Phoenix-based painter Eliza McLamb is marking a quarter-century of artistic practice with a major retrospective at the Phoenix Art Museum. Titled "Eliza McLamb: 25 Years of Color and Emotion," the exhibition features over 40 abstract works produced between 1996 and 2021, showcasing her signature emotive style and deep connection to the Sonoran Desert.
The Mississippi Museum of Art has launched "L.V. Hull: Love Is a Sensation," the first major museum retrospective dedicated to the late self-taught African American artist L.V. Hull. The exhibition showcases Hull’s vibrant, immersive practice of transforming her Kosciusko home and everyday found objects—ranging from sneakers and fan blades to television sets—into a dense, kaleidoscopic art environment. The show is presented in partnership with the L.V. Hull Legacy Center and features individual artworks, archival ephemera, and documentary footage.
Five 18th-century gold snuffboxes recovered after a violent daylight robbery in Paris are set to go on public display at the Victoria and Albert Museum. The objects were stolen in November 2024 from the Musée Cognacq-Jay during a high-profile heist that targeted pieces from the Rosalinde & Arthur Gilbert Collection, the Louvre, and the UK Royal Collection. Following an extensive police investigation and delicate restoration work by Parisian goldsmiths to repair damage sustained during the theft, the items will headline the opening of the V&A’s newly revamped Gilbert Galleries.
The British Museum has secured a £5m sponsorship deal from billionaire Igor Tulchinsky to fund the landmark loan of the Bayeux Tapestry. The 11th-century textile, which depicts the Norman Conquest of 1066, will be displayed in the museum’s Sainsbury Exhibitions Gallery from September 2025 through July 2027. This historic event marks the first time the artifact has returned to British soil in nearly 1,000 years, facilitated by the temporary closure of its home in Normandy for renovations.
The McMullen Museum of Art at Boston College has launched "Collaborating in Conflict: The Yeats Family and the Public Arts," a comprehensive exhibition exploring three generations of the Yeats family. Featuring approximately 200 works including paintings, embroideries, and rare manuscripts, the show highlights the collaborative yet often tense creative output of patriarch John Butler Yeats and his children, including the poet William Butler Yeats and the painter Jack B. Yeats. Many of the items on display are being shown publicly for the first time or for the first time outside of Ireland.
India is returning to the Venice Biennale after a seven-year hiatus with a national pavilion in the Arsenale. The presentation, titled 'Geographies of Distance: Remembering Home,' will feature five artists: Alwar Balasubramaniam (Bala), Sumakshi Singh, Ranjani Shettar, Asim Waqif, and Skarma Sonam Tashi. The exhibition is curated by Amin Jaffer and is backed by India's Ministry of Culture and two cultural institutions.
Two museum exhibitions, one at Americas Society in New York and another at the Musée du quai Branly – Jacques Chirac in Paris, are reframing perceptions of Amazon civilizations by centering the artistic and cultural traditions of the region's Indigenous peoples. The New York show, "Amazonia Açu" (on view through April 18, 2026), features works by artists including Sara Flores, Sheroanawe Hakihiiwe, PV Dias, and the film collective Colectivo Tawna, blending mediums and challenging Western distinctions between art and craft. The Paris exhibition, "Amazônia – Indigenous Creations and Futures" (through January 18), presents the Amazon as a culturally rich, inhabited ecosystem rather than a pristine wilderness.
The eighth edition of the Singapore Biennale, titled "Pure Intention," opens across five neighborhoods in Singapore, embedding over 100 artworks in sites ranging from shopping malls and housing estates to colonial-era buildings and parks. Curated by Selene Yap, Hsu Fang-Tze, Ong Puay Khim, and Duncan Bass, the biennale features works like field-0's "Drifting Bodies" (2025), which critiques Singapore's hydropower imports and their impact on Thailand's indigenous Karen hill tribe, and Allora & Calzadilla's "Under Discussion" (2004), exploring sovereignty and displacement. Organized by the Singapore Art Museum and commissioned by the National Arts Council, the event is part of SG60, Singapore's 60th anniversary celebrations.
Workers at the Metropolitan Museum of Art voted overwhelmingly to unionize with the United Auto Workers (UAW), with 542 in favor and 172 against, following nearly four years of organizing efforts. The election, overseen by the National Labor Relations Board, will see 100 challenged votes resolved through arbitration. The new union, part of UAW Local 2110, represents over 50 departments including conservators, curators, librarians, and digital staff, driven by concerns over job security, pay, and policy transparency.
The Heritage of London Trust has acquired David Bowie's childhood home at 4 Plaistow Grove in Bromley, southeast London, and plans to restore it to its early 1960s appearance. The railway workers' cottage, where Bowie lived from ages 8 to 20 and is believed to have written "Space Oddity," will open to the public in late 2027, offering an immersive experience centered on his bedroom. Geoffrey Marsh, co-curator of the V&A's "David Bowie Is" exhibition, will oversee the restoration, funded by a £500,000 grant from the Jones Day Foundation and a public fundraising campaign.
The Irma Stern Museum (ISM) in Cape Town, South Africa, was abruptly closed in October 2024 after the University of Cape Town (UCT) and the Irma Stern Trust ended their 56-year partnership. The museum, housed in Stern's former home The Firs, displayed her collection of artifacts and her own works. The closure sparked public outrage over lack of transparency, with staff removed without clarity and the announcement made only after pressure. The trust, owned by Nedgroup Private Wealth, plans to relocate artworks to a new storage facility and repurpose The Firs, but no reopening date has been set.
A one-night, invitation-only exhibition titled "The Open House" took place within a private midcentury home in Oregon, designed by modernism pioneer Robert Rummer. Curated by Lena Vasilenko and Emma Strgar of the experiential agency Ethereal Reflections, and presented by Marisa Swenson of Modern Homes Collective, the group show featured works by contemporary artists including Stephanie Ketty, Christopher Belluschi, Ben Latham, Aremy Stewart, and Carvers Collective. The installation was designed to integrate the artworks with the architecture, encouraging reflection on how art enhances domestic space.
Jerrell Gibbs, a former college football player and two-time college dropout, is now the subject of his first solo museum exhibition, "No Solace in the Shade," at the Brandywine Museum of Art. The article traces his unlikely journey from working double shifts in direct care to rediscovering his passion for drawing after seeing a photo of his wife and daughter, eventually earning a spot at the Maryland Institute College of Art (MICA) and building a career as a painter.
The Institute of Contemporary Art (ICA) at the University of Pennsylvania is hosting "Mavis Pusey: Mobile Images," the first museum retrospective of Jamaican-American artist Mavis Pusey (1928-2019). Curated by Hallie Ringle and Kiki Teshome, the exhibition spans five decades and features over 60 works, including seven paintings shown publicly for the first time. Pusey, who studied at the Art Students League and worked at Robert Blackburn's Printmaking Workshop, was known for her geometric abstraction at a time when many Black artists focused on figuration. The show will travel to the Hammer Museum in Los Angeles and the Studio Museum in Harlem.
The Women Photographers International Archive (WOPHA) has opened its first physical space at Green Space Miami on the city's Upper East Side. Founded in 2018 by curator Aldeide Delgado and artist Francisco Masó, WOPHA is dedicated to researching and promoting the contributions of women and non-binary photographers to modern and contemporary art. The Green Family Foundation Trust, which owns Green Space Miami, is lending the space to WOPHA until December 2026. The inaugural exhibition, "tide lines of the frame" (through December 14), features works by 2025 artists-in-residence Kat Thompson and Nathyfa Michel, curated by Cecilia González Godino of the Institute of Contemporary Art in Philadelphia.
Bronx-based abstract artist Alteronce Gumby has returned to his hometown of Harrisburg for a major exhibition at the Susquehanna Art Museum titled “If Herr Street Could Talk.” The show features 25 mixed-media works, displayed just blocks from the Herr Street neighborhood where Gumby grew up. A graduate of Harrisburg High School and Yale University, Gumby creates cosmic, color-driven paintings using materials like gemstones, resin, and glass, inspired by his childhood observations of light and color. The exhibition marks a homecoming for the internationally celebrated painter, who hopes to inspire young artists in the city.
