The Art Gallery of Swift Current is opening a new exhibition titled *Tastatâwâyih* by two-spirit Métis artist Sheri Osden Nault, running from May 22 to August 8. The show features a range of mediums including sculpture, video, photography, and drawings, and explores themes of relationality, community, environment, and futurity. A public reception with the artist will be held on May 22.
The Paul W. Zuccaire Gallery at Stony Brook University hosted the opening reception of the ninth annual combined Senior Show and URECA Arts Exhibition on April 29, drawing about 300 attendees including students, faculty, staff, university leaders, and local museum curators. The Senior Show, a nearly 50-year tradition, features works by senior studio art majors and minors, while the URECA exhibition highlights undergraduate research-based art selected by faculty. This year's exhibition is noted for its diversity in subject matter and materials, from chalk painting to digital media, and runs through May 22.
Osh Gallery in London is exhibiting 'The Hudson Transparencies,' a collection of 58 original illustrations by Charles Thomas Hudson, a 19th-century educator and amateur scientist. Created for his lectures, these large-scale transparencies (37.8 by 29.5 inches) combine painted paper and perforated pinholes to depict microscopic creatures such as rotifers, algae, protozoa, and marine organisms. When back-lit, the dark, seemingly unfinished images transform into vivid, detailed visions of life invisible to the naked eye, showcasing the intersection of Victorian-era optical innovation and scientific discovery.
The Instituto Cervantes in New York presents *Aquel Amplex*, the first institutional exhibition of Venezuelan artist Cassandra Mayela Allen, on view until June 28, 2026. Curated by Fabiola R. Delgado and Carlos Núñez, the show features braided textile sculptures, paintings, and drawings that examine Allen's process-driven practice within the legacies of Venezuelan and Latin American modernism and informalism. The title, meaning "that embrace," references a 1969 letter from Hélio Oiticica to Lygia Clark, evoking longing and forced migration. Allen, a self-taught artist who migrated from Venezuela in 2014, uses communal braiding gatherings to transform found fabrics and garments into architectural works that deconstruct national and artistic heritage.
Turner Prize-winning artist Keith Tyson is funding Oxford University's 400-year-old Savilian Professorship of Astronomy, a prestigious academic chair established in 1619. Tyson, whose work frequently engages with probability, orbital mechanics, and cosmic themes, is making a donation to support the position, merging his artistic practice with scientific patronage.
The Financial Times reports on the largest-ever outdoor exhibition of Henry Moore's sculptures, held at Kew Gardens in London. The show presents a startling and stunning summer meeting between Moore's monumental modernist works and the botanical landscape, offering visitors surprising new perspectives on the artist's oeuvre.
The Public Works Art Center in Summerville, South Carolina, opens five new exhibitions on May 21 with a reception from 5:30-8:30 p.m. The shows include "GODBODY: THE FEMME," a group exhibition celebrating Black women artists; Amy Stewart's "Intersections" exploring interconnectedness; Nick Cerrato's "Our Society Needs To…" featuring abstract works created with his feet; Sarah Mitchell's "Wildlife in Wool" with needle-felted animals; and the Summerville Artist Guild's annual "All Members Show." During the reception, guild members will create collaborative paintings for sale to benefit the Summerville Rocks Scholarship Fund.
The Athenaeum Art Center in San Diego is hosting the 21st Annual SDSU Art Council Scholarship Exhibition from May 16 to July 3, 2026, with an opening reception on May 16. The exhibition features new work by five graduate and undergraduate students from San Diego State University's School of Art and Design: Andrea Mendoza, Tina Mardan, Todd Bradley, Ana Saad, and Isa Ybarra. Their works explore themes of the body as a site of history, resistance, and reinvention, addressing chronic pain, immigrant memory, queerness, and colonial boundaries through diverse media including painting, metalsmithing, photography, installation, clay, fiber, and printmaking.
“Stiamo superando le Colonne d’Ercole”. L’artista Luca Vitone ci manda il diario di bordo del suo viaggio a vela verso Sant’Elena
Italian artist Luca Vitone has embarked on a sailing voyage from the port of La Línea, near Gibraltar, toward the island of Saint Helena, as part of his project "Pro Tempore." After six years of preparation, Vitone and his crew—including commander Pier Bruno Morelli, sound engineer Alessandro Daniele, navigator Pietro Bertozzi, cinematographer Elvio Manuzzi, and writer Carlo Antonelli—set sail on the cutter Adriatica. The journey is supported by the Italian Council program, promoted by the Ministry of Culture's Direzione Generale Creatività Contemporanea, and by the Fondazione Oelle in Catania, led by president Ornella Laneri.
Ravenna is hosting the fifth edition of the Coconino Fest, a major Italian festival dedicated to contemporary graphic novels, running from May 30 to June 2, 2026, with a preview on May 29. The festival's headquarters will be the MAR – Museo d’Arte della città di Ravenna, featuring exhibitions by international artists including David Prudhomme, Olivier Schrauwen, Miguel Vila, and Japanese manga artist Yamamoto Miki. The Biblioteca Classense will host an exhibition by Lebanese artist and performer Mazen Kerbaj. The program includes talks, book signings, and interdisciplinary events blending comics with music, theater, and performance, such as a dialogue between Vinicio Capossela and David Prudhomme on Greek Rebetiko music, and a tribute to Miles Davis by trumpeter Paolo Fresu and cartoonist Paolo Parisi. A collaboration with the Ravenna Festival will present a theatrical adaptation of a graphic novel by Chiara Lagani and Mara Cerri.
The article reviews the exhibition "Ceija Stojka: Making Visible" at the Drawing Center in New York, showcasing over 50 paintings and drawings by the late Romani-Austrian artist. Stojka, a child survivor of the Holocaust, documented both the atrocities she endured and the tender, everyday beauty of Romani life, using acrylic, sand, and paper to convey memories of her family's traveling wagon and natural landscapes. The show highlights her self-taught practice and outsider perspective, featuring works from the 1990s alongside her memoirs, which were posthumously translated in 2022.
The latest episode of the Artribune Podcast features artist Vincenzo Schillaci (born 1984 in Palermo), recorded via telephone. Schillaci discusses his evolving artistic practice, where painting is an ongoing process of layering and erasure. His work spans painted surfaces, works on paper, and bronze interventions, forming an open system in which the artwork continuously transforms, challenging the boundaries between gesture, material, and form. The episode highlights his recent series inspired by Aristotle's concept of phantasma, and his exploration of materials like electrodeposited copper and bronze to capture different states of the image.
TikTok potrà diventare il posto dove comprare e vendere opere d’arte?
TikTok Shop has launched a new "Fine Art" category, allowing users to buy and sell artworks directly within the app. The initiative was spearheaded by British artist-influencer Sophie Tea, who sold a series of 20 oil paintings titled "Bric-a-Brac" during a three-hour live stream that combined performance art, studio visits, and televised sales. Each piece sold for around £2,800, with TikTok taking a 9% commission. The move applies discovery commerce—where products find users through social feeds rather than active searches—to the art market, bypassing traditional gallery intermediaries.
Guida ai festival culturali in Italia di fine maggio 2026: Spring Attitude, Aura, Buongiorno Ceramica!, URBAPHONIA, CYFEST
A guide to cultural festivals in Italy at the end of May 2026 highlights several events across the country, including Spring Attitude in Rome (May 29-30), Aura Festival in Palermo (June 1), Hypermaremma in Maremma (through September 30), Emulsioni in Ferrania (May 22-24), and Caorle Sea Festival in Caorle (May 23-June 7). These festivals cover diverse themes such as electronic music, club culture, analog photography, ceramics, media art, street art, and outdoor practices, often set in historically or culturally significant locations like La Nuvola in Rome, the Palazzina Cinese in Palermo, and an ex-film factory in Ferrania.
