The Art Angle podcast, hosted by Ben Davis and Kate Brown with guest Eileen Kinsella, recapped major art stories from March 2026. The discussion centered on three key developments: the opening of the 2026 Whitney Biennial, the rising art historical prominence of 17th-century Flemish painter Michaelina Wautier, and a new investigation claiming to have definitively unmasked the identity of the anonymous street artist Banksy.
A major exhibition titled "Miró and the United States" opens at the Phillips Collection in Washington, DC, exploring the profound artistic dialogue between Catalan artist Joan Miró and the United States. The show features Miró's paintings, sculptures, and works on paper alongside pieces by American contemporaries like Jackson Pollock, Lee Krasner, and Alexander Calder, tracing how his visits and exposure to the New York art scene influenced his work and, in turn, inspired a generation of post-war American artists.
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Spanish pop star Rosalía issued a public apology on TikTok after facing backlash for comments regarding Pablo Picasso. During a podcast interview with writer Mariana Enriquez, the singer initially stated she did not care to differentiate Picasso’s art from his personal life; however, she later retracted those statements, admitting she was unaware of the artist's well-documented history of physical and emotional abuse toward women.
The 2026 Whitney Biennial has opened to an early critical consensus of being "above average," though critics suggest the exhibition requires significant time to process. Curated by Marcela Guerrero and Drew Sawyer, the show emphasizes a subtle atmospheric mood rather than overt spectacle, featuring a diverse array of installations, sculptures, and multimedia works that span multiple floors of the museum and its exterior.
Jonas Wood has unveiled a new series of paintings at Gagosian in Beverly Hills that transforms global tennis courts into geometric abstractions. Derived from years of photographing tournament broadcasts and Nintendo games, the works strip away players and equipment to focus on the flat bands of color, white lines, and nets that define the sport's architecture. The collection represents a systematic exploration of the ATP and WTA tours, utilizing the tennis court as a formal vehicle for color theory and composition.
Newly released documents from the Jeffrey Epstein investigation reveal that billionaire art collectors and Museum of Modern Art trustees Leon Black and Ronald Lauder have co-owned several major artworks for decades. The files, made public by the U.S. Department of Justice, confirm long-standing rumors of their joint acquisitions, including a Max Beckmann self-portrait and two Ernst Ludwig Kirchner works, purchased for a total of $31.6 million and later appraised at $93.5 million.
The Detroit Institute of Arts (DIA) has released a 50th-anniversary remake of its iconic 1976 television commercial, "You Gotta Have Art." The original spot, created by advertising agency W.B. Doner & Co., featured museum staff, volunteers, and local performers singing and dancing among masterpieces. The new version, directed by DIA's Director of Visual Media Adam Kosberg, recreates the original shot-for-shot, incorporating updated choreography, a Motown-influenced arrangement by Detroit musicians Marion Hayden and Alvin Waddles, and appearances by local artists including Carole Harris and Allie McGhee, who reprised their roles from the 1976 film. Over 200 museum employees and performers from Wayne State University participated in the production.
Sotheby's held its inaugural evening sale at the Breuer building, featuring the Contemporary and the Now sale. Auctioneer Oliver Barker achieved $527.5 million in sales, surpassing the pre-sale low estimate of $379 million. The highlight was Gustav Klimt's portrait of Elisabeth Lederer, which sold for $236.4 million, setting an auction record for Klimt and becoming the second most expensive work ever sold at auction. During the sale, auctioneer Phyllis Kao wore a David Webb necklace from the mid-1980s, featuring carved emeralds, rubies, and cabochon sapphires, which was on view and available for private sale at Sotheby's retail salon in the Breuer lobby.
The Museum of Modern Art (MoMA) in New York will host a two-week screening series starting December 10, featuring 15 films that showcase the special effects work of the late mechatronics maestro Carlo Rambaldi. Co-curated with Rome's Cinecittà studios, the series spans Rambaldi's career from Italian arthouse and exploitation films to Hollywood blockbusters like *Alien* (1979), *E.T. the Extra-Terrestrial*, *King Kong* (1976), and *Dune* (1984). The screenings include films directed by Federico Fellini, Pier Paolo Pasolini, Dario Argento, and David Lynch, among others. Rambaldi, who would have turned 100 this autumn, was also honored earlier this year with an exhibition at Long Island City Culture Lab and a star on the Hollywood Walk of Fame.
