Nicole Hollander, the creator of the long-running comic strip "Sylvia," has died at the age of 86. For over three decades, she wrote and illustrated the strip, which centered on a tart-tongued, witty woman who freely expressed her many opinions, becoming a staple of feminist humor in American newspapers.
JR métamorphose le Pont-Neuf en immense caverne immersive
French artist JR has transformed the Pont-Neuf in Paris into a massive immersive cave installation titled "La Caverne du Pont-Neuf," unveiled in May 2026. The work pays homage to Christo and Jeanne-Claude's 1985 wrapping of the same bridge, using an inflatable double-wall structure covered with printed fabric to simulate rock formations and a prehistoric cave. The 120-meter-long installation is free and open to the public day and night, featuring augmented reality experiences via mobile devices and VR glasses, with a soundscape by a former Daft Punk member. The project, budgeted at €10.9 million funded by private sources, marks the first time JR has invited the public inside one of his works.
Le Musée d’Ixelles à la croisée de différents regards
The Musée d’Ixelles in Brussels, closed for eight years for expansion and renovation, is nearing completion of its architectural transformation with a reopening scheduled for spring 2027 (March 19). Founded in 1892 in a former slaughterhouse, the museum has grown through successive donations and a continuous acquisition policy, now holding over 15,000 works spanning Belgian art from the 19th century to the contemporary period. Director and curator Claire Leblanc, who has led the institution since 2006, emphasizes a participatory approach that integrates diverse public perspectives, including a project called "Musée comme chez soi" during the closure where locals hosted artworks in their homes.
On Tuesday, April 28, at IED Firenze (former Teatro dell'Oriuolo), the collective performance "In corpo presente" took place as the final act of a research project exploring contemporary meanings of freedom, presence, belonging, and collective action. Since December 2025, 50 students from various disciplines at IED Firenze have been involved in the project, guided by artist Jacopo Benassi.
Berlin-based Swedish artist Sanna Helena Berger makes her Danish debut with "Difference" at Matteo Cantarella in Copenhagen. The exhibition explores the concept of the remainder—the mathematical and physical space left behind when one value is subtracted from another—through a series of sculptural and spatial interventions.
Pat Oleszko has opened a major solo exhibition, "Fool Disclosure," at SculptureCenter in New York. The show features her signature sculptures and costumes, which are designed to be activated through performance, and includes new works created specifically for the presentation.
The Gallery of Art 850 in Panama City, Florida, hosted an opening reception for 'The Color Blue' art exhibit on Thursday evening. This is the second in a series of themed exhibitions, following last year's 'The Color Red' held in conjunction with the RedFish Film Festival. The show features 75 works in all media, from paintings to sculptures, all incorporating shades of blue, up from 63 entries last year.
A new contemporary art gallery called Connelly Martin is opening with two locations: one in Austin, Texas, and another in Ketchum, Idaho, near the Sun Valley ski resort. Founded by Bailey Connelly and Lily Martin, the gallery will feature emerging and mid-career artists, with each location hosting five exhibitions annually. The Austin space opens February 13, followed by the Sun Valley location on July 11, and the gallery plans two pop-ups each year in different towns. The inaugural show in both spaces will be a group exhibition, including work by Austin textile artist Elizabeth Hohimer.
The Chico Art Center is presenting a dual exhibition featuring landscape paintings by Dayton Claudio and ceramic sculptures by the late Nora Pineda. Claudio, known for his public murals including a 3D mural on a parking garage in downtown Chico, draws inspiration from nature and urban landscapes. Pineda, who passed away in April, created clay works influenced by her Mexican heritage and studied art at Chico State. The exhibition runs until July 18, with an opening reception on June 21.
Josiane M.H. Pozi's exhibition "PORTRAIT O.A.Y.G." at Carlos/Ishikawa in London is reviewed through an unconventional, fragmented narrative that blends a play script with critical observation. The review describes Pozi's video works, including "Rhythmic Stimming" (2025) and "Restaurants" (2023), which capture mundane domestic scenes and personal artifacts. The text shifts between a first-person account of meeting the artist and a scripted dialogue between characters J and E, reflecting the exhibition's themes of identity, selfhood, and the poetic potential of everyday objects.
The article shares excerpts from Akira Kurosawa's memoir detailing the production of his 1950 film 'Rashomon.' It focuses on the director's meticulous location scouting in Kyoto and Nara, his struggle with studio executives who found the project difficult, and the evolving, grandiose mental image he developed for the film's central gate, based on his research into historical architecture and city plans.
