitars for celebrities to traditional portraits and local landmarks. The exhibition, hosted in the Hayloft Gallery from April 11 through May 31, offers a comprehensive look at Cowan’s creative evolution and his transition from commercial music industry commissions to fine art.
Artist CO-MA presents his second solo exhibition, 'Every Saint Has a Past and Every Sinner Has a Future,' at Spazju Kreattiv in Malta from May 9 to June 29. Curated by Lily Agius, the show interprets the seven deadly sins—pride, greed, lust, envy, gluttony, wrath, and sloth—through large-scale oil paintings on canvas and wood, marking a shift from the charcoal medium used in his 2021 debut. The artist draws inspiration from Norse mythology, Renaissance and Baroque art, and Dante's Divine Comedy, exploring these vices as universal human failings rather than strictly Catholic concepts.
The Colors Festival has returned to Paris with a new immersive exhibition titled "Colors Light," located in the 15th arrondissement. Running from April 16 to July 26, 2026, the show features over 35 artists who have transformed a 700-square-meter building into a sensory playground using blacklight, fluorescence, and phosphorescence. The works are designed to shift and reveal hidden compositions as visitors move through the darkened space, marking a technical evolution for the festival toward light-based urban art.
A new exhibition at the Museum of Art and Archaeology at the University of Missouri, titled "Camouflage: In Plain Sight," transforms military uniforms and related objects into works of art. The show features over 50 items, including a deconstructed World War I uniform by contemporary artist Ashley V. Blalock and historic pieces like a Civil War jacket, exploring how the visual language of warfare is repurposed for artistic expression.
The University of Sunderland is celebrating 25 years of its Dry Run exhibition, a showcase for second-year BA Artist Designer Maker students specializing in glass and ceramics at the Shipley Art Gallery and Museum. The milestone exhibition, titled "A Celebration of Dry Run," brings together works from thirty artists who previously participated in the program, including a large ceramic bowl by recent graduate Lynn Donnelly. The show highlights the technical and conceptual evolution of the artists over the program's history.
An exhibition themed around the lotus flower has been organized to honor President Ho Chi Minh, showcasing artworks that draw symbolic connections between the lotus—a national emblem of purity and resilience—and the revolutionary leader's legacy. The event features paintings, sculptures, and installations by multiple artists, all centered on this botanical motif as a tribute to Ho Chi Minh's life and ideals.
Berlin's Kunstgewerbemuseum presents a special exhibition at Schloss Köpenick titled "Pewter from the Middle Ages to Art Nouveau," featuring around 100 works that trace the evolution of pewter from sacred and ceremonial objects to everyday items. The exhibition highlights the material's sophisticated use in furniture-making, including pieces by 17th-century cabinetmaker Johann Daniel Sommer, who combined pewter with tortoiseshell and horn using boulle technique.
The Roger-Viollet Gallery in Paris is hosting a free photography exhibition titled "Paris, Open All Night" ("Paris, ouvert la nuit") from June 11 to October 3, 2026. The show features 70 photographs taken between 1900 and 1970, capturing the city's nocturnal life—from cabarets and street vendors to neon signs and holiday celebrations.
The Gallery at Lake St. Lawrence Arts in Waddington is celebrating its 10th anniversary on May 16. The event will highlight a decade of local creativity, community engagement, and arts education, featuring music, refreshments, and opportunities to meet artists. The gallery, which recently underwent renovations, has grown from a small group into a collective of 16 artists working in diverse media.
Curator Miranda Lee is redefining the presentation of digital and physical art by prioritizing "spatial practice" and the ethics of attention over the art world's typical demand for speed and novelty. Through major projects like RECRAFTED and the MULT Island virtual platform, Lee designs exhibition layouts and digital environments that incorporate "pause points," encouraging viewers to linger and reflect rather than succumb to frictionless scrolling. Her work spans physical galleries in Shanghai and London, as well as immersive virtual spaces, consistently focusing on how identity is staged across different environments.
The Queens Museum is undergoing a significant transformation to better serve its diverse local community, moving away from traditional elitist museum models. Under the leadership of director Sally Tallant, the institution has integrated social services, including a food pantry and community organizing spaces, directly into its operational fabric while maintaining a rigorous contemporary art program.
The Jidar Street Art Festival has concluded its latest edition in Rabat, Morocco, transforming the capital’s urban landscape into an expansive open-air museum. This year’s event featured twelve large-scale murals created by a diverse roster of local and international street artists, alongside a program of workshops and guided tours designed to engage the public with contemporary urban art.
