Morocco debuts at the Biennale with an exploration of its age-old craft traditions

Morocco is debuting its first national pavilion at the Venice Biennale with a monumental installation titled "Asetta" by artist Amina Agueznay. The 300-square-meter site-specific work, located in the Arsenale, draws on centuries-old Moroccan craft traditions, including weaving, beadwork, and embroidery. Agueznay conducted field research across Morocco and collaborated with over 130 artisans, mostly women, some of whom she has worked with for decades. The installation explores the transmission of traditional craftsmanship and shared memory, and incorporates the concept of the threshold (âatba) from Moroccan vernacular architecture, offering visitors both an immersive experience and functional seating.

Reaching for the stars: enduring symbols of Soviet science – in pictures

Photographer Eric Lusito documents Soviet-era scientific institutes across former USSR states in his book "Soviet Scientific Institutes," published by FUEL. The photo essay captures decaying facilities and enduring equipment at locations including the Institute of Radio Astronomy in Kharkiv, Ukraine; the Byurakan astrophysical observatory in Armenia; the Andronikashvili Institute of Physics in Tbilisi, Georgia; and the Fesenkov Astrophysical Institute in Kazakhstan, among others.

Metal Detectorists Unearth Norway’s Largest-Known Viking Coin Hoard

Two hobbyist metal detectorists, Rune Sætre and Vegard Sørlie, discovered Norway's largest-known Viking Age coin hoard in a field in Østerdalen, east-central Norway. Starting with 19 silver coins on April 10, the find grew to over 3,250 coins dating from the 980s to the 1040s, surpassing the previous record of 1,800 coins found in the 1800s. The hoard includes coins minted under Æthelred the Unready, King Cnut, and Holy Roman Emperor Otto III, as well as early Norwegian coins from after Harald Hardråde's return from Byzantium. The coins have been transferred to the Museum of Cultural History in Oslo for expert analysis.

U.S. Returns Hundreds of Looted Antiquities to Italy

U.S. officials formally returned 337 looted antiquities, archival materials, and artworks to Italy during a ceremony at Rome’s La Marmora barracks. The objects, spanning from the Villanovan era (900–700 B.C.E.) through the Hellenistic period (323–31 B.C.E.), include Etruscan, Greek, Italic, and Egyptian artifacts. The repatriation was coordinated by Italy’s Carabinieri Command for the Protection of Cultural Heritage, the U.S. Federal Bureau of Investigation, the Department of Homeland Security, and the office of Manhattan District Attorney Alvin Bragg Jr. Key items include a marble head of Alexander the Great, a bronze sculpture from Herculaneum, and Egyptian basalt sculptures. Some 221 objects were recovered via the Manhattan DA, while the remaining 116 were secured with help from Christie’s.

‘A constant quiet terror’: Getting lost in Irish folklore – in pictures

Maria Lax's photobook *Stray Sod* draws on Irish folklore and archival accounts from the Irish National Archives to explore the phenomenon of the 'stray sod'—enchanted patches of earth said to disorient and lead travelers astray, especially at night. Her images reimagine rural Irish landscapes as sites of sudden confusion, where familiar landmarks vanish and fog or mist descends, evoking a sense of 'constant quiet terror'.

Co-Working Meets Art at Brooklyn’s Newest Experimental Space

Brooklyn’s newest experimental art space, The Gallery (stylized as “The Gallry”), has opened on the fourth floor of a former automobile service station in Prospect Heights, now converted into creative offices. Curated by artist Florian Meisenberg, the exhibition features site-specific works by over 40 artists installed throughout a former guitar-string manufacturer’s office, including cubicle walls, utility closets, and HVAC systems. The space also functions as a co-working hub, with free daily spots for subscribers. The show runs through May 24 and includes events like screenings, poetry readings, and satirical corporate-themed programming.

Shelley’s hair to Schindler’s list: the most fascinating objects in the State Library of NSW – in pictures

The State Library of NSW is celebrating its 200th anniversary with a new exhibition featuring 200 objects from its collection of 6 million items. Lead curator Elise Edmonds and her team selected highlights including a lock of Mary Shelley's hair, the smallest book in the library's collection (measuring 6mm by 6mm), bread wrappers from the 1960s, a colonial sketchbook from 1817, a Dharawal Indigenous language wordlist, Australia's oldest surviving political cartoon from 1808, and a contemporary artwork by Wiradjuri artist Karla Dickens. The objects span literature, colonial history, Indigenous culture, sport, and everyday life.

These Four Filmmakers Have Never Fully Gotten Their Due. The Kitchen Wants To Change That.

