venice biennale curator koyo kouoh dies

Koyo Kouoh, the Cameroonian-born curator appointed to lead the 2026 Venice Biennale, has died unexpectedly at age 57. The Venice Biennale announced her passing on Saturday, describing her as a figure of “passion, intellectual rigor, and vision.” Her husband, Philippe Mall, stated that a recently diagnosed cancer was the cause of death in a hospital in Basel, Switzerland. Kouoh had served as executive director and chief curator of the Zeitz Museum of Contemporary African Art (Zeitz MOCAA) in Cape Town since 2019, and was the second African-born curator to lead the Venice Biennale.

stavros niarchos foundation cultural center

The Stavros Niarchos Foundation Cultural Center, a Renzo Piano-designed complex housing Greece's National Library and National Opera House, has completed construction in Athens after five years. The foundation is celebrating with a four-night free festival called "Metamorphosis" (June 23–26) featuring cultural, educational, and sporting events, including a video art survey curated by Robert Storr. The project, built on a former hippodrome site abandoned after the 2004 Olympic Games, cost nearly €600 million and was conceived by SNF co-president Andreas Dracopoulos during Greece's pre-crisis optimism.

sfmoma gift pamela joyner alfred giuffrida

The San Francisco Museum of Modern Art (SFMOMA) has received a landmark gift of 31 paintings, sculptures, and drawings from the Pamela J. Joyner and Alfred J. Giuffrida Collection, which focuses on abstract works by artists of the African diaspora. The donated pieces, created by 20 American artists born before 1930—including Elizabeth Catlett, Beauford Delaney, Norman Lewis, and Richard Mayhew—are intended to fill historical gaps in the museum's collection. Joyner, who became an SFMOMA trustee in 2020, selected works that represent the earliest generation of artists in her collection, aiming to support a more inclusive art-historical narrative.

will the us participate in the 2026 venice biennale

As President Donald Trump cuts U.S. art programs and funding, questions surround the country's participation in the 2026 Venice Biennale. A Vanity Fair piece by Nate Freeman reports that the selection process is already behind schedule, with the U.S. State Department's typical 18-month lead time now reduced to just one year. The National Endowment for the Arts, which convenes the advisory committee for the pavilion, has been halted, and a key assistant secretary position is vacant. The application portal remains open but now includes new language requiring art that "reflects and promotes American values" and scrubbing references to diversity, equity, and inclusion (DEI).

the ashes tudor lodge wall paintings

Rare 16th-century wall paintings depicting fantastical beasts, heraldic rabbits, and Grotesque heads have been uncovered at the Ashes, a Tudor hunting lodge in Inglewood Forest, Cumbria, U.K. Built in the 1560s during Elizabeth I's reign, the two-story building originally housed William Simpson, a bailiff of Castle Sowerby Manor. The paintings, created using the secco technique on dry plaster, were found in stages—first on the second story in the 1970s, then on the ground floor during excavations in the 2010s and 2020s. The most recent discoveries, made by owners Jen and Richard Arkell, reveal elaborate decorative panels likely inspired by textile designs, reflecting the cosmopolitan tastes of the period.

rachofsky house dallas for sale

The Rachofsky House, a landmark contemporary art residence in Dallas designed by Pritzker Prize-winning architect Richard Meier, has been quietly listed for sale off-market by Compass agent Faisal Halum. The 9,000-square-foot home at 8605 Preston Road has been owned for decades by prominent collectors Howard and Cindy Rachofsky, who annually hosted the Two x Two gala there, raising over $130 million for amfAR and the Dallas Museum of Art. Howard Rachofsky confirmed the sale, citing his age (81) and ongoing estate planning.

collector reinhard ernst on championing the legacy of helen frankenthaler

German collector Reinhard Ernst, 79, opened Museum Reinhard Ernst in Wiesbaden last year to house his collection of nearly 1,000 abstract works. The museum recently launched “Helen Frankenthaler. Move and Make,” the first major solo show of the Abstract Expressionist painter in Germany in two decades, featuring works from Ernst’s extensive Frankenthaler holdings. Ernst, who built his wealth through high-precision gear manufacturing, discusses his collecting journey, noting that 80% of his purchases come from auctions.

