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Koyo Kouoh’s Venice Biennale Looks to Ancient Wisdom to Mend a Fractured Present

Koyo Kouoh's Venice Biennale, titled after ancient wisdom, opens with a focus on healing and historical reimagination. The exhibition features works by artists such as Alexa Kumiko Hatanaka, Khaled Sabsabi, Daniel Lind-Ramos, Guadalupe Maravilla, Kennedy Yanko, and Ayrson Heráclito, alongside a strong emphasis on artist-led schools and institutions like Denniston Hill, blaxTARLINES KUMASI, and RAW Material Company. During the opening, the Koyo Kouoh Foundation was announced, set to launch in Basel to support Pan-African cultural infrastructure. The show includes Refaat Alareer's poem "If I Must Die" and addresses political realities, blending spiritual, ecological, and technological themes to explore collective care and restoration.

Cleveland Museum of Art presents 19th-century photo exhibit 'France in the Time of Manet and Morisot'

The Cleveland Museum of Art (CMA) has opened a new photography exhibition, "France in the Time of Manet and Morisot," running through August 23 in the Mark Schwartz and Bettina Katz Photography Galleries. The free show features 50 photographs from CMA's holdings of mid-1800s France, complementing the museum's ticketed Impressionist display "Manet & Morisot." Curator Barbara Tannenbaum selected works by photographers such as Charles Marville, Édouard Baldus, and André-Adolphe-Eugène Disdéri, including Disdéri's 1861 portrait "Monsieur Merlen," which is noted as an early precursor to the modern selfie. The photographs document historic monuments, new architecture, and figures like Sarah Bernhardt, offering a visual context for the era of painters Édouard Manet and Berthe Morisot.

'TARWUK' at White Cube, Mason's Yard, London, United Kingdom on 9 Jul–15 Aug 2026

White Cube Mason’s Yard in London will present a solo exhibition by the artist duo TARWUK (Bruno Pogačnik Tremow and Ivana Vukšić), running from 9 July to 15 August 2026. The show debuts a major new site-specific installation alongside paintings and works on paper, marking the duo’s first exhibition at the gallery.

Marina Abramović’s Transforming Energy Reframes Performance Art in Venice

Marina Abramović has unveiled "Transforming Energy," a landmark exhibition at the Gallerie dell’Accademia in Venice, on view through October 19, 2026. The show marks the museum’s first major solo presentation dedicated to a living woman artist, arriving during the Venice Biennale. It places Abramović’s most significant performance works, including "Pietà (with Ulay)" (1983), in direct dialogue with Renaissance masterpieces such as Titian’s "Pietà," exploring themes of spirituality, grief, endurance, and transcendence. The exhibition is curated by Shai Baitel and features iconic works like "Balkan Baroque" (1997), for which Abramović won the Golden Lion.

Best Products lives on as art in new Branch Museum exhibit

The Branch Museum of Design in Richmond, Virginia, has opened a new exhibition titled “Imagining Best Products,” which revisits the radical architectural and graphic designs of the defunct catalog showroom retailer Best Products. Founded in 1957 by Frances and Sydney Lewis, the company commissioned experimental storefronts from architect James Wines and the firm SITE, creating iconic “anti-buildings” that challenged commercial architecture. The show features architectural drawings, models, photographs, sketches, and printed materials, and runs through June 21, 2026.

Sandra Gamarra: “Réplica” Is Not a Copy

Sandra Gamarra Heshiki's exhibition "Réplica" at MASP in São Paulo opens with an unplanned replica of Francisco Laso's "Habitante de las cordilleras del Perú" (1855), which could not travel from Lima due to bureaucracy. Gamarra produced an inverted, altered version, establishing a critical distinction between copying and responding. The exhibition is organized into sections that parody the classical chronology of encyclopedic museums—"Pre-colonial," "Colonial," "Post-independence," "Modern," and "Contemporary"—transforming the museum into an object of analysis. Gamarra's paintings engage with colonial iconographies, such as the pinturas de castas, by inscribing racial classifications directly onto the figures, making the colonial verdict inseparable from the bodies depicted.