The Vila Casas Foundation has launched a major retrospective of Esther Boix at the Espais Volart gallery in Barcelona, marking the centenary of the artist’s birth. Featuring 180 works, the exhibition traces Boix’s evolution from early figurative portraits and social realism to her later, more abstract explorations of nature and ecology. The show highlights her role in the anti-Franco movement, her involvement with the Postectura group, and her significant contributions to art education through the founding of the L’ARC school.
The art world is increasingly grappling with the rise of 'fandom' culture, where the intense, collective energy of online communities and pop-culture enthusiasts is reshaping traditional institutional engagement. This shift sees museums and galleries moving away from purely academic or elitist frameworks to embrace the participatory and often commercial power of dedicated fan bases.
The Potters Bar Museum is hosting a specialized exhibition titled "The Railway comes to Potters Bar," focusing on the historical impact of the rail network on the local community. The display features a collection of archival photographs, artifacts, and historical documents detailing the evolution of transport in the area.
The National Museum “Kyiv Art Gallery” has launched a major exhibition titled “Andriy Chebykin. MASTER AND WORKSHOP” to celebrate the 80th birthday of the renowned Ukrainian graphic artist and educator. The show features a comprehensive range of Chebykin’s work, from his classic 1970s etchings and 1990s nudes to recent pieces created during the full-scale invasion of Ukraine, such as “The Enemy Was Shot Down Over Tatarka.” Uniquely, the exhibition also includes works by his former students, highlighting his 55-year legacy at the National Academy of Fine Arts and Architecture.
The Noyes Arts Garage of Stockton University has launched two concurrent exhibitions: "Monuments to Migration and Labor" and "Emerging Visions." The former, supported by the Mellon Foundation, features regional artists like Chung-Fan Chang whose work explores cultural identity and the immigrant experience through labor-intensive techniques. The latter serves as a massive collegiate showcase, featuring diverse media from over 50 students representing five different Southern New Jersey higher education institutions.
The Suffolk County Historical Society Museum in Riverhead has launched "Visions of Freedom: America 250," a multidisciplinary exhibition curated by the nonprofit Women Sharing Art. Featuring 45 works by 38 artists, the show utilizes painting, sculpture, mosaics, and fiber art to explore themes of democracy, empowerment, and the 250th anniversary of the United States. Key works include Sue Miller’s "Broken Barricades," which addresses gender-based social barriers, and Gail Neuman’s provocative sculptural interpretation of the U.S. Constitution.
The Arab Cultural Center in Daraa has launched a new art exhibition as part of the “Days of Fine Arts and Arabic Calligraphy” festival. Organized by the Daraa Culture Directorate, the showcase features 26 paintings that blend traditional Hauran heritage and local landscapes with contemporary historical documentation. Notably, the collection includes works that track the Syrian experience from the 2011 revolution through the political shifts of December 2024, utilizing expressive color to depict the daily life and resilience of the local community.
The Field Museum in Chicago is set to debut "Amerika Samoa," a temporary exhibition opening March 6, 2026, in the Regenstein Halls of the Pacific. Co-curated by Reggie Meredith Fitiao and Su’a Uilisone Fitiao of the nonprofit Fa’asamoa Arts, the show focuses on two primary Samoan art forms: siapo mamanu (painted barkcloth) and tatau (tattoo). The exhibition features contemporary works alongside historical pieces from the museum's collection, including a collaborative large-scale siapo created with the Chicago Samoan community.
The New York State Museum in Albany has launched a comprehensive $150 million modernization project funded by the state. Led by new director Jennifer Saunders and supported by Governor Kathy Hochul, the initiative includes infrastructure upgrades, the formation of a visioning task force, and a plan to double the number of annual major exhibitions. The project aims to update the museum's aging displays with more interactive technology and contemporary narratives, beginning with a Barbie retrospective and an upcoming exhibition marking the 250th anniversary of the United States.
The City Government of Dipolog officially inaugurated HeARTlab 4 at Museo Dipolog on February 16, 2026. This community art exhibition, organized by the City Tourism, Arts, Culture, and Sports office, showcases a diverse range of works from both established and emerging artists across Zamboanga del Norte. The opening ceremony featured performances from local student ensembles and highlighted the growing number of young participants entering the region's creative scene.
The article features an interview exploring the unique aesthetic characteristics of African visual art, emphasizing its vibrant use of color and dynamic rhythmic compositions. It delves into how traditional heritage informs contemporary practices, highlighting the evolution of the continent's artistic identity on the global stage.