Lavorare nell’arte: opportunità da Museo Novecento, Giudicesse 2030, Premio Combat e Fondazione Club Silencio
This article from Artribune compiles five current job and grant opportunities in the Italian art world. It highlights a crowdfunding campaign by Museo Novecento for Agnese Galiotto's artwork "Sogni" in Empoli, an open call for the fourth edition of the Giudicesse 2030 residency for filmmakers and video artists in Sant'Antioco, a call for artists using AI from Associazione culturale 360° Creativity Events for PARMA 360 Festival, a paid internship at Blob Art ETS for Premio Combat in Livorno, and a search for a project manager by Fondazione Club Silencio ETS.
Tra eroi, antieroi e pura umanità una mostra a Roma diventa metafora della crisi attuale
The Museo di Roma Palazzo Braschi in Rome is hosting "It's Happening Again," a solo exhibition by artist Adrian Tranquilli, curated by Studio Stefania Miscetti and running until May 24. The show presents new works including the monumental sculpture "Endsong" (2025), a black monolith inspired by Kubrick's "2001: A Space Odyssey" covered in hundreds of Joker faces, and a large pop-up book titled "My Little White Book" (2026). Tranquilli's pieces, often built from playing cards, explore themes of power, fragility, and the instability of cultural symbols.
Mafalda incontra Pimpa. A Roma il dialogo tra due autentiche icone del fumetto: intervista ai curatori
A new exhibition in Rome titled "Mafalda & La Pimpa" brings together two iconic comic strip characters for the first time. Created by Quino (1964) and Altan (1975) respectively, Mafalda and Pimpa represent different approaches to childhood: Mafalda critically questions adult society, while Pimpa explores a gentle, wonder-filled world. The show runs from May 14 to July 11 at the Instituto Cervantes, featuring over 120 original strips and plates, and is organized in collaboration with ARF! Festival and other partners. Curators Stefano Piccoli and Daniele Bonomo designed the exhibition to highlight both the contrasts and surprising analogies between the two beloved figures.
Maine College of Art & Design (MECA&D), in collaboration with the Institute of Contemporary Art (ICA) at MECA&D, presents the 2026 MFA Thesis Exhibition, showcasing the culminating work of nine graduate candidates in the Master of Fine Arts in Studio Art program. The exhibition features artists Abigail G. Cloutier, Harley Ngai Grieco, Molly Knobloch, Stephen Medeiros, Darby Miller, Dylan Ouellette, Caitlin Perrigo, Jonathan Spath, and Isaac L. Stern, working across ceramics, drawings, photography, prints, sculpture, sound, and video installations. The show runs from May 7–16, 2026, at the ICA in Portland, Maine.
La delicatezza come resistenza. Intervista alla curatrice del Padiglione Turchia alla Biennale di Venezia
For the 2026 Venice Biennale, the Turkey Pavilion, commissioned by the Istanbul Foundation for Culture and Arts (İKSV), will present "A Kiss on the Eyes" by artist Nilbar Güreş, curated by Başak Doğa Temür. The exhibition takes its title from a Turkish expression conveying affectionate closeness without intrusion, and features a mix of new productions and earlier works spanning sculpture, installation, painting, and works on paper and fabric. In an interview, curator Temür explains that the project avoids a retrospective or didactic approach, instead creating a spatial rhythm of approach, pause, and slight withdrawal, where intimacy, politics, irony, and fragility press against one another.
La mostra che punta a farti ricordare gli Anni Settanta spunta in una ex edicola di Siena
The former newsstand in Siena, transformed into an exhibition space by the association Giallo Menta in 2023, opens its seventh artistic intervention. From May 9 to June 20, 2026, artist Luigi Presicce presents a site-specific installation titled "La Mamma," which turns the small architectural space into a scenic device exploring the concept of birth while reappropriating elements of Italian popular culture from the 1970s. The installation simulates an underwater environment, an aquarium where "sea monkeys" live under human gaze, referencing a 1970s pop myth where these fantastic creatures were sold in packets and dissolved in water.
