Art exhibits abound this fall at Pitt State

Pittsburg State University's Art Department is hosting a series of free exhibitions in its two galleries at Porter Hall this fall. Featured shows include Katie Petersen's "Centripetal: The Return to the Self" (Sept. 3–Oct. 10) at the Harry Krug Gallery, exploring balance and health through pastel colors and x-ray imagery; Diane Bronstein's "Unreal city" at the University Gallery, blending vintage photography with embroidery to address climate change; "Seeded: Art After Investment" (Oct. 15–Nov. 10) showcasing faculty and student works made possible by grant funding; and Jason Tanner Young's "Finder" (Oct. 22–Dec. 15), a sculpture exhibition examining the relationship between objects and memory. All exhibits and receptions are free and open to the public.

Brooklyn exhibit showcases art by Rikers Island inmates

A groundbreaking exhibition at the Von King Cultural Arts Center in Brooklyn's Bedford-Stuyvesant neighborhood features 20 artworks created by inmates at Rikers Island. The show, organized in collaboration with the New York City Department of Correction, includes pieces made with unconventional materials such as markers, cardboard, bedsheets, and toothpaste due to restricted access to traditional art supplies. One featured artist, Brian Croskey, was granted a rare supervised visit to see his work on display, as inmates are typically only allowed to leave for court dates or medical visits.

Nora Schultz at Galerie Meyer Kainer

Nora Schultz at Galerie Meyer Kainer

Nora Schultz has opened a new solo exhibition, "Now and The non-watch," at Galerie Meyer Kainer in Vienna. The show, running from January 23 to March 14, 2026, features a collection of new sculptural and installation works documented through 32 images. The presentation is a continuation of Schultz's practice of creating site-responsive pieces that often incorporate industrial materials and explore the mechanics of display.

Alice Peach “Still Curly” at Iowa, New York

Alice Peach’s solo exhibition "Still Curly" at Iowa, New York, features a series of new sculptures constructed from popsicle sticks. These humble, mass-produced materials are transformed into modular, skeletal forms that mimic biological structures such as spines and torsos. The works are displayed in various states of tension, either splayed against the gallery walls or suspended from the ceiling to create a sense of precarious movement.

Sculpture as a Form of Architecture: Happening at the Foundation of Super Artist Anish Kapoor in Venice

La scultura come forma di architettura. Succede alla Fondazione del super artista Anish Kapoor a Venezia

Anish Kapoor has opened a major solo exhibition at Palazzo Manfrin in Venice, a 16th-century building he purchased in 2018, now home to his foundation. The show, running until August 8 during the 61st Venice Biennale, spans over fifty years of his practice, featuring models, studies, and installations that blur the line between sculpture and architecture. Works include the Monte Sant'Angelo metro station in Naples, the ArcelorMittal Orbit tower for the 2012 London Olympics, the inflatable concert hall Ark Nova, and the environmental installation Temenos. The palazzo itself remains under restoration, with exposed construction elements and workspaces visible, reinforcing the exhibition's theme of continuous transformation.

The archive of the great architect Piero Portaluppi opens to the public: it happens at Villa Necchi in Milan

L’archivio del grande architetto Piero Portaluppi apre al pubblico: succede a Villa Necchi a Milano

The Fondo Ambiente Italiano (FAI) has opened a new permanent archive space dedicated to the architect and intellectual Piero Portaluppi (1888-1967) inside Villa Necchi Campiglio in Milan, the architect's own masterpiece. The archive, acquired by FAI in December 2025 from the closing Fondazione Portaluppi, is housed in three attic rooms and includes thousands of original documents, drawings, photographic prints, sketchbooks, caricatures, postcards, and 16 mm film reels totaling eight hours of footage shot between the 1930s and 1960s. The collection also features Portaluppi's personal library of three thousand volumes and architecture journals, which will be made available for study in collaboration with the Soprintendenza Archivistica e Bibliografica della Lombardia and the Politecnico di Milano.