Is It Simple to Be a Communist in Philosophy? Review of Alberto Toscano, Communism in Philosophy
The article reviews Alberto Toscano's book 'Communism in Philosophy', which examines the intellectual convergence of philosophers Alain Badiou and Antonio Negri. Both thinkers, whose major works gained prominence in the early 2000s, are analyzed for their shared commitment to rethinking communism as a philosophical concept beyond its historical political failures.
How Much Did It Cost to Paint a Pompeii Room Egyptian Blue?
A new study has calculated the staggering cost of painting a room in Pompeii with Egyptian blue pigment. Researchers determined that covering the walls of a recently discovered "Blue Room," a sacred shrine, would have required between 2.7 and 4.9 kilograms of the prized synthetic pigment. Based on prices recorded by Pliny the Elder, this quantity of high-grade pigment would have cost between 50% and 90% of a Roman legionary's annual salary, highlighting it as an extreme luxury.
Banksy's painting *Girl and Balloon on Found Landscape* sold for $18 million (£13.3 million) at a Fair Warning auction held at Tiffany & Co.'s Landmark store in New York. The 2012 work, which reimagines a traditional pastoral landscape with the artist's iconic balloon motif, was purchased by an anonymous US bidder after a phone battle. The result places it among the three highest auction prices ever achieved for a Banksy artwork, surpassing *Sunflowers From Petrol Station* and trailing only *Game Changer* and *Love Is in the Bin*.
Graphic artist Jim Phillips, the 81-year-old creator of the iconic "Screaming Hand" logo for Santa Cruz Skateboards, has opened his first solo gallery in his hometown of Santa Cruz, California. The exhibition, titled "Jim Phillips: New Fine Art Prints and Classic ’70s and ’80s Pen and Ink Drawings," runs at the R. Blitzer Gallery and features 15 new large-scale art prints and 30 hand-drawn pen-and-ink works from 1971 to 2026. The show includes his famous "Screaming Hand" and "Hand Wave" pieces, alongside surf, skate, and rock poster art from his career, which includes work for The Doors, James Brown, and Neil Young.
Gallery of Art 850 in Panama City, Florida, hosted the opening reception for 'The Color Blue' art exhibit on Thursday evening. The show is the second in a series of themed exhibits, following last year's 'The Color Red' which coincided with the RedFish Film Festival. Artists were invited to create works featuring shades of blue, and the exhibit includes 75 entries spanning paintings and sculptures, up from 63 last year.
Quddus Mirza’s latest exhibition, "New Works" at Canvas Gallery in Karachi, marks a significant stylistic shift as the veteran artist, critic, and educator embraces the concept of "unlearning." Drawing inspiration from the raw honesty of children's drawings, Mirza presents twelve striking paintings that shed academic discipline in favor of blunt expression and intuitive mark-making. The works frequently utilize a dominant red palette to signal urgency, revolution, and bloodshed, juxtaposing domestic imagery with symbols of global unrest.
Saina Heshmati and Amir Amini have opened ANTiPODE Art Gallery in Seattle’s Pioneer Square, a new space dedicated to showcasing the work of immigrant artists. Located in a basement shared with the Seattle Jazz Fellowship, the gallery functions as a multi-modal hub for cultural exchange, hosting art exhibitions alongside film screenings, tea ceremonies, and experimental music. The founders, both Tehran natives, aim to bridge the gap between Seattle and distant global cities through diverse programming that emphasizes the intersection of different artistic disciplines.
A new exhibition titled "Fool Me Twice" has opened at Robert Lange Studios in Charleston, South Carolina, featuring 20 international artists who explore the tradition of trompe l’oeil—a technique that uses hyperrealistic illusion to blur the line between reality and representation. Works include George Ayers’s "Swamp Frog," where a frog appears to break through the canvas, and Sharon Moody’s "The Year of Great Shocks," a meticulously painted comic book spread. The show runs through May 25, 2025.
Tiffany & Co. has released a new iteration of its Bird on the Rock collection, drawing inspiration from the Virginia estate of the late Rachel Lambert “Bunny” Mellon, a horticulturalist, art collector, and devoted patron of Tiffany designer Jean Schlumberger. Mellon, who died at age 103, owned nearly 150 pieces by Schlumberger, including one of the first Bird on the Rock brooches from 1965. The new collection, designed under Chief Artistic Officer Nathalie Verdeille, features fine and high jewelry pieces that echo Schlumberger's original motifs, with gemstones like tanzanite and turquoise chosen to honor his preferences.
Quel avenir pour les centres d’art ?
The article examines the uncertain future of contemporary art centers in France, a category that encompasses vastly different institutions from major venues like the Palais de Tokyo to smaller regional spaces. These non-collecting institutions, dedicated to exhibiting emerging artists and experimentation, face fragility due to heavy reliance on local government funding and difficulty proving their utility to elected officials. Their core mission is further challenged by more robust regional contemporary art funds (Fracs), which have greater resources for similar goals of exhibiting ultra-contemporary art and cultural democratization.