New reports reveal that Israeli Pavilion artist Belu-Simion Fainaru issued legal threats against the Venice Biennale, alleging antisemitism and discrimination after the awards jury decided to exclude Israel and Russia from consideration due to human rights charges. The jury, which included Elvira Dyangani Ose, Zoe Butt, Marta Kuzma, Giovanna Zapperi, and Solange Farkas, initially stated on April 22 it would not consider nations whose leaders are charged with crimes against humanity by the International Criminal Court. Fainaru filed legal warnings with the Biennale, the Italian Ministry of Culture, and the Prime Minister's office. The jury abruptly resigned eight days later, leading the Biennale to scrap the Golden Lion awards and institute "Visitor Lions" decided by public vote. Reports indicate the Biennale's legal department warned jurors could be personally liable for damages, and Italian Culture Minister Alessandro Giuli promised to promote Fainaru's work.
Alfabeto di pane e amore per gli animali. La mostra di Uri Aran al Museo Madre di Napoli
Uri Aran's solo exhibition at the Museo Madre in Naples, curated by director Eva Fabbris, explores language, communication, and connection through a range of works including video, sculpture, and an edible alphabet made of bread. The show, titled "Untitled (I love love)" after a video work, invites viewers into a space where meaning is fluid and inclusive, challenging rigid linguistic structures. Key pieces include the video "Untitled (I love you)" (2012), where Aran addresses plastic animals, and "Untitled (Bread Library)" (2025), a bread alphabet that visitors can rearrange to create new messages.
Intervista per scoprire Theo Eshetu, unico artista italiano alla Biennale di Venezia 2026
Theo Eshetu (London, 1958), the only Italian artist invited to the central exhibition "In Minor Keys" of the 2026 Venice Biennale curated by Koyo Kouoh, is profiled in an interview. Born to an Ethiopian father and Dutch mother, Eshetu trained in the Netherlands and London before settling in Rome in the early 1980s. He discusses his cosmopolitan background, his early struggles with belonging, and how he transformed that into artistic strength. The interview covers his career, his memories of the Roman art scene in the 1980s and 1990s, and his current work presented at the Biennale, including the piece "The Return of the Axum Obelisk" (2010).
Annalee Davis alla Biennale Arte di Venezia 2026. Il paesaggio come lutto, archivio e resistenza nel Padiglione Barbados
Annalee Davis, an artist from Barbados, will represent her country at the 2026 Venice Biennale with an installation titled "Let this be my Cathedral" within the exhibition "In Minor Keys." The work addresses ecological grief, colonial memory, and the possibility of care without erasing conflict, using suspended plants and organic materials to create a threshold where loss, vulnerability, and wonder remain in tension. Davis discusses the influence of curator Koyo Kouoh, whose vision shaped the Biennale, and the importance of research as an integral part of her artistic process.
Il Padiglione Austria in Biennale porta performance e installazioni in giro per la Laguna di Venezia
Austrian artist and choreographer Florentina Holzinger (Vienna, 1986) will represent Austria at the 61st International Art Exhibition of the Venice Biennale with a project titled "SeaWorld Venice." Curated by Nora-Swantje Almes, the interdisciplinary initiative combines a permanent installation at the Austrian Pavilion with a series of site-specific performances and actions spread across Venice and its lagoon. The project explores the body, water, and the tensions between nature and technology, drawing on mythological and classical imagery populated by aquatic creatures. It includes "Études," performative formats developed by Holzinger since 2020, which activate urban spaces through participatory and immersive experiences, engaging both spectators and citizens.
