Person of the Day | Chase Quinn Adopts Multi-Discipline Approach to Art-Museum Exhibits, Programs

Chase Quinn has been appointed as the inaugural creative director and curator of special projects at the Mississippi Museum of Art (MMA) in Jackson, starting in January 2025. In this newly created role, he oversees both curatorial and education departments, focusing on inclusive, cohesive content development and storytelling. Quinn, previously co-director of education and programs and curator of special projects at the Gibbes Museum of Art in Charleston, South Carolina, was inspired by Carrie Mae Weems’ series “From Here I Saw What Happened and I Cried” at Tate Modern in the mid-1990s, which shaped his approach to complicating narratives around race in museum exhibitions.

Football meets art in new Aviva Studios exhibition

Manchester International Festival (MIF) has opened a new exhibition titled 'Football City, Art United' at Aviva Studios, exploring the intersection of football and contemporary art. Co-curated by Hans Ulrich Obrist, Juan Mata, and Josh Willdigg, the show features 11 works pairing artists like Paul Pfeiffer, Philippe Parreno, Ryan Gander, and Rose Wylie with football figures including Eric Cantona, Edgar Davids, Ella Toone, and Lotte Wubben-Moy. Highlights include a sound installation recreating the stadium tunnel experience, a spotlight piece on celebrity isolation, and a documentary on sexism in women's football.

Arthur Jafa and Mark Leckey, Cecilia Alemani on SITE Santa Fe, Trisha Brown and Robert Rauschenberg—podcast

An exhibition opening at Conditions in Croydon, London, pairs two landmark video works: Mark Leckey's "Fiorucci Made Me Hardcore" (1999) and Arthur Jafa's "Love is the Message, the Message is Death" (2016). Ben Luke interviews both artists about the show. Separately, the 12th SITE Santa Fe International, titled "Once Within a Time," opens under artistic director Cecilia Alemani. The episode also features the Trisha Brown Dance Company's 1979 piece "Glacial Decoy," a collaboration with Robert Rauschenberg, now the subject of a Walker Art Center exhibition curated by Brandon Eng.

HommeGirls’s First Store Brings a Streetwear-Chic Slant to Chinatown

HommeGirls has opened its first brick-and-mortar store in New York's Chinatown, a 250-square-foot space designed by Rafael de Cárdenas. The shop features an operational dry cleaner's rack rotating above a Portaluppi-style marble floor, floor-to-ceiling mirrors, and a vintage Italian valet stand, reflecting the label's blend of discipline and disorder. The article also covers Miya Ando's solo show at Saint Laurent Rive Droite Los Angeles, Flamingo Estate's new candle inspired by a New York holiday, and the Met's upcoming "Sargent and Paris" exhibition.

Total Warfare. A Conversation with Luigi Alberto Cippini  by ANY

Architect Luigi Alberto Cippini, founder of Armature Globale, engages in a provocative dialogue with Michael Abel and Nile Greenberg regarding the stagnation of contemporary architecture. Cippini calls for a radical departure from traditional disciplinary boundaries, advocating for a "punk" approach that embraces low-resolution aesthetics, hyper-specialized research, and a rejection of the pedantic communication standards that currently dominate the field.

The MAGA Theory of Art

The article examines the aesthetic dimensions of the MAGA movement, comparing and contrasting it with historical fascist regimes, particularly Nazi Germany. It argues that while both movements share a theatrical, media-savvy approach to politics and a resentment of cultural elites, MAGA lacks the disciplined, sophisticated aesthetic program and the cadre of high-profile artists and designers that characterized Nazi cultural production.

VCUarts’ 2026 MFA Thesis Exhibition at the Institute for Contemporary Art

Virginia Commonwealth University's School of the Arts (VCUarts) is presenting its 2026 Master of Fine Arts Thesis Exhibition in two parts at the Institute for Contemporary Art in Richmond. The exhibition showcases the culminating work of 28 MFA candidates across disciplines including Craft/Material Studies, Graphic Design, Painting + Printmaking, and Sculpture + Extended Media, curated by Egbert Vongmalaithong of the ICA and guest curator Taylor Jasper from the Walker Art Center.

