Monet, grand voyageur
The publishing house Cinabre has launched a new book series called 'Partance' that explores the influence of travel on artists' work. The inaugural volume, 'Partance. Claude Monet,' published in 2026, marks the centenary of Claude Monet's death by comprehensively tracing all of his foreign travels for the first time and analyzing their impact on his art.
Victorien Bornéat has published a manifesto arguing that French cultural democratization policy, rooted in André Malraux's vision of making masterworks accessible to all, has failed. He cites budget cuts by regional presidents Laurent Wauquiez and Christelle Morançais, police raids on bookshops like Violette and Co, and statistical studies showing that working-class audiences still do not spontaneously attend theaters, museums, or opera. Bornéat contends that the policy's emphasis on direct confrontation with canonical works ignored the need for cultural codes and institutional literacy, creating an exclusion that politicians now exploit for electoral gain.
Montréal, a UNESCO City of Design, is home to a wealth of cultural institutions. This article highlights eight must-visit museums, including the Musée des Beaux-Arts de Montréal (the city's largest art museum, with nearly 47,000 works from antiquity to today), the Musée McCord Stewart (a centennial museum focusing on Canadian history and Indigenous voices), the Écomusée du Fier Monde (dedicated to working-class history and eco-design), and Pointe-à-Callière (an archaeology and history museum built on the city's original foundations). Each museum offers a unique perspective on art, history, and society.
A set of bronze mirrors by French sculptor Claude Lalanne sold for $33.5 million with fees at Sotheby’s in New York, smashing multiple auction records. The Ensemble of Fifteen Mirrors from 1974 more than doubled its high estimate of $15 million after a 10-minute bidding war between five collectors.
Il giardino di Julie Hamisky, l’artista che fissa l’effimero nel tempo è in mostra in una casa d’aste di Milano
French artist and designer Julie Hamisky presents 'Giardino Alchemico' (Alchemical Garden) at Pandolfini Auction House in Milan during Fuorisalone 2025. The exhibition, organized in collaboration with Galerie Mitterrand of Paris, features around twenty works including monumental sculptures like 'La Géante' (a giant poppy), jewelry, and a chandelier titled 'Aqua'. Hamisky uses electroplating—a 19th-century technique she learned from her father-in-law—to preserve fresh flowers and botanical forms by coating them in metal, freezing them at the peak of their beauty before decay begins.
Yvon Lambert, the legendary French art dealer and collector, reflects on his lifelong relationship with art and literature in an interview for TLmag41: The Art of Collecting. He recounts buying his first painting at age 14, opening his Paris gallery in the 1960s, and later donating a major portion of his collection to the French State, now housed at the Collection Lambert in Avignon. After closing his gallery in 2014, he shifted focus to an artist's bookshop, now run by his daughter Eve Lambert. The conversation, led by Sibylle Grandchamp, explores Lambert's early influences, his father's passion for literature, and the family's shared love for art books.
Phillips’ Evening Sale of Modern & Contemporary Art achieved a total that more than doubled the previous year's auction result, driven by strong demand for works spanning the 19th to 21st centuries. The sale opened with three lots exceeding their high estimates, including record prices for Lee Bontecou's rare 'Untitled' (1985-2001), which set a new record for any two-dimensional work by the artist after nearly five minutes of bidding. Other records were set for Pat Passlof, P.S. Krøyer, and Joseph Yaeger. Top lots included Andy Warhol's 'Sixteen Jackies' ($16.2 million), Claude Monet's 'La Route de Vétheuil, effet de neige' ($9.9 million), and Jackson Pollock's 'Untitled' ($9.2 million). The sale also featured works from The Collection of Ambassador John L. Loeb, Jr., which achieved a combined $8.4 million, with two Vilhelm Hammershøi works acquired by prominent institutions.
An outdoor exhibition titled 'Pop Goes Brum!' will be held in Birmingham's Snow Hill Square from 9 to 30 June 2025, celebrating the life and work of Peter Phillips, a pioneering British pop artist who died in June 2025. Curated by art historian Ruth Millington and developed in partnership with Birmingham School of Art, the free exhibition aims to showcase Phillips' 'pioneering achievements' and his deep connection to Birmingham, where he was born in 1939 and trained at Moseley School of Art and Birmingham School of Art. Phillips, who ranked alongside David Hockney, Pauline Boty, Peter Blake, Andy Warhol, and Roy Lichtenstein, was a key figure in the international pop art movement and helped launch British pop art with a 1961 exhibition.
Sotheby's Paris sale on April 16, 2026, achieved a total of 35 million euros, an 84% increase over the previous year's equivalent auction. The event was dominated by two rediscovered Claude Monet paintings, with 'Vétheuil, effet du matin' setting a new auction record for the artist in France at 10.2 million euros. Strong results were also posted for works by Marc Chagall, Lucio Fontana, and Gerhard Richter, with 62.5% of lots selling above their high estimates.