Art as survival: US artists' anti-war artefacts exhibited in Tehran

An anti-war exhibition titled "Art and War" has opened at a top museum in Tehran, featuring works by American pop artists Roy Lichtenstein, Robert Indiana, and James Rosenquist. The pieces, including Rosenquist's "F-111" and Lichtenstein's "Brattata," were selected for their anti-war themes and come from the museum's major collection of American and European modern art, acquired in the 1970s by former Empress Farah Pahlavi and largely kept from public view since the 1979 Islamic Revolution. The exhibition opened amid ongoing tensions and a recent ceasefire in the Middle East, with the museum director stating it was a deliberate response to current events.

John Hitchcock’s sonic and cultural rhythms

The New Britain Museum of American Art in Connecticut will present "John Hitchcock: We are Defined by the Beat" from May 16 to November 29, 2026, marking the artist's first mid-career retrospective. John Hitchcock, an enrolled member of the Kiowa Tribe of Oklahoma with Comanche and Northern European ancestry, has spent over three decades transforming the sonic and cultural rhythms of his homeland into a distinct visual language. The exhibition explores his integration of visual and sonic forms across printmaking, neon, textiles, sound, video, and installation, featuring series such as "Flatlander" (2011-18), "Bury the Hatchet" (2019-2020), "Blanket Songs" (2022-2023), "Soundscapes" (2021-2024), and "Celebration" (2025). Hitchcock's work pays homage to his ancestors, confronts histories of Indigenous displacement and trauma, and celebrates community, resilience, and survival, drawing on the sounds and landscapes of his ancestral home in Medicine Park, Oklahoma.

"Freedom Dreams" on view through August 9 at the Barnes Foundation

The Barnes Foundation in Philadelphia presents "Freedom Dreams," an exhibition exploring Black freedom through moving images, curated by Maori Karmael Holmes and James Claiborne. The show features five works by intergenerational artists including David Hartt, Ja'Tovia Gary, Garrett Bradley, Tourmaline, and Arthur Jafa, with pieces that draw on historical films, literature, and activism to examine Black identity, joy, and radical imagination. The exhibition runs through August 9, 2026.

Outdoor chandeliers and a thought chamber: Must-see satellite exhibitions beyond the Venice Biennale

The 61st Venice Biennale is accompanied by a wide array of satellite exhibitions across the city, from noble palazzi to canals. Highlights include a showcase of Pichwai textile art at Palazzo Barbaro, curated by Pooja Singhal; a return of Dale Chihuly with outdoor glass chandeliers along the Grand Canal; and Nalini Malani's "Of Woman Born" at Magazzini del Sale, a multimedia installation exploring myth and conflict.

Virginia MOCA hosts free Community Day at new museum location

Virginia MOCA hosted a free Community Day on Saturday, May 9, at its new Virginia Beach location, in partnership with Virginia Humanities. The event featured inaugural exhibitions including Nina Chanel Abney: The Pursuit of Happiness and Seamless: Art and Design, along with hands-on art making, live performances, artist demonstrations, a U-Haul art gallery, food trucks, and workshops for all ages.

Exhibition commemorates Frederic Church 200th

The Olana Partnership opens "Frederic Church: Global Artist" on May 17 at Olana State Historic Site in Hudson, New York, commemorating the 200th anniversary of Frederic Church's birth (1826–1900). The exhibition brings together monumental oil paintings, drawings, oil sketches, and photographs from Church's global travels, with loans from major institutions including the Cooper Hewitt, Smithsonian Design Museum, The New York Historical, and the Terra Foundation for American Art. It is organized by Elizabeth Kornhauser, Tim Barringer, and Jennifer Raab, and is part of the broader Frederic Church 200 initiative.