mark rothko dutch museum scratched

A large Mark Rothko painting, *Grey, Orange on Maroon, No. 8*, was removed from display at Museum Boijmans van Beuningen in Rotterdam after a young visitor scratched it during an "unguarded moment." The 1960 work, measuring over 7 by 8 feet, is one of only two Rothkos in Dutch collections. The museum has sought conservation expertise in the Netherlands and abroad, and expects the painting to be shown again after treatment. The work was on view at the museum's open storage facility, the Depot Boijmans Van Beuningen, while the main building undergoes renovation until at least 2030.

alejandro pineiro bello neuendorf residency

Cuban-born, Miami-based artist Alejandro Piñeiro Bello arrived at the Neuendorf Residency in Mallorca with plans to use art supplies shipped from mainland Spain, but they never arrived. Undeterred, he worked with only watercolors and paper he had packed, drawing inspiration from the surrounding cliffs, sea, and plant life. The residency, housed in a minimalist building designed by John Pawson and Claudio Silvestrin and commissioned by Artnet founder Hans Neuendorf, offered him solitude to create memory-based paintings of swimmers and landscapes.

chanel fund high tech arts center calarts

California Institute of the Arts (CalArts) will establish the Chanel Center for Artists and Technology, funded by the Chanel Culture Fund. The initiative focuses on artificial intelligence, machine learning, and digital imaging, creating dozens of new roles, fellowships for artists and technologists-in-residence, and graduate student support, along with cutting-edge equipment. CalArts president Ravi S. Rajan described it as among the largest corporate partnerships the school has had, potentially the largest for any art school.

impressionism auction industry

This year marks the 150th anniversary of Impressionism, which began in 1874 when 31 artists including Paul Cézanne, Claude Monet, and Berthe Morisot staged a groundbreaking exhibition in Paris. To commemorate the sesquicentennial, international institutions are hosting exhibitions such as the Musée d'Orsay's "Paris 1874: Inventing Impressionism," while Artnet and Morgan Stanley have collaborated to analyze auction data from 2014 to 2023, examining the market for works by approximately 120 Impressionist and Post-Impressionist artists. Despite perceptions that Impressionism has lost its luster, the number of lots offered at auction has remained steady, averaging 6,091 annually over the decade.

museums bet major paintings on super bowl win

The Seattle Art Museum and the Clark Art Institute in New England have placed a wager on the Super Bowl, each betting a major landscape painting from their collection on their respective home teams. Seattle Art Museum director Kimerly Rorschach has offered Albert Bierstadt's "Puget Sound on the Pacific Coast" (1870), while Clark Art Institute director Michael Conforti has put up Winslow Homer's "West Point, Prout's Neck" (1900). The losing museum will loan its painting to the winner for three months, covering all shipping and expenses.

kevin beasley storm king acoustic mirror

Kevin Beasley has created a large-scale acoustic mirror for Storm King Art Center, opening May 7. The 11-foot-tall, 100-foot-wide four-part sculpture is inspired by World War I–era concrete acoustic mirrors used for detecting enemy aircraft. Unlike those obsolete relics, Beasley's work is made from recycled clothes cast in resin and will amplify visitors' voices and outdoor sounds. The piece engages with the history of the Hudson River School painters and themes of colonialism, Manifest Destiny, and contested land, while also celebrating agricultural cycles through its seasonal titles: Proscenium| Rebirth, Growth, Harvest, and Dormancy.

emily fisher landau picasso sothebys

Pablo Picasso's 1932 painting *Femme à la montre*, depicting his lover Marie-Thérèse Walter, sold for $139.4 million (including fees) at Sotheby's New York during the highly anticipated Emily Fisher Landau sale. The work, estimated at $120 million, was the centerpiece of the auction, with bidding starting at $95 million and concluding after a two-minute standoff among three phone bidders, including one from Asia. Brooke Lampley, Sotheby's head of global fine art, secured the winning bid on behalf of a client. The sale was handled by Sotheby's, which won the right to auction the estate of Landau, a longtime Whitney Museum board member and private collector.

child scratches mark rothko dutch museum

A child made small scratches on Mark Rothko's painting *Grey, Orange on Maroon, No. 8* (1960) at Museum Boijmans Van Beuningen in Rotterdam. The incident occurred in the museum's Depot, a publicly accessible storage facility, during an unguarded moment. The work sustained superficial but visible damage to its unvarnished paint layer, and the museum is consulting conservators within and outside the Netherlands for treatment.

