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The Best Art Shows of 2025

A roundup of the best art shows of 2025 highlights standout exhibitions across New York galleries and museums. Notable shows include Reverend Joyce McDonald's first major exhibition at the Bronx Museum, Laura Owens' interactive takeover at Matthew Marks Gallery, and Harkawik's refrigerator-mounted photo display featuring 280 artists. Other featured shows include Maxwell Gallery's unsold works, Elisabeth Kley's curator-driven show at White Columns, Cady Noland's sculpture at Gagosian, and Falcon Art Collective's group show in an unfinished midtown building. The article also mentions Alannah Farrell's trans-themed work in Chinatown, Bradford's blue-field paintings at Canada gallery, and the reopening of institutions like the Frick Collection.

Sculptor Alma Allen officially selected to represent US at 2026 Venice Biennale

The US State Department has officially confirmed that sculptor Alma Allen will represent the United States at the 2026 Venice Biennale, following earlier delays caused by a 43-day government shutdown. Allen's exhibition, titled "Alma Allen: Call the Breeze," will run from May 9 to November 22, 2026, at the US Pavilion, organized by commissioner Jenni Parido of the American Arts Conservancy and independent curator Jeffrey Uslip. The show will feature around 30 sculptures, including new site-specific works, and the state department announcement explicitly aligns the presentation with President Donald Trump's "America first" ideology, framing the artworks as symbols of collective optimism and American excellence.

"The Great Camouflage" Rockbund Museum of Art / Shanghai

"The Great Camouflage" at the Rockbund Museum of Art (RAM) in Shanghai, curated by X Zhu-Nowell and Kandis Williams, is a multilevel exhibition that responds to global political and social exhaustion. Anchored in Black feminist thought and taking Suzanne Césaire's writings as a starting point, the show revisits revolutionary attitudes and builds new networks of solidarity across Asia, Africa, and Latin America, deliberately decentering Euro-American narratives. It features works by artists including Christine Tien Wang, Hao Jingban, and Wang Tuo, and highlights figures such as Amy Ashwood Garvey, Eslanda Robeson, Shirley Graham Du Bois, and Grace Lee Boggs.

Art Basel unveils gallery line-up and first highlights for its 2026 Hong Kong edition

Art Basel has announced the gallery lineup and first highlights for its 2026 Hong Kong edition, which will feature 240 leading galleries from 41 countries and territories. Over half of the participating galleries operate in the Asia-Pacific region, including 29 with spaces in Hong Kong. A new sector called Echoes debuts, spotlighting recent works by up to three artists per presentation. The Encounters sector will be curated for the first time by a collective of four Asia-based curators led by Mami Kataoka. The fair also introduces a Film Program curated by media artist Ellen Pau and a Conversations Program directed by Venus Lau. For the fifth year, Art Basel and M+ will co-commission a monumental public artwork for the M+ Facade, this time by Shahzia Sikander. The fair runs March 27–29, 2026, with preview days on March 25 and 26 at the Hong Kong Convention and Exhibition Centre.

Acquisitions round-up: an ‘exceptionally rare’ portrait of an enslaved person and two large-scale donations

The article reports on three major acquisitions and donations in the art world. The Mississippi Museum of Art and Crystal Bridges Museum of American Art jointly acquired an 'exceptionally rare' portrait of Frederick, an enslaved person in pre-emancipation Mississippi, painted around 1840 by C.R. Parker. The portrait sold for $508,750 at Neal Auction Company. Separately, entrepreneur and collector Hermann Gerlinger donated 42 works by the German Expressionist group Die Brücke to Kunstsammlungen Chemnitz, including a marriage portrait by Karl Schmidt-Rottluff. Additionally, the family of late Korean artist Suki Seokyeong Kang donated around 400 of her works to Ewha Womans University in Seoul, where she studied and taught.

