filter_list Showing 1788 results for "war" close Clear
search
dashboard All 1788 museum exhibitions 867article local 233article news 208trending_up market 147article culture 129candle obituary 51article policy 50person people 47rate_review review 36gavel restitution 19article architecture 1
date_range Range Today This Week This Month All
Subscribe

In the heart of Trastevere, an exhibition by an artist paying homage to an ancient Roman goddess

Nel cuore di Trastevere la mostra di un artista che omaggia un’antica dea romana

Diego Gualandris presents 'Floralia,' a solo exhibition at ADA gallery in Rome's Trastevere district, running until May 24, 2026. The show blends painting and music to create a modern homage to Flora, the ancient Roman goddess of spring and fertility. Gualandris displays a series of medium- and small-scale canvases from 2026 alongside a 1970s gramophone playing two original tracks—'The world in a flowerbed' improvised by the artist on piano with saxophonist Francesca Pegurri, his mother. The exhibition also references Hermann Nitsch through works like 'Prinzendorf,' and features playful, erotic botanical compositions that invite viewers to lie down and experience the space through sound and imagery.

Art Gallery of Swan Hill Opens Three Powerful First Nations Exhibition

The Art Gallery of Swan Hill in Victoria, Australia, will open three significant First Nations exhibitions on 29 May 2026. The shows are: 'JXSH MVIR: Forever I Live', the first major solo retrospective of the late Yorta Yorta, Gunditjmara and Barkindji artist Josh Muir, co-curated by his partner and mother; 'Gulgawarnigu | Thinking of Someone. Something', a touring digital portrait and landscape exhibition by young Indigenous artists from Roebourne, Western Australia, developed through a partnership with NEO-Learning and Big hART; and 'Big Place', a new exhibition drawn from the gallery's permanent collection featuring works from Western Australia, the Northern Territory, the Tiwi Islands and South Australia.

Fraudster trying to sell fake ancient statues to Sotheby’s foiled over bogus invoices

A fraudster named Andrew Crowley, 46, attempted to sell fake ancient statues to Sotheby's, claiming they were inherited from his grandfather. The items—three Cycladic figures and one Anatolian stargazer statuette—were valued at up to £680,000 if genuine. However, the scheme unraveled when forensic analysis revealed that the accompanying invoices, purportedly typed in 1976, were produced using printing methods invented in 2001. Sotheby's experts also spotted spelling errors. Crowley received a two-year suspended sentence after admitting to making a false representation to the auction house.

Parliamentary report calls for major changes at French museums in the wake of Louvre heist

A French parliamentary report published on 13 May, following the October 19 heist of the crown jewels at the Louvre, issues a damning assessment of the country's museum security and management. The commission heard around 100 testimonies and examined some 2,000 museums, dedicating a special chapter to the Louvre. It blames former director Laurence des Cars's leadership for a "dysfunctional drift" that prioritized contemporary art interventions and fashion shows over basic infrastructure and collection protection, allowing the heist to occur. The report lists rising threats including riots, burglaries, cyberattacks (which forced the National Museum of Natural History in Paris to cancel an exhibition after a ransomware attack in July 2025), and terrorist plots. It proposes 40 recommendations, including raising budgets by an estimated €20–25 billion over a decade, enhancing staff training, and overhauling museum leadership.

Cigarette Taxes Have Funneled $270 M. Toward Arts and Culture in Cleveland Since 2007

Cuyahoga County, Ohio, has funneled $270 million into arts and culture since 2007 through a cigarette tax, distributed by the nonprofit Cuyahoga Arts and Culture. Beneficiaries include the Cleveland Museum of Art, the Museum of Contemporary Art Cleveland, the Cleveland Institute of Art, ICA-Art Conservation, Sculpture Center, and the Cleveland Arts Prize. The tax has funded roughly 4,000 grants to 485 organizations, far exceeding the $48 million the entire state received from the National Endowment for the Arts in the same period.

