The Henry Moore Foundation has reopened the Sheep Field Barn gallery at Moore's former home and studio in Perry Green after a major architectural redesign by DSDHA. The reopening is marked by an exhibition of Moore's seminal Shelter Drawings, created when he first arrived at the estate during the Second World War.
Hong Kong’s art scene experienced a massive surge of activity in March 2026, anchored by Art Basel Hong Kong and Art Central. The city hosted 240 galleries at the main fair, drawing over 91,000 visitors, alongside numerous boutique fairs, auction previews, and major institutional exhibitions. Highlights included a reassembled 1964 Yayoi Kusama installation at Art Intelligence Global, a lecture by Zhang Xiaogang at Asia Art Archive, and a poignant solo show by artist duo Chow and Lin at SC Gallery.
The Metropolitan Museum of Art has announced a rare exhibition of Alberto Giacometti’s sculptures to be staged within the iconic Temple of Dendur this summer. Titled “Giacometti in the Temple of Dendur,” the show will feature 17 works, including "Walking Woman (I)" and "Women of Venice," marking a significant departure for the ancient Egyptian site which seldom hosts temporary exhibitions.
Guillaume Cerutti has been dismissed from his role as president of the Pinault Collection, the vast private art collection of French billionaire François Pinault, after only 13 months in the position. The departure is sudden and unexplained, with the 89-year-old Pinault reportedly set to assume the duties himself. Separately, a long-forgotten bicorn hat belonging to Napoleon Bonaparte has been rediscovered in storage and will be displayed at the Musée Condé in France.
Andrew Durbin’s new dual biography, *The Wonderful World That Almost Was*, explores the profound and volatile relationship between photographer Peter Hujar and artist Paul Thek. Spanning from their meeting in the late 1950s to their deaths from AIDS-related complications in the 1980s, the book details how their shared experiences—most notably a 1963 visit to the Capuchin Catacombs in Palermo—fundamentally shaped their artistic trajectories. While Hujar captured the mummified remains in haunting photographs, Thek translated the encounter into his visceral "meat pieces" and wax effigies.
The Asian art landscape is undergoing significant shifts, headlined by the launch of Hive Art Fair in Seoul, which introduces a fee-free booth model focused on B2B corporate collaborations. Major institutional moves include the appointment of Melissa Chiu as the new director of the Guggenheim Museum and the opening of the Black Gold Museum in Riyadh. Meanwhile, the Hong Kong Museum of History has reopened with a controversial thematic revamp that emphasizes Chinese heritage over colonial history.
Art critic Martha Schwendener has released a new book titled 'The Society of the Screen: Vilém Flusser’s Radical Prescience,' exploring the prophetic theories of the late philosopher Vilém Flusser. Flusser, a Prague-born thinker who lived in Brazil and Europe, argued in the 1980s that society was transitioning from a text-based culture to one dominated by 'technical images,' a shift he believed would fundamentally alter human consciousness and the function of the 'apparatus' in daily life.
Students at Dartmouth College have intensified their campaign to remove billionaire collector Leon Black’s name from the school’s visual arts center. The renewed push follows the release of Department of Justice files detailing Black’s extensive financial ties to the late sex offender Jeffrey Epstein, including $170 million in payments for tax and estate advice. While Black has denied all allegations of misconduct and his legal team maintains he was unaware of Epstein’s criminal activities, student leaders are citing the college's recent decision to strip César Chávez’s name from a fellowship as a precedent for moral accountability.
German artist Bettina Pousttchi has unveiled a monumental steel sculpture titled "Vertical Highways V03" at New York’s Rockefeller Center. Crafted from repurposed roadway guardrails that have been bent and colored, the vertical installation stands in dialogue with the surrounding Art Deco architecture. The work, which has previously been exhibited in Paris, Berlin, and Istanbul, will remain on public display in Midtown Manhattan through April 17, 2026.
An exhibition titled "Churchill the Artist" has opened at Chartwell, Winston Churchill's former home in Kent, England. The show features personal artifacts like his paint-spattered Savile Row overalls and spectacles, alongside paintings, including the first U.K. display of his work "Quiet Waters," a gift to his friend Lord Beaverbrook.