Une grande jardinière de Dalpayrat acquise par Orsay
The Musée d'Orsay in Paris has acquired a large jardinière (planter) by French ceramicist Adrien Dalpayrat, along with a jewelry coffer by Henri-Auguste Fourdinois. The purchases were made from a sale at Hôtel Drouot by the Thierry de Maigret auction house, where the museum notably did not exercise preemption rights on other works by Jean-Marie Pointu, Eugène Lion, and Paul Jeanneney. The museum justified its inaction by citing the cost of these two acquisitions.
The Swiss Institute in New York has opened a new exhibition titled “De Anima,” pairing sculptor Elizabeth King and painter Louise Bonnet. Curated by director Stefanie Hessler, the show explores the boundaries between the living and the lifelike, featuring King's intricate automata and stop-motion films alongside Bonnet's large-scale oil paintings of fleshy, gestural figures. The artists, introduced by Hessler at an opening last year, discovered a shared fascination with involuntary bodily movements—twitching eyes, clenched jaws—and the invisible labor of artistic craftsmanship.
Columnist Philip Kennicott reports that the Smithsonian's most contested exhibition has returned to public view, largely intact, despite ongoing culture war attacks from the Trump administration. Since Donald Trump returned to office in January 2025, the Smithsonian has been a primary target for the administration's campaign against diversity and inclusion initiatives, as well as historical narratives that address slavery, Native American genocide, and the struggles of marginalized communities.
Artistree Gallery in South Pomfret, Vermont, is hosting "Unbound Vol. XIV," an annual exhibition of book art coinciding with the Bookstock literary festival. The show features works by artists including Andre Lee Bassuet, Carole McNamee, Larry Clifford, and Dorsey Hogg, who transform discarded books into sculptures, quilts, and wearable pieces. Notable works include Bassuet's "A Thin Veil," a shawl made from pages of Soviet writer Ilia Ehrenburg's collected works, and "Women in the Field," a cyanotype cloak honoring pioneering women naturalists.
A tiny art gallery in downtown Hammond is drawing attention by showcasing miniature artworks, attracting both local artists and visitors. The gallery, which operates on a small scale, has become a hub for tiny art pieces, including paintings, sculptures, and mixed-media works, all created to fit the compact space. The initiative aims to make art accessible and engaging in a unique, intimate setting.
Laura Pass Barry has been appointed the Carlisle H. Humelsine chief curator at Colonial Williamsburg, a role that expands her responsibilities to include leadership of Collections, Conservation and Museums as vice president. Barry began her career at Colonial Williamsburg over 30 years ago as a curatorial intern in folk art, later working as assistant curator to Margaret Pritchard and eventually overseeing the graphics, paintings, and folk art collections. She holds degrees from the College of Wooster and the College of William & Mary.
Internationally renowned ceramic artist Jin Eui Kim will present his exhibition "Simplicity and Complexity" at The Base, Greenham, from June 26 to August 30. The show features sculptural works exploring illusion and reality, alongside a program of workshops and an evening talk with the artist. Kim, originally from South Korea and now based in Cardiff, holds an MA and PhD in ceramics from Cardiff School of Art & Design, and his work is held in major public collections including Manchester Art Gallery and the National Museum Wales.
Bruce Katsiff, the founding director of the Michener Art Museum in Doylestown, Pennsylvania, has returned to the institution with his first-ever exhibition at the museum, titled 'Pieces of a Life.' The retrospective showcases six decades of Katsiff's photography, including series such as 'Face Maps,' 'River Town Portraits,' and 'Nature Morte,' as well as collaborative works never before exhibited. Katsiff, who led the museum from 1989 to 2012, transformed it from an arts center into a full-fledged museum, building a collection focused on regional artists from Bucks County and overseeing the installation of iconic spaces like the Nakashima Room.
Two group exhibitions, *Prakriti: A Quiet Continuum* and *Living Lineages*, have opened in Hyderabad, showcasing a mix of contemporary and folk artists. *Prakriti* features artists like Lal Bahadur Singh, Sumanto Chowdhury, Roy K John, and K. Sudheesh, each exploring nature as both external landscape and inner state through personal lenses. *Living Lineages* brings together indigenous and folk artists including Bhuri Bai, Balu Jivya Mashe, Saroj Venkat Shyam, and Venkat Raman Shyam, highlighting traditions such as Warli, Bhil, Gond art, and Cheriyal scrolls from Telangana. Gallerist Rekha Lahoti notes the exhibitions are designed to create a dialogue between contemporary and living traditions, addressing collector curiosity about their differences.