BlackBook Art Gallery Rewrites the Rules

BlackBook Art Gallery announces its 2026 season in Southampton, featuring two major exhibitions: "The Lost Generation: Then and Now," which pairs New York School legends like Jackson Pollock and Lee Krasner with contemporary artists Julie Mehretu and Rashid Johnson, and "Summer Figuration," showcasing Amy Sherald, Kerry James Marshall, and Toyin Ojih Odutola. Founder Evanly Schindler frames the season around the concept of "urgency," drawing parallels between the postwar abstract expressionist era and today's climate of war, digital saturation, and political polarization. The gallery also plans to open a new location in Detroit's Eastern Market in fall 2026, with the Detroit Salon following in 2028.

Walker Art Center Exhibition Breaks Down Sound Barriers

The Walker Art Center, in collaboration with the Whitney Museum of American Art, presents "All Day All Night," a survey of the past 15 years of work by Berlin-based deaf artist Christine Sun Kim. The exhibition, on view until August 30, spans three galleries and includes drawings, videos, participatory pieces, and site-specific installations such as charcoal music notes on floors and stairwells. Kim's early works from the 2010s explore sound waves and Deaf culture, while later pieces incorporate her experiences as a mother and partner, using infographics and ASL-inspired imagery to challenge assumptions about spoken versus signed language.

At this art show, kids make the rules

The Power Plant Contemporary Art Gallery in Toronto is hosting 'Colourful Parachutes: Imagining Alternative Futures Through the Power of Play,' a group exhibition that centers children as active participants rather than passive observers. Curated by Frances Loeffler, the show features interactive works by artists including Temitayo Ogunbiyi, Leisure (Meredith Carruthers and Susannah Wesley), Claire Greenshaw, Rivane Neuenschwander, Harold Offeh, Sassa Linklater, Tobias Linklater, and Robin Rhode, with installations that invite climbing, drawing, playing, and touching. The exhibition draws inspiration from a 1968 show at Moderna Museet in Stockholm that transformed the museum into an adventure playground.

Spring brings two new exhibits to Banff's Whyte Museum

Two new exhibitions have opened at the Whyte Museum of the Canadian Rockies in Banff: "Thick as Thieves," a touring show from the MacKenzie Art Gallery in Regina, and "When our eyes touch," drawn from the museum's own collection. "Thick as Thieves" explores themes of power, secrecy, and trust through works spanning from Auguste Rodin sculptures to contemporary pieces by August Klintberg and Amanda Strong, curated by Crystal Mowry. "When our eyes touch" focuses on portraiture by museum founders Peter Whyte and Catharine Robb Whyte, featuring paintings from their time at art school in Boston and later portraits of Stoney Nakoda community members, curated by Dagny Dubois and Christina Cuthbertson. Both exhibitions run until November 8.

The Carnegie International is a Once Every Four Year Treat

The Carnegie International, the longest-running international art show in North America, returns in 2026 for its 59th edition at the Carnegie Museum of Art in Pittsburgh. Founded by Andrew Carnegie in 1896, the exhibition takes place roughly every four years and features contemporary works from artists around the world, including Zhao Yao (China), Hans Ragnar Mathisen (Sapmi/Norway), Cinthia Marcelle (Brazil), and Walter Scott (Canada). The 2026-2027 edition is themed "If The Word We," exploring the first-person plural as an open and evolving concept. The show is integrated throughout the museum alongside permanent collection pieces, and extends to venues such as the Children's Museum of Pittsburgh, Mattress Factory, and the Thelma Lovette YMCA.

Bruges’s new city art gallery BRUSK opens on Friday

Bruges' new city art gallery, BRUSK, opens on Friday in a substantial new building designed by architects Robbrecht and Daem and Olivier Salens. Located in the museum quarter, the gallery features two enormous first-floor exhibition spaces and a light, open ground floor. It debuts with two simultaneous exhibitions: 'Breedbeeld' ('Wide Angle'), a historical show curated by Oxford professor Peter Frankopan and Sibylla Goegebuer, exploring Bruges' medieval global connections through 250 objects including Hans Memling's 'The Passion of Christ'; and 'Latent City', a data-driven installation by Turkish-American artist Refik Anadol that delves beneath the city's surface.