‘Studio Iron’ to Launch at Saatchi Yates, Blurring the Boundaries Between Art and Design

Saatchi Yates is partnering with creative director and makeup artist Isamaya Ffrench to launch Studio Iron, a new design gallery whose inaugural exhibition opens April 30 and runs through June 7, 2026. The show presents a dense, post-industrial landscape dominated by steel and iron, featuring works by artists including Jannis Kounellis, Paul McCarthy, Jordan Wolfson, Anne Imhof, Marina Abramovic, Nico Vascellari, and others. Furniture, sculpture, installation, and painting collide in a space that resists categorization, hovering between function and non-function, utility and image.

The controversy raised by Timothée Chalamet has made us reflect on the fragility of culture

« La controverse soulevée par Timothée Chalamet a eu le mérite de nous faire réfléchir à la fragilité de la culture »

Timothée Chalamet, l'acteur franco-américain, a suscité une controverse en déclarant qu'il ne souhaitait pas travailler dans le ballet ou l'opéra, qualifiant ces disciplines de "trucs où c'est genre : 'Hé, continuez à faire tourner ça, même si plus personne n'en a rien à faire.'" Ses propos, tenus alors qu'il était en lice pour l'Oscar du meilleur acteur, ont provoqué des réactions dans le monde culturel, notamment dans le magazine Art Review, où Will Ferreira Dyke a défendu la pérennité du ballet et de l'opéra, arguant qu'ils survivraient aux attaques des "chalametistes". L'article relie cette polémique à la fragilité de la culture face aux coupes budgétaires, évoquant les demandes de Donald Trump pour augmenter le budget militaire américain au détriment de l'éducation, de la santé et de l'environnement.

The Major Exhibitions at LUMA Arles in France: Zaha Hadid, Gerhard Richter and Patti Smith

Le grandi mostre al LUMA di Arles in Francia: Zaha Hadid, Gerhard Richter e Patti Smith

LUMA Arles in France will launch a new exhibition cycle on May 1, 2026, followed by a second series starting July 4. The program, presented by CEO Mustapha Bouhayati and artistic director Vassilis Oikonomopoulos, includes a major show of Gerhard Richter's "Overpainted Photographs" in the Frank Gehry-designed tower, a Zaha Hadid retrospective titled "I Think There Should Be No End to Experimentation" marking the tenth anniversary of her death, and a centennial celebration of the influential art magazine Cahiers d'Art. The exhibitions aim to bridge visual arts with music, performance, and live events, bringing together voices from diverse geographies and disciplines.

These Are the Winners of the 2026 Guggenheim Fellowship

The John Simon Guggenheim Memorial Foundation has announced its 2026 fellowship recipients, naming 223 individuals across 55 disciplines. The cohort includes 76 professionals from the visual arts, photography, and fine arts research sectors, featuring notable figures such as Sheida Soleimani, American Artist, Kenneth Tam, and Sonya Clark. This year's selection process was notably competitive, drawing 5,000 applicants—a significant increase from previous years.

In “Discipline,” Larissa Pham Explores Predatory Art-World Mentorship

Larissa Pham’s debut novel, Discipline, follows Christina, a young writer and former painter grappling with the psychological aftermath of a formative affair with her art professor, Richard. Set against the backdrop of a book tour for her own autofictional novel, the narrative uses Christina’s observations of art—ranging from Helen Frankenthaler to Edward Hopper—to slowly peel back the layers of a relationship defined by power imbalances and predatory mentorship.

Is Berlin not over yet?

Ist Berlin doch noch nicht over?