Hermitage Museum Director and Putin Ally Mikhail Piotrovsky Sanctioned by European Union

The European Union has sanctioned Mikhail Piotrovsky, the longtime director of the State Hermitage Museum in St. Petersburg, for his close association with Vladimir Putin and his active support of Russia's war against Ukraine. Announced on April 23, the sanctions are part of a broader package targeting over a hundred individuals and entities, including other cultural figures like Sergei Obryvalin, Igor Solonin, and Andrey Polyakov, for their roles in the seizure of Ukrainian cultural property and the spread of Russian propaganda in occupied regions.

Comment | Museums are civic institutions. It’s time we acted like it

Lindsay C. Harris, director of the Oakland Museum of California (OMCA), publishes a commentary calling for museums to act as true civic institutions. She outlines concrete internal commitments OMCA has made, including voluntarily recognizing a staff union, adopting a pay equity philosophy with a minimum wage of $30.88 per hour, implementing transparent financial practices, and shifting investments toward socially responsible funds. Externally, she advocates for centering community voices, building social cohesion through inclusive programming, and measuring institutional impact through visitor surveys.

The Whelm of Massive Group Shows, and My Tender Eyes

The article reflects on the overwhelming experience of massive group exhibitions, using examples like Lawndale's "The Big Show" (77 artists in 2025), "Hecho en Dallas" (66 artists), and the School of the Art Institute of Chicago's 1999 MFA thesis show (around 150 artists). The author, a gallerist, recounts visiting two recent San Antonio shows—"A Postmodernist Says ¿Que?" at Centro de Artes and "Fan of a Fan 3" at C7 Space—which feature dozens of works hung salon-style, forcing viewers to make choices about where to focus attention.

Who Gets to Define ‘American Art’? Inside the 2026 Whitney Biennial

The 2026 Whitney Biennial is currently on view at the Whitney Museum of American Art in New York, running from March 8 through August 2026. For the first time in the museum's history, the exhibition is co-curated by a Latina, Marcela Guerrero, who brings a new perspective to the prestigious show. Of the 56 artists featured, 16 are Latino, and the exhibition includes immersive installations with slimy green sculptures, lemongrass scents, and insect sounds, alongside works such as Leo Castañeda's video game "Camoflux: Levels & Bosses (Igapó)" and Gabriela Ruiz's "Homo Machina."

Plains Art Museum marks Smithsonian relationship with new Indigenous exhibit

The Plains Art Museum in Fargo, North Dakota, has been awarded a Smithsonian Affiliation, becoming the only institution in the state with such a designation. The partnership grants the museum access to Smithsonian programs, including artwork loans, touring exhibitions, educational resources, and professional development. The first public display of this collaboration is the new exhibit "Know Your Treaty: Wiwahokichiyapi," which opened in late April. The touring Smithsonian show, developed by the National Museum of the American Indian, examines the history of treaties between Indigenous nations and the U.S. government through photographs and text, while the museum has supplemented it with works by Indigenous artists from its permanent collection and loans.

Opening Conversation: International Surrealism from Tate

The Frist Art Museum in Nashville will host "Opening Conversation: International Surrealism from Tate" on May 21, 2026, from 6:30 to 7:30 PM. The event features a discussion with Dr. Matthew Gale, exhibition curator; Michael J. Ewing, Frist Art Museum associate curator; and Caroline Yates, Susan H. Edwards Curatorial Fellow, focusing on the exhibition "International Surrealism from Tate: Fifty Years of Dreams." The exhibition, drawn from the Tate's collection in the United Kingdom, presents a broad selection of paintings, photographs, sculptures, publications, and archival material that traces the long trajectory and global reach of surrealism. A live musical performance in the Grand Lobby precedes the conversation from 5:15 to 6:15 PM, and the museum remains open until 9:00 PM for gallery visits.

