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humans not glaciers moved stonehenge rocks geological study

Researchers at Curtin University in Australia have published a study in Communications Earth and Environment providing geological evidence that humans, not glaciers, transported the massive stones used to build Stonehenge. The team tested sediments from streams near the monument and found no signs of glacial activity during the Pleistocene, ruling out the theory that ice sheets carried the megaliths. The stones, including sandstone boulders from the Marlborough Downs and bluestones from Wales, weigh up to 40 tons, but exactly how ancient peoples moved them remains unknown.

roman mosaic trojan war alternate scene

In the summer of 2020, a British family discovered a Roman mosaic on their farmland in Rutland, England, depicting scenes from the Trojan War. Archaeologists from the University of Leicester later uncovered three panels showing the battle between Achilles and Hector, dating to the 4th century C.E. The mosaic, named the Ketton Mosaic, is the first known depiction of the Trojan War in a British mosaic and was originally part of a Roman villa's dining room floor.

reddit rart drama prints hayden williams

A controversy erupted on the Reddit forum r/Art after Brooklyn-based digital artist Hayden Clay Williams posted his work *Clear Boundaries* (2025) and mentioned in a comment that prints were available. This violated the subreddit's strict anti-self-promotion rules, leading a moderator to permanently ban Williams and delete all his past posts. Williams shared the exchange on X, where it gained 11 million views, sparking widespread backlash. Users spammed the forum with the word "print" and pressured the moderators, who eventually resigned en masse, leaving the subreddit frozen and without new posts for a week.

massive moai statues walked to platforms easter island new study

A new study in the Journal of Archaeological Science by archaeologists Carl Lipo of Binghamton University and Terry Hunt of the University of Arizona proposes that the 92-ton moai statues on Easter Island, Chile, were transported in a vertical position using ropes to “walk” them onto their stone platforms. The research combines three-dimensional modeling, field experiments with a scaled replica, and analysis of 62 abandoned statues along ancient roads, finding that wider bases and a forward lean of 6–15 degrees enabled a rocking motion that allowed a team of 18 people to move a statue 328 feet in about 40 minutes.

22 stone blocks alexandria ancient lighthouse seafloor

A team from the French National Center for Scientific Research has lifted 22 massive stone blocks from the Lighthouse of Alexandria from the seafloor, 30 years after the remains were first discovered in Egypt. The blocks include monumental door lintels, jambs weighing 70 to 80 tons, a threshold, large base slabs, and parts of a previously unknown pylon with an Egyptian-style door from the Hellenistic period. Each block will be scanned and studied to add to a digital collection of over 100 blocks already digitized, aiming to construct a virtual model of the lighthouse. The excavation was supervised by archaeologist Isabelle Hairy and conducted under the Egyptian Ministry of Tourism and Antiquities, with support from La Fondation Dassault Systèmes and French documentary company GEDEON Programmes, which filmed the work for a 90-minute documentary.

terracotta warriors china damage tourist mausoleum qin shi huang

A 30-year-old Chinese tourist damaged two ancient terracotta warriors at the Mausoleum of Qin Shi Huang in Xi’an, China, on Friday. According to local officials, the man climbed over guardrails and a protective net, jumped more than 15 feet into Pit No. 3, and pushed and pulled the clay figures, causing varying degrees of damage before being restrained by security. Authorities suspect the man suffers from mental illness, and the case remains under investigation. The site reopened the following day.

arts directors exit the national endowment for the arts

All ten directors overseeing grants across artistic disciplines at the National Endowment for the Arts (NEA) have departed this week, along with other senior leaders and employees. The mass exodus follows the Trump administration's effective shuttering of the agency, including a proposed budget cancellation for fiscal year 2026 and redistribution of funding. Among those leaving are Michael Orlove, director of state, regional and local partnerships, and Ayanna Hudson, chief strategy, programs and engagement officer. Officials overseeing Native arts and Challenge America grants—the latter canceled in February—are also departing, alongside many grant-review specialists who have retired or resigned. The American Federation of Government Employees Local 3403 reported that over 50% of open NEA awards are being terminated.

Photo Gallery: The artists behind UTRGV’s senior art exhibition ‘sonder’

The article is a photo gallery showcasing the senior art exhibition 'sonder' at the University of Texas Rio Grande Valley (UTRGV). It features the work of graduating art students, highlighting their individual projects and creative processes as part of their final academic showcase.