The Dallas Art Fair has returned for its 2026 edition, signaling a period of stability with approximately 90 exhibitors and a higher retention rate than previous years. The fair continues to serve as a vital hub for the North Texas collecting community, characterized by a deliberate, relationship-driven approach to acquisitions. Notable activity included the Dallas Museum of Art's acquisition of six works for its permanent collection, including pieces by Nicole Eisenman and Raymond Saunders, funded through a $100,000 partnership with the fair's foundation.
The Palazzo Strozzi in Florence has launched a major exhibition exploring the profound influence of the Italian Renaissance on Mark Rothko. Co-curated by the artist's son, Christopher Rothko, the show spans three historic locations: the Palazzo Strozzi, the Museo di San Marco, and the Biblioteca Medicea Laurenziana. By placing Rothko’s abstract canvases in direct dialogue with Fra Angelico’s frescoes and Michelangelo’s architecture, the exhibition highlights how the artist’s visits to Italy in the 1950s and 60s shaped his spatial thinking and spiritual intensity.
British painter Hurvin Anderson discusses his artistic journey and the cultural influences that shape his work in a new interview. Born in Birmingham to Jamaican parents, Anderson creates atmospheric paintings that explore the textures of memory and the diasporic experience, often blending imagery of Britain and the Caribbean to reflect the feeling of being in one place while thinking of another.
The Victoria and Albert Museum is expanding its footprint with the opening of V&A East Museum in London’s Queen Elizabeth Olympic Park on April 18. Led by Director Gus Casely-Hayford, the new five-story institution joins the recently opened V&A East Storehouse as part of the East Bank cultural quarter. The museum will debut with the "Why We Make" galleries, featuring over 500 objects and new commissions by artists such as Tania Bruguera, Carrie Mae Weems, and Thomas J. Price, whose 18-foot bronze sculpture anchors the museum's entrance.
Artists Antonia Wright and Ruben Millares are showcasing a salvaged, bullet-ridden Cuban migrant vessel at Miami’s Piero Atchugarry Gallery. The exhibition, titled 'Exile', serves as a visceral focal point for the escalating humanitarian crisis in Cuba, where citizens face systemic collapse, starvation, and political imprisonment. Through the concept of 'embodiment' rather than mere empathy, the artists confront the harrowing 93-mile journey across the Straits of Florida undertaken by those desperate to escape the island's dictatorship.
The Museum of Modern Art in New York is launching the first major U.S. survey of Marcel Duchamp’s entire career in over fifty years, a landmark exhibition that will later travel to Philadelphia. Accompanying this resurgence of interest in avant-garde pioneers are two significant projects focused on women of the Surrealist movement: the publication of Alyce Mahon’s comprehensive new book on Dorothea Tanning and a specialized exhibition at London’s Freud Museum featuring Leonora Carrington’s 1940 painting 'Down Below'.
The latest edition of Expo Chicago has reinforced its reputation as a curator-centric fair, with more than half of its booths dedicated to curated or thematic sections. Under the leadership of new director Kate Sierzputowski, the fair integrated institutional voices directly into the floor plan through sections like 'Embodiment,' curated by Louise Bernard of the Obama Presidential Center. This strategic focus on curation and local institutional ties resulted in strong early sales, including works by María Magdalena Campos-Pons, Torkwase Dyson, and Ambreen Butt, with several pieces acquired by American institutions.
The Museum of Modern Art (MoMA) in New York is launching the first major U.S. survey of Marcel Duchamp in over 50 years, organized in collaboration with the Philadelphia Museum of Art. The exhibition features approximately 300 works, including iconic pieces like "Nude Descending a Staircase, No. 2" and "Fountain," organized in a strict linear chronology. This approach highlights Duchamp’s practice of remaking and replicating his own work, presenting replicas only at the point in time they were physically created rather than as stand-ins for lost originals.
The National Gallery in Athens is hosting a major exhibition celebrating the legacy of George Costakis, the visionary collector who rescued thousands of Russian and Soviet avant-garde works from state-sponsored oblivion. Born in Moscow to Greek parents, Costakis spent decades acquiring pieces by artists like Kazimir Malevich and Liubov Popova at a time when such art was vilified by the Soviet regime. The new exhibition reinterprets these works through the lens of humanity's relationship with the environment, marking 30 years since the collection was first shown in Greece.
The 2026 edition of Expo Chicago marks a strategic shift under the leadership of new director Kate Sierzputowski, featuring a leaner roster of 130 galleries at Navy Pier. The fair has introduced a more spacious layout and a new curatorial role, filled by Essence Harden, to deepen institutional ties and scholarly rigor. Notable participants include local mainstays like Monique Meloche Gallery and Gray, alongside international exhibitors from South Korea, South Africa, and Nigeria, as well as high-profile New York newcomers like Karma.
The Art Newspaper's 2025 survey of the world's 100 most visited art museums reveals a strong but uneven recovery from the pandemic, with total visits reaching over 200 million. New museums in the Middle East, East Asia, and major Western cities have been major hits with the public, driving significant attendance.
The Stedelijk Museum Schiedam in the Netherlands has opened an exhibition titled 'Yves Klein and His Artist Family,' which presents the work of the iconic French artist Yves Klein alongside that of his father Fred Klein, his mother Marie Raymond, and his widow Rotraut Klein-Moquay. The show features 30 works by Yves and over 40 pieces by his family members, highlighting their distinct artistic contributions within 20th-century Modernism.
A major exhibition titled "Miró and the United States" opens at the Phillips Collection in Washington, DC, exploring the profound artistic dialogue between Catalan artist Joan Miró and the United States. The show features Miró's paintings, sculptures, and works on paper alongside pieces by American contemporaries like Jackson Pollock, Lee Krasner, and Alexander Calder, tracing how his visits and exposure to the New York art scene influenced his work and, in turn, inspired a generation of post-war American artists.
A once-common sales tactic in the contemporary art market, known as "buy-one, give-one" or "bogo," has significantly declined. Under this arrangement, collectors gained preferential access to in-demand artists' paintings by agreeing to purchase two works and donating one to a museum. The practice peaked from 2021 to 2023, with institutions like the Metropolitan Museum of Art and the Institute of Contemporary Art, Miami, acquiring works this way.
A major retrospective of Beryl Cook's work, titled "Pride and Joy," is on view at The Box in Plymouth, UK. The exhibition showcases the self-taught artist's vibrant paintings of plus-sized, joyful women in social settings, challenging the long-held art-world snobbery that previously excluded her work from major institutions like the Tate.
Two Renoir exhibitions at Musée d’Orsay explore the joy of human connection
The Musée d’Orsay in Paris is opening two concurrent exhibitions dedicated to Pierre-Auguste Renoir, titled 'Renoir and Love: A Joyful Modernity (1865-85)' and 'Renoir Drawings'. The shows focus on the first two decades of his career, featuring major works like 'Luncheon of the Boating Party' and rarely seen pieces from private collections, such as 'Confidence'. The exhibitions will later travel to the National Gallery in London and the Museum of Fine Arts in Boston.
The Los Angeles County Museum of Art (LACMA) is set to open its long-awaited and highly debated new building, the David Geffen Galleries. Designed by Swiss architect Peter Zumthor, the $720 million concrete structure spans Wilshire Boulevard and replaces several older buildings with a single, elevated exhibition level. The opening marks the culmination of a decade-long project spearheaded by Director Michael Govan, featuring a non-linear layout that integrates the museum's encyclopedic collection into thematic displays rather than traditional chronological or regional divisions.
This week's obituary column honors several significant figures from the art world who recently passed away. The list includes celebrated New Yorker art writer Calvin Tomkins, Houston art patrons Brad and Leslie Bucher, British airbrush artist Philip Castle, master jeweler Thomas Gentille, art historian Charlotte Gere, Alabama sculptor Robert L. "Larry" Godwin, comic artist Sam Kieth, photographer Carol Kitman, and Russian-Italian artist Swietlan Nicholas Kraczyna.
The Palaces of Memory
The article reports that Israeli and US airstrikes on Isfahan, Iran, damaged several centuries-old palaces and cultural buildings. It draws a parallel to the destruction of cultural heritage in Gaza, suggesting this may be a targeted strategy to erase cultural identity and history, which are seen as threats to occupying forces.
A small non-commercial gallery in Brooklyn, Subtitled NYC, is hosting an exhibition by artists Pap Souleye Fall and Char Jeré that intentionally embraces "friction"—the slow, bumpy, and human experience—as a rejection of optimization culture in the art world. In other news, the Pentagon has reportedly banned press photographers after Defense Secretary Pete Hegseth complained about unflattering images, and over 200 artists, including Brian Eno, have petitioned the British Museum to stop altering texts related to Palestine.