Franco Vaccari, a pioneering Italian artist associated with Arte Povera and conceptual art, is the subject of a new exhibition that repositions the viewer as an active participant in the creative process. The show, featured in Frieze's Critic's Guides, highlights Vaccari's interactive works, including his famous photomatic booth installations where visitors become both subject and author of the artwork.
The Bay Area Reporter has published a curated list of over 20 arts and nightlife events taking place from May 21 to May 29. The article serves as a local guide, highlighting a range of cultural activities including visual art exhibitions, performances, and nightlife gatherings in the San Francisco Bay Area.
The May Arts Calendar 2026 highlights a wide range of visual art exhibitions and events in the Seattle area, including group and solo shows at galleries such as Gallery B612, Visual Arts Gallery No. 85, JG Art Gallery, Piano Nobile, ArtXContemporary Gallery, and Common Objects. Notable exhibitions include "Layered Being: A Celebration of AAPINH Heritage" at Gallery B612, "Moving As One" by Tetsuo Aoki, "Material Meditations" featuring woodworker Andy McConell, blacksmith Maria Cristalli, and mixed media artist Jill Kyong, and "TADAIMA: 'I'm Home'" at MOHAI, which explores Japanese American history through dolls. The calendar also features a solo show by Yaminee Patel and a group show titled "Moga" at Fresh Mochi, celebrating Japanese and Japanese American artists.
A new exhibition in Turin, Italy, titled "Gaza, The Future Has an Ancient Heart," brings together over 80 ancient artefacts from Palestine with contemporary works by Levantine artists. Organized by Fondazione Merz in collaboration with the Egizio archaeology museum and the MAH – Museum of Art and History Geneva, the show features objects dating from the Bronze Age to the Ottoman period, originally intended for a museum in Palestine but held in Geneva since 2007 due to conflict. Contemporary artists including Mirna Bamieh, Samaa Emad, Khalil Rabah, Vivien Sansour, Wael Shawky, Dima Srouji, and Akram Zaatari contribute works that explore archaeology, history, and memory, with Emad's "Genocide Kitchen" documenting recipes created amid war and shortages in Gaza.
Ocula's global team of editors has curated a list of the top 10 exhibitions to see worldwide in May, highlighting diverse shows from Rio de Janeiro to New York. Featured exhibitions include Jungjin Lee's photographic works blending Icelandic landscapes and intimate objects on traditional Korean paper, a millennial-themed group show titled "Genuine Premium Fake Economy" examining precarity through artists like Jasmine Gregory and Buck Ellis, Joan Semmel's solo exhibition "Continuities" at Xavier Hufkens and Alexander Gray Associates showcasing her erotic self-portraiture at age 93, and Wynnie Mynerva's Berlin Gallery Weekend show addressing colonial violence and Andean mythology.
The Mead Art Museum at Amherst College is currently hosting two concurrent exhibitions celebrating Black art. The first is 'Kwame Brathwaite: Revolutionary Movements,' a photography exhibition showcasing the work of the late photographer Kwame Brathwaite, curated in partnership with his family. The second is the ninth annual Black Art Matters exhibition, featuring works by current Amherst students, organized in collaboration with several campus cultural organizations.
Tate Britain has launched the largest-ever museum survey of British painter Hurvin Anderson, featuring over 80 works spanning from 1995 to the present. The exhibition showcases Anderson’s unique blend of abstraction and figuration, highlighting major series such as his Barbershops, Country Clubs, and the monumental new 16-panel work "Passenger Opportunity." The show tracks his evolution from a Royal College of Art student to a Turner Prize finalist and one of the most significant Black painters in contemporary art.
Ghanaian-British artist Godfried Donkor is set to debut his first UK institutional solo exhibition, "It’s a Numbers Game," at Firstsite in Colchester. The exhibition features a diverse array of media including collage, painting, embroidery, and installation, highlighted by a gallery transformed into a boxing ring to symbolize migration and endurance. Donkor utilizes materials like Financial Times pages and Adinkra symbols to explore the "triangle of commerce" between Britain, West Africa, and the Caribbean, while specifically linking the local history of Boudicca to the resistance of Ashanti leader Yaa Asantewaa.
