Newport Art Museum hosts artist panel tied to ‘Springboard’ exhibition April 16

The Newport Art Museum is set to host "Voices of Springboard" on April 16, a moderated panel discussion featuring four artists from its current members' juried exhibition. Led by juror and art consultant Julie Keyes, the event features artists Karin Gielen, Tas Mahr, Saberah S. Malik, and Janice Smyth. The discussion will explore the transition from emerging to professional status, the impact of branding on artistic careers, and how contemporary practices engage with historical museum collections.

Hopkins Bloomberg Center exhibition to explore American art as cultural diplomacy

The Johns Hopkins University Bloomberg Center is launching a new exhibition titled "Artistic Generosity and the American Artist Abroad," showcasing four decades of American art commissioned for U.S. embassies worldwide. Opening April 7 at the Irene and Richard Frary Gallery, the show features site-specific commissions, prints, and photographs from the Foundation for Art and Preservation in Embassies (FAPE) collection, including works by Frank Stella, Ellsworth Kelly, and Julie Mehretu.

Total Museum's 'Somebody Has to Collect It' examines collecting as a responsibility

The Total Museum of Contemporary Art in Seoul has opened "Somebody Has to Collect It," an exhibition featuring works from the collection of French art collectors Catherine and Renato Casciani. Running from April 30 to May 31, the show marks the couple's first major presentation in Korea and inaugurates the museum's new "Collector/tion" project, which reframes collectors not as buyers but as actors at the intersection of capital, memory, and value-making. The exhibition includes 22 artists and collectives, with a focus on video art addressing themes such as precarious labor, state violence, colonial inheritance, climate crisis, and queer intimacy. It is also an official program of the 140th anniversary of diplomatic relations between Korea and France.

‘Don’t mind if I do’: Northampton exhibit brings art to visitors in a unique and accessible way

Brooklyn-based disabled artist Finnegan Shannon's traveling exhibition "Don't mind if I do" is on view at the Smith College Museum of Art (SCMA) in Northampton through June 28. The show features a conveyor belt that brings interactive artworks to seated visitors, challenging traditional museum layouts that require standing and walking. Shannon collaborated with curator Lauren Leving and technical director Peter Reese to create the experience, which includes works by Lukaza Branfman-Verissimo, Pelenakeke Brown, Sky Cubacub, Emilie L. Gossiaux, Felicia Griffin, Joselia Rebekah Hughes, and Jeff Kasper. The exhibition has previously toured to moCa Cleveland, California State University Sacramento, and the University of Illinois Chicago.

Smith College Museum of Art Exhibit Explores Access

The Smith College Museum of Art (SCMA) is presenting the exhibition 'Don’t mind if I do,' a project conceived by artist Finnegan Shannon. The show features a 25-foot conveyor belt loop that displays 30 small, touchable sculptures by eight artists, allowing visitors to view the art from comfortable seating without needing to move through the gallery. The project originated from a 2019 residency at the Museum of Contemporary Art Cleveland and has toured to several university galleries before arriving at Smith.

Art, ancestors and the land: summer season opens at Art Gallery of Greater Victoria

The Art Gallery of Greater Victoria (AGGV) opens its summer season with three contemporary exhibitions centered on Indigenous perspectives, identity, and land. The anchor show is Meryl McMaster's "Bloodline," opening June 18, featuring large-scale photographs, sculptural elements, and immersive video that trace her mixed Plains Cree, Métis, Dutch, and British heritage through the lives of her grandmothers from the Red Pheasant Cree Nation. Alongside it, "Lekwungen: Place to Smoke Herring" by Brianna Bear and Eli Hirtle presents a film installation on Songhees Nation language and land stewardship, while "Architectures of Protection," curated by Dr. Toby Lawrence, features works by Dana Claxton, Jessica Karuhanga, Emilio Rojas, Beth Stuart, and France Trépanier exploring care and resistance.

Brazil’s Modernist Art Gets a Celebration in London

The Royal Academy of Arts in London is hosting "Brasil! Brasil! The Birth of Modernism," a major exhibition featuring over 130 works by 10 Brazilian modernist artists from the first half of the 20th century, plus landscape architect Roberto Burle Marx. Curated by Adrian Locke, who has Brazilian heritage, the show includes iconic pieces by Tarsila do Amaral, Candido Portinari, and Alfredo Volpi, alongside lesser-known artists like Afro-Brazilian painter Rubem Valentim. The exhibition revisits a historic 1944 show at the same institution, which was the first to present Brazilian modernist painting in the U.K.

総合開館30周年記念「ルイジ・ギッリ 終わらない風景」@ 東京都写真美術館

The Tokyo Photographic Art Museum is hosting "Luigi Ghirri: Endless Landscapes," the first Asian museum solo exhibition dedicated to the Italian photographer Luigi Ghirri (1943–1992), running from July 3 to September 28, 2025. The exhibition presents a wide range of Ghirri's work, from his early masterpieces to his late pieces, including his famous series on Giorgio Morandi's studio. It also features works and materials by his wife, graphic designer Paola Borgonzoni (1954–2011), highlighting her crucial role in his career. Related events include a symposium with Ghirri's daughter Adele Ghirri and curator Ilaria Campioli, gallery talks, and the Japanese premiere of the documentary film "Infinito."

In Venice two new cultural realities in the Civic Museums circuit: a contemporary art center is born in Mestre and the Wagner Museum enters the network

A Venezia due nuove realtà culturali nel circuito dei Musei Civici: nasce un centro d’arte contemporanea a Mestre e entra nella rete il Museo Wagner

The Fondazione Musei Civici di Venezia (MUVE) has opened a new contemporary art museum called MUVEC (Casa delle Contemporaneità) at the Centro Candiani in Mestre, inaugurated on April 24. Simultaneously, MUVE has signed an agreement with the Casinò di Venezia and the Associazione Richard Wagner to bring the Museo Wagner in Ca' Vendramin Calergi into its network starting in 2027, expanding the MUVE circuit to 14 museums (excluding MUVEC). MUVEC features a permanent collection spanning from 1948 to the present, drawn from the Galleria d'Arte Moderna di Venezia Ca' Pesaro, and will host temporary exhibitions including a 2026 show on Klimt, Schiele, Kokoschka and the body.

Casabianca is the name of the new art space to visit in Como

Si chiama Casabianca il nuovo spazio per l’arte da visitare a Como

A new art space called Casabianca has opened in Como, Italy, housed in a 1930s building designed by Piero Ponci. The project is spearheaded by hoteliers Paolo and Antonella De Santis, who have transformed the former luxury villa and bank into a domestic-style exhibition venue for their contemporary art collection. The space features works by artists such as Giulio Paolini, Stefano Arienti, Alighiero Boetti, Mario Merz, Marina Abramovic, and Joseph Kosuth, with no labels or didactics to preserve the feel of a private home.

L’arte italiana del Dopoguerra va in asta da Sotheby’s a Milano: tutti i nomi più attesi

Sotheby's will hold a live auction of Modern and Contemporary Art at Palazzo Serbelloni in Milan on May 27, 2026, featuring major Italian post-war artists. Highlights include works by Lucio Fontana, Giorgio Morandi, Carla Accardi, Alighiero Boetti, Emilio Vedova, Salvo, Piero Dorazio, and Tancredi, many appearing at auction for the first time. Key lots include Fontana's "Concetto Spaziale, Attese" (1965-66, estimate €700,000-1,000,000) and a Yves Klein monochrome from 1959.

100 anni fa nasceva Nuvolo. Ecco chi era l’artista partigiano che firmava col nome di battaglia

Giorgio Ascani, known by his partisan nickname Nuvolo, was born 100 years ago in Città di Castello, Italy. He adopted the name during the Resistance at age 17, inspired by his ability to appear and disappear like a cloud. Nuvolo became a painter and taught at the Accademia di Belle Arti di Perugia, serving as director from 1979 to 1984. His works are held in museums and collections worldwide. In 2025, a major exhibition curated by Bruno Corà, Aldo Iori, and Paolo Ascani was held at Palazzo Collicola in Spoleto, and in 2018, New York's Galleria Di Donna mounted a retrospective curated by Germano Celant. Now, the fair AMAB in Assisi joins centenary celebrations with 15 works spanning his career, including pieces from the Genesi cycle, Serotipie, and OIGROIG series.

The Myth of Sandokan on Display in Monza Between History and Imagination. The Curators Speak

Il mito di Sandokan in mostra a Monza tra storia e immaginario. Parola ai curatori

A new exhibition titled "Sandokan. La Tigre ruggisce ancora" has opened at the Reggia di Monza, exploring the enduring myth of the fictional pirate Sandokan, who first appeared in Italian serialized fiction in 1883. Curated by Francesco Aquilanti and Loretta Paderni, the show brings together ethnographic materials, costumes from the 1970s television series, weapons, books, illustrations, and archival items, including the original Dayak collection donated by Sir Charles Brooke to the King of Italy. The exhibition traces Sandokan's evolution across literature, comics, film, and television, presenting him as a layered, ambivalent hero—both ruthless pirate and justice fighter—whose story remains relevant today.

Amid a wave of global crises, Ilya and Emilia Kabakov’s Ship of Tolerance sets sail again—with added potency

Ilya and Emilia Kabakov's participatory art project *Ship of Tolerance* (2005–present) has been reinstalled at Oakville Galleries on Lake Ontario, near Toronto, opening on 31 May as part of the exhibition *Between Heaven and Earth* (through 20 September). The project, which involves children from diverse backgrounds creating painted sails for a 60-foot wooden boat, has previously traveled to locations including Siwa, Egypt; the Venice Biennale; Sharjah; Brooklyn; Miami; Moscow; and London. Emilia Kabakov continues to lead the project after Ilya Kabakov's death in 2023, and the latest iteration arrives amid global crises including wars, migrant displacement, and US President Donald Trump's threats to annex Canada.

france mexico celebrate 200th anniversary pre hispanic manuscripts

In May 2025, French President Emmanuel Macron visited Mexico City for his first official trip to Mexico, where President Claudia Sheinbaum announced a temporary exchange of two pre-Hispanic codices. The Codex Azcatitlán, held at the Bibliothèque Nationale de France in Paris, will travel to Mexico City, while the Codex Boturini, housed at Mexico's Biblioteca Nacional de Antropología e Historia, will go to Paris. Both illustrated manuscripts, rarely displayed due to conservation concerns, recount the Aztecs' migration to Tenochtitlan. The exchange comes amid ongoing Mexican efforts to repatriate Mesoamