Sotheby’s held Saudi Arabia’s first-ever international auction on February 8, 2025, in Diriyah, offering fine art and luxury items in a historic amphitheater. The event, led by auctioneer Oliver Barker, underscores the Gulf states’ rapid expansion in the art world, with major firms like Christie’s, Sotheby’s, and Art Basel launching new ventures in the region.
Bill Dilworth, the longtime caretaker of Walter De Maria's "The New York Earth Room," died on December 10, 2024, at age 70 from a stroke. His death was reported by The New York Times on Saturday. Dilworth tended the 1977 installation—280,000 pounds of dirt piled two feet high—for 35 years, from 1989 until his retirement in 2024. Managed by the Dia Art Foundation, the piece has been open to the public since 1980 and became a cult favorite, even inspiring a lookalike in a music video by pop star Lorde. Dilworth, an abstract painter, also maintained another De Maria work, "The Broken Kilometer," through his wife Patti, who served as its caretaker.
A recent episode of the Hulu series "The Bear" features main character Carmy Berzatto (played by Jeremy Allen White) visiting Frank Lloyd Wright's historic home and studio in Oak Park, Illinois. The episode highlights the architect's iconic Chicago-area buildings, including the Unity Temple and the Frederick C. Robie House, as Carmy finds a moment of tranquility amid his chaotic restaurant life. The Frank Lloyd Wright Trust, led by president and CEO Celeste Adams, granted access to the site, with staff noting the film crew's careful respect for the historic landmark.
The Victoria and Albert Museum in London will host "Schiaparelli: Fashion Becomes Art" in March, the first major institutional exhibition in the U.K. dedicated to Italian couturier Elsa Schiaparelli. The show will feature around 200 objects, including garments, accessories, sculptures, and paintings, highlighting Schiaparelli's revolutionary use of color, surrealist collaborations with artists like Salvador Dalí, Jean Cocteau, and Man Ray, and her impact on 20th-century fashion. Key pieces include the Skeleton Dress, Tears Dress, and Shoe Hat, alongside works by Picasso and others that contextualize her creative circle.
Johnny Depp has directed a new film titled "Modigliani – Three Days on the Wing of Madness," based on a play by Dennis McIntyre, which dramatizes 72 hours in the life of Italian painter Amedeo Modigliani. The film stars Riccardo Scamarcio as Modigliani and follows the artist's struggles with relationships, money, police, and a meeting with a collector, set against his bohemian life in early 20th-century Paris. It marks Depp's first directorial effort since 1997's "The Brave."
Maya Man, an artist who earned her MFA from UC's Media Art program in 2023, is the subject of a conversation with critic Ben Davis. Her work *A Realistic Day in My Life Living in New York City* is the first commission for the Whitney Museum's 'On the Hour' program, appearing on the museum's website for 30 seconds each hour. Man also founded the experimental art space HEART in New York City, which operated briefly but left a significant impact on the online/offline art scene before closing earlier in 2025.
The Mathaf: Arab Museum of Modern Art in Doha has opened "Wafa al-Hamad: Sites of Imagination," the first solo museum exhibition dedicated to the late Qatari artist Wafa Al-Hamad (1964–2012). Curated by Lina Ramadan, the show runs through August 9 and features over 40 years of Al-Hamad's work across mediums including ink, watercolor, pastel, collage, and digital art. Al-Hamad was one of the first female students at the Qatari Free Atelier in 1981 and later became a professor at Qatar University, exhibiting in group shows across the Gulf such as the Sharjah Biennale 4 (1999) and "6 Gulf Women Artists" in Sharjah (1994).
Lorna Simpson's former home and studio in Brooklyn's Fort Greene neighborhood, designed by British architect David Adjaye in 2006, has been listed for sale at $6.5 million. The four-story, 22-foot-wide building at 208 Vanderbilt Avenue, dubbed "Pitch Black," features black polypropylene panels on the front and glass walls at the back opening onto over 800 square feet of garden space. Simpson, who created the space after failing to find a suitable existing property, used it as a combined residence and studio with her then-husband, photographer James Casebere, before relocating to a larger commercial space nearby. The property now serves as archival and storage space and is being marketed by the Corcoran Group.