Archives : MAMM : Lauren Greenfield : Generation Wealth

The Multimedia Art Museum, Moscow (MAMM) presents 'Generation Wealth' by American documentary photographer and director Lauren Greenfield as part of the XII Moscow International Biennale 'Fashion and Style in Photography 2021'. The exhibition, opening May 21, 2021, includes over 200 photographs, documentary films, and interviews drawn from Greenfield's 25-year investigation into global consumer culture, wealth aspiration, and the transformation of happiness. It marks Greenfield's third exhibition at MAMM, following previous shows in 2000 and 2004.

Thursday’s Corvallis Arts Walk: Social Conscience, Multiplying Mediums and Fae Folk

The Corvallis Arts Walk on Thursday, May 21, features a wide range of exhibitions and events across multiple venues, including a window display by Living Studios Arts for individuals with intellectual and developmental disabilities, miniature paintings by Jana Johnson at Art in the Valley, and a mixed-media installation by Vincent Frimpong at The Arts Center addressing textile waste and its global impact. Other highlights include abstract landscapes by Philip Stork, a Mental Health Awareness Month show by ACT/EASA participants, figurative clay sculptures from Niya Lee's class, and a bird-themed pastel collection by Alycia Helbling at Corvallis Foundry Gallery.

Oxford Festival Of The Arts brings world famous artists, free exhibitions and silent films to the city centre

The Oxford Festival of the Arts is bringing a major visual art component to its 2025 program, featuring free exhibitions by world-renowned artists across multiple venues in Oxford city centre. Highlights include James Gemmill's cinematic paintings at St John's College, a collaborative installation by Chinese artist Qu Lei Lei and Caroline Deane at OVADA examining humanity and geopolitics, a retrospective of Ukrainian artist Oleksandr Dubovyk's 'White Bouquet' series, and a charitable project supporting Ukrainian children through art. All exhibitions are free and require no booking.

UMich art museum glorifies left-wing protests

A new exhibition at the University of Michigan Museum of Art (UMMA) titled “American Sampler: The Art, Language and Legacy of Protest” features posters, pamphlets, and video from 1960s and ‘70s left-wing protest movements, including the Black Panthers, Vietnam War protesters, and the anarchist Yippies. Guest curator Julie Ault organized the show using materials from U-M’s Labadie Collection, which holds radical literature. Conservative commentator Bobby Mars, writing for the Michigan Enjoyer, criticizes the exhibit for allegedly glorifying violence and anti-American sentiment, arguing that the museum’s framing encourages today’s students to protest against the government.

The Picasso of India: Amrita Sher-Gil exhibit opens in Drents Museum

The Drents Museum in Assen, Netherlands, has opened a major exhibition of works by Amrita Sher-Gil (1913-1941), the Hungarian-Indian painter often called the Picasso of India. Titled “Europe is Picasso’s, India is Mine,” the show features nearly 50 paintings and drawings on loan from the National Gallery of Modern Art in New Delhi, marking the first-ever Sher-Gil exhibition in the Netherlands and the first in Europe in nearly two decades. Originally scheduled for March, the opening was delayed due to geopolitical tensions linked to the war in Iran, which postponed the transport of the artworks. The museum worked for six years to secure the loan, and 23 Dutch museums stepped in to create an alternative exhibition during the delay.

The Collective Takeover

A coalition of seven Zurich-based artist-run collectives, led by Peter Baracchi and his nomadic platform 6½, has taken over the former Museum Haus Konstruktiv building in Zurich's Selnau district. The project, titled "Oceans Flow Upwards," occupies 1,200 square meters across five floors and expands into over 2,000 square meters by activating the cellar, offices, storage, shop, café, and rooftop. Participating collectives include Hotel Tiger, Die Diele, Papillarya, MATERIAL, volumes, and zwischentext. Baracchi, who previously worked at Haus Konstruktiv as a technician and photographer, initiated the takeover after the museum relocated to Areal Löwenbräukunst, securing temporary cultural use from the City of Zurich in March. Rather than dividing the space into separate zones, the exhibition presents a single, integrated show where artists were invited by the collectives, not selected by open call.