Story of Max Peiffer Watenphul, the Bauhaus painter who found his new homeland in Italy

Storia di Max Peiffer Watenphul, il pittore del Bauhaus che trovò in Italia la sua nuova patria

A major retrospective titled "Max Peiffer Watenphul. Pittore del Bauhaus" has opened at the Galleria Nazionale d'Arte Moderna e Contemporanea (GNAMC) in Rome, curated by Gregor H. Lersch, director of the Museo Casa di Goethe. The exhibition explores the complex artistic journey of Max Peiffer Watenphul (1896–1976), a German Bauhaus-trained painter who found a second home in Italy. It highlights his multidisciplinary approach, his troubled painting style marked by unusual materials and scratched surfaces, and his deep connection to Italy, where he fled after Nazi persecution and where he lived until his death.

You can retrace the entire career of the legendary designer Alessandro Mendini in this exhibition in Verbania

Si può ripercorrere tutta la carriera del mitico designer Alessandro Mendini in questa mostra a Verbania

A new exhibition titled "Alessandro Mendini. COSE. Stanze come mondi" has opened at Villa Giulia in Verbania, Italy, running until September 27. Curated by art historian Loredana Parmesani, the show condenses the career of legendary designer Alessandro Mendini (1931–2019) into seven rooms, each centered on one of his iconic objects—such as the Poltrona di Paglia (1974) and the Poltrona di Proust (1978)—alongside 130 total pieces including drawings, paintings, and texts. The selection was made with Mendini's daughters Elisa and Fulvia, and the layout follows the villa's 19th-century plan, turning each space into a distinct chapter of his creative journey.

Video interview with Cecilia Canziani and Chiara Camoni, curator and artist of the Italy Pavilion at the Venice Biennale

Video intervista a Cecilia Canziani e Chiara Camoni curatrice e artista del Padiglione Italia alla Biennale di Venezia

The article is a video interview with curator Cecilia Canziani and artist Chiara Camoni about the Italy Pavilion at the 61st Venice Biennale. Camoni's installation, titled "Con te e con tutto," features large, monumental figures called "Sisters" that evoke ancient yet contemporary presences, created through a slow, collective, and materially responsive process. The pavilion is divided into two spaces: a vertical, sacred-like area and a horizontal, convivial one that includes a sub-exhibition called "Dialoghi." The project builds on years of friendship and collaboration between Canziani and Camoni, and involves a fluid community of international students, weavers, midwives, and artists working at Camoni's studio in Fabbiano, on the Apuan Alps.

Il grande artista Michelangelo Pistoletto apre un hotel d’arte a Biella

Michelangelo Pistoletto has opened Hotel Cittadellarte in Biella, Italy, within his Cittadellarte Fondazione Pistoletto. The 31-room hotel houses the exhibition "L'ospite inatteso" by Giuseppe Stampone, curated by Ilaria Bernardi, with each room containing a unique artwork designed to be lived with rather than quickly viewed. The exhibition includes Stampone's "Fotocopie intelligenti" and large tapestries from the Brioni manufactory, addressing themes of migration, belonging, memory, and coexistence. The building was sustainably renovated with PNRR funds.

Nick Cave at the 2026 Biennale. Seven works between loss, memory and protest

Nick Cave è alla Biennale 2026. Sette opere tra perdita, memoria e protesta

Nick Cave presents "Two Points in Time at Once" at the 2026 Venice Biennale, a project spanning seven locations across Venice. The installation features a series of bronze works, including the "Amalgam" series (Seated, Origin, Plot, Resuscitation, Meditation) along with "Grapht" and "Siren." This marks a significant material shift from Cave's iconic fabric Soundsuits to bronze, exploring themes of loss, memory, trauma, and protest through a more static yet politically charged presence.

In her Venice exhibition, Hanna Rochereau wants to archive the archive

Nella sua mostra a Venezia, Hanna Rochereau vuole archiviare l’archivio

Hanna Rochereau (Paris, 1995) presents her first solo exhibition in Italy, titled "Data Divas," at Mare Karina gallery in Venice. The show explores archival systems through a dialogue between painting and sculpture: canvases depict orderly shelves and filing cabinets filled with impenetrable boxes, while sculptural elements—tailor's mannequins, scattered papers, open drawers—introduce disorder. Rochereau uses a restrained palette of white and wood tones, referencing early 20th-century cubist and metaphysical art, particularly Morandi. The exhibition runs until July 18, 2026.