Four Los Angeles-based artists—Kelly Akashi, Christina Quarles, Adam Ross, and Kathryn Andrews—are navigating the long-term recovery process one year after devastating wildfires destroyed their homes, studios, and archives. Despite significant losses, including Adam Ross’s archive of 5,000 drawings, the artists have demonstrated remarkable resilience by securing temporary workspaces and continuing to produce new work for major events like Frieze Los Angeles and the Whitney Biennial.
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The Smithsonian's National Museum of African Art has opened "Here: Pride and Belonging in African Art," the largest-ever exhibition dedicated to LGBTQ+ African art. The show, curated by Kevin Dumouchelle and Serubiri Moses, features nearly 60 works by 30 artists from across Africa and its diasporas, spanning photography, painting, tapestry, collage, and sculpture.
The Eli and Edythe Broad Art Museum at Michigan State University is presenting a survey exhibition titled “unbecoming” by Syrian-American artist Diana Al-Hadid, curated by Dr. Rachel Winter. The show features Al-Hadid’s sculptural wall panels made from polymer gypsum, steel, plaster, metal leaf, and pigment, many of which break rectilinear forms and reveal their fragile internal structures. The works incorporate recognizable imagery—silhouettes, bodies, art-historical references—that dissolves into the surface, creating tension and inviting viewers to question fixed meanings. The article also recounts a personal encounter with the artist, highlighting the humor and resistance embedded in her practice.
Miami-born artist Woody De Othello presents his first solo museum exhibition in his hometown, titled "coming forth by day," at the Pérez Art Museum Miami (PAMM). The show, named after the Egyptian Book of the Dead, explores ritual objects and spirituality across the African diaspora, connecting Othello's ceramic works to ancestral beliefs. In an interview with The Art Newspaper, Othello discusses how his Haitian Catholic upbringing and Miami's multiculturalism shape his practice, and he acknowledges the vulnerability of delving into African religious traditions that may be taboo within his family.
Jorge M. Pérez, the Miami-based real estate developer and art collector, has donated more than 80 photographic works to the Pérez Art Museum Miami (PAMM). The donation includes pieces by artists such as Thomas Ruff, Ana Mendieta, Cindy Sherman, Isaac Julien, Candida Höfer, Vik Muniz, Tania Bruguera, Renata Lucas, Philip-Lorca diCorcia, and Wolfgang Tillmans. The works are currently on view in the museum's exhibition "Language and Image: Conceptual and Performance-Based Photography from the Jorge M. Pérez Collection" through January 11. Museum director Franklin Sirmans noted that photography has been integral to PAMM's collection since 1996 and that the donation strengthens the museum's holdings in conceptual and performance-based photography, including the Düsseldorf School.
Krannert Art Museum in Champaign, Illinois, is reopening on August 28 with a major reinstallation of its Andean gallery, featuring the exhibition "Fragmented Histories: Andean Art Before 1600." The gallery, co-curated by Kasia Szremski and Allyson Purpura, moves away from a linear display to explore the mobility of objects, their histories of looting, and their ongoing cultural significance. The reopening also includes a solo exhibition by contemporary artist Ronny Quevedo, titled "Ronny Quevedo: a l l s t a r s," and reinstallations of European and American art in the Bow and Trees galleries.
The Syracuse University Art Museum will launch its Fall 2025 season on August 26 with four new exhibitions. Highlights include 'What If I Try This?', a survey of Helen Frankenthaler's printmaking career curated by Melissa Yuen, featuring loans from multiple institutions and a gift from the Helen Frankenthaler Foundation. Other exhibitions include Kevin Adonis Browne's multimedia installation 'A Sense of Arrival' on Caribbean blackness, and 'Human/Environment: 4,000 Years of Art', a permanent collection show exploring human-environment relationships. An opening reception on September 11 will feature a talk by Stanford professor Alexander Nemerov.