A 1975 exhibition at the old Princeton University Art Museum, titled “To All Believers: The Art of Pamela Smith,” brought British occult artist Pamela Colman Smith out of obscurity. Smith, best known for illustrating the Rider-Waite-Smith tarot deck in 1909, had largely disappeared from public view after 1920 and died in 1951. The show was curated by Melinda Boyd Parsons, a student of art historian William Innes Homer, and brought to Princeton by museum director Peter Bunnell. The exhibition was covered by student journalist Laurie Kahn, who noted its significance as both occult art and work by a female artist.
Tony Fitzpatrick, a prolific Chicago artist known for his collages, etchings, and works on paper, died of a heart attack on 11 October at age 66. He was also a poet, author, actor, and raconteur, with his work held in major museum collections including the Metropolitan Museum of Art, the National Gallery of Art, and the Art Institute of Chicago. Fitzpatrick ran the influential gallery World Tattoo and was a vocal defender of labor unions and underdogs. He had been awaiting a double lung transplant after being diagnosed with interstitial lung disease, but continued creating until his death, including a new book and a live show at Steppenwolf Theater.
Nashville International Airport (BNA) has launched the fall/winter edition of its Flying Solo exhibit, featuring works by six Nashville-based artists: Omari Booker, Tamla Boone, Chalet Comellas, Heather Hillhouse, Brian Tull, and Taylor Walton. The exhibit, on display through January 5, 2026, includes oil paintings, acrylics, and ceramic sculptures placed throughout the airport terminals. The show is part of BNA's Arts at the Airport program, established in 1988, which rotates seasonal exhibits to showcase local creative talent.
The Vancouver Art Gallery (VAG) has selected Formline Architecture and Urbanism, based in Vancouver, and KPMB Architects, based in Toronto, to design its new building at Larwill Park in downtown Vancouver. The announcement comes ten months after the museum abandoned a Herzog & de Meuron design due to a 50% cost increase, and after parting ways with director Anthony Kiendl. The VAG has outgrown its current 1913 courthouse home, and the new project was initiated 13 years ago by former director Kathleen Bartels. A preliminary design is expected next year, though no budget, timeline, or opening date has been revealed.
The work of late Wilmington artist Minnie Evans is featured in two separate national exhibitions. One show, "The Visionary Art of Minnie Evans," is currently at the Boston Museum of Fine Art after opening at The Gund museum at Kenyon College, while a larger exhibition, "The Lost World: The Art of Minnie Evans," will open at Atlanta's High Museum of Art in November 2025 before traveling to New York's Whitney Museum in summer 2026. Evans, a self-taught artist who worked at Wilmington's Airlie Gardens and died in 1987, gained initial recognition in the 1960s after being discovered by photographer and art historian Nina Howell Starr, but had not been the subject of a major national gallery show since the 1990s.
Loyola University Museum of Art (LUMA) opened "Freedom in Form: Richard Hunt" on July 11, 2025, running through November 15, 2025. Originally planned as a celebration of the renowned Chicago sculptor's career while he was still alive, the exhibition became a posthumous tribute after Hunt died on December 16, 2023, at age 88. The show originated at the Abraham Lincoln Presidential Library and Museum (ALPLM) in Springfield, suggested by Illinois First Lady MK Pritzker, and was later brought to LUMA in Hunt's hometown. It features sculptures, maquettes, tools, his personal workbench, and over 250 books from his library of 5,000 volumes, highlighting his seven-decade career and his role as an adjunct faculty member at Loyola University Chicago.
Sotheby's has announced that its new flagship auction house and gallery space, located in the iconic Breuer Building on Madison Avenue, will open on November 8. The building, designed by Marcel Breuer in 1966, originally housed the Whitney Museum of American Art and later served as temporary home for The Frick Collection and the Metropolitan Museum of Art. The opening exhibition will feature works for Sotheby's marquee modern and contemporary art auctions, followed by pieces for Luxury Week in December. The building also includes a new restaurant from the team behind La Mercerie, and the galleries will be free and open to the public.