The Kitchen, a New York nonprofit arts organization, held its annual spring gala at City Winery to honor four female filmmakers: Cheryl Dunye, Garrett Bradley, Shari Frilot, and Catherine Gund. The event was co-chaired by prominent figures including Ava DuVernay, Julie Mehretu, and Komal Shah, and featured performances, remarks, and a crowd of artists, curators, and collectors. The gala celebrated the filmmakers' contributions to cinema, with special recognition of their work in expanding representation and narrative boundaries.

The LA Art World’s New Obsession Is a Theater Where Artists Run the Show

Calla Henkel and Max Pitegoff, former artistic directors of Berlin's Grüner Salon, launched New Theater Hollywood in 2024 as a nonprofit venue on Santa Monica Boulevard. The 49-seat theater specializes in genre-defying, multidisciplinary collaborations, staging works like Sophie Becker's ventriloquist act *Ronnie's Big Idea* and Diamond Stingily's *The Driver*. Every performance sells out, attracting a cult following of literary, art world, and pop culture figures who often linger to discuss shows.

Can a Venice Biennale Pavilion Be Rock ‘n’ Roll? At the Belgium Pavilion, Miet Warlop Makes the Case.

Miet Warlop, a Belgian artist known for her avant-garde theater work, is representing Belgium at the 2026 Venice Biennale with a performance-installation titled "IT NEVER SSST." The project transforms the Belgian Pavilion into a chaotic, sensory-filled space where performers climb wooden structures, bang drums, and break plaster boards inscribed with multilingual text, reflecting the noise and misunderstandings of contemporary life. Curated by Caroline Dumalin, the pavilion blurs the line between theater and visual art, with live performances occurring only part of the time while sculptors continuously remake plaster reliefs throughout the Biennale's run.

Ex-Votos of Disobedience: Débora Arango in Dialogue with Alfonso Quijano

EXVOTOS DE LA DESOBEDIENCIA: DÉBORA ARANGO EN DIÁLOGO CON ALFONSO QUIJANO

The exhibition "Exvotos de la desobediencia: Débora Arango en diálogo con Alfonso Quijano" at the Claustro de San Agustín of the Universidad Nacional de Colombia, curated by María Belén Sáez de Ibarra, brings together paintings and watercolors by Débora Arango (born 1907) alongside woodcuts by Alfonso Quijano (born 1927). The show proposes a dialogue that addresses persistent violence, inequality, and exclusion in contemporary life, with sacred symbols coexisting with bodies marked by desire, guilt, hunger, and resistance. Arango's work is presented as one of the earliest and most radical expressions of feminism in Latin American art, challenging patriarchal structures that have historically marginalized women and their images from public spaces.

WAYAMOU: LENGUAS DE LO COMÚN. LAURA ANDERSON BARBATA Y SHEROANAWE HAKIHIIWE

The exhibition "Wayamou: Lenguas de lo común" at the Museo Tamayo in Mexico City presents the collaborative work of artists Laura Anderson Barbata and Sheroanawe Hakihiiwe, whose artistic and political relationship spans over three decades. The show traces their shared history, beginning in the early 1990s when Barbata traveled to the Venezuelan Amazon and taught handmade papermaking using local plant fibers, introducing Hakihiiwe to a sustained visual exploration of Yanomami cosmology, oral tradition, and legacy. In 1992, they co-founded Yanomami Owë Mamotima ("Yanomami art of papermaking"), a project enabling the community to tell its own stories through its own visual and linguistic codes, exemplified by the handmade book "Shapono (Casa)" (1996).

Barrie artist bringing Louvre-inspired realism to Aurora gallery

Micak Gallery in Aurora is presenting "Gilded Gold," a solo exhibition by Barrie-based artist JR Newton, featuring new oil paintings on view from May 16 through June 13, 2026. The show includes a live painting event on May 16 and an artist talk and reception on June 4. Newton's highly technical realist works, inspired by a recent trip to the Louvre, reimagine Renaissance portraiture, femininity, and historical grandeur through a contemporary lens, incorporating drapery and jewelry as central motifs.

Nicht mal Engel sind frei von der Gewalt

Janiva Ellis presents a multifaceted exhibition at Kunsthalle Basel, exploring the history of violence in modernity through paintings that blend history painting, cartoon, and abstraction. Her works, including "Glint" and "Une nuit agitée," feature angels, hybrid creatures, and dystopian landscapes, questioning the origins and functions of violence in art history and society.

The 10 Best Venice Films

Die 10 besten Venedig-Filme

Monopol magazine has published a ranking of the ten best films set in Venice, timed to coincide with the opening of the Venice Art Biennale. The list includes titles such as Steven Spielberg's "Indiana Jones and the Last Crusade" (1989), Joseph L. Mankiewicz's "The Honey Pot" (1967), and Kenneth Branagh's "A Haunting in Venice" (2023), highlighting how the lagoon city serves as a central character in action films, comedies, and love dramas.

The Great Shitshow

Die große Shitshow

Florentina Holzinger has transformed the Austrian Pavilion at the Venice Biennale into a radical performance installation titled "Seaworld Venice." The piece features naked performers suspended from meat hooks, a performer ringing a bell while dangling upside down from a crane, a woman on a jetski circling inside a flooded pavilion, and a system where visitors are invited to urinate into portable toilets, with the waste processed and recirculated into the water. The work combines extreme physical stunts, nudity, and bodily fluids to create a visceral, immersive experience that has drawn long queues and stunned reactions from the art world.

It's a Rollercoaster of Emotions

"Es ist ein Wechselbad der Gefühle"

Sung Tieu has been selected to represent Germany at the Venice Biennale with a solo exhibition in the German Pavilion. In an interview with Monopol, she discusses how her personal biography—as a Vietnamese-German artist—informs her practice, which examines Vietnamese migration to East Germany, the rise of right-wing extremism, and the cold, bureaucratic language of state power. The exhibition will bring these themes to an international audience in Venice.

A Photographer of Newark’s People Gets a Show Among the People

Manuel Acevedo, a photographer known for documenting the people of Newark, New Jersey, is having his works displayed across the city in highly visible outdoor locations. The exhibition places his portraits directly in the neighborhoods and public spaces where his subjects live and work, making the art accessible to the very community that inspired it.

Review: Sophie Rivera’s Photos Come Out From the Shadows

Sophie Rivera's first museum survey, titled "Double Exposures," is now on view, showcasing her decades-long career photographing New Yorkers. The exhibition highlights both her traditional portraiture and her more experimental, double-exposure techniques that capture the city's diverse inhabitants in unexpected ways.

Introducing the Etnia House of Arts Residency Program

Etnia Eyewear Culture, the cultural arm of Etnia Barcelona, has launched the Etnia House of Arts residency program in Venice. Housed in the restored Chiesa dell’Abbazia della Misericordia, the contemporary art space invites artists to create site-specific works during two-week residencies, using eyeglasses as a conceptual starting point to explore vision, identity, and representation. The first two residents, Conxi Sane and Greta Pllana, have already produced interventions—Membrane and The Shape I Kept—that expand the symbolic possibilities of the object.

Theme and title announced for Wang Shu and Lu Wenyu’s 2027 Venice Architecture Biennale

Wang Shu and Lu Wenyu have announced the theme and title for the 2027 Venice Architecture Biennale: "Do Architecture – For the Possibility of Coexistence Facing a Real Reality." The curators posed a series of questions addressing global climate change, the coexistence of land and architecture, natural materials versus modern construction, and urban-rural development conflicts. They emphasized that architecture is not just theoretical but must be practiced firsthand, confronting real reality through real construction. The duo, founders of Amateur Architecture Studio, have a long history with the Biennale, having participated in 2006 and 2010, where they received a Special Mention for their project 'Decay of a Dome.' The twentieth edition of the Architecture Biennale opens in May 2027.

JR transforms the Pont-Neuf into an immense immersive cave

JR métamorphose le Pont-Neuf en immense caverne immersive

French artist JR has transformed the Pont-Neuf in Paris into a massive immersive cave installation titled "La Caverne du Pont-Neuf," unveiled in May 2026. The work pays homage to Christo and Jeanne-Claude's 1985 wrapping of the same bridge, using an inflatable double-wall structure covered with printed fabric to simulate rock formations and a prehistoric cave. The 120-meter-long installation is free and open to the public day and night, featuring augmented reality experiences via mobile devices and VR glasses, with a soundscape by a former Daft Punk member. The project, budgeted at €10.9 million funded by private sources, marks the first time JR has invited the public inside one of his works.

À la Biennale de Venise, le pavillon de l’Ouzbékistan fait revivre la mer d’Aral

The Uzbekistan Pavilion at the 61st Venice Biennale, curated around the figure of author Allayar Darmenov, brings together artists including Vyacheslav Akhunov, Zi Kakhramonova, A. A. Murakami, Zulfiya Spowart, and Nguyen Phuong Linh to explore the ecological disaster of the Aral Sea. Once the world's fourth-largest lake, it was drained by Soviet irrigation projects for cotton farming; the pavilion's installations—such as Kakhramonova's participatory salt-fish molding piece and Spowart's cradle-like sculpture—imaginatively revive the vanished sea and its endemic species.

À Marseille, l’installation textile monumentale d’Adrien Vescovi déploie ses couleurs

Artist Adrien Vescovi has installed a monumental textile work titled "Dormir comme le soleil" at the Vieille Charité in Marseille. The installation features over 600 dyed sheets suspended across 108 arches of the former hospice, using natural pigments from plants, spices, and ochres. The fabrics, dyed in a labor-intensive process involving large wooden spoons and cauldrons, are designed to fade and evolve over the eight-month exhibition, responding to wind, humidity, and Mediterranean light.

Brittany Invites Itself to the Venice Biennale: An Unusual Pavilion Dedicated to Breton Creation Moors in the Lagoon

La Bretagne s’invite à la Biennale de Venise : un insolite pavillon dédié à la création bretonne s’est amarré dans la lagune

For the 61st Venice Biennale, a group of artists and art figures from Brittany have created an unofficial "Breton pavilion" in the form of a spectacular sailboat moored on the island of San Giorgio Maggiore. The boat, designed by artist Joachim Monvoisin, features contributions from Morgane Tschiember (who sewed a sail with a black cross, the 11th-century Breton flag) and master glassmaker Andrew Erdos (who made the navigation lights). Performances during the opening week included readings by Breton authors and traditional music concerts with binious and bombardes on the Via Garibaldi.

Hilma af Klint en 2 minutes

Hilma af Klint (1862–1944) is profiled as a pioneering Swedish abstract artist who created a vast body of visionary, large-scale abstract paintings decades before Kandinsky, yet kept them secret during her lifetime. The article traces her life from a childhood steeped in science and nature, through her studies at the Royal Academy of Fine Arts in Stockholm, to her dual artistic practice: conventional landscapes and portraits for income, and radically abstract works guided by spiritualist séances and theosophical beliefs. She founded the group "The Five" with fellow female artists, and from 1906 onward produced the monumental series "Paintings for the Temple" (193 works), convinced she was channeling a higher force. She stipulated in her will that her abstract works not be revealed until 20 years after her death, and they were only rediscovered in the late 1960s.

La Rocabella : une résidence d’artistes paradisiaque qui croise les disciplines près de Toulon

La Rocabella, a Belle Époque villa near Toulon, France, has been transformed into an interdisciplinary artist residency by Jean-Baptiste Rudelle, co-founder of Criteo. Built in 1898 by architect Hans-Georg Tersling, the estate now hosts ceramic sculptors, comic artists, documentary filmmakers, and musicians in two-month sessions, with themes like 'Les Gardiennes de la mer' linking their work. The residency, funded entirely by Rudelle, aims to foster cross-disciplinary collaboration in a serene Mediterranean setting.

Sarah Rowe Will Light Up Native Neon Residency in Kingston, NY

A new residency program for Indigenous artists working with neon for the first time has been launched through a collaboration between the Walker Youngbird Foundation and Lite Brite Neon Studio in Kingston, New York. Sarah Rowe, a painter and installation artist from Omaha, Nebraska, was selected as the first recipient from over one hundred applicants. She plans to create a work inspired by the heyoka, a trickster figure from Lakota tradition, and will receive a $10,000 stipend plus fully funded fabrication, materials, studio time, and technical instruction valued at around $50,000. The resulting artwork will be publicly presented, and Rowe will retain full intellectual property rights and ownership.

Israel’s Artist Said to Have Threatened Legal Action Before Venice Biennale Jury Resignation

Belu-Simion Fainaru, the artist representing Israel at the 2024 Venice Biennale, allegedly threatened legal action against Biennale officials, accusing them of “racial discrimination” and “antisemitism” after the international prize jury announced it would exclude countries whose leaders are charged with crimes against humanity—effectively barring Israel and Russia from awards. The jury, handpicked by late artistic director Koyo Kouoh, resigned en masse on April 30, citing their earlier statement of intent. Fainaru had previously opposed calls to exclude Israel over its military actions in Gaza, arguing for dialogue over boycotts.

SILENCE HAS MATTER ETHIOPIA BRINGS THE WORK OF TEGENE KUNBI TO THE VENICE BIENNALE

The Ethiopia Pavilion at the 61st Venice Biennale presents "Shapes of Silence," an exhibition by artist Tegene Kunbi, curated by Abebaw Ayalew, running from May 9 to November 22, 2026, at Palazzo Bollani. The show marks the culmination of Kunbi's thirty-year practice, exploring silence as a social and political condition through abstraction, textiles, and assemblage, drawing on Ethiopian folkloric traditions and material histories.