Un big della fotografia del Novecento è in mostra a Venezia: tanti scatti inediti

A major exhibition dedicated to 20th-century photography master Horst P. Horst has opened at Le Stanze della Fotografia on San Giorgio Maggiore Island in Venice. Titled "La Geometria della Grazia" (The Geometry of Grace), it is the largest and most significant show ever devoted to the photographer, featuring over 400 works—about half of which are exhibited for the first time. The display pairs original vintage prints with archival materials such as period magazines, preparatory drawings, sketches, letters from Coco Chanel and Salvador Dalí, and slide projections. The exhibition is organized into eight sections exploring Horst's constant search for balance and proportion, moving beyond his famous fashion photography for Vogue to highlight the classical and modernist influences in his work.

The Biomorphic Sculptures of Alma Allen in the U.S. Pavilion at the 2026 Venice Art Biennale (Amid Controversy)

Le sculture biomorfiche di Alma Allen nel Padiglione USA alla Biennale d’Arte di Venezia 2026 (tra le polemiche)

Alma Allen, a self-taught American sculptor, has been selected to represent the United States at the 61st Venice Biennale in 2026 with the exhibition "Call Me the Breeze." The pavilion, curated by Jeffrey Uslip, will feature site-specific biomorphic sculptures that explore the concept of "elevation" through a hybrid creative process combining pre-industrial carving and hand-modeling with advanced robotic sculpting. Works will incorporate local American materials such as walnut burl, Cantera green volcanic rock, and Yule marble from Colorado, and the pavilion is tied to America250, the celebration of the 250th anniversary of the U.S. Declaration of Independence.

France reopens its historic pavilion at the 2026 Venice Art Biennale after restorations with artist Yto Barrada

La Francia riapre il suo storico padiglione alla Biennale Arte 2026 dopo i restauri con l’artista Yto Barrada

France will reopen its historic pavilion at the 61st Venice Biennale (May 9–November 22, 2026) after restoration, with Franco-Moroccan artist Yto Barrada (b. 1971) presenting the immersive textile-based project "Comme Saturne," curated by Myriam Ben Salah. The exhibition uses the "dévoré" technique—acid selectively corrodes fabric—as a metaphor for destruction and creation, featuring a goat-skin kite, a Room of Folds with wool drapery that fades in natural light, a Laboratory inspired by Saturnalia, and a Study Room linked to Barrada's garden of dye plants in Tangier, culminating in the Room of the Devoured where chemically attacked material fragments into an aesthetic of wear and formlessness.

The Myth of Sandokan on Display in Monza Between History and Imagination. The Curators Speak

Il mito di Sandokan in mostra a Monza tra storia e immaginario. Parola ai curatori

A new exhibition titled "Sandokan. La Tigre ruggisce ancora" has opened at the Reggia di Monza, exploring the enduring myth of the fictional pirate Sandokan, who first appeared in Italian serialized fiction in 1883. Curated by Francesco Aquilanti and Loretta Paderni, the show brings together ethnographic materials, costumes from the 1970s television series, weapons, books, illustrations, and archival items, including the original Dayak collection donated by Sir Charles Brooke to the King of Italy. The exhibition traces Sandokan's evolution across literature, comics, film, and television, presenting him as a layered, ambivalent hero—both ruthless pirate and justice fighter—whose story remains relevant today.

One of Milan's most unique and peculiar museums is full of works that are not beautiful

Uno dei musei più unici e particolari di Milano è pieno di opere che non sono belle

The Casa Museo Boschi Di Stefano in Milan, housed in a building designed by Piero Portaluppi, showcases a massive collection of 20th-century Italian art donated by Antonio Boschi and Marieda Di Stefano. The apartment displays approximately 300 works by masters such as Lucio Fontana, Giorgio de Chirico, and Mario Sironi, arranged in the intimate domestic setting where the collectors once lived.