August 2025 brings a vibrant lineup of art exhibitions across India, from Chennai to New Delhi and Mumbai. Highlights include Akhil Anand's solo debut "Morphogenesis" at ArtSpace by KalpaDruma in Chennai, blending mathematics, mythology, and nature; the group show "The Personal is Mythical" at LATITUDE 28 in New Delhi, curated by Bhavna Kakar and featuring Bhajju Shyam, Neha Sahai, and Viraj Khanna; the all-women showcase "Objects May Appear Softer" at Black Cube Gallery; antique map and print sales at Nilaya Anthology's Gallery 2; and the Mumbai debut of London's Evoke and Bangalore's Kaash, hosted by Srila Chatterjee.
The Centre Pompidou in Paris presents "Paris Noir: Artistic circulations and anti-colonial resistance, 1950-2000," an exhibition running from March 13 to June 30, 2025. Curated by Alicia Knock, the show features over 350 works by 150 Black artists from Africa, the Americas, and the Caribbean, tracing their presence and influence in France from the post-war era through the 1990s. The exhibition is organized into 15 thematic chapters, including Pan African Paris, Afro Atlantic Surrealism, and Paris Dakar Lagos, and includes public programming such as talks, film screenings, and performances.
Art Brussels returned for its 41st edition from April 24-27, 2025, at Brussels Expo Hall on the Heizel Plateau in Laeken, Belgium. The fair featured 165 galleries from 35 countries, 38% of which were first-time exhibitors, showcasing works by over 800 artists across five curated sections: Prime, Solo, Discovery, '68 Forward, and Invited. New initiatives included The Screen, a curated video art section selected by KANAL-Centre Pompidou’s Eliel Jones and filmmaker Alex Reynolds, and Monumental Artworks, a large-scale sculpture section curated by Carine Fol. Highlights included works by Kai-Chung Chang, Guy Van Bossche, Mircea Suciu, Bendt Eyckermans, and others, alongside a special edition of the Belgian Art Prize marking its 75th anniversary.
The article reviews the exhibition "The Earth, the Fire, the Water, and the Winds: For a Museum of Errantry with Édouard Glissant" at the Center for Art, Research and Alliances (CARA) in New York, the first U.S. showing of works from the personal collection of Martinician philosopher and writer Édouard Glissant. Curated from his archive, the exhibition features artists such as Roberto Matta, Wifredo Lam, Etel Adnan, Irving Petlin, Antonio Seguí, Öyvind Fahlström, Jack Whitten, and Mel Edwards, reflecting Glissant's friendships and intellectual exchanges across Europe, Africa, and the Americas. Highlights include Antonio Seguí's large pastel works from his Titanic series.
The Hispanic Society Museum and Library has acquired Wifredo Lam’s 1927 painting "Portrait of a Boy," marking the first time a work by a Cuban artist has entered the institution's permanent collection. Purchased at a Sotheby’s auction after decades in a private collection, the portrait dates from Lam’s formative years in Cuenca, Spain. The work represents a rare, representational style from the artist's early career, predating the Afro-Cuban Surrealism for which he became globally renowned.
A recent conservation analysis of Rembrandt's "The Night Watch" at the Rijksmuseum has revealed a surprising discovery beneath the painting's surface. Using macro X-ray fluorescence, researchers uncovered a handwritten list of alternative business ideas considered by the young Rembrandt, including face-painting at children's parties, an umbrella repair shop, and making luxury combs from fishbones.
A New Brooklyn Art Fair With a Global Outlook Debuts This Spring
A new art fair called Conductor: Art Fair of the Global Majority will hold its inaugural edition in Brooklyn from April 30 to May 3, 2026. Organized by Powerhouse Arts, it will feature 27 galleries and 17 special projects, bringing together artists and galleries from Africa, Latin America, Asia, the Caribbean, the Middle East, Oceania, and Indigenous nations.
London's The Gallery of Everything is presenting the first survey of Haitian painter Hector Hyppolite in a European commercial setting at Art Basel Paris, opening October 24. The solo booth in the fair's Premise sector features works by Hyppolite, including three pieces from the historic 1947 exhibition "Le Surréalisme en 1947," along with documentation, photos, and an essay by Manthia Diawara and Terri Geis. Hyppolite, a self-taught vodou priest who died in 1948, was championed by Surrealist founder André Breton after Breton encountered his work in Haiti in 1945.
