The article titled 'Actions for the Earth: Art, Care & Ecology' discusses an exhibition or initiative that explores the intersection of art, environmental care, and ecological awareness. It likely highlights how artists and cultural institutions are responding to climate change and ecological crises through creative practices and community engagement.
Carole A. Feuerman's sculpture "Miniature Serena (with Blue-Green Tube)" (2021) is being offered for sale. The work is an oil on resin piece with 24K gold leaf cap, table-top scale, measuring 10 x 17 x 8 inches, from a variant of 10. Feuerman, born in 1945, is an American sculptor and author credited with co-founding the Hyperrealist movement in the late 1970s, known for figurative works of swimmers and dancers. Her public sculptures have been displayed globally, including at Central Park, the National Portrait Gallery of the Smithsonian Institution, the Venice Biennale, and the State Hermitage Museum. She has received multiple awards, including the Medici Award, and her works are in the permanent collections of 31 museums and owned by notable figures such as Steven A. Cohen, former President Bill Clinton, and Dr. Henry Kissinger.
D Lan Galleries is presenting 'Significant', a major exhibition of secondary-market Australian First Nations art, running from 14 May to 27 June 2026 across its spaces in Melbourne, Sydney, and New York. The show features the Carey Lyon and Jo Crosby Collection, including rare early Papunya paintings from 1971–1972, such as Shorty Lungkata Tjungurrayi's 'Man Dreaming 1972' and Kaapa Mbitjana Tjampitjinpa's 'Honey Ant Travelling Dreaming 1971', alongside later works by Emily Kam Kngwarray, Mirdidingkingathi Juwarnda Sally Gabori, and Nyapanyapa Yunupiŋu.
Kelly Akashi presents her first exhibition with Lisson Gallery in New York, titled 'Heirloom,' featuring a new body of work that explores loss, grief, and absence through sculpture. The exhibition includes bronze, Corten steel, flame-worked glass, and carved stone pieces, many inspired by her garden and personal artifacts like an inherited stone ring and her grandmother's lace tablecloth. It coincides with her participation in the 2026 Whitney Biennial and a commission for John F. Kennedy International Airport's New Terminal One.
Art museums and institutions across the Greater Houston area are opening a series of new exhibitions for summer 2026. Highlights include the Czech Center Museum Houston's solo show of travel photography by Clarice Marik Snokhous; Art League Houston presenting Marisol Valencia's installation "No Longer, Not Yet" and Juvana Soliven's "Subject to Surviving"; Houston Center for Photography featuring Simon Silva's "Madre Patria"; the Contemporary Arts Museum Houston launching the first survey of Mary Ellen Carroll's work; and the Moody Center for the Arts at Rice University hosting Masako Miki's first Texas exhibition.
Brooklyn-based architecture studio Peterson Rich Office has completed the redesign of five gallery spaces at the Metropolitan Museum of Art in New York, known as the Condé M Nast Galleries. The project transformed 12,000 square feet of a former courtyard into gallery and auxiliary rooms, revealing historic brickwork and facades from the 19th-century buildings by architects Richard Morris Hunt, Arthur Lyman Tuckerman, and Calvert Vaux. The spaces include the Orientation Gallery, High Gallery, Low Gallery, and Finale Gallery, each blending contemporary design with exposed historic materials. The first exhibition in the High Gallery is the Costume Art show, timed to coincide with the annual Met Gala.
More than 30 exhibitions are on display in May at art centers across Southwest Florida, from Marco Island to Sarasota. Venues like Art Center Sarasota host shows featuring member, regional, and nationally renowned artists, including the "North Sarasota County Schools Spring Art Show" with over 1,500 student artists, solo exhibitions by Anja Palombo and Cat Tesla, and the "Architects Who Art" show co-curated by Morris Hylton III.
Artist Ding Yi, known for his decades-long dedication to the cross motif in abstraction, is preparing for his major Venice exhibition 'Cosmotechnics' at the Fondazione Querini Stampalia. The show, running from 9 May to 22 November 2026, features key archival works alongside a new series of twelve black-and-white basswood relief paintings and two stone steles carved with his signature cross pattern. Ding Yi reflects on his artistic journey, which began in 1988 at the Shanghai Academy of Fine Arts, and his shift from strict geometric grids to more intuitive, cosmic-inspired compositions.