Prada's Cultured Symposium on Fashion and Design Will Take Place This Year at Santa Maria delle Grazie in Milan

Il colto simposio su moda&design di Prada quest’anno si svolgerà nella chiesa di Santa Maria delle Grazie a Milano

The fifth edition of Prada Frames, an annual multidisciplinary symposium curated by the design studio Formafantasma, is set to take place from April 19 to 21, 2026, at the historic Santa Maria delle Grazie in Milan. Hosted within the Renaissance sacristy attributed to Donato Bramante, the event coincides with the Salone del Mobile and features a series of lectures and discussions. This year's theme, "In Sight," explores the evolving power of images, the blurring lines between human and machine-generated content, and the material environmental impact of digital image production.

Producing Cinema Inside and With Video Games: A 30-Year Festival in Milan

Produrre cinema dentro e con i videogiochi. A Milano ci fanno un festival (da 30 anni)

The Milan Machinima Festival recently celebrated the 30th anniversary of machinima, the practice of creating audiovisual works and films within video game environments. The event, curated by scholar Matteo Bittanti at IULM University, explored the medium's dual origins in 1996: the community-driven "vernacular" style seen in the Quake-based 'Diary of a Camper' and the artistic approach pioneered by Miltos Manetas in his work 'Miracle'.

Color in Full Bloom: Chihuly Transforms Meijer Gardens

Frederik Meijer Gardens & Sculpture Park in Grand Rapids, Michigan, will host "CHIHULY at Meijer Gardens" from May 2 to November 1, 2026, featuring the largest exhibition of Dale Chihuly's work ever held at the institution. The show includes 12 large-scale outdoor installations, over 80 indoor glass pieces, and 40 related drawings, with a 30-foot tower and glass boats in the Japanese Gardens. This marks the third Chihuly exhibition at Meijer Gardens, following shows in 2002 and 2010, and is one of only two 2026 exhibitions of the artist's work worldwide—the only one in America.

Exhibition | Daniel Crews-Chubb, 'Pareidolia' at MASSIMODECARLO Pièce Unique, Pièce Unique, Paris, France

MASSIMODECARLO Pièce Unique in Paris presents 'Pareidolia,' an exhibition of new paintings by London-based artist Daniel Crews-Chubb. The show explores the psychological phenomenon of pareidolia—the brain's tendency to see faces in random patterns—through heavily layered works created with hands, ink, oil, sand, and collage. Three paintings are featured: 'Immortal XXXVIII' and 'Immortal XXXIX' (2026), large-scale works drawing on cultural memory of ancient sculpture, and 'Mask XXIV' (2026), which tests the minimal cues needed for facial recognition. Crews-Chubb's process involves building up and tearing back surfaces over weeks, with charcoal lines added last to define emergent figures.

Carole Harris’ Origin Story in “This Side of the River” at MOCAD

The article reviews Carole Harris's solo exhibition "This Side of the River" at the Museum of Contemporary Art Detroit (MOCAD), curated by Abel Gonzalez Fernandez. The show features twenty fiber pieces and archival materials spanning from 1966 to the present, tracing Harris's creative evolution and her responses to Detroit's social and urban changes. It highlights early works like "Potpourri" (1976) and "Black Jack" (1976) from her 1977 debut at Gallery 7, a Black Power-era space founded by Charles McGee, and later pieces such as "Down the Road a Piece" (2003) that mark her shift toward improvisational, abstract compositions.

Art Leven First Nations And Australian Fine Art Auction Opens This Week - Scoop

Art Leven, a Sydney-based gallery focused on First Nations art, is opening its First Nations and Australian Fine Art Auction and Exhibition, headlined by the private collection of the late Dame Marie Bashir AD CVO and Sir Nicholas Shehadie AC OBE. The exhibition runs from 15–19 May 2026 at Art Leven's new Woolloomooloo gallery, with the live auction on 19 May at Artspace. The sale includes approximately 115 artworks, with 79 from the Bashir-Shehadie collection, featuring works by Balang John Mawurndjul AM, Arthur Boyd, Emily Kame Kngwarreye, Albert Namatjira, and others. The collection reflects decades of travel to remote art centres and close relationships with artists, supported by archival material like handwritten notes and early catalogues.