Cincinnati Art Museum Announces Major Charley Harper Exhibition

The Cincinnati Art Museum has announced its first full-scale scholarly exhibition of works by Cincinnati-based artist Charley Harper, titled "The Art of Charley Harper: Creatures Wild and Tame." The exhibition will run from October 16, 2026, through March 7, 2027, featuring around 150 works, including ten large paintings commissioned by the U.S. National Park Service that were only briefly displayed in Washington, D.C., in the 1990s. The show is presented in partnership with the Charley Harper Art Studio and marks the artist's first museum retrospective.

AN INSIDE JOB: Clymer Museum of Art reopens after renovations with show by CWU student

The Clymer Museum of Art in Ellensburg reopened on Friday after renovations, featuring a new exhibition titled "Plastic Souls" by Margot Massey, a junior at Central Washington University pursuing a Bachelor of Fine Arts. The show explores themes of artificiality and performance in social media, with paintings depicting actors, cowboys, showgirls, and rodeo clowns, and will later include two life-size figurative sculptures. The museum closed in January for renovations, which expanded wall space by roughly 30% and created a new gallery near the entrance for rotating student exhibitions.

Venice Biennale jury resigns amid row over Russian entry

The international jury of the Venice Biennale resigned en masse just nine days before the opening of the world's oldest contemporary art fair, amid a dispute over Russia's participation and the panel's decision to bar prizes for countries accused of crimes against humanity by the International Criminal Court. The jury, comprising president Solange Farkas and members Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, stepped down without explanation, following tensions that also involved Italy's Culture Ministry cutting €2 million in EU funding over Russia's presence and sending inspectors to the Russian Pavilion.

Coalition’ art exhibition draws massive turnout in Ibadan, eyes Guinness World Records

Over 900 art enthusiasts attended 'The Coalition' art exhibition in Ibadan, Nigeria, held from April 24 to 26, 2026, at the International Institute of Tropical Agriculture (IITA). The three-day event featured more than 600 artworks by 60 Nigerian artists, showcasing abstract works, portraits, and contemporary pieces exploring identity and culture. Organizers, including Constance and Sons Art Gallery founder Dunmade Ayegbayo, reported strong visitor engagement and sales, highlighting the commercial potential of Nigerian art.

Three exhibits: Figures, charcoal and celebration

Artist and curator Kat Knutsen has launched "Curious Figure 3," the third iteration of an exhibition series dedicated to the human form. Now hosted at the Star Store building in New Bedford, the show features 42 artists from across 21 states, including notable works by Joe Vaux and Judith Peck. The exhibition's move to the Star Store follows the displacement of the Co-Creative Center from its original location due to private development.

Art exhibit at Brooklyn Public Library asks visitors to imagine a world without prisons

Artist Vic Liu and abolitionist organizer Mariame Kaba have launched "The Warehouse," a large-scale exhibition at the Brooklyn Public Library’s Bedford branch. Featuring over two dozen paintings and a dedicated children’s wing, the installation explores the concept of prison abolition by visualizing a society supported by robust healthcare, housing, and community care. The project moves away from traumatic imagery, instead focusing on the humanity of incarcerated individuals and the tangible possibilities of a world without prisons.

MassMu to spotlight Akron artist's work

The Massillon Museum is currently hosting "Isabelle Crawford: Pure Potentiality," a solo exhibition in its Studio M space featuring paintings and drawings by the Akron-based artist. Crawford’s work explores the intersection of human connection and perception, reflecting her commitment to using art as a tool for community engagement and social change. The exhibition, which runs through April 26, will be supplemented by a featured interview with the artist on the museum’s "MassMusings" podcast.

Henrike Naumann—selected for this year's Germany pavilion at the Venice Biennale—has died

Artist Henrike Naumann, who was selected alongside Sung Tieu to represent Germany at the 2024 Venice Biennale, has died at age 39. She passed away on February 14 in Berlin after a short, serious illness, which her website specified was a late cancer diagnosis. The Institut für Auslandsbeziehungen (Ifa), which oversees the German Pavilion, confirmed her death and stated that her planned work for the Biennale will be realized posthumously according to her completed vision.