The Birmingham Museum of Art (BMA) announced it will unveil a landmark exhibition titled "Roll Call: Two Hundred Years of Black American Art" in September 2026. The show features 99 works drawn entirely from the museum's permanent collection, tracing two centuries of Black artistic production. Organized in four thematic sections—The Ground We Stand On, Ujima: Collective Work and Responsibility, What Freedom Feels Like, and In the Heart of It All—the exhibition highlights the museum's history of collecting Black art, which began in 1971 and now includes over 1,000 works by 250 Black artists. The exhibition coincides with the museum's 75th anniversary and runs from September 26, 2026 to January 17, 2027.
ICOM UK hosted its 2026 annual conference in Oxford, bringing together delegates from over 20 countries to explore the theme of 'Museum Diplomacy.' Keynote speaker Dr. Sascha Priewe of the Aga Khan Museum and ICOM Canada framed the current geopolitical moment as a 'GZERO World,' where no country is willing or able to lead globally, and discussed how sanctions, export controls, and shifting alliances are straining international museum collaborations. Sessions featured case studies from the Science Museum Group and International Arts & Artists, emphasizing that trust and networks, not grand gestures, are essential for enduring partnerships.
Wilton gallery browngrotta arts will present "Transformations: Dialogues in Art and Material" from May 9-17, 2026, a Spring exhibition exploring how artists transform materials such as clay, silk, steel, bark, seaweed, bamboo, and horsehair. The show features nearly three dozen international artists, including Kiyomi Iwata, John McQueen, Marian Bijlenga, Toshiko Takaezu, and Kay Sekimachi, whose works demonstrate what curator Glenn Adamson calls "material intelligence"—a deep understanding of material properties and possibilities. Co-curator Tom Grotta notes that artists often start with the same material yet arrive at remarkably distinct outcomes, revealing how artistic vision reshapes substance itself.
Gala Porras-Kim presents her first exhibition at kurimanzutto in Mexico City, titled "Future spaces replicate earlier spaces," running from April 11 to June 13, 2026. The show brings together works that examine how museums and conservation institutions reclassify objects removed from their original contexts, using reconstruction and resituating to explore their spatial, material, and temporal conditions. Central to the exhibition is the installation "The motion of an alluvial record" (2024), which recreates the humid marshland atmosphere of the Yucatán Peninsula inside the gallery, contrasting with the controlled climates of museums. Other works include drawings replicating wall decorations from the Techinantitla complex in Teotihuacan, which were fragmented and sold on the black market, and graphite drawings of objects by artist Brígido Lara, whose "original interpretations" of Totonac ritual clay objects were mistakenly catalogued as Pre-Hispanic artifacts in major museums.
The article presents a curated list of five notable art exhibitions in the Chicago area for May 2026. Highlights include a solo show of monumental sculptures by Dr. Charles Smith at the Intuit Art Museum, exploring anti-monumentalism and African American historical representation; a 50th-anniversary group exhibition at Zolla/Lieberman Gallery featuring over 140 artists; and a two-part cosmic-themed group show at the Renaissance Society. Other featured shows include drawings by late Imagist Suellen Rocca at Corbett vs. Dempsey and a waterscape-themed group exhibition at Grove Gallery in Evanston.
Three emerging artists—Jenna Bliss, Buck Ellison, and Jasmine Gregory—present a multi-media exhibition titled 'Genuine Fake Premium Economy' at London’s Institute of Contemporary Arts (ICA). The show satirically examines the societal and economic fallout of the 2008 financial crisis, using works that critique capitalism, inheritance, and art-world stereotypes. Gregory repaints Patek Philippe ads to expose class structures, Bliss films a fictional art fair that blurs reality and fiction, and Ellison creates lightboxes for a fictional private bank, manipulating corporate language and philosophy.
Lisson Gallery, in collaboration with Matthew Marks Gallery, will present the first solo exhibition of Ken Price's work in the UK in nearly a decade. The show brings together sculptures and drawings, several shown in London for the first time, spanning the late American artist's five-decade career. Best known for expanding the possibilities of ceramics, Price created intimate yet monumental works that blend abstraction and figuration, with richly layered surfaces achieved through painstaking pigment and sanding processes. The exhibition includes iconic pieces such as 'Prone' (1997), 'Itself' (2003), 'Yin' (2009), and 'Amazon' (2003), alongside rarely seen works on paper that reveal his imaginative, dreamlike landscapes.