caraggio rome barberini review rare

A major exhibition titled "Caravaggio 2025" at Rome's Palazzo Barberini brings together two dozen of the artist's roughly sixty known works, drawn from Italian and international collections. The show spans Caravaggio's career from his arrival in Rome in 1595 to his death in 1610, and includes rediscovered paintings such as *Ecce Homo* (c. 1606–1607), which resurfaced at a Spanish auction in 2021, and a newly attributed portrait of Maffeo Barberini (c. 1595). Visitors can now see nearly two-thirds of Caravaggio's surviving oeuvre in a single trip to Rome, with the exhibition running through July 6.

museums of tomorrow roundtable 2025

The Fine Arts Museums of San Francisco (FAMSF) will host the 2025 Museums of Tomorrow Roundtable (MTR) from May 11-17, bringing together 14 global museum leaders and technology firms including Adobe, Anthropic, Bloomberg, and Salesforce. Participants include directors such as Marion Ackermann (Stiftung Preußischer Kulturbesitz), Stephanie Rosenthal (Guggenheim Abu Dhabi), Eike Schmidt (Museo di Capodimonte), Mami Kataoka (Mori Art Museum), and others, alongside Bay Area museum heads and AI artist Refik Anadol, who will speak in a free public program at the de Young Museum. The forum aims to bridge the museum and technology communities, exploring how advanced technologies can enrich operations and visitor experiences while supporting artists working with technology.

art institute chicago school pro palestine labor activism

Kelly Xi, an artist and lecturer at the School of the Art Institute of Chicago (SAIC), was placed under investigation and administrative leave after using a school photocopier to produce materials for a pro-Palestine student exhibition and sharing an email list for a faculty union petition. The exhibition advocated for divestment from Israel and criticized the school's handling of a protest encampment that led to dozens of arrests in May 2024. The actions were organized by Students for the Liberation of Palestine (SLP), targeting trustee A. Steven Crown, whose family owns a stake in defense contractor General Dynamics and donated to pro-Israel groups.

bloomsbury group wild child dora carrington

The article examines the life and work of Dora Carrington, a painter associated with the Bloomsbury Group, whose bohemian lifestyle and complex relationships—particularly with writer Lytton Strachey—have long overshadowed her artistic output. A new exhibition at Pallant House Gallery, the first dedicated to Carrington in three decades, aims to refocus attention on her paintings, including early pencil studies and academic female nudes, which impressed her peers but received little critical acclaim during her lifetime.

hans coper ceramic london auction

A broken flowerpot discovered in a London garden turned out to be a rare Hans Coper ceramic, commissioned by the owner's late mother after she admired his work at an exhibition. The four-foot-tall stoneware vessel, produced in early 1964 and bearing Coper's seal, was offered by Chiswick Auctions with a presale estimate of £6,000–£10,000. Despite significant damage, it sparked a bidding war lasting nearly 10 minutes, ultimately selling to a U.S. bidder for £36,500 ($48,300) hammer price, or £47,800 ($63,250) including fees.

roman villa villajoyosa wall fragments

Archaeologists in Villajoyosa, Spain, have uncovered over 4,000 fragments of painted wall plaster from the Roman villa of Barberes Sud, a palatial complex dating to the reign of Emperor Trajan (98–117 C.E.). The fragments were found in a collapsed room, and the team from the Alebus Historical Heritage Company and the Municipal Archaeology Service has catalogued and photographed each piece to enable digital reconstruction. At the Vilamuseu restoration laboratory, 22 fragments have already been reassembled into a panel featuring floral garlands, birds, and painted moldings.

guy ullens collector dead

Guy Ullens, a Belgian billionaire and pioneering collector of Chinese contemporary art, has died at age 90. The news was announced by the UCCA Center for Contemporary Art in Beijing, which he co-founded. Ullens began collecting Chinese antiquities in the 1980s before shifting to contemporary works, amassing a collection of 1,500 to 2,000 pieces by artists such as Ai Weiwei, Liu Xiaodong, and Zeng Fanzhi. He and his late wife Myriam established the Ullens Center for Contemporary Art in Beijing's 798 Art Zone in 2007, later selling it to Chinese investors in 2017, after which it was renamed UCCA. Ullens also helped build the secondary market for Chinese contemporary art, notably selling Zeng Fanzhi's 'The Last Supper' for $23.3 million at Sotheby's Hong Kong in 2013, a record at the time.