Artist Yeesookyung Reimagines Works Through AI in Seoul-Jeju Exhibition

Artist Yeesookyung, known for her "Translated Vase" series that repairs broken ceramics with gold, has created new AI-driven video works for the exhibition "Fail Better," jointly held at Forum & Space in Seoul and Vido Gallery in Jeju through June 13. The two-person show, curated by Kim Yoon-kyung, also features media artist Yangachi and includes works like "Moonlight Crown," which uses real-time GPS and weather data to generate ever-changing forms, and "Oh, Rose!," a digitally bred rose series produced through an AI generative system.

Sacramental Value: “The Holy Sepulcher” at the Kimbell Art Museum, Fort Worth

The Kimbell Art Museum in Fort Worth is hosting "The Holy Sepulcher: Treasures from the Terra Sancta Museum, Jerusalem," a rare exhibition of sacred objects from the Church of the Holy Sepulcher. Curated by Xavier F. Salomon, the show features ornate metalwork, textiles, and vestments dating from the 16th to 18th centuries, drawn from the Terra Sancta Museum's collection and traveling to only two U.S. venues. The exhibition includes pieces such as a gilt silver reliquary from 1628-29 and a gold crucifix from 1756, displayed in low lighting to evoke a candlelit church atmosphere.

Brandywine Conservancy & Museum of Art announces $100m expansion

The Brandywine Conservancy & Museum of Art in Pennsylvania has announced a $100 million expansion project to transform its 15-acre campus. The plan includes a new 40,000-square-foot museum building designed by Kengo Kuma & Associates—the firm's first museum in the U.S.—along with renovations to the original mid-19th century grist mill building, and the creation of a 325-acre publicly accessible preserve and garden with 10 miles of trails. Construction is set to begin in spring 2027, with completion expected in autumn 2029.

Trace the making of Fermata: Hong Kong in Venice through complete artwork reveals and installation photography

The article details the making of 'Fermata: Hong Kong in Venice,' a collateral event at the 61st Venice Biennale curated by the Hong Kong Museum of Art (HKMoA). The exhibition features two Hong Kong-based artists—established media artist Ng and emerging artist Angel Hui—whose works explore the poetic rhythms of everyday life in Hong Kong, engaging with the Biennale's theme 'In Minor Keys' by Koyo Kouoh. The selection process involved nominations from local tertiary institutions and professional art organizations, with over 200 artists considered before Ng and Hui were chosen.

New exhibition charts motherhood from the 15th century to today

The National Gallery of Victoria (NGV) has opened a new exhibition titled 'Mother,' curated almost entirely from its existing collection. The show traces the experience of motherhood from the 15th century to the present, beginning with a juxtaposition of Giovanni Toscani's Madonna and Child and a 1998 birth mat by Elizabeth Birritjama Ngalandjarri. Co-curators Sophie Gerhard and Katharina Prugger organized the exhibition around the 'life cycle' of a mother, covering themes from matrescence to loss. It features works by artists including Kate Just, Kyra Mancktelow, Destiny Deacon, and Hannah Brontë, with a strong emphasis on First Nations perspectives and fiber arts.

How super-skinny red carpet trend at Met Gala clashes with own its body-positive Costume Art show

The Met Gala, organized by Vogue and themed around "costume art," was accompanied by an exhibition of the same name at New York's Metropolitan Museum of Art opening May 10, focusing on the dressed body. While the exhibition has been praised for using inclusive mannequins representing diverse body types—including variously abled, fat, thin, and pregnant forms—the red carpet was criticized for its overwhelming thinness and the involvement of honorary chairs Jeff Bezos and Lauren Sánchez Bezos, who reportedly sponsored the event for $10 million, sparking boycott calls. Fashion commentators like Diet Prada noted the Gala was more poorly received than ever, with some celebrities absent.

HistoryMiami rebrands as Museum of Miami, a ‘museum without walls’

HistoryMiami, the historical museum of South Florida, has rebranded as the Museum of Miami, adopting a 'museum without walls' concept. The change reflects a shift away from a traditional brick-and-mortar institution toward a more flexible, community-engaged model that will operate across various locations and digital platforms throughout Miami.