A free reception for the exhibition “Bridges of Belonging: Cinco de Mayo, Bi-National Identity, and the Spirit of Chignahuapan” will be held on May 1 at the Clark County Government Center Rotunda Gallery in Las Vegas. The event, themed “Puentes de Pertenencia,” features live music, cultural performances, visual arts, and food, with the exhibit on display through May 28.
The Sovereign Asian Art Prize, now in its 22nd year, has announced its 2026 shortlist of 30 artists from 12 Asia-Pacific countries and territories. Among the finalists are three Filipino artists: Joey Cobcobo, Josephine Turalba, and Alvin Zafra. Cobcobo's nominated work, "Ika-8 Utos: Wag Kang Kukurap (Thou Shall Not Steal)," addresses corruption in the Philippines using a recycled canvas walked on by the public. Turalba, a transdisciplinary artist, has exhibited at Art Basel Hong Kong 2025 and serves as director of the Artistic Research Center at Philippine Women's University. The prize is run by the Sovereign Art Foundation, with proceeds from shortlisted works supporting its Make It Better charity program for children in Hong Kong.
Perrotin gallery in Paris is presenting 'When Beauty Appears', the second solo exhibition by Taiwanese artist Lee Mingwei and his first at the gallery's Paris location. The show features seven interactive works created between 1995 and 2025, including 'La fleur en chemin (The Moving Garden)', 'The Mending Project', and 'The Copyist’s Paradox', which invite visitors to engage directly with the art through simple gestures like offering a flower or mending an object.
Ruth Pastine's painting "Violet (Yellow), Color Space Series" (2021) is being offered for sale through Louis Stern Fine Arts in West Hollywood, listed on Artsy. The work is an oil on canvas on beveled stretcher, measuring 30 × 60 inches, and is part of her Color Space Series. Pastine, an American artist born in 1964, holds a B.F.A. from The Cooper Union and an M.F.A. from Hunter College, and has exhibited widely, including a museum survey at MOAH Museum of Art and History and a show at CAM Carnegie Art Museum. Her work is held in major collections such as SFMOMA, MCASD, and the Achenbach Foundation.
This Detroit City Guide article highlights ten overlooked art galleries and cultural spaces across the city, including Wasserman Projects in Eastern Market, the Elaine L. Jacob Gallery at Wayne State University, Center Galleries at the College for Creative Studies, Galerie Camille, the historic Scarab Club, Detroit Artists Market, Ellen Kayrod Gallery, Schinkel Fine Art, and the N'Namdi Center for Contemporary Art. Each venue is described with its unique focus, from diaspora-inspired ceramics and student showcases to artist residencies and senior artist platforms, with several exhibitions closing in April 2025.
Andrew Kreps Gallery in New York presents 'Head Stretch,' a group exhibition featuring Felipe Barsuglia, Allan Gandhi, Luciana Maas, Flora Rebollo, Gokula Stoffel, and Erika Verzutti. The show is rooted in a shared studio building in São Paulo called 'Predinho,' where friendships and creative exchanges among the artists led to the exhibition. The title reflects diverse interpretations: from craning to see another's work to the stretched proportions of figures in paintings, and the expansion of perspective through community. Works by the six artists, including paintings, sculptures, and drawings, are installed in ways that create new associations, with Verzutti inserting her own pieces to open them to fresh readings.
Gitterman Gallery is presenting an exhibition of vintage gelatin silver prints by artist Ruth Thorne-Thomsen, on view through June 6, 2026. The show features a selection of her work from several series, including 'Expeditions' (1976-1984), 'Door' (1981-83), and 'Views from the Shoreline' (1986-1987), which showcase her signature technique of staging and photographing dioramas within landscapes to create surreal, dreamlike scenes.
New Jersey-based artist Hadieh Afshani is featured in the 334th installment of Hyperallergic's 'A View From the Easel' series, which profiles artists in their workspaces. Afshani describes her studio practice at Mana Contemporary in Jersey City, where she balances her art with caring for her baby, working around his feeding and sleeping rhythms. She emphasizes the importance of natural light, a sink for fluid processes, and the supportive community of fellow artists and mothers.
