A new study by University College London, published in the journal *Innovation in Aging*, finds that engaging with art—both creating and observing it—can slow the biological aging process. The research, published by Oxford University Press on behalf of the Gero, is the first to provide evidence that art engagement offers anti-aging benefits comparable to those of physical activity.
Haroun Hayward presents a new exhibition that merges the energy of 1990s rave culture with the pastoral landscapes of Sussex, England. The show features paintings that depict rolling hills and rural scenes, but are infused with the visual and rhythmic influences of techno music and rave aesthetics, creating a contemporary dialogue between nature and club culture.
Double vandalisme place de la Concorde
During the PSG Champions League semi-final victory celebrations last Wednesday, vandals destroyed an exhibition by Yann Arthus-Bertrand on the theme of 'Living Together' on the Place de la Concorde in Paris. The article describes this as a double vandalism: the physical destruction by rioters compounded what the author considers the original vandalism—the exhibition itself, which was supported by the French government, the Paris city hall, and several other entities.
Botswana-born artist Thero Makepe presents 'We Didn’t Choose to Be Born Here: Inherited Frequencies' at the Javett Art Centre at the University of Pretoria, an exhibition running until February 13, 2027. The show combines staged portraiture, archival imagery, and documentary photography to explore themes of memory, migration, and political inheritance, focusing on the intertwined histories of Botswana and South Africa. Makepe traces his own family’s anti-apartheid struggle, including his grandfather Hippolytus Mothopeng’s flight from apartheid South Africa and the legacy of PAC leader Zephaniah Mothopeng, treating history as fragmented and continuously reassembled rather than fixed.
Rafael Tamayo Franco, director of the Museo de Arte Moderno de Medellín (MAMM), argues in an interview that the entire museum sector in Colombia must rethink itself. He discusses the opportunities and risks of museums engaging with social crises, emphasizing the need for museums to be critical spaces that complexify and confront tensions through art, while avoiding both sanitized debate and the violation of visitors. Tamayo also highlights structural challenges facing Latin American museums, including budget constraints and bureaucratic hurdles, but praises the region's professionals for their resourcefulness and resilience.
Nicolás Gómez Echeverri, director of the Unidad de Artes y Otras Colecciones at the Banco de la República de Colombia, reflects on the challenges facing museums in Iberoamérica in an interview published for International Museum Day. He oversees institutions including the Museo de Arte Miguel Urrutia (MAMU), the Museo Botero, and the Casa de Moneda. Gómez Echeverri describes the museum as a "radar" that captures decentralized artistic practices and integrates them into collective narratives, while emphasizing the need for mediation, public debate, and long-term cultural projects amid economic constraints and the pressures of digital immediacy.
Artist Jevon Brown, a Miamian of Bahamian, Jamaican, and Black Southern descent, discusses his multidisciplinary practice in an interview conducted in his Miami Beach apartment and studio. Brown works across textiles, silkscreen printing, fashion, and photography to explore cultural identity, belonging, queerness, and history. He describes how memories of Miami sunsets, family members like his uncle (a sneakerhead and hat collector), and ancestral references inform his creative process. Key works discussed include the "HAIREtage" series (2025), which uses materials like burlap and raffia to connect contemporary streetwear culture with African and Caribbean spirituality, and his inclusion in the exhibition "Material, Material World" at David Castillo Gallery.
Corning's Rockwell Museum has announced plans for a major renovation as it celebrates its 50th anniversary. The project aims to update and expand the museum's facilities to better serve its collection and visitors.
The article provides information on how to secure tickets to an exhibition featuring BTS leader RM at the San Francisco Museum of Modern Art (SFMOMA). The exhibition appears to be a notable event drawing significant public interest, likely due to RM's global fame as a K-pop star and his engagement with visual art.
French-Mexican artist Hugo Toro is debuting his first solo art exhibition in the United States at Perrotin New York on May 20, 2026. The show features over a dozen paintings and sculptures that explore themes of origin, belonging, and identity, with water serving as a recurring metaphor for memory. Toro, who also works in architecture and interior design, describes his creative process as instinctive, starting from emotional impulses and moving from abstraction toward figuration.
An expansive exhibition at the Corning Museum of Glass highlights the women artists who were instrumental in the American Studio Glass Movement of the mid-20th century. The show, curated by Osman Can Yerebakan, brings together works that demonstrate the resilience and creative contributions of these often-overlooked figures.