The United States will host its first major Marcel Duchamp retrospective in over 50 years, opening at the Museum of Modern Art in New York on April 16, 2026, before traveling to the Philadelphia Museum of Art in fall 2026 and then to the Grand Palais in Paris in 2027. Organized by MoMA’s Ann Temkin and Michelle Kuo and the Philadelphia Museum’s Matthew Affron, the exhibition features nearly 300 objects spanning Duchamp’s entire career, including iconic works such as *Nude Descending a Staircase, No. 2* (1912) and *Fountain* (1917). The show aims to reveal lesser-known aspects of Duchamp’s practice, emphasizing his transatlantic life between France and the United States.
The article reports on a record-breaking auction sale of a 4-foot-4-inch Labubu doll, which sold for RMB 1.08 million ($150,300) at Yongle International Auction in Beijing, with premium reaching RMB 1.24 million ($174,000). The character was created by Hong Kong artist Kasing Lung, who also collaborated with Art Basel on a limited edition. Other key developments include the closure of the Art Basel Hong Kong satellite fair Supper Club after two editions, Frieze announcing a new year-round space called Frieze House Seoul in Yaksu, and Blum gallery taking on global representation of Japanese ceramic artist Kimiyo Mishima's estate. The article also covers upcoming exhibitions by Christine Ay Tjoe at White Cube New York, Seulgi Lee at Ikon Gallery Birmingham, Kenny Scharf at the Modern Art Museum Shanghai, and Trevor Yeung's adaptation of his Venice Biennale show at M+ Hong Kong.
A painting by Emily Carr, titled *Fir Trees* (ca. 1935), sold for CA$576,000 ($418,370) at Cowley Abbott’s live auction of Canadian and international art in Toronto on May 28, more than doubling its low estimate. The work is a vivid example of Carr’s signature forest scenes, reflecting her deep connection to the British Columbian landscape and her association with the Group of Seven. The auction also saw strong results for other Group of Seven artists, including Franklin Carmichael’s *Old Orchard* (1940) at CAD$768,000, and for Marcelle Ferron’s untitled 1964 abstract painting at CAD$696,000.
Artnet News reports on the rising market interest in abstract artist Jack Whitten, following his current retrospective at the Museum of Modern Art in New York. The article highlights Whitten's innovative techniques, such as his "Slab" paintings made with Afro combs and his "Greek Alphabet" series, and notes that despite his long-standing reputation among fellow artists, his market is only now gaining momentum.
London's summer sales season opened with subdued results, totaling just $134.2 million across Christie's, Sotheby's, and Phillips—a 78% drop from the equivalent sales in 2015. A standout lot was Jenny Saville's painting *Mirror* (2011–12), which sold for £2.1 million at Sotheby's on June 24. Meanwhile, a group of art-world power players have launched a new advisory firm called New Perspectives Art Partners, and France has announced a $316 million international architectural competition to expand the Louvre and address chronic overcrowding.
Marlow Moss's painting *White, Black, Blue and Red* (1944) sold for £609,600 ($819,912) at Sotheby’s Modern and Contemporary Evening Auction in London, far exceeding its presale high estimate of £480,000. The work, backed by a guarantee, sparked a bidding war among seven bidders and set a new auction record for the British Constructivist artist. The previous record was set in 2022 at Christie’s London.
A rediscovered oil painting by J.M.W. Turner, titled *The Rising Squall, Hot Wells, from St Vincent’s Rock, Bristol*, sold for £1.9 million ($2.6 million) at Sotheby’s Old Masters and 19th Century Paintings evening auction in London—more than six times its high estimate. The work, painted in 1792 when Turner was 17, had been misattributed and sold for just $506 at a Dreweatts auction the previous year. After cleaning revealed Turner’s signature, scholars confirmed its authenticity, and it was identified as Turner’s first publicly exhibited oil painting, exhibited at the Royal Academy in 1793. The winning bidder was a private collector in the U.K., outbidding Bristol Museum and Art Gallery, which had raised over £100,000 from donors in a failed attempt to acquire the work.
At Kering's historic Laennec headquarters in Paris, the exhibition "Balenciaga by Demna" presents a self-curated retrospective of the designer's decade-long tenure at the house, from 2015 through 2025. Open by appointment through July 9, the show features 101 objects including complete looks, accessories, and provocations drawn from 30 collections, alongside audio narration using an AI rendering of Demna's voice. The exhibition serves as a capstone before Demna transitions to his new role as creative director of Gucci, while Pierpaolo Piccioli prepares to take over at Balenciaga. Highlights include a metallic gold ballgown shaped like a Ferrero Rocher candy, a hyperrealistic mannequin of muse Eliza Douglas, and the Spicy Chili Chips Bag clutch.