Sotheby's Paris achieved a new French auction record for Claude Monet on April 16, 2026, with 'Vétheuil, effet du matin' (1901) selling for €10.2 million, far above its €6-8 million estimate. The evening sale generated €35 million total, an 84% increase over the 2025 session, also featuring strong results for Marc Chagall, Lucio Fontana, and Rembrandt Bugatti. Meanwhile, Christie's Paris celebrated the 25th anniversary of its 'Thinking Italian' section with a complete sell-out of 11 lots, including a new auction record for Ettore Spalletti's 'Mobile' (1974) at €203,200. The overall Paris modern and contemporary art week reached a record €80.9 million, up 39% year-on-year.
Marko Tadić presents his solo exhibition "Funga Robo" at Trotoar in Zagreb, showcasing recent works that explore speculative futures of cities through the lens of artistic ecologies. The exhibition title merges references to fungal mycelia and robotics, establishing a dialogue between biological systems and technological development.
The article covers several art news items from the May 2, 2026 issue of Le Journal des Arts, including the Whitney Biennial's perceived neutrality, the increasing complexity of art taxation in 2025, an interview with Bourges mayor Yann Galut about the resized Bourges 2028 project, the unveiling of a contemporary gallery at Angers Cathedral, the abandonment of the Frigos artist site in Paris, and a profile of auctioneer Hubert L'Huillier.
Starting May 11, 2026, French artist JR has begun assembling "La Caverne du Pont Neuf" (The Cave at Pont Neuf), a monumental temporary installation that will transform Paris's oldest bridge into an immersive open-air cave. The project, open to the public from June 6 to 28, 2026, features inflatable structures, optical illusions, light shows, and augmented reality technology developed by Snap's AR Studio Paris. It includes a mineral soundscape by Thomas Bangalter (formerly of Daft Punk) and is funded entirely through private means, including support from L'Amicale des Ponts de Paris and sales of JR's works.
Anthony Lister, once called "Australia's Banksy," is staging a comeback with a new exhibition titled "Circus of Life" after being acquitted of sexual assault charges. The six-year legal battle, which began with a police raid on his Sydney home in 2020, led to the cancellation of his shows, financial ruin, and public vilification. Despite being found not guilty on all counts by a jury in under a minute, Lister says his reputation and career were destroyed, and he now challenges the art world and Australian public to accept him back.
Aschaffenburg, Germany, is hosting a landmark exhibition titled 'A European Collection' at the Christian Schad Museum, opening April 30, 2026. The show features 73 European masterpieces from the 15th to 19th centuries, loaned from the Bohdan and Varvara Khanenko National Museum in Kyiv, Ukraine. Works by Peter Paul Rubens, Bernardo Bellotto, and Claude-Joseph Vernet are included, alongside a contemporary piece by Ukrainian artist Maria Kulikovska juxtaposed with Antonio Canova's sculpture 'La Pace'. This is the first comprehensive presentation of these Ukrainian-held works in Germany.
Geelong Gallery in Australia is preparing to host "Discovering the Impressionists: Paul Durand-Ruel, art dealer among the artists," its most ambitious international exhibition ever, running from 20 June to 11 October. The show features over 70 paintings by Claude Monet, Pierre-Auguste Renoir, Berthe Morisot, Camille Pissarro, and second-generation Impressionists, with most works from a private French collection never before seen in Australia. The exhibition marks the gallery's 130th anniversary and is supported by the Geelong Major Events committee. Separately, the genU artX Regional 2026 exhibition at Rachinger Gallery showcases over 130 works by artists with disabilities or mental illness, on view until 22 May.
Pandolfini Auction House is hosting a solo exhibition titled "Giardino Alchemico" (Alchemical Garden) by French artist Julie Hamisky at its Milan office during Design Week 2026, from April 22 to 26. The exhibition, created in collaboration with Mitterrand gallery, features sculptures and botanical jewelry made through electroplating—a process that preserves organic matter like flowers and leaves in metal. Key works include "La Géante" (2024), an enlarged poppy sculpture, and "Aqua" (2024), a chandelier of galvanized plant elements, alongside wearable jewelry pieces.
Ghanaian painter Kwame Akoto, known for his vibrant signboard works blending bold imagery with urgent text, is the subject of his first major French exhibition, 'Almighty God Art Works', at the Musée du quai Branly – Jacques Chirac in Paris. In an interview with ART AFRICA, Akoto discusses how his paintings transform when moving from the streets of Kumasi—where they function as everyday spiritual and commercial communication—into a European museum context, addressing themes of translation, shared authorship, and the shifting meanings of images across cultural and institutional boundaries.
A rare, intricately carved wooden chair, potentially used by Anne Boleyn during her time in the French courts between 1510 and 1520, has been acquired and is now on display at Hever Castle. The chair was purchased by antiques dealer Paul Fitzsimmons from an online American auction in 2022, and its carvings—featuring dolphins, a Tudor rose, and the initials "AB" intertwined with a cordelière emblem of Queen Claude—suggest a strong link to the Tudor queen's early life.