Exhibition | Merlin James, 'See Through' at P420, Bologna, Italy

The gallery P420 in Bologna has opened "See Through," the second solo exhibition by Welsh artist Merlin James. The show features a non-linear curation that blends works from different decades, ranging from landscapes and interiors to erotic scenes and near-abstract compositions. James’s approach treats the exhibition as a "jam session," where visual and thematic repetitions provide a structure for diverse painterly explorations.

Exhibition | Bertrand Lavier, 'Brushstroke n.7' at MASSIMODECARLO Pièce Unique, Pièce Unique, Paris, France

French artist Bertrand Lavier is presenting a solo exhibition titled 'Brushstroke n.7' at MASSIMODECARLO Pièce Unique in Paris. The exhibition centers on a single, sinuous steel sculpture that translates the traditionally flat, expressive painterly gesture into a three-dimensional physical entity. This presentation marks Lavier's sixth solo show with the gallery and continues his decades-long exploration of the boundaries between painting, sculpture, and the readymade.

Weekend of Art, Artists and Open Studios in Riebeek Valley

Solo Studios returns to the Riebeek Valley from October 24 to 26, 2025, featuring over 60 artists opening their studios in Riebeek Kasteel and Riebeek West. The weekend includes curated exhibitions such as LANDscape[s] at Die Kunshuis, showcasing works from Modern Art Projects South Africa (MAPSA), and a display of Ardmore Ceramics at EcoPlace, a home built from recycled materials. Other highlights include Red Hot, Pink Spot, a group show of 13 female artists from Kommetjie, and FEAST, a Porterville artist exhibition. Talks on art collecting and live music complement the open studios.

Summer Guide 2025: Gallery Openings

The Summer Guide 2025 highlights a diverse array of gallery openings in Santa Fe, New Mexico, focusing on both established and emerging art spaces. Notable exhibitions include Gerald Peters Contemporary's "Material Girl: Pop Culture and the Female Gaze" (June 13), featuring six female artists examining gender and commodification through Pop Art; Daniel Cooney Fine Art's "George Dureau, Photographs" (May 31), showcasing intimate portraits of New Orleans' counterculture; and Station 5 Micro-Gallery's two shows—"ACCUMULATION" (June 7) by Michael Sumner and Melody Sumner Carnahan, and "THE NARROW LINE TO THE INTERIOR" (August 2) inspired by poet Bashō. Other highlights include ELECTR∆ Gallery's queer mysticism group show "The Third Way" (July 11), new works by Tim Jag (June 12), and Pie Projects' "MOMENTUM" (June 14) featuring Florence Miller Pierce's rediscovered resin reliefs.

‘House of Galleries (Volume 11)’: Niquu Eyeta and Ghizlane Sahli in a Shared Field of Care, Memory, and Material Becoming.

Artists Niquu Eyeta and Ghizlane Sahli are featured in a dual presentation titled ‘House of Galleries (Volume 11),’ showcased by the gallery Sakhile&Me. The exhibition creates a dialogue between Eyeta’s organic compositions, which utilize plant pigments and clay, and Sahli’s intricate 'alveoli' structures made from silk and repurposed plastic. Both artists emphasize the concept of material as a living archive, focusing on themes of ecological consciousness, ritualistic repetition, and the reanimation of discarded matter.

The West as Witness: Langston Hughes Reimagined

The California African American Museum (CAAM) has launched 'A New Song: Langston Hughes in the West,' an exhibition that reframes the legendary Harlem Renaissance poet through his travels and political work in California and Nevada during the 1930s. By blending archival materials with contemporary artistic responses, the show moves beyond the traditional East Coast narrative to highlight Hughes as a diasporic thinker shaped by movement, labor, and the diverse landscapes of the American West.

Free and Queer: Black Californian Roots of Gay Liberation

The California African American Museum has launched 'Free and Queer: Black Californian Roots of Gay Liberation,' an exhibition dedicated to the often-overlooked history of Black LGBTQ resistance and culture in California. Curated by Susan D. Anderson in collaboration with ONE Archives at the USC Libraries, the show utilizes a vast array of archival materials, photographs, and film to trace a lineage of activism and artistic expression that predates the Stonewall riots. It specifically highlights how Black queer Californians navigated McCarthy-era repression, the civil rights movement, and the AIDS crisis.