Creative Australia has reinstated Lebanese-born artist Khaled Sabsabi and curator Michael Dagostino as the representatives for Australia's pavilion at the 2026 Venice Biennale, following an independent review and months of public backlash. The pair were initially removed in February after a column in The Australian criticized Sabsabi's 2007 video installation "You," which includes manipulated footage of Hezbollah leader Hassan Nasrallah, accusing the artist and curator of favoring boycotts of Israel. The abrupt removal prompted resignations from senior Creative Australia staff and board members, widespread condemnation from the art community, and an open letter from shortlisted pavilion candidates demanding reinstatement.
Shana Moulton, an artist and chair of the art department at the University of California, Santa Barbara, discusses her exhibition "Meta/Physical Therapy" at the Museum of Modern Art in New York and her retrospective at the Buffalo Institute for Contemporary Art. The article centers on Moulton's semi-autobiographical alter ego, Cynthia, a hypochondriac navigating New Age wellness culture through video installations, performances, and a collection of eccentric objects. Moulton explores themes of hypochondria, hospital art, and the absurdity of wellness consumerism, drawing from her upbringing in a California mobile home park and her long-running video series "Whispering Pines" (2002–18).
The fourth season of the FX series *The Bear* features two photographs by Tyler Mitchell in an episode centered on the character Syd. The works shown are *Untitled (Kiki and Stephan Dancing)*, a grid of shots commissioned by *Vogue* featuring actors KiKi Layne and Stephan James, and *Untitled (Group Hula Hoop)*, a 2019 image of children hula hooping in Brooklyn. Mitchell, who rose to fame for photographing Beyoncé, is now represented by Gagosian and has seen his market prices climb above $24,000 at auction.
Independent curator Brice Arsène Yonkeu has organized "Ever So Present II: Between Home and Elsewhere," the second installment of a two-part exhibition at Gagosian's Park & 75 space in New York. The show features four emerging artists of African descent—including Emma Prempeh and Josèfa Ntjam—whose works in painting, photomontage, and assemblage explore themes of diaspora, memory, migration, and belonging. Yonkeu is the first curator invited to participate in dot.ateliers' new residency program, a foundation and exhibition space launched by Ghanaian painter Amoako Boafo in Accra in 2023. The exhibition expands on questions raised in the first iteration held in Accra, asking what remains "ever so present" in diasporic art across borders and cultures.
Liz Collins created two monumental 16-foot-long tapestries for the 2024 Venice Biennale, titled *Rainbow Mountains: Moon* and *Rainbow Mountains: Weather* (both 2023). Initially conceived as a single 40-foot weaving, the project proved too ambitious and was split in two. Collins worked at the TextielLab in Tilburg, Netherlands, switching to a lighter yarn after a failed trial, and ultimately brought the finished works to New York in duffel bags before curator Adriano Pedrosa selected them for the Biennale. The textiles depict mountain ranges emitting rainbows through dark skies, exploring themes of duality—danger and joy, precarity and euphoria.
London's V&A Museum will open "Marie Antoinette Style" in September, the first U.K. exhibition focused on the French queen's influence on fashion and design. Featuring 250 objects including historical artifacts from Versailles, court dresses, jewels, and contemporary pieces, the show explores how Marie Antoinette's lavish personal style—from pastel gowns and towering wigs to rococo interiors—reshaped 18th-century aesthetics and continues to inspire artists and designers like Alexander McQueen and Sofia Coppola. The exhibition is sponsored by shoemaker Manolo Blahnik and includes immersive scent recreations of the queen's favorite perfume.
The feminist collective Guerrilla Girls began its activism in May 1985 by wheat-pasting posters in SoHo, New York, that listed prominent male artists and revealed that their galleries showed 10 percent or fewer women artists. The group formed after the 1984 MoMA exhibition 'An International Survey of Recent Painting and Sculpture' included only 13 women out of 169 participants, sparking protests that failed to gain traction. For 40 years, the Guerrilla Girls have used statistics-driven, provocative posters to call out sexism and racism in galleries, museums, and the broader art world. This year, their anniversary is marked by retrospective exhibitions at the National Museum for Women in the Arts in Washington, D.C., the Getty Research Institute in Los Angeles, and the National Gallery of Bulgaria in Sofia.
