The Springfield News-Leader, in partnership with the Springfield-Greene County Library District, is publishing a historical photograph from its archives. The 1961 image shows Kenneth M. Shuck, director of the Springfield Art Museum, examining Civil War artifacts—including a saber, a drum, and a painting of Union General Nathaniel Lyon—in preparation for a centennial exhibition.
The Los Angeles art scene is preparing for a major surge of activity anchored by the return of Frieze Los Angeles to the Santa Monica Airport from February 26 to March 1. The week features a dense schedule of satellite fairs including the inaugural West Coast edition of Indianapolis’s Butter Fine Art Fair, the boutique Post-Fair in a historic Art Deco post office, and the poolside Felix Art Fair at the Hollywood Roosevelt. Major gallery presentations include James Turrell at Pace, Sam Gilliam at David Kordansky, and a high-profile opening for Christina Quarles at Hauser & Wirth.
The Louisiana Museum of Modern Art in Denmark is hosting "Headstrong," the first museum exhibition in Scandinavia dedicated to Jean-Michel Basquiat. The show reunites 49 works on paper created between 1981 and 1984 that focus on the artist's depiction of the head—works Basquiat originally kept for himself and which were only discovered after his death. The exhibition includes the record-breaking 1982 "Untitled" painting, which previously sold for $110.5 million.
The Everhart Museum in Scranton, Pennsylvania, is launching a major two-year immersive exhibition dedicated to the hit sitcom *The Office*. Opening on October 31, 2025, the four-room installation explores the show's evolution from a mockumentary into a global cultural phenomenon, featuring interactive displays, behind-the-scenes narratives, and fan tributes.
New Orleans-based conceptual artist Dawn DeDeaux is preparing for a career-defining presentation at the 2026 Venice Biennale. Selected by curator Dan Cameron and featured in the central exhibition "In Minor Keys," the 73-year-old artist will occupy the final room of the Arsenale. Her work, which spans photography, video, and large-scale installation, often explores existential themes, environmental fragility, and the relationship between the antique and the futuristic.