National Gallery of Art’s New Exhibit Examines the American Experience

The article describes a new exhibition at the National Gallery of Art that examines the American experience through visual art. The show brings together works from the museum's collection to explore themes of identity, history, and culture in the United States.

MoMA Curatorial Eye Comes to Greenwich Art Society

Caitlin Chaisson, a curatorial assistant in the Department of Painting and Sculpture at The Museum of Modern Art, will serve as juror for the Greenwich Art Society’s 109th Annual Juried Exhibition. The show runs from May 14 through June 11 at the Bendheim Gallery in the Greenwich Arts Council’s space at 299 Greenwich Avenue, featuring selected works by local artists competing for a place in one of the town’s established juried art events.

Lowe Art Museum to host two major exhibitions on Afro-Cuban art curated by Alejandro de la Fuente

The Lowe Art Museum at the University of Miami will present two complementary exhibitions on Afro-Cuban art from May 1 to Sept. 12, 2025, both guest-curated by Alejandro de la Fuente, director of the Afro-Latin American Research Institute at Harvard University. "El Pasado Mío/My Own Past" features 43 Afro-Cuban artists from the 1820s to the present in an amplified version with 83 works, while "Afrocubanismo: Highlights from the Ramón and Nercys Cernuda Collection" focuses on early 20th-century Afrocubanista works, including pieces by Wifredo Lam.

Museum Moves 1 – 7 May 2026

Tate has appointed Daisy Desrosiers as its Britton Family Curator at Large, North America, based in the US, focusing on developing North American art in Tate’s collection through research and acquisitions. Meanwhile, Lycia Lobo, chief operating officer at the Design Museum, has been confirmed as chair of the board of trustees of Chiswick House & Gardens Trust. Several new exhibitions are opening across UK museums, including 'Colour' at the Royal Albert Memorial Museum & Art Gallery in Exeter, 'Aleksandra Kasuba: Shelters for the Senses' at Tate St Ives, 'Wildlife Photographer of the Year' at Brighton Museum & Art Gallery, and 'Helios' by Luke Jerram at National Museum Cardiff. Additionally, the Museum of Archaeology at Palace Green Library has received a £217,844 grant from The National Lottery Heritage Fund for gallery redevelopment.

Venice, the island of San Giacomo becomes the new home of the Sandretto Foundation

Fondazione Sandretto Re Rebaudengo opens a new headquarters on the island of San Giacomo in the northern lagoon of Venice on May 7, 2026. The project combines contemporary art, historic rehabilitation, environmental sustainability, and research, featuring exhibitions, permanent installations, and public programs. The island was purchased in 2018 by Patrizia Sandretto Re Rebaudengo and Agostino Re Rebaudengo from Cassa Depositi e Prestiti and transformed into a center for cultural production and ecological experimentation, with free admission and universal accessibility.

Patricia Li: An Art And Design Guide To Venice

Patricia Li, writing for Vogue Circle, shares a curated guide to art and design destinations in Venice beyond the main venues of the Venice Biennale. Her recommendations include the Peggy Guggenheim Collection, Gallerie dell’Accademia, Palazzo Grassi and Punta della Dogana (part of the Pinault Collection), the newly opened Fondazione Dries Van Noten, and Fondazione Prada, each hosting special exhibitions timed to the Biennale.

Woody De Othello Celebrates First Major Solo Public Exhibition in New York with Public Art Fund

Woody De Othello's first major solo public exhibition in New York, titled "Guardian Spirit," has opened at Brooklyn Bridge Park, presented by Public Art Fund. The exhibition features monumental redwood totems standing 20 to 22 feet tall, carved with chainsaws and grinders, alongside bronze sculptures created between 2021 and 2025. The works explore themes of ritual, spirituality, and the elemental forces of wind and water, drawing inspiration from nkisi, ritual objects from Western and Central Africa. The exhibition runs from May 5, 2026, to March 8, 2027, with sculptures installed at Pier 1 and the Manhattan Bridge View.

Mr.’s New Museum Show Is All About Otaku Fantasy

Japanese Superflat artist Mr. has opened 'We’ll Meet Again', his first major museum solo exhibition in Japan in over a decade, at the Fukuoka Asian Art Museum. Running through June 21, 2026, the show features over 80 works including paintings, sculptures, installations, and video pieces, exploring themes of nostalgia, video games, manga, and the yanki subculture. Highlights include an immersive bedroom installation filled with beer cans and manga, a screening of his 2008 film 'Nobody Dies', and a new motorcycle work called 'itasha'.

Paris Diary 1

The article is a first-person diary entry from an unnamed narrator visiting Paris and Brussels. The narrator recounts working in the studio of painter Camila Oliveira Fairclough, attending a public dialogue at Almine Rech gallery in Brussels with artist Erik Lindman, and viewing an exhibition pairing Lindman's paintings with works by Robert Motherwell and two Picassos chosen by Bernard Picasso. The narrator also visits a posthumous exhibition of Didier Demozay at Galerie Bernard Jordan and sees a temporary mural by Marielle Paul in a Paris housing complex, later visiting her studio in a historic 19th-century artist building once occupied by Eugène Carrière.

De Pont Director Maria Schnyder On Why Financial Independence Is a Museum’s Greatest Asset

Maria Schnyder, who has served as deputy director of the De Pont Museum of Contemporary Art in Tilburg, Netherlands, since 2021, has been appointed as its new director, succeeding Martijn van Nieuwenhuyzen. In an interview, Schnyder discusses the advantages of rising from within, emphasizing continuity and deep knowledge of the institution's artist-first ethos. The museum, housed in a former woolen mill with 7,000 square meters of exhibition space, operates with only 18 full-time employees and is financially independent, allowing it to prioritize artistic vision over audience-driven agendas.

The Clark presents exhibition of Giorgio Griffa

The Clark Art Institute in Williamstown, Massachusetts, presents "Giorgio Griffa: Paths in the Forest," the first solo museum exhibition in the United States dedicated to the Italian artist Giorgio Griffa (born 1936). On view from June 13 to October 12 at the Lunder Center at Stone Hill, the exhibition features works spanning nearly six decades, including highlights such as "Sessanta frammenti" (1980), "Rosa" (1968), and "Narciso" (1986). Griffa is known for his use of diluted acrylics on unstretched, unprimed canvases, and his practice emphasizes the intelligence of materials and an ecological ethic. The exhibition is curated by Robert Wiesenberger, John and Barbara Vogelstein Senior Curator of Contemporary Art at the Brooklyn Museum and former curator of contemporary projects at the Clark.

Maine art museums overflow with summer exhibits

Maine's art museums are presenting a packed summer season with numerous exhibitions, including the collaborative show "By Design: The Worlds of Betsy James Wyeth" organized by the Colby College Museum of Art, Farnsworth Art Museum, and Brandywine Museum, which explores the design influence of Andrew Wyeth's wife. Other highlights include the largest survey of Carl Spinchorn at the Ogunquit Museum of American Art and Bates College, "Shadow of the Eagle" at the Abbe Museum examining Native American perspectives on the Revolutionary War, and retrospectives of Phyllis Graber Jensen and Spindleworks Art Center at Bates College and Bowdoin College respectively. The Center for Maine Contemporary Art features new abstract sculptures by Bianca Beck, while Colby Museum also presents "Imagining an Archipelago" focusing on art from Cuba, Guam, the Philippines, Puerto Rico, and their diasporas.