Marcia Resnick, a photographer renowned for capturing Manhattan's downtown art and punk scene in the late 1970s and early 1980s, has died at age 74 from lung cancer. Her sister Janice Hahn confirmed the cause of death. Resnick began with conceptual photography before shifting to portraiture, documenting figures such as Mick Jagger, Klaus Nomi, Joseph Beuys, Jean-Michel Basquiat, Ed Koch, and John Belushi. She was briefly married to MC5 guitarist Wayne Kramer and taught at New York University and Cooper Union. Her work was featured in the SoHo Weekly News, and a retrospective of her photography opened at the Bowdoin College Museum of Art in 2022.
Justin Vivian Bond, a multidisciplinary artist and performer, is profiled in ARTnews as part of their Newsmakers series. Bond, who received a MacArthur Foundation “genius grant” in 2024, discusses their upcoming performances at Joe’s Pub in New York, including a show titled “Well, Well, Well” inspired by lesbian singer-songwriters and the novel *The Well of Loneliness*. They also mention resurrecting their duo Kiki & Herb in London, and reflect on their 2017 exhibition at the New Museum, “Trigger: Gender as a Tool and a Weapon,” whose wallpaper is now installed at the V&A East Storehouse.
On Wednesday in Paris, Sotheby's auctioned a collection of Napoleonic artifacts from the private collection of prominent French antiques dealer Pierre-Jean Chalençon, generating €8.7 million ($9.6 million) against a €6 million estimate. The 112-lot sale included imperial furniture, Old Master paintings, and personal relics such as Napoleon's worn stockings and a copy of his marriage certificate. Highlights included a portrait by Jean-Baptiste Mauzaisse that sold for €863,600 (20 times its estimate) and the only surviving remnant of Napoleon's first will, which fetched €482,600. However, Napoleon's bicorne hat underperformed, selling for €355,600 against a €600,000 low estimate, amid provenance questions raised by French newspaper Le Figaro.
The Digital Art Mile, Basel's first-ever digital art fair, opened its second edition on Monday at the city's Kult Kino Camera cinema, running through Sunday. Founded by digital art adviser Georg Bak and ArtMeta founder Roger Haas, the fair features panels, conferences on the digital art market, and the headline exhibition “Paintboxed,” which explores the history of the Quantel Paintbox. In a calmer, more academic atmosphere than Art Basel, ARTnews asked 10 prominent digital art figures to select their favorite artwork from the fair, with responses highlighting works such as Kim Asendorf's "Monogrid 90," XCOPY's "Last Selfie," and Matt Kane's "Gazers 200."
Art collector and real estate financier Aby Rosen paid $55 million for the Gilded Age landmark building at 190 Bowery in New York, which had been owned for decades by photographer Jay Maisel. Maisel bought the property—the former Germania Bank building—around 1966 for a reported $102,000, making the sale a dramatic example of New York real estate appreciation. The building, located near the New Museum, was listed on Rosen's company RFR Holdings before he entered a contract to purchase it in August, and was subsequently re-listed for sale through Cushman & Wakefield.
Elizabeth Peyton's double portrait of Oasis brothers Liam and Noel Gallagher sold for £1,992,000 ($2.7 million) at Sotheby’s Modern and Contemporary Evening Auction in London, just above its low estimate of £1.5 million. The work, depicting the band in 1996, was backed by a house guarantee and irrevocable bid. The consignor had purchased it in 2011 for $511,640, yielding a positive return. The sale coincided with Oasis's upcoming reunion tour starting July 4.
Photographer Bob Adelman was found dead in his Miami home at age 85, with head injuries likely from a fall. Adelman began his career photographing New York jazz clubs, studied under Harper’s Bazaar art director Alexey Brodovitch, and became a protégé of presidential photographer Jacques Lowe. He earned a master’s degree in philosophy from Columbia and was a member of the Congress of Racial Equality (CORE), using his camera to document the Civil Rights movement—including sit-ins, the Selma-to-Montgomery march, and Martin Luther King Jr.'s "I Have a Dream" speech. He also photographed cultural figures such as Andy Warhol, Roy Lichtenstein, Samuel Beckett, and Jim Morrison.