Sculptor Alma Allen reportedly selected to represent US at 2026 Venice Biennale

Sculptor Alma Allen has reportedly been selected to represent the United States at the 2026 Venice Biennale, replacing Robert Lazzarini, who was dropped after political interference and delays linked to the Trump administration's cuts to the National Endowment for the Arts. The selection process has been fraught, with the State Department directly choosing Lazzarini without NEA involvement, and his proposal—featuring distorted renderings of US national symbols—collapsed amid claims of political meddling. Allen, a Mexico-based artist formerly represented by Kasmin and now in talks with Perrotin, is less established than recent US pavilion artists like Jeffrey Gibson or Simone Leigh, but has a strong practice in stone, wood, and bronze sculpture.

Thinking bigger: gallery stalwarts Sadie Coles, Maureen Paley and Stuart Shave on why they're expanding to new London spaces

Three of London's major gallerists—Maureen Paley, Sadie Coles, and Stuart Shave—are opening substantial new spaces in the capital, defying pessimism about the London art market. Paley has moved into part of Wolfgang Tillmans's former studio at 4 Herald Street, Coles will occupy a townhouse at 17 Savile Row from 14 October, and Shave's Modern Art will open a double shopfront at 8 Bennet Street, St James's, from 14 November. In an interview with The Art Newspaper, they discuss their motivations: Paley cites serendipity and historical significance, Coles sought a different kind of space for her artists, and Shave needed consolidation under one roof after years of fragmentation.

Closures Can’t Dim the Spark: 9 Unmissable Bay Area Art Shows This October

The article highlights nine must-see art exhibitions in the Bay Area for October, despite recent gallery closures like KADIST and Gallery 16. Key shows include the Museum of the African Diaspora's twin exhibitions 'Continuum' and 'Unbound' for its 20th anniversary, Drew Villanueva's first solo exhibition at Good Mother Studio inside Ikea, Jim Melchert's retrospective at di Rosa Center for Contemporary Art, and Mills College Art Museum's '100 Years of Creative Visions'. The programming is anchored by the second edition of Nexus, a Bay Area art week spotlighting Black voices and bridging regional divides.

Christian Marclay's ‘Doors’ marks opening of Brooklyn Museum's new video art gallery

Christian Marclay's video collage 'Doors' (2022) has opened at the Brooklyn Museum's newly constructed Moving Image Gallery, marking the institution's first dedicated space for time-based media. The 54-minute work, co-purchased by the Brooklyn Museum and the Smithsonian's Hirshhorn Museum and Sculpture Garden, splices hundreds of film clips showing characters entering and exiting doorways, building on the visual language of Marclay's acclaimed 24-hour film 'The Clock' (2010). The gallery was built to Marclay's specifications, offering a theatrical setting rather than a typical black-box presentation.

Director of Contemporary Istanbul urges Turkish art to remain ‘radical and clever’ in face of political tension

Contemporary Istanbul (CI) opened its 20th anniversary edition at the Tersane Istanbul complex, a restored Ottoman shipyard, bringing together 51 galleries from 16 countries. The fair coincided with the Istanbul Biennial, drawing a larger crowd of collectors and museum groups than the previous year. Works by leading Turkish artists such as Nil Yalter, Güneş Terkol, and Azade Köker were on view, with prices ranging from €1,000 for emerging artists to over €2m for a James Rosenquist painting. Despite high spirits, the fair unfolded against a backdrop of political tension following the arrest of Istanbul mayor Ekrem İmamoğlu, ongoing protests, and increasing censorship. Galleries displayed politically and socially engaged works, including Rasim Aksan's homoerotic triptych and Fatoş İrwen's prison-made fabric piece, while collectors sought discounts amid Turkey's high inflation and economic volatility.

Museums and ethics, Fra Angelico in Florence, Cornelia Parker’s PsychoBarn—podcast

This episode of The Art Newspaper's podcast 'The Week in Art' features three segments. Chief contributing editor Gareth Harris discusses his new book 'Towards the Ethical Art Museum,' which examines contemporary challenges for museums including provenance, restitution, funding, governance, and community responsibilities. Digital editor Alexander Morrison speaks with curator Carl Brandon Strehlke about the major Fra Angelico exhibition jointly presented by Fondazione Palazzo Strozzi and Museo di San Marco in Florence. Finally, the Work of the Week segment focuses on Cornelia Parker's installation 'PsychoBarn (Cut-Up)' at the Kunstmuseum Basel's group exhibition 'Ghosts: Visualising the Supernatural,' with commentary from curator Eva Reifert.

Blaffer Art Museum Terminates Curator; Artist Cancels Exhibition

The Blaffer Art Museum at the University of Houston terminated curator Erika Mei Chua Holum in July 2025, following a series of leadership changes and the cancellation of a planned outdoor sculpture exhibition by Guadalupe Maravilla. The museum's new director, Dr. Laura Augusta, cited conservation issues and campus construction as reasons for canceling Maravilla's 'Mariposa Relámpago,' a decision Chua Holum publicly disagreed with. Subsequently, artist Ja'Tovia Gary also canceled her scheduled solo exhibition, citing a breakdown in negotiations with Augusta over scope and budget.

Rediscovering Norman Zammitt, a 1960s Visionary of the Light and Space Movement

Karma gallery in New York has opened 'Norman Zammitt: A Degree of Light', the first New York exhibition in nearly 60 years dedicated to the late Light and Space movement artist. The show features two key bodies of work: his laminated-acrylic pole sculptures and hard-edge 'Band Paintings', reintroducing Zammitt's pioneering colorist practice to a contemporary audience. Zammitt, who died in 2007, was a Canadian-born artist of Mohawk and Italian descent who studied at Otis College of Art and Design and was represented by Felix Landau's gallery in Los Angeles.

2025 Fall Arts Guide: The Season’s Best Visual Art Exhibits From Big Museums to Small Galleries

The 2025 Fall Arts Guide highlights three visual art exhibits in Washington, D.C. 'Arab Pop Art: Between East and West' at the Middle East Institute features 35 works by 14 Arab and diaspora artists, blending Western pop art with SWANA cultural motifs. 'Vincent Ricardel: Chasing Light' at gallery neptune & brown presents 15 photographs spanning diverse styles and locations. 'Rik Freeman: Wade in the Waters' opens Sept. 24, showcasing oil paintings.

Inaugural Brussels Art Week stakes a strong claim for the city's scene

The inaugural Brussels Art Week took place from September 5-8, organized by the non-profit RendezVous, co-founded by Evelyn Simons and Laure Decock. The event featured gallery openings, artist talks, institutional shows, performances, and offsite interventions across multiple neighborhoods, deliberately avoiding the traditional art fair model. A centerpiece was a commissioned social space by British artist Zoe Williams titled 'A Tip Inn,' a functioning bar and performance venue that hosted talks, readings, and DJ sets. Participating galleries included Xavier Hufkens (showing Charline von Heyl), Gladstone (Nicholas Bierk), and Mendes Wood DM (Julien Creuzet), while Damien & The Love Guru installed Sharon Van Overmeire's inflatable castle sculpture at Wiels garden.

10 Art Shows to See in the Bay Area This Fall

The article presents a curated guide to 10 art exhibitions opening in the Bay Area this fall, highlighting shows by artists such as Mike Henderson, Julio César Morales, Auudi Dorsey, and Jim Melchert. It covers venues ranging from Haines Gallery and Gallery Wendi Norris to the Manetti Shrem Museum and di Rosa SF, with works addressing Black Oakland history, immigration, segregation-era Black leisure, and conceptual ceramic art.

‘We craved external validation, but what's important has shifted’: Dubai gallery The Third Line celebrates 20 years

Dubai gallery The Third Line celebrates its 20th anniversary, marking two decades since its founding in 2005 by Sunny Rahbar, Lisa Farjam, and Claudia Cellini. Born from the anti-Arab sentiment after 9/11, the gallery began as an independent art space with a framing and novelty trading license, operating between a commercial gallery and an artists' space. It launched with a show of five Iranian photographers, later opened a short-lived Doha branch in 2008, and moved to Alserkal Avenue in 2016. To mark the anniversary, the gallery stages an exhibition organized by writer and curator Shumon Basar.