‘A passion project’ – Local artist gives voice to Vietnam veterans with powerful exhibit

Somerset artist Brian Fox has created a powerful exhibit titled “In the Valley of the Shadow,” now on display at the Narrows Center for the Arts in Fall River, Massachusetts, through December 27th. The paintings depict the harrowing experiences of Vietnam War veterans, with Fox spending hours consulting veterans like Wayne Smith, a former combat medic, and David Jennings of the 1st Marine Division to ensure historical and emotional accuracy. The project began with a single war-themed painting and has grown into a full exhibition that Fox plans to expand by one or two paintings each year.

Yvette Mayorga & MASS Gallery Announce Open Call for Austin Artists

Chicago-based multidisciplinary artist Yvette Mayorga, in collaboration with Austin’s nonprofit MASS Gallery, has announced an open call for artists living in the Greater Austin area to submit existing works for an exhibition titled *Lost and Found*, scheduled for January 17 through February 14, 2026, at MASS Gallery. The open call is part of the community engagement phase of Mayorga’s major public art project for the new concourse at Austin-Bergstrom International Airport (ABIA), set to open in 2030. Her project draws on her ancestral ties to the Bracero Program, exploring the emotional resonance of personal objects carried across borders and generations. The exhibition aims to give visibility to local artists while building community around themes of migration, ecology, and the flora and fauna of Texas and Mexico.

Through PPL exhibit, artists find new meaning in books amid censorship

An exhibition titled "Turn the Page" has opened in the Updike Room at the Providence Public Library, featuring works by artists who transform books into art. Curated by Brown University lecturer Andre Bassuet, the show includes pieces like Iris Wright's wearable "Book Body No. 7: Palimpsest," which addresses censorship and queer erasure, and Michael Ezzell's ongoing "The Junior Classic" series, which repurposes deaccessioned library book pages. The exhibition runs through January 31.

The South River fire’s quiet toll on Atlanta’s printmakers

A fire at South River Art Studios in Atlanta on November 12 destroyed or damaged over 50 works in "En Masse," a group exhibition of 21 regional printmakers that had opened just 11 days earlier in the Gogo Gallery. Curator Chloe Alexander and artists Maurice Evans, Grace Kisa, and Jamaal Barber describe the loss of unique, irreplaceable prints due to soot, smoke, and water damage, with many pieces on paper rendered unsalvageable despite appearing intact.

Mona has lost $408m but David Walsh is 'completely happy'

Mona (Museum of Old and New Art) in Hobart, Tasmania, has accumulated $408 million in losses since opening in 2011, with $63 million lost in 2023-24 alone. Founder David Walsh, who is completing a $100 million expansion, stated he is "completely happy with the finances" and never intended the museum to be profitable. Walsh outlined potential cost-saving measures like raising ticket prices and scaling back festivals, but said he won't implement them himself, leaving that to future leadership.

Art exhibit honors Maine’s Deaf community, victims of Lewiston shootings - Portland Press Herald

An exhibition titled “Unspoken Resilience: Healing from the Lewiston Shooting Two Years In” is on view at the University of New England Art Gallery in Portland, Maine. Co-curated by Michelle Ames and Meryl Troop, the show features work by deaf artists and craftspeople alongside color photographs of Lewiston by Michael Kolster. It was created in response to the October 2023 mass shooting at Schemengees Bar & Grille in Lewiston, which killed 18 people, four of whom were deaf. Ames, co-director of deaf services at Disability Rights Maine, was frustrated by the lack of ASL interpreters in media coverage and helped organize community support. The exhibition includes pieces that explore Deaf culture, healing, and the concept of De’VIA (Deaf View/Image Art), a term defined in 1989 by deaf artists to express the Deaf experience through high contrast, intense colors, and symbolic imagery.

A Blueprint of Resonance: Building Detroit’s Artistic Future

A Blueprint of Resonance: Building Detroit’s Artistic Future is a multimedia exhibition presented by DETROIT SALON, running from October 18 to November 9, 2025. Curated by Juana Williams, the show highlights 18 Detroit-based artists who build on the city's legacy of collaboration and community care, drawing from historic institutions like Pewabic Pottery and the Scarab Club as well as artist-led movements such as the Cass Corridor and Gallery 7. The exhibition marks DETROIT SALON's official launch in Paris and the start of its global roadshows, ahead of its flagship event in Detroit in 2028.