Zero Art Fair held its first New York City edition at the Flag Art Foundation, offering artworks for free under a novel contract system. Instead of paying upfront, collectors took home 179 works valued at $537,500 by presenting a paper card, with artists retaining certain rights. The fair, co-founded by artists William Powhida and Jennifer Dalton, involved over 300 applicants and 90 participating artists, with costs underwritten by Flag Art Foundation and Gagosian.
The Loyola University Museum of Art (LUMA) has opened "Freedom in Form: Richard Hunt," an exhibition showcasing the work of the late Chicago sculptor who created over 160 public monuments across the U.S. The show, which runs through Nov. 15, 2025, features sculptures, maquettes, tools, and selections from Hunt's personal library, offering an intimate view of his career. It premiered in 2024 at the Abraham Lincoln Presidential Library in Springfield, where it was organized after First Lady of Illinois M.K. Pritzker recommended Hunt. The exhibition includes early works like "Hero's Head" (1956), inspired by Emmett Till, and later pieces such as "Hero Ascending," planned for installation at the Emmett Till/Mamie Till-Mobley historic landmark home.
The Art Gallery of Algoma celebrated its 50th anniversary on July 7, which also marked the inaugural Group of Seven Day in Ontario. The gallery opened its current home with a ribbon-cutting by A.J. Casson, the last living member of the Group of Seven. Festivities included family art activities, live music, an exhibition tour, a talk on the Group of Seven in Algoma, birthday cake, and Indigenous art activities led by Lucia Laford. The gallery's connection to the Group of Seven dates back to its first exhibition, which featured works by the group, and the artists frequently painted in the Algoma region during the 1920s.
Photographer Iwan Baan has released images of the completed David Geffen Galleries, the long-awaited Los Angeles County Museum of Art (LACMA) expansion designed by Swiss architect Peter Zumthor. The undulating, glass-and-concrete building stretches along Wilshire Boulevard, elevated 30 feet above street level, and is set to open fully in April 2026. Major construction finished at the end of 2024, with some lower-level spaces already open. The single-level design eliminates traditional hierarchies, placing all artworks on the same plane, and the building aims for LEED Gold certification with low-carbon concrete and natural ventilation.
The Los Angeles County Museum of Art (LACMA) has released new photographs of its David Geffen Galleries, designed by architect Peter Zumthor with SOM as collaborating architect. The building, a long horizontal glass and concrete structure curving along Hancock Park and Wilshire Boulevard, opened temporarily for a three-day preview last week and is scheduled to open to the public in April 2026. The 347,500-square-foot wing includes 110,000 square feet of gallery space, along with street-level pavilions housing a theater, store, bar, and education center. To mark the preview, LACMA hosted three "sonic previews" featuring composer Kamasi Washington leading over 100 musicians in a performance of his work Harmony of Difference. Architectural critic Christopher Hawthorne described the wing as "bold and compromised in nearly equal measure," while Zumthor noted that curators initially critical of the spatial layout have begun to appreciate the space and the beauty of the handmade concrete structure.
Bristol City Council has launched a one-week public fundraising campaign to raise £100,000 toward purchasing a newly attributed J.M.W. Turner oil painting, *The Rising Squall, Hot Wells, from St Vincent’s Rock, Bristol*, which is consigned to auction at Sotheby’s London on 2 July with an estimate of up to £300,000. The painting, made in 1792 when Turner was 17, was previously sold at Dreweatts Donnington Priory for £524.80 as a work by a follower of Julius Caesar Ibbetson. If acquired, the work would go on display at Bristol Museum and Art Gallery this summer and will also be included in the upcoming *Turner and Constable* exhibition at Tate Britain.
Lesia Vasylchenko, a Kyiv-born artist, has won the 2025 PinchukArtCentre Prize, receiving 400,000 Ukrainian hryvnia (about $10,000). Her winning installation includes two video works: one reflecting on the shelling during Russia's full-scale invasion of Ukraine, and another using AI to compress 30 years of sunrises into a single event. At the awards ceremony held on 18 June in Kyiv—a day after a deadly Russian drone attack killed at least 28 people—Vasylchenko announced she would donate the entire prize to support the Armed Forces of Ukraine. Special prizes were awarded to painter Kateryna Aliinyk and artist Yevhen Korshunov, each receiving 100,000 hryvnia and additional support.