This issue of Le Journal des Arts (n°676, May 2, 2026) covers a range of contemporary art news in France and internationally. Headlines include a critical look at the Whitney Biennial's perceived neutrality, the increasing complexity of art taxation in 2025, an interview with Bourges mayor Yann Galut about scaling down the Bourges 2028 project, the unveiling of a contemporary gallery at Angers Cathedral, the abandonment of the Frigos artists' site in Paris, and a profile of auctioneer Hubert L'Huillier.
Un face-à-face titanesque réunit les corps vibrants de Rodin et Michel-Ange au Louvre
The Louvre has mounted an exhibition that places the works of Auguste Rodin in direct dialogue with those of Michelangelo, focusing on the profound influence of the Renaissance master on the 19th-century sculptor. Key sculptures like Rodin's 'Adam' and 'The Age of Bronze' are juxtaposed with Michelangelo's 'Dying Slave' and 'Rebellious Slave', highlighting shared themes of contorted male forms and masterful use of contrapposto.
British painter Hurvin Anderson's exhibition at the Art Gallery of Ontario features his lush, layered paintings that explore themes of home, belonging, and cultural memory. The show includes his "Ball Watching" series, which reworks a 1983 photograph taken in Birmingham's Handsworth Park, transforming a personal snapshot into a meditation on place and identity.
The Seoul Museum of Art (SeMA) is hosting "Proximities: Contemporary Art from the United Arab Emirates," a major survey featuring over 110 works by 47 artists. Co-curated by Maya El Khalil and Eunju Kim in collaboration with the Abu Dhabi Music & Arts Foundation (ADMAF), the exhibition eschews traditional chronological narratives in favor of a dense, non-linear exploration of Emirati identity. The show is organized into thematic chapters led by artist-curators, featuring works ranging from Shaikha Al Mazrou’s precarious sculptures to Raja’a Khalid’s olfactory installations.
The Frick Collection in New York has announced a three-year partnership with Louis Vuitton, under which the fashion house will sponsor three upcoming exhibitions, a curatorial research associate position, and a year of the museum's free First Fridays program. The partnership launches with Louis Vuitton's Cruise 2027 collection show, designed by Nicolas Ghesquière, held in the Frick's first-floor galleries on May 20. The sponsored exhibitions include “Siena: The Art of Bronze, 1450–1500” (fall 2025), “Painting with Fire: Susanne de Court and the Art of Enamel” (spring 2027), and a third exhibition on 19th-century paintings (late 2027). The Louis Vuitton Curatorial Research Associate will be Yifu Liu, currently a curatorial fellow at the Frick, who will research Asian porcelain and cross-cultural exchange between Europe and China.
The Bahamas will return to the Venice Biennale in 2026 after a 13-year absence with a posthumous exhibition for artist John Beadle, who died in 2024 at age 60. Beadle was originally selected to represent the country in 2015 but the government withdrew funding. The exhibition, titled "In Another Man’s Yard," will feature Beadle’s work alongside that of his mentee, Lavar Munroe, using materials from Beadle’s studio including sails from Haitian migrant sloops. The pavilion is organized by commissioner Amanda Coulson and curator Krista Thompson, who raised private funds after the government declined to support the project.
Barbados's Heritage District at the Newton Enslaved Burial Ground, a major project including a memorial, national museum, archives, and cultural complex, is facing significant construction delays more than four years after its 2021 announcement. The site, one of the largest known burial grounds of enslaved Africans in the Western Hemisphere, is being developed under the Road (Reclaiming Our Atlantic Destiny) Programme led by Prime Minister Mia Amor Mottley. While a temporary pavilion for the National Performing Arts Centre opened in August 2025, the overall completion—initially slated for 2024—has been pushed back due to expanded archival digitization, supply-chain disruptions, and a fire at the Barbados Archives Department in June 2024. The memorial, designed by Adjaye Associates, is conceived as a landscape intervention using teak sourced from Ghana.