Residency offers Los Angeles artists affected by wildfires chance to work again

The Anderson Ranch Arts Center in Snowmass Village, Colorado, has announced it will offer five-week residencies to 15 Los Angeles artists whose homes and studios were destroyed or severely impacted by the January wildfires, including in the hard-hit area of Altadena. Starting October 15, the program fees will be waived, funded by Bloomberg Philanthropies and Anne and Arnold Porath, among others. Artists were selected by an outside jury from 30–40 applicants, and the cohort will live together in a dorm-like facility with individual studios and communal meals.

UNE Art Gallery show honors Deaf community and victims of the Lewiston shootings

An art exhibition titled "Unspoken Resilience: Healing from the Lewiston Shootings Two Years In" will open at the University of New England Art Gallery in Portland on September 25, 2025, coinciding with Deaf Culture Week. Co-curated by Michelle Ames and Meryl Troop, the show features works by deaf artists and artisans, alongside photographs by Michael Kolster documenting Lewiston, Maine, where a mass shooting in 2023 killed 18 people and injured 13. Four of the victims were deaf, and two other deaf individuals were injured, making this the only mass shooting in U.S. history to disproportionately impact the Deaf community. The exhibition runs through February 7, 2026, and includes contributions from American Sign Language interpreters.

"Journey in the Wake of Catastrophe": Yad Vashem Unveils New Art Exhibition

Yad Vashem – The World Holocaust Remembrance Center in Jerusalem has unveiled a new exhibition titled "Journey in the Wake of Catastrophe" by Israeli artist Tal Mazliach. The exhibition features eleven original works commissioned specifically for the show, which draw a visual and emotional connection between the Holocaust and the October 7th Hamas attack. Mazliach, a resident of Kibbutz Kfar Aza who survived the attack by barricading herself in her home for over 20 hours, is the second artist selected for Yad Vashem's 'Residency' Project. Her paintings incorporate tribal motifs, bold colors, and layered text, blending personal testimony with collective memory by drawing on Yad Vashem's archival collections.

Easthampton artists, priced out of studio building, exhibit new work and defiance

A group of about 40 artists from Easthampton, Massachusetts, have mounted a new exhibition titled “Cottage Street Studios, Past and Present” at Easthampton City Arts, nearly a year after rising rents forced many of them out of their longtime studio building at One Cottage Street. The former factory, owned by nonprofit Riverside Industries, had housed a mix of painters, potters, and woodworkers for half a century, but a management change led to rent increases that doubled some tenants’ costs, prompting roughly half of the 80 artists to leave. Fiber artist Andrea Zax organized the show as a defiant act of community reconnection, while artists like Piper Foreso and Matthew Simons described the scattering as devastating to their creative ecosystem.

High fashion and French cars bring St. Louis Art Museum exhibit ‘Roaring’ to a close

The St. Louis Art Museum's 'Roaring' exhibit, which opened after a five-year delay due to the pandemic, is nearing its July 27 closing date. Featuring 12 vintage cars and over 160 items, the show explores the intersection of French automobiles and fashion between 1918 and 1939, highlighting the era's artistic and mechanical innovation. Nearly 70,000 visitors have attended, making it the museum's most popular attraction since 2018's 'Sunken Cities.'

MFA Boston returns two works to Kingdom of Benin

The Museum of Fine Arts (MFA) Boston has returned two looted artefacts—a bronze relief plaque and a terracotta and iron head—to the Oba of Benin during a ceremony at Nigeria House in New York City. The works, stolen by British forces during the 1897 punitive expedition against the Kingdom of Benin, were traced to the collection of Augustus Pitt-Rivers and later acquired by investment titan Robert Owen Lehman, who donated them to the MFA in 2013 and 2018. The pieces will be handed over to Nigeria's National Commission for Museums and Monuments and ultimately to His Royal Majesty Omo N’Oba Ewuare II.

Boston Young Contemporaries 2025 Exhibition Mentioned in The Boston Globe’s The Ticket | College of Fine Arts

The Boston Young Contemporaries 2025 exhibition, mentioned in The Boston Globe's "The Ticket" column, is currently on view through July 26 at Boston University Art Galleries' Faye G., Jo, and James Stone Gallery. The show features works by current and recently graduated MFA students from Boston art schools, including Boston University, the School of the Museum of Fine Arts at Tufts University, and Massachusetts College of Art and Design. Juried by Selby Nimrod, director of exhibitions and commons at MIT's School of Architecture + Planning, the exhibition revives a tradition that began over 20 years ago when students organized a summer showcase of their best work.