Sara Shamma brings Syria’s cultural renewal to Venice Biennale

Sara Shamma, the first female artist to lead Syria's national pavilion at the Venice Biennale, presents her immersive installation *The Tower Tomb of Palmyra* at Iuav University of Venice's Cotonificio campus. The full-scale, nine-sided chamber features paintings, light, sound, and scent inspired by Palmyra's ancient funerary towers, which Shamma first encountered as a student at the National Museum of Damascus. The project, originally planned for Cambridge before the pandemic, gained new significance after the fall of the Assad government in December 2024, as Shamma returned to Damascus and was approached by Syria's Ministry of Culture to represent the country's cultural renewal on the world stage.

Six environmental artists win this year’s Rewilding Art Prize

Six Canadian artists have been awarded the 2026 Rewilding Arts Prize, established in 2023 by the David Suzuki Foundation and Rewilding Magazine. The winners include Nicole McDonald-Fournier, whose project EmballeToi! repurposes old winter coats as plant-growing pots, and the Montreal/Toronto duo Masumi Rodriguez and Elena Kirby, who run community papermaking workshops using invasive plant species. The prize awards $2,000 to each artist and plans to feature their work in a future exhibition, following the inaugural winners' show at the Canadian Museum of Nature in Ottawa.

Meet the artist turning Venezuelan protest music into art

Nadia Hernández, a Venezuelan-born artist now based in Melbourne, has created a multidisciplinary installation titled "Para verte mejor, en todo tiempo" (To see you better, at all times) currently on view at the Art Gallery of New South Wales. The work traces the history of Venezuelan protest music, incorporating a textile collage, a soundscape, and a site-specific mural. Hernández, who won the Grace Cossington Smith Art Award in 2021 and was a finalist for the Ramsay Art Prize and Sulman Prize in 2023, began this project two years ago as an evolving archive of protest songs, building on earlier iterations shown at the Oslo Freedom Forum, TarraWarra Biennial, and Art Basel Hong Kong.

Five-Minute Tours: “IN SEARCH OF HISTORY” at Throughline, Houston

Glasstire's Five-Minute Tours series features a video walk-through of "IN SEARCH OF HISTORY" at Throughline in Houston, an exhibition juried by Lisa Volpe and presented in conjunction with FotoFest 2026. Running from February 19 to March 21, 2026, the show includes works by 15 artists—Kelly Berry, Angela Cappetta, Brian Edwards Jr., William Gerst, Cynthia Greig, Abbey Hepner, Finn Hewes, Charles Muir Lovell, Julie Mardin, Marilyn Marzella, Liz Obert, Brynne Quinlan, Julia Gabriel Weber, Suzanne Theodora White, and Morgan Ford Willingham—exploring the evolution of lens-based art in the 21st century.

PHOTOS: Celebrities interpret 2026 Met Gala theme ‘Fashion is Art’

On May 4, 2026, celebrities including Emma Chamberlain, Anna Wintour, Nicole Kidman, Kylie Jenner, and Janelle Monae attended the Met Gala at The Metropolitan Museum of Art in New York, celebrating the opening of the "Costume Art" exhibition. The event featured arrivals at the museum and departures from The Mark Hotel, with performances by Joshua Henry, and was captured by photographers Evan Agostini, Andy Kropa, and Jamie McCarthy.

First Look at the Met’s ‘Costume Art’ Where Every Body Matters, Really

The Metropolitan Museum of Art has unveiled its spring exhibition "Costume Art" in the Condé M. Nast Galleries, featuring around 200 pairings of garments and artworks that trace connections across centuries. The show prioritizes fashion over art, displaying dresses, jeans, body stockings, and bustiers to explore the human form through sections like "Naked and Nude Body," "Corpulent Body," and "Disabled Boy." Chief curator Andrew Bolton emphasizes celebrating body diversity amid threats from AI and politics, with nine individuals—including fashion designer Michaela Stark—scanned to create more realistic mannequins.