Gallery Isabelle, founded by Isabelle de Caters in Dubai's Al Quoz district, celebrated its 20th anniversary in April 2026 with a 20-day exhibition titled "Move, Pause, Return." The show unveiled one work per day before bringing all 20 artists together for a final gathering. De Caters, who opened her first space B21 Gallery in 2006 when contemporary art in the Gulf was seen as a passing fad, reflects on two decades of building a gallery through instinct, long-term artist relationships, and organic growth rather than commercial dictates.
Non, la justice n'a pas laissé la voie libre aux vitraux contemporains de Notre-Dame
The article clarifies that legal challenges against installing contemporary stained-glass windows in Notre-Dame Cathedral are still ongoing, contrary to misleading headlines. Two judicial procedures remain active: an appeal by the heritage association Sites & Monuments after losing a first-instance ruling on procedural grounds, and a separate case contesting the legitimacy of the works themselves. Although an emergency injunction was denied because the judge found no urgency, the core legal arguments—that replacing Viollet-le-Duc's windows is not conservation or restoration—remain strong. The author warns that if the windows are installed before the appeals are resolved, they may later have to be removed at great expense.
The May 2026 issue of The Burlington Magazine (n°1478, vol. CLXVIII) presents a rich array of scholarly articles, exhibition reviews, and book reviews covering European art from the medieval period to the 20th century. Highlights include Laure Boyer's study of two photographs of Victorine Meurent linked to Manet's 'Le Déjeuner sur l'herbe' and 'Olympia', Axel Moulinier's analysis of Watteau's copies after old masters, and Richard Thomson's essay on a century of Monet in print. Exhibition reviews cover shows on Monet's Étretat coast, Orazio Gentileschi, Cornelius Jonson van Ceulen, Gainsborough, Seurat, Italian Symbolism, and Iliazd. Book reviews range from medieval art and Pietro Bellotti to Helene Schjerfbeck, Roberto Matta, and contemporary jewelry at the Dallas Museum of Art.
The French state has preempted four drawings by Jean-Michel Moreau le Jeune at a Christie's Paris auction, securing them for the Palace of Versailles. The works, sold in two lots, depict the festivities in Paris following the birth of the Dauphin Louis Joseph in autumn 1781, including the arrival of the Queen at the Hôtel de Ville and a fireworks display. The drawings were commissioned by the City of Paris and were intended to be engraved, marking a high point of public commissions under the ancien régime. The preemption was made possible through the support of the Friends of the Louvre, echoing a similar acquisition of Hubert Robert works from the same Veil-Picard sale.
New Zealand photographer Fiona Pardington (born 1961, Auckland) is representing Aotearoa at the 61st Venice Biennale with her exhibition *Taharaki Skyside*, on view from May 9 to November 22, 2026, at the Aotearoa New Zealand Pavilion. The show features large-scale portraits of taxidermied birds from museum collections across New Zealand and Australia, focusing on endemic species including the extinct huia and whēkau. Curated by Felicity Milburn and Chloe Cull, the exhibition is presented by the Arts Council of New Zealand Toi Aotearoa (Creative New Zealand) and Christchurch Art Gallery Te Puna o Waiwhetū.
The 61st Venice Biennale, themed “In Minor Keys” by late curator Koyo Kouoh, emphasizes quiet reflection over spectacle. A collateral exhibition titled “Fermata: Hong Kong in Venice,” curated by the Hong Kong Museum of Art (HKMoA), runs through November 22, 2026, and features two Hong Kong-born artists: Kingsley Ng and Angel Hui. Ng’s installation *Laundry Nocturne* (2026) uses projections and sound to connect the shared laundry-drying traditions of Venice and Hong Kong, while Hui’s *I Would Like to Open a Window for You* (2026) incorporates wrought-iron window frames crafted with local metalsmiths. Both artists explore everyday experiences, memory, and quiet emotions, aligning with the Biennale’s call for a slower, more reflective engagement with art.
The Corning Museum of Glass (CMoG) opened "Tough Stuff: Women in the American Glass Studio" on May 16, 2026, as part of its 75th anniversary celebration. This is the first survey exhibition dedicated to women artists who shaped the American Studio Glass Movement from the 1960s onward, featuring over 200 works by artists including Claire Falkenstein, Audrey Handler, Margie Jervis, Susie Krasnican, Kathleen Mulcahy, Ginny Ruffner, Ruth Tamura, and Toots Zynsky. The exhibition draws from CMoG’s permanent collection, the Rakow Research Library, and loans from the artists, and is complemented by an oral history initiative preserving first-person accounts.