A 1906 self-portrait by German modernist Paula Modersohn-Becker, titled *Selbstbildnis nach halblinks (Self-Portrait Looking Slightly Left)*, sold for €1.3 million ($1.5 million) at Berlin's Grisebach auction house on Thursday—more than quintupling its low estimate and more than doubling the artist's previous auction record. The work was acquired by an unnamed European private collector. The painting had previously been seized by the Nazis as "degenerate" art from the St. Annen Museum in Lübeck and was later acquired by the collector Bauer, who aimed to rehabilitate persecuted artists.
A herd of 100 life-size elephant sculptures, handcrafted by 200 Indigenous artisans from South India, has arrived at Art Basel Miami Beach as part of "The Great Elephant Migration," a global public art and conservation project. The sculptures are made from lantana camara, an invasive plant, and are modeled after individual elephants from the Nilgiri Biosphere Reserve. Organized by Ruth Ganesh and the Coexistence Collective, the installation aims to promote coexistence between humans and wildlife, with proceeds from sculpture sales funding 22 conservation NGOs. The elephants have toured the U.S., appearing in Newport, Rhode Island, Manhattan's Meatpacking District, and now Miami Beach, where they have drawn enthusiastic crowds—and even a reported incident of a couple having sex on one of the sculptures, prompting police patrols.
A Renoir painting that had been missing for a century sold for $2 million at auction in Paris. The work, titled *L’enfant et ses jouets – Gabrielle et le fils de l’artiste, Jean* (circa 1910), depicts the artist’s young son Jean with his nursemaid Gabrielle. It had never been published or exhibited and was discovered in remarkably good condition. Auction house Joron-Derem offered the painting in its Tableaux Modernes sale at Hôtel Drouot on November 25, where an international collector secured it for a hammer price of €1.45 million ($1.68 million), with buyer’s fees bringing the total to about €1.8 million ($2 million). The painting had been gifted by Renoir to his pupil and close friend Jeanne Baudot, then passed to her adopted son Jean Griot, who kept it in his bedroom until his death in 2011.
The Mississippi Museum of Art (MMA) has acquired Fountainhead, a Frank Lloyd Wright-designed Usonian home in Jackson, Mississippi, for $1 million. The residence, built in 1954 for oilman J. Willis Hughes, is one of only four Wright homes in the state and the only one listed on the National Register of Historic Places. It was sold by the estate of late architect Robert Parker Adams, who had restored the property after purchasing it in 1980. The museum plans to preserve the home and open it to the public as a cultural destination.
In a podcast interview with Louis Theroux, Marina Abramović revealed that curator Klaus Biesenbach was initially skeptical of her landmark 2010 performance "The Artist Is Present" at MoMA. Biesenbach, then chief curator at large at the Museum of Modern Art, had invited Abramović for the institution's first performance art retrospective, proposing the title "The Artist Is Present." When Abramović suggested sitting silently in the museum's atrium every day for three months, Biesenbach reportedly called the idea "ridiculous," predicting no one would participate. Despite his doubts, the performance drew some 1,500 visitors, with one person sitting for an entire day, and became a defining moment in 21st-century art.
Canal Projects, a nonprofit art space in New York's Tribeca neighborhood, announced it will close its physical location on May 23, 2026, after just four years of operation. The organization will pivot to a grant-making model, allocating $3 million over three years to support arts projects, including Ayoung Kim's upcoming exhibition at MoMA PS1. The decision was driven by the high costs of maintaining an outdated building and a desire to redirect resources toward direct financial support for artists. The space, launched in 2022 by the YS Kim Foundation, hosted notable shows by artists such as Karimah Ashadu, Sin Wai Kin, Candice Lin, Geumhyung Jeong, and Seung-taek Lee. Artistic director and curator Summer Guthery departed at the end of March 2025. The final exhibition will feature Jakkai Siributr, opening January 30, 2026.
Frieze, the London-based art fair organizer, announced it will launch Frieze Abu Dhabi in November 2026, partnering with the Department of Culture and Tourism – Abu Dhabi (DCT Abu Dhabi). The new fair will replace the existing Abu Dhabi Art fair, which has run since 2007, and will take place at Manarat Al Saadiyat in the Saadiyat Cultural District. The announcement follows Frieze's recent acquisition by Mari, a company founded by Ari Emanuel, and comes amid a wave of international art fair expansions in the Gulf region, including Art Basel's new fair in Doha.