Artists Jennifer Packer and Marie Watt receive $250,000 Heinz Awards

Artists Jennifer Packer and Marie Watt have been named winners of this year's Heinz Awards for the Arts, receiving an unrestricted cash prize of $250,000 each. The awards, now in their 30th edition, are bestowed by the Pittsburgh-based Heinz Family Foundation and honor individuals in the arts, economy, and environment. Packer, a painter known for boldly colorful figurative works, and Watt, whose practice spans steel sculpture and textiles rooted in Indigenous traditions, will be honored at a ceremony in Pittsburgh next month.

“Making Their Mark” exhibition celebrating women in art comes to the Kemper Art Museum

The Kemper Art Museum in St. Louis will host "Making Their Mark," an exhibition of 68 works by women artists from the collection of Komal Shah and the Shah Garg Foundation. Running from September 12 to January 5, 2026, it is the museum's largest-ever exhibition and its third stop after New York and Berkeley. Curated by Cecilia Alemani and Sabine Eckmann, the show features artists including Joan Mitchell, Howardena Pindell, Charline von Heyl, Judy Chicago, and Suzanne Jackson, organized under themes like "Painting is Technology" and "Luminous Abstraction."

On View: 'Danielle McKinney: Tell Me More' at Rose Art Museum at Brandeis University is Painter's First U.S. Solo Museum Exhibition

Danielle McKinney's first solo museum exhibition in the United States, 'Danielle McKinney: Tell Me More,' has opened at the Rose Art Museum at Brandeis University in Waltham, Massachusetts. The show features 13 intimately scaled paintings created between 2021 and 2025, depicting Black women in dimly lit domestic interiors—lounging, reading, or smoking—often nude or in robes, with saturated colors and cinematic compositions. McKinney, born in Montgomery, Alabama, and based in Jersey City, began her career as a photographer and earned an MFA from Parsons School of Design before turning to painting in 2020 during the pandemic. The exhibition is curated by Gannit Ankori, the museum's director and chief curator, and runs from August 20, 2025, to January 4, 2026.

From the streets to the parks and beyond: the pick of this season's public art in New York

This season's public art in New York City features a diverse array of outdoor exhibitions across parks and streets. Highlights include Thaddeus Mosley's towering bronze sculptures at City Hall Park, Lady Pink's mural "Foundations" at MoMA PS1, Tai Shani's candle-like sculptures on the High Line, Alma Allen's organic forms along Park Avenue, Torkwase Dyson's pavilion at Brooklyn Bridge Park, and the Socrates Annual at Socrates Sculpture Park featuring artists like Natalia Nakazawa and Rowan Renee.

The Armory Show puts spotlight on the American South

The Armory Show, New York's premier art fair, is dedicating its 2025 Focus section to artists and galleries from the American South, running September 4-7. Curated by Jessica Bell Brown, executive director of the Institute for Contemporary Art at Virginia Commonwealth University, the section features 13 galleries, including Martha's from Austin and Wolfgang Gallery from Atlanta, with works exploring themes of queer identity, Black communities, and Southern cuisine. The fair, now under director Kyla McMillan and owned by Frieze, aims to amplify the region as a nexus for diasporas and challenge preconceived notions about the South.

Rising dealer Sebastian Gladstone expands in LA—what’s behind his success?

Sebastian Gladstone, a rising art dealer, is expanding his namesake gallery in Los Angeles with a new 3,200-square-foot space in Hollywood, opening on 13 September. The move comes despite a broader trend of gallery downsizing, and follows a successful showing at Frieze Los Angeles, where he placed a work with the Los Angeles County Museum of Art. Gladstone, who launched the gallery in 2020, now operates bicoastally with a Tribeca outpost and plans to focus on quality over quantity, including representing the estate of abstract painter Herman Cherry.

New York Dealer Hal Bromm Can’t Remember His Last Art Fair. He Couldn’t Be Happier

Hal Bromm, a New York art dealer who opened his gallery in Tribeca decades before it became a gallery hub, is celebrating 50 years in the neighborhood. He opened in 1974, predating the wave of galleries that moved to Tribeca around 2013, and has remained at 90 West Broadway since 1977. To mark the milestone, he will present the exhibition “50: The View from Tribeca” on September 19 and publish a book, *New Art, Old Buildings: Stories from Hal Bromm’s Tribeca*. Bromm reflects on his early career, including introducing artists like Donald Judd, Alighiero Boetti, and Mario Merz to New York audiences, and his instinct-driven approach to selecting artists.