Çağla Ilk, who curated the German Pavilion at the Venice Biennale two years ago, has presented her plans as the new artistic director of the Maxim Gorki Theater in Berlin. Her program reimagines theater from the perspective of visual art, signaling a major shift in the city's theater landscape. The announcement comes amid broader reforms in Berlin's theater scene, including Matthias Lilienthal's upcoming takeover of the Volksbühne, and was met with both anticipation and anxiety, reminiscent of Chris Dercon's failed tenure at the Volksbühne in 2017.

What is Art Allowed to Do?

Was darf die Kunst?

German Minister of State for Culture Wolfram Weimer has sparked a heated debate over artistic freedom after excluding three bookstores from the German Bookstore Prize due to undisclosed intelligence reports. The controversy has escalated into a broader confrontation with cultural institutions, highlighted by the Berlin Volksbühne's public criticism and Weimer's subsequent refusal to participate in a scheduled panel discussion. This incident follows a string of high-profile disputes regarding political expression in the arts, particularly concerning the Berlinale and documenta fifteen.

Alain Passard’s Art Recipe: An Island of Tastes Wrapped in the Style of Christo and Jeanne-Claude

La recette d’art d’Alain Passard : un îlot de goûts emballé façon Christo et Jeanne-Claude

Michelin-starred chef Alain Passard pays tribute to the monumental environmental installations of Christo and Jeanne-Claude through a culinary creation. The article highlights the duo's 1983 project 'Surrounded Islands,' where they encircled eleven islands in Miami's Biscayne Bay with 600,000 square meters of floating pink polypropylene fabric, a work that exemplified their commitment to self-funded, accessible, and ephemeral public art.

Who is Prune Delon, the 24-year-old fashion designer selected for a residency at the Villa Medici?

Qui est Prune Delon, cette créatrice de mode de 24 ans sélectionnée pour une résidence à la Villa Médicis ?

Prune Delon, a 24-year-old fashion designer and Institut français de la mode graduate, has been awarded a prestigious one-month research residency at the Villa Medici in Rome. Moving away from traditional ready-to-wear collections, Delon is using the residency to develop a multidisciplinary project that blends textile art with sculptural installation. Her work at the historic site draws inspiration from the villa's mineral architecture and classical sculptures, as well as her formative experiences studying traditional embroidery and natural dyeing techniques in India.

An Art Historian’s Riotous Novel Melds Medieval Art with Monica Lewinsky

Julia Langbein's new novel *Dear Monica Lewinsky*, published by Doubleday, follows translator Jean Dornan as she revisits a traumatic relationship with a professor from her youth, set against the backdrop of the 1998 Monica Lewinsky scandal. The story interweaves medieval art, particularly the 13th-century *Golden Legend*, with Lewinsky's public shaming, as Jean prays to Lewinsky for guidance and is visited by a haloed version of her. Langbein, an art historian with a PhD from the University of Chicago, draws on her expertise to explore themes of humiliation, self-estrangement, and collective experience.

syracuse university pauses admission for 20 undergraduate majors 1234754624

Syracuse University has paused admission for 20 undergraduate majors, including fine arts and digital humanities, in its College of Arts and Sciences as of late August 2025. The decision, announced at the first senate meeting of the 2025–26 academic year, has sparked faculty concern over a lack of input and perceived targeting of humanities programs. Vice Chancellor and Provost Lois Agnew instructed deans to conduct an academic portfolio review using nine-year enrollment data and financial metrics, leading to preliminary recommendations. The pause, expected to last one year, affects majors with 10 or fewer students, though classes will still be offered and graduate programs remain unaffected.

on art history in times of war gaza islamic nasser rabbat 1234744329

This essay by Nasser Rabbat reflects on the persistence and precarity of writing art history in times of war, specifically focusing on the field of Islamic art and architectural history. Rabbat draws a parallel to Gabriel García Márquez's novel *Love in the Time of Cholera* to frame his discussion, arguing that war is not a passing crisis but a persistent condition for the Islamic world. He traces how colonial conquests, postcolonial conflicts, and the ongoing Israeli genocide against Gaza have shaped the formation and theoretical orientation of Islamic art history as a Western scholarly endeavor, beginning with Napoleon's invasion of Egypt in 1798 and continuing through the "War on Terror."

us artists struggle with food and healthcare insecurity study 1234762540

A national survey commissioned by the Mellon Foundation and conducted by NORC at the University of Chicago has produced a 102-page report on the livelihoods of 2,618 US artists across five disciplines—performing arts, visual arts, writing, craft arts, and other arts—broken into 37 subdisciplines. Key findings reveal that 34% of artists are fully self-employed, 50% are self-employed in their primary job, and 11% hold three or more jobs. More than 57% of artists report being worried about financial vulnerabilities, including food (22%), housing, medical costs (32%), or utilities, while 28% provide unpaid care for a loved one and 8% have served in the military.

The Metropolitan Museum of Art Unveils Its Fashion Galleries, Highlighting Fashion’s Place in Museums

The Metropolitan Museum of Art has unveiled the new Condé M. Nast Galleries, a nearly 12,000-square-foot suite of exhibition spaces designed by Brooklyn-based architecture firm Peterson Rich Office. Located adjacent to the museum's Great Hall, the galleries relocate fashion exhibitions from a previously tucked-away basement space to one of the museum's most visible and architecturally significant locations. The new spaces debuted with "Costume Art," an exhibition organized by The Costume Institute and curated by Andrew Bolton, which places roughly 200 garments and accessories in dialogue with 200 artworks from the museum's collection, exploring themes such as "The Classical Body," "The Aging Body," and "The Disabled Body." The design, by architects Miriam Peterson and Nathan Rich, uses a restrained material palette of grey marmorino plaster and oak doors framed by limestone arches to create permanent-feeling yet flexible spaces that harmonize with the museum's historic Beaux-Arts architecture.

Exhibitions at High Museum on Tuesdays

The High Museum of Art in Atlanta has announced a diverse slate of upcoming exhibitions featuring folk art, experimental photography, and avant-garde fashion. Key highlights include a retrospective of Dutch designers Viktor & Rolf, a showcase of Minnie Evans' surrealistic paintings inspired by her dreams, and an exploration of Ralph Eugene Meatyard’s gothic and abstract photography. These exhibitions are scheduled to roll out between October 2026 and May 2027.

A Space Between Selves Exhibition Explores Identity and Cultural Hybridity

Art Heritage and the Lakshmi Mittal and Family South Asia Institute at Harvard University have opened 'A Space Between Selves,' an exhibition featuring work by three former Visiting Artist Fellows: Cop Shiva, Pattabi Raman, and Sunanda Khajuria. The show explores themes of identity, transformation, and cultural hybridity, with a guided walkthrough by the artists and remarks from Tariq Allana and Hitesh M. Hathi.

The V&A's David Bowie Centre opens this week—here's what visitors can expect to see

The David Bowie Centre opens on 13 September at the V&A East Storehouse in Stratford, east London, offering free timed-entry access to a 90,000-piece archive acquired from the Bowie estate. Lead curator Madeleine Haddon highlights discoveries like Bowie's paint palette and a framed photo of Little Richard, alongside an interactive installation tracing his influence on pop culture. The centre features nine rotating curated displays, including guest-curated ones by Nile Rodgers and The Last Dinner Party, and connects to the upcoming V&A East Museum exhibition 'The Music Is Black: A British Story'.

New Canadian art museum seeks to connect disparate disciplines and a university campus

Simon Fraser University (SFU) near Vancouver will open the Marianne and Edward Gibson Art Museum on September 20, its first purpose-built art museum. The inaugural exhibition, "Edge Effects," features 15 artists including Sameer Farooq, Liz Magor, Cindy Mochizuki, and Debra Sparrow, and reflects the interdisciplinary ethos of the original SFU campus designed by Arthur Erickson and Geoffrey Massey. The 12,000-square-foot building by Hariri Pontarini Architects and Iredale Architecture includes a research laboratory, art studio, courtyard, and salon, and will be admission-free.

design the winter show antiques preview

New York's art, design, and philanthropic leaders gathered at the Park Avenue Armory for the Winter Show's Opening Night Preview, marking the fair's 72nd edition and honoring Caroline Kennedy. The event featured 75 international exhibitors, with co-hosts including Executive Director Helen Allen, East Side House Settlement Executive Director Daniel Diaz, Honorary Co-Chair Wendy Goodman, and designers Noz Nozawa, Ben Pentreath, Jane Keltner de Valle, Giancarlo Valle, Michael Bargo, and CULTURED Editor-in-Chief Sarah Harrelson. Attendees included fashion designer Cynthia Rowley, interior designers Reed and Delphine Krakoff, and architect Peter Marino, among others.

Between everyday and exceptional

Emami Art in Kolkata presents "Nothing Twice," an exhibition featuring nine young women artists that explores the fragility of ordinary life through domestic, tactile, and overlooked subjects. Curated by Ushmita Sahu, the show includes works in painting, textiles, photography, ceramics, drawing, and video, with artists like Moumita Basak, Shilpi Sharma, and Riti Sengupta focusing on material memory and feminist art histories. Concurrently, "Khadi: A Canvas" at TRI Art & Culture showcases 19 khadi sarees woven in the jamdani technique by tribal women from Srikakulam, connecting Raja Ravi Varma's visual culture with Gandhi's politics of self-reliance, curated by Lavina Baldota with textile artist Gaurang Shah. Additionally, "Digital Atma (Spirits) X The Wandering Souls" at A.M (Art Multi-disciplines) examines digital life and technology's impact on identity and intimacy through poetry, sound, image, and performance.

Are All Crises Equal? A Conversation with MOS’s Michael Meredith and Hilary Sample by ANY

Architects Michael Meredith and Hilary Sample of the firm MOS discuss the concept of "polycrisis"—the intersection of economic, political, and ecological failures—and its impact on architectural form. The conversation highlights a growing void between the formal aesthetic project of architecture and the urgent political realities of the modern world. Sample specifically addresses how the dominance of political and regulatory restrictions in collective housing has stifled formal innovation, often reducing architecture to a mere byproduct of governance rather than a tool for social or cultural expression.

Show White: Academy of Visual Arts, University of the Arts Sharjah exhibition

The Academy of Visual Arts at the University of the Arts Sharjah is presenting a faculty exhibition titled 'Show White,' curated by Tor Seidel and assisted by Maryam AlQassimi. The show, first hosted at Rawaq Gallery (April 8–23) and currently at XVA Gallery in Al Fahidi (April 25–May 21), explores the multifaceted concept of 'white' through diverse mediums and techniques. Participating faculty artists include Georgina Abood, Dr. Mohammed Yousif Alhammadi, Muatasim Alkubaisy, Alina Erimia, Muhammad Asad Iqbal, Thaier Helal, Dr. Iman Ibrahim, and Andreea Lonhardt-Muresan, each presenting works that engage with white as a symbol of minimalism, purity, emptiness, or cultural memory.

Katie DeGroot: The Arboreal Life

Katie DeGroot's exhibition "The Arboreal Life" at Kathryn Markel Fine Arts in New York (April 2–May 9) presents tree paintings that anthropomorphize branches into human-like figures. Works such as "Chit Chat" (2026) and "Family Matters" (2025) depict trees leaning, gesturing, and tangling in ways that suggest intimate relationships, arguments, and familial bonds. DeGroot, who moved from New York City to a farm in upstate Fort Edward, began using fallen branches as models after lacking human subjects, developing compositions that emphasize color, texture, and the interplay of fungi and lichen. Her use of opaque and translucent watercolors balances natural observation with poetic interpretation.