The John D. and Catherine T. MacArthur Foundation announced its 2025 class of 22 MacArthur Fellows, each receiving an $800,000 no-strings-attached grant. Among the winners are several visual artists: Garrett Bradley, known for her Oscar-nominated documentary *Time* (2020) and works centering Black resistance; Gala Porras-Kim, whose practice questions how art institutions convey or conceal information about objects; Tuan Andrew Nguyen, whose films and installations explore trauma and colonization; and Jeremy Frey, a seventh-generation Passamaquoddy basket maker whose midcareer survey is on view at the Bruce Museum. Photographers Matt Black and Tonika Lewis Johnson also received fellowships, along with archaeologist Kristina Douglass and non-artists such as novelist Tommy Orange and astrophysicist Kareem El-Badry.
Clearing, a New York-based gallery known for launching the careers of artists like Korakrit Arunanondchai, Harold Ancart, and Marguerite Humeau, has permanently closed its spaces in New York and Los Angeles after 14 years. Founder Olivier Babin cited an unsustainable path forward, stating the gallery could no longer operate at its standards. The closure follows a wave of New York gallery shutdowns, including Blum, Venus Over Manhattan, and Kasmin, which is transitioning into a new entity called Olney Gleason. Clearing’s final exhibitions were solo shows by Coco Young in New York and Henry Curchod in Los Angeles.
The Art Angle podcast team reviews three major art stories from June. First, Canyon, a new museum-like venue dedicated to immersive video art, has been announced for New York's Lower East Side. Second, the team discusses the outcomes of Art Basel in Switzerland, the art world's most important fair, and ongoing volatility in art pricing. Third, they examine the buzz—and mockery—surrounding Oscar-winning actor Adrien Brody's painting exhibition in New York City. Culture editor Min Chen joins host Ben Davis and senior editor Kate Brown to analyze these developments.
Justin Vivian Bond, a multidisciplinary artist and performer, is profiled in ARTnews as part of their Newsmakers series. Bond, who received a MacArthur Foundation “genius grant” in 2024, discusses their upcoming performances at Joe’s Pub in New York, including a show titled “Well, Well, Well” inspired by lesbian singer-songwriters and the novel *The Well of Loneliness*. They also mention resurrecting their duo Kiki & Herb in London, and reflect on their 2017 exhibition at the New Museum, “Trigger: Gender as a Tool and a Weapon,” whose wallpaper is now installed at the V&A East Storehouse.
The Smithsonian's National Portrait Gallery in Washington, DC, unveiled the official portraits of former President Barack Obama and former First Lady Michelle Obama on February 12, 2018. The portraits were painted by Kehinde Wiley and Amy Sherald, respectively, marking the first time the museum has commissioned African American artists to paint a presidential couple. The ceremony was attended by notable figures including former Vice President Joe Biden, director Steven Spielberg, and actor Tom Hanks. Wiley depicted Obama seated in a chair surrounded by botanicals symbolizing his heritage, while Sherald painted Michelle Obama in her signature grayscale palette wearing a geometric dress inspired by Piet Mondrian and Gee's Bend quilts.
Israeli and U.S. military strikes on Iran, occurring since June 13, 2025, have threatened significant damage to the country's cultural heritage. Israeli bombings targeted the headquarters of the Iranian state broadcaster (IRIB) in Tehran, a major work of Modern architecture designed by the firm of renowned Iranian architect Abdol Aziz Farmanfarmaian. U.S. bombings over the weekend struck a nuclear complex near Isfahan, one of Iran's most historically significant cities, though its historic landmarks appear unscathed. The Tehran Museum of Contemporary Art (TMoCA), designed by Kamran Diba and home to a major collection of modern Western art, is also a source of concern.
The Philadelphia Museum of Art has opened "Boom: Art and Design in the 1940s," a major survey featuring over 250 works including painting, photography, jewelry, ceramics, fashion, and furniture. The exhibition draws entirely from the museum's own collection, with around 40 percent of the works never exhibited before. It includes early pieces by celebrated figures like Jackson Pollock and Lee Krasner, as well as works by queer artists such as Paul Cadmus, Beauford Delaney, and Romaine Brooks, alongside self-taught artist Horace Pippin. Chief curator Jessica Smith emphasizes that the show aims to present a more complex, multivalent narrative of the decade beyond the dominant story of Abstract Expressionism.