Frieze London & Masters 2025 New collaborations across arts organisations, foundations + public institutions.

Frieze has announced the collaborations, funds, and prizes for Frieze London and Frieze Masters 2025, working with arts organizations, foundations, British brands, and public institutions. Key initiatives include the Frieze Masters Art Fund Curator Programme, offering fully funded places to 18 international and UK curators in partnership with Art Fund and The National Gallery; the Frieze x Deutsche Bank Emerging Curators Fellowship, now in its fifth year, hosted by MIMA in Middlesbrough; and the return of the Camden Art Centre Emerging Artist Prize, won last year by Nat Faulkner. The fairs will also feature curatorial conversations, private tours, and offsite activations by former fellows.

Border Crossings: Ten Scottish Masters of Modern Art

The McManus: Dundee's Art Gallery & Museum presents 'Border Crossings: Ten Scottish Masters of Modern Art,' an exhibition running from 28 June 2025 to 14 June 2026. Curated by Janet McKenzie, the show highlights ten Scottish-born artists—including Wilhelmina Barns-Graham, Eduardo Paolozzi, and William Turnbull—who left Scotland to train and build careers in London, Paris, and New York, contributing significantly to international modernism.

New York non-profit Art in General, shuttered since 2020, stages a comeback

Art in General, the New York non-profit art space that closed its physical location in 2020 during the Covid-19 pandemic, is returning after a five-year hiatus. It will stage a pop-up exhibition at Yve Yang Gallery in Soho starting August 22, led by new director Xiaoyu Weng, who also serves as artistic director of the Tanoto Art Foundation in Singapore. New board members include artist Paul Pfeiffer, digital strategist Jiajia Fei, and gallerist Yve Yang. The organization plans to host pop-up exhibitions, talks, and events while searching for a permanent space.

Hyundai Motor and LACMA Announce the Exhibition Tavares Strachan: The Day Tomorrow Began

Hyundai Motor Company and the Los Angeles County Museum of Art (LACMA) have announced the exhibition "Tavares Strachan: The Day Tomorrow Began," opening at LACMA on October 12, 2025 and running through March 29, 2026. This is the artist's first major museum exhibition in Los Angeles, featuring over 20 new works including his most expansive neon piece and one of his largest sculptures to date. The multi-sensory exhibition, presented through the ongoing Hyundai Project at LACMA partnership since 2015, immerses viewers in environments such as a barbershop, a laundromat, and a field of Indian-Rice Grass across seven galleries, weaving together sculpture, painting, text, and music to excavate overlooked histories, particularly those related to the Black diaspora.

The Myth of the “Emerging” Black Artist: Ageism and Access in the Art World

The article, written by Chenoa Baker, critiques the art world's labeling system that categorizes artists as emerging, mid-career, or established. It argues that these labels are particularly harmful to Black artists, who are often kept in the "emerging" category for years despite significant achievements, collections, and decades of practice. The piece highlights the cases of Cheryl Miller, a self-taught analog photographer whose work is held by major institutions yet who had to "re-emerge" after relocating, and Ifé Franklin, a queer Black artist whose career was sidelined by systemic erasure and who is now being honored as an "elder" artist. The article connects these labels to ageism, lack of access to elite schools and galleries, and the undervaluing of self-taught artists and those working outside traditional art centers.

Terrence Sanders-Smith opens art gallery and plans a Miami Basel-style art fest in New Orleans

Terrence Sanders-Smith, a former gallery owner who recently returned to New Orleans, has opened Smith Contemporary at 440 Julia Street in the city's historic Gallery Row. The gallery is one of the few Black-owned galleries in the area's history. Sanders-Smith plans to sell work by racially diverse artists and is organizing a new national art fair, modeled after Miami Basel, to launch as soon as spring 2026. The article also features commentary from former gallery owner Myesha Francis on the importance of Black-owned spaces for artists and audiences of color.