canada giant van gogh easel fate

In 1997, artist Cameron Cross installed The Big Easel, a 75-foot-tall sculpture of an easel displaying a reproduction of Vincent van Gogh's sunflower paintings, in Altona, Canada, to honor the town's status as the Sunflower Capital of Canada. After a windstorm on February 28 blew off a panel of the painting and further damage occurred on March 15, the town removed the four-ton painting and conducted a survey to gauge public support for restoration. A majority of respondents (68%) voted to save the artwork, with 60% preferring a hand-painted canvas over a printed replica and 61% wanting to keep the Van Gogh sunflowers. Cross plans to rebuild the fiberglass canvas from scratch and repaint the image in 2026, with costs estimated at CA$70,000 ($50,500) for a durable marine-grade plywood version.

Delegitimation, Denunciation and Insecurity

"Delegitimation, Denunziation und Verunsicherung"

German cultural critic Georg Seeßlen warns in his taz column of a right-wing 'war of conquest' targeting liberal cultural institutions through systematic delegitimation, denunciation, and intimidation. Meanwhile, a new Berlin artist study reveals that the average annual income from artistic work is just €6,000, highlighting a structural dysfunction in the art system. Additionally, Jonathan Meese's play 'Alaska Kid' has been canceled at the Volksbühne Berlin following the death of his mother Brigitte Meese, who was his organizer, muse, and confidante.

Memories Bathed in Color

In Farbe getauchte Erinnerungen

The Fondation Luma in Arles, France, has opened three exhibitions exploring memory and archives, headlined by Gerhard Richter's "Overpainted Photographs." The show features 120 works from Richter's private archive, some exhibited for the first time, created since the mid-1980s by dragging photographs through leftover paint in his studio. Richter, now 94, personally selected and hung the works chronologically starting from the fall of the Berlin Wall, reflecting his lost homeland and the passage of time. The exhibition also includes early sketches and oil paintings by the late architect Zaha Hadid, previously shown at London's Serpentine Gallery in 2016.

The Prototype of an Artist

Der Prototyp eines Künstlers

Timm Ulrichs, the self-proclaimed "Totalkünstler" (total artist) known for his boundary-pushing performances—tattooing himself, locking himself inside a hollowed boulder, and running naked in thunderstorms—has died at age 86 in Berlin. A pioneer of Land Art, Body Art, concrete poetry, and endoscopic imaging, Ulrichs created works that anticipated later artists like Isa Genzken, and was invited to Documenta 6 in 1977. Despite his prolific output and influence on younger generations, he often lamented being overlooked by the international art market compared to peers like Georg Baselitz and Gerhard Richter.

First Details of the German Pavilion

Erste Details zum deutschen Pavillon

The German Pavilion at the upcoming Venice Biennale will present an exhibition titled "Ruin," featuring works by the late Henrike Naumann and artist Sung Tieu. Curated by Kathleen Reinhardt, the exhibition explores historical ruptures and the lingering effects of political and social voids following German reunification. Tragically, Naumann passed away shortly after completing her contributions, and her studio team is now working to realize her final artistic vision for the prestigious international stage.

Already 100,000 Visitors at Cologne's Kusama Exhibition

Schon 100.000 Besucher in Kölner Kusama-Ausstellung

The Museum Ludwig in Cologne has reached a significant milestone, welcoming 100,000 visitors to its Yayoi Kusama retrospective within just four weeks of opening. The exhibition, which features 300 works ranging from early childhood drawings to contemporary installations, has proven to be an unprecedented draw for the institution, surpassing the director's initial expectations for attendance speed.

I think I didn't understand many artists

"Ich glaube, ich habe viele Künstler nicht verstanden"

Adrian Searle, the long-standing chief art critic for The Guardian, is stepping down after three decades at the publication and nearly 50 years in art criticism. In a reflective interview, Searle discusses his transition from a practicing painter and educator to a critic, noting that his early interactions with students like Peter Doig and Isaac Julien helped him realize his true strength lay in writing rather than art-making. He recounts his experiences navigating the British art scene, from the decline of Greenbergian abstraction to his encounters with formidable figures like Richard Serra.

What to See This Spring at Museums Across the U.S.

Major museums across the United States are preparing to launch a diverse array of exhibitions for the spring season. Highlights include a comprehensive Marcel Duchamp retrospective at the Museum of Modern Art in New York, an exploration of Etruscan civilization at the de Young Museum in San Francisco, and a major fashion-focused exhibition at the Phoenix Art Museum.