The V&A East Storehouse, a new museum space in London's Queen Elizabeth Olympic Park, opens to the public on May 31, 2025, offering free admission seven days a week. Housed in the former London 2012 Olympics Media and Broadcast Centre, the 172,222-square-foot facility displays over 250,000 objects, 350,000 books, and 1,000 archives from the Victoria and Albert Museum's collection. Designed by Diller, Scofidio + Renfro, the Storehouse features a glass-floored Collections Hall where visitors can freely explore shelves and mini-curated displays, with objects changed frequently. Highlights include the Agra Colonnade (1630s) from Shah Jahan's bathhouse and a section of the Robin Hood Gardens housing estate by Alison and Peter Smithson.
The Tate in London has acquired a full-length portrait by Joshua Reynolds of the 5th Earl of Carlisle (1748–1825) through the UK's Acceptance in Lieu scheme, which allows art to be transferred to the nation in place of inheritance tax. The painting, valued at $6.1 million (£4.7 million), was painted in 1769 and had hung at Castle Howard in North Yorkshire for over 200 years. It will remain on public display there but will also travel to other venues including Tate Britain.
Adam Pendleton's exhibition "Love Queen" is on view at the Hirshhorn Museum and Sculpture Garden in Washington, D.C., through January 3, 2027. The show features his distinctive abstract works that blend mark-making, pictographs, and all-caps texts, including pieces from his "Untitled (Days)" series and "Black Dada" series, as well as a single-channel video titled "Resurrection City Revisited (Who Owns Geometry Anyway?)" that documents the 1968 Poor People's Campaign.
A street in Washington, D.C., where the acclaimed 20th-century painter Alma Thomas lived and worked for over seven decades was renamed "Alma Thomas Way" on Monday. The new signs now mark the block between 15th and Church streets and 15th and Q streets, near the red brick home at 1530 15th Street, NW, where Thomas maintained a studio in her kitchen. The renaming follows a bill introduced by D.C. council member Christina Henderson in May 2024, approved unanimously by the council, and signed into law by Mayor Muriel Bowser in October. A ceremony with about 30 attendees, including Thomas's grand nephew Charles Thomas Lewis and Susan Talley of the Friends of Alma Thomas group, commemorated the event.
Pharrell Williams has launched a new buy-it-now extension called Joopiter Marketplace, an offshoot of his existing auction platform Joopiter. The marketplace offers collectibles from Williams's personal archive—including Vivienne Westwood hats, KAWS sneakers, Gucci and Levi's jackets, and items from his fashion labels ICECREAM and Billionaire Boys Club—alongside pieces from other cultural figures. Additional sellers include artist Tom Sachs, gallerist Easy Otabor, jewelry designer Lorraine Schwartz, and music executive Steven Victor, with proceeds from some sales benefiting nonprofits like the Anderson Ranch Arts Center, Rebuild Foundation, and the Virgil Abloh Foundation.
Herman Miller has launched the New Mexico Collection, a limited-edition furniture line inspired by Georgia O'Keeffe's desert home in Abiquiú, New Mexico. Created in collaboration with the Georgia O'Keeffe Museum, the collection includes the Eames Wire Chair Low Base (300 pieces, $1,995) and the Girard Snake Table (100 pieces, $895), both drawing on O'Keeffe's friendship with textile designer and architect Alexander Girard. The chair reimagines a prototype gifted to O'Keeffe by Charles and Ray Eames, while the table is based on a never-produced Girard design from the 1950s.
The Frick Collection has reopened after a $220 million, five-year renovation, featuring a new installation called "Porcelain Garden" by Ukrainian-born artist Vladimir Kanevsky. The display includes over 30 handcrafted porcelain floral pieces, such as a lemon tree, lilies of the valley, and a wild artichoke, placed alongside masterpieces by Vermeer, Rembrandt, Goya, and Bellini. Kanevsky, a 74-year-old Jewish-Ukrainian émigré who moved to New York in 1989, originally trained as an architect and turned to porcelain as a side project, which unexpectedly became his career. All the flowers at the Frick have been sold, with prices ranging from $5,000 to $500,000, though his secondary market remains minimal.