A new exhibition at the Cahoon Museum of American Art in Cotuit, Massachusetts, titled "From Borough to Bay: A Legacy Illuminated," highlights the stories of seven Black families from Brooklyn who spent their summers in Osterville on Cape Cod during the 1960s and 1970s. Created by Cape Cod artist Dawn McKenzie, the show is on view through June 14, 2026.
The Metropolitan Museum of Art has published an article titled "The Body Is Art." The content appears to focus on the human body as a subject within art, likely exploring representations and interpretations of the body in the museum's collection.
Dr. Eric Singleton has been appointed as the new director of the Booth Western Art Museum, set to assume the role in mid-July. He was selected after a nationwide search led by Georgia Museums President and Board Chair Lorri McClain, who praised his extensive experience, creativity, and collaborative leadership style. Singleton currently serves as the McCasland Chair of Cowboy Culture and Curator of Native American Art and Ethnology at the National Cowboy and Western Heritage Museum, bringing over 25 years of museum experience to the Booth. He has previously worked at the Gilcrease Institute of American History & Art and the Philbrook Museum of Art, and holds a Ph.D. from Oklahoma State University.
The New Britain Museum of American Art (NBMAA) has received a $200,000 grant from the Henry Luce Foundation to support a new project titled "Puerto Rico in Focus: Historical Interventions." The initiative is part of a multi-year museum effort to explore Puerto Rico’s complex relationship with the United States through exhibitions, research, and community programs.
The 82nd Whitney Biennial has opened, drawing attention for its weird, provocative nature that leaves viewers wanting more. The exhibition, held at the Whitney Museum of American Art, features a range of contemporary works that challenge conventional boundaries and spark dialogue.
The Grohmann Museum in Milwaukee has opened a new exhibition pairing two shows by contemporary American artists focusing on military service. Ohio-born Mary Whyte's "We the People: Portraits of Veterans in America" features 50 large-scale watercolor portraits of veterans from various wars and backgrounds. Milwaukee photographer Dennis Darmek's "Boots and Sand: The Marines of 29 Palms" presents two dozen color photographs taken at the Marine Corps base in California's Mojave Desert, where Darmek himself trained in 1969. The photos capture both posed and candid moments, highlighting diversity within the modern Marine Corps, including women in combat roles.
The 59th Carnegie International, titled 'if the word we,' is set to open this Saturday at the Carnegie Museum of Art in Pittsburgh. The exhibition, one of the oldest and most prestigious surveys of contemporary art in North America, will feature works by a diverse group of international artists, curated around themes of collective identity and language.
An exhibition titled “Of the Hills: Pahari Paintings from India’s Himalayan Kingdoms” has opened at the Arthur M. Sackler Gallery, part of the Smithsonian Institution’s National Museum of Asian Art in Washington, D.C., running through July 26. The show features 48 rare paintings created for Hindu kings in the Pahari region of northern India between the 1620s and 1830s, highlighting diverse styles from lyrical and naturalistic to boldly colored and abstracted. Key works include pieces acquired from art historian Catherine Glynn Benkaim and collector Ralph Benkaim, some never publicly exhibited before, along with loans from the Cleveland Museum of Art.
Art Liard presents a new exhibition in London exploring nature's fragile equilibrium, featuring works that examine the delicate balance of natural ecosystems. The show includes a series of paintings and installations that respond to environmental themes, highlighting the tension between growth and decay in the natural world.
The Salon was an official art exhibition sponsored by the French government, originating in 1667 when Louis XIV sponsored an exhibit of works by members of the Académie Royale de Peinture et de Sculpture. It was held in the Salon d’Apollon of the Louvre Palace in Paris, and after 1737 it became an annual event, with a jury system introduced in 1748. During the French Revolution, the Salon opened to all French artists, though academicians retained control through much of the 19th century. Its influence waned after the Société des Artistes Français took over in 1881 and as independent avant-garde exhibitions gained prominence.
This article from Artribune presents seven new art book releases in Italy, all united by a common theme of bringing marginalized subjects back into focus. Featured titles include Johnny L. Bertolio's "L'ha scritto lei, ma…" which examines why female authors are excluded from Italian school curricula, and Carla Rossi's "Oltre i margini," a rigorous study of European female miniaturists from the Middle Ages to the Renaissance. Other works address queer representation in museums, children's voices on Gaza, photographic portraiture by Lorenzo Cicconi Massi, a collective volume on the Bertolucci family, and a theatrical project by Kepler-452 set in the central Mediterranean.
Maria Palmieri (Foggia, 1986) is a photographer who uses her camera as a tool for observation, understanding, and social improvement. After studying law, she turned to visual arts, blending reportage with vernacular photography to uncover truth amid the 'noisy horror' of contemporary life. In an interview with Artribune, she discusses her sociological approach to photography, her return to her hometown of Foggia, and her ongoing documentation of the region's fragilities, including the largest migrant ghetto in Europe.
IONOI Gallery has opened at 24 via Perugino in Milan, directed by Alessia Rosato. The space offers artworks priced under €1,000, including prints, multiples, and applied art. It launched with the group exhibition “A new spring — before everything happens,” featuring 28 artists such as Cesare Fullone, Giuseppe Frangi, Franko B., Antonio Marras, and Ercole Pignatelli. The gallery replaces the former concept store IoNoi Gallery, founded in 2022 by architect and designer Fabio Novembre to showcase his industrial design collaborations with brands like Kartell, Driade, and Venini.
Siobhán Parkinson, a local artist, sound therapist, and playwright from Laois, Ireland, launched her second solo art exhibition titled "Playing with Colour: From Dawn Til Dusk" at Mountmellick Library on May 5. The exhibition features 24 mixed-media works including drawings, paintings, and photographs, organized into three rooms representing dawn, noon, and dusk. The launch included a holistic sound healing session with instruments like sound bowls and a gong, guided meditation, and a celebration cake. Parkinson, a member of the Mountmellick Art Collective, debuted her first solo show at the same venue in February 2023.
Corner Gallery in Ontario, Canada, is preparing for a new exhibition titled 'Brink,' opening May 23. Curator David Partridge chose the theme to reflect the current global uncertainty, interpreting 'brink' as either the edge of collapse or the dawn of something new. The show features artists who responded to the theme in varied ways, including one landscape painter who shifted to portraits. Partridge notes that private art galleries are struggling due to the cost-of-living crisis, with attendance declining post-COVID, and acknowledges that this year is critical for the gallery's future.
A group of nine young artists, all alumni of the Government College of Fine Arts in Chennai, have formed a collective called Continuum and will present their first exhibition, 'Between Becoming & Being,' starting May 15 at Lalit Kala Akademi. Initiated by artist couple Preethi Umapathy and Prithiviraj, the show features works in painting, printmaking, sculpture, and ceramics by Deepika, Ganesh, Jagath Ravi, Padmapriya, Prithiviraj, Preethi, Ramesh, Saran Mathi, and Sarath Kumar, exploring themes of identity, aspiration, human existence, and lived experiences.
The Indah Gallery, located within the Roblar Winery complex near Santa Ynez, is hosting a solo exhibition titled "Many Roads" by Native American artist Mitchell Robles. The show features works such as the large triptych "Thunder Mountain," along with pieces like "Little Thunder Horse," "Leaping Brown Horse," and "Sitting Bull," which blend ancient indigenous iconography with contemporary neo-Expressionist techniques. Gallerist and founder Max Gleason, himself an artist, has transformed a former barn into a dedicated art space that provides a serene setting for Robles's culturally resonant work.
Sri Lankan artist Shanaka Kulathunga presents 'Silent Stories,' a solo exhibition opening May 21–28, 2026, at the CCA Building, Bikaner House in New Delhi, India. Curated by Archana Khare-Ghose, the show features acrylic and oil paintings that explore memory, everyday life, and Sri Lanka's rural landscapes. The exhibition also marks the launch of a dedicated publication on the artist's practice, bringing together works that blend figuration and landscape to capture human emotion and social dynamics.
Bloch Bauers Gallery of Fine Art has officially opened in downtown North Bay, Ontario, at 222 McIntyre St. W. The new space features regional, Indigenous, and Inuit art, along with works from private estates and consignments. The opening event included speeches, a ribbon cutting, and the unveiling of the "Lawrence Nickle Collection." A self-portrait by longtime local art teacher Ernest "Ernie" Taylor drew particular attention from attendees, including Nipissing MPP Vic Fedeli and Mayor Peter Chirico, who praised the gallery's connection to the city's artistic heritage. Co-owner and curator Joey Nadeau noted the months of preparation behind the opening and emphasized the importance of showcasing Indigenous art, including works by painter Stephen Snake.