A Venezia riapre il quattrocentesco Ca’ Giustinian Faccanon. Sarà uno spazio per mostre ed eventi
The historic Ca' Giustinian Faccanon, a rare example of Venetian Gothic architecture in the San Marco district, has reopened in Venice after over a year of restoration work. The 15th-century palace, acquired by entrepreneur Andrea Parisotto, will now serve as a space for exhibitions and events managed by Art Events and Cultural Real Estate Studio. During the 61st Venice Biennale, it will host the Vietnam Pavilion with the exhibition "Arte nel flusso globale" curated by Do Tuong Linh, marking Vietnam's first official participation, as well as a solo show by Korean sculptor Shim Moon-Seup titled "Harnessed From Nature."
Lavorare nell’arte e nella cultura: opportunità da Premio di Pittura Casciaro, Fondazione MUS.E, Comune di Roma, Fondazione Officine Saffi
This article from Artribune compiles five current job and grant opportunities in the Italian visual arts and culture sector. It lists open calls for the Premio di Pittura Giuseppe Casciaro (a painting prize with a career award and a solo exhibition prize), a residency program for artists and curators under 36 at Fondazione MUS.E's MAD Murate Art District, an open call for artists on the theme of play by Associazione Circuiti Dinamici, a search by the Comune di Roma for a three-year artistic director for the La Vaccheria cultural space, and a stage (internship) position at Fondazione Culturale Officine Saffi for exhibition programming and project coordination.
Alla Biennale Arte 2026 la Spagna trasforma il suo Padiglione in museo dell’accumulo con l’artista Oriol Vilanova
Spain has announced its participation in the 61st Venice Biennale Arte 2026, selecting Catalan artist Oriol Vilanova to represent the country in its newly renovated national pavilion. The project, titled "Los restos," transforms the pavilion into a pseudo-museum of accumulation, featuring Vilanova's vast personal archive of postcards collected over twenty years from flea markets and secondhand circuits. The installation presents these ephemeral fragments as an infinite, non-narrative mural, exploring themes of accumulation and loss. Curated by Carles Guerra, the project also includes a performative intervention titled "Il fantasma della libertà" (2026), which will unfold across the Giardini and Arsenale during the Biennale.
A Milano rivive Wagner. Non solo a teatro ma anche in queste due mostre
Two exhibitions dedicated to Richard Wagner's Ring cycle have opened at Milan's Teatro alla Scala, coinciding with a new production of the Ring des Nibelungen and the centenary of the first Scala staging of the tetralogy in 1926. The Museo Teatrale alla Scala presents "La rivoluzione del Ring – Visconti Ronconi Chéreau," curated by Giovanni Agosti with design by Studio Margherita Palli, while the Ridotto dei palchi "A. Toscanini" hosts "Risonanze Wagner – Visioni intorno al Ring," curated by Gianluigi Colin and Mattia Palma, featuring contemporary paintings by four women artists—Antonella Benanzato, Flaminia Veronesi, Chiara Calore, and Federica Perazzoli—each reinterpreting one of the four operas.
Ci sono 21 artisti a sostegno del nuovo viaggio della Global Sumud Flotilla salpata dalla Sicilia con vele dipinte
A new humanitarian mission by the Global Sumud Flotilla set sail on April 26 from Augusta, Sicily, with 59 Italian and Spanish boats heading toward Gaza. The flotilla, which follows a first attempt in September 2025 that ended with activists arrested by the Israeli military, aims to deliver humanitarian aid by early May. Twenty-one artists have joined the initiative, called Vele d'Arte, painting the sails of the boats with symbolic artworks. Among the participating artists are Gio Pistone, Antonio Curcio, Escif, Lydia Giordano, Glenda Costa, Millo, Elia Novecento, MP5, Matteo Todeschini, Alleg, Sam3, Okuda, Antonella Santonocito, Fabrizio Foti, Igor Scalisi Palmiteri, Andrea Sposari, and Salvo Ligama. The project was conceived by Carlo Alberto Giardina, who hopes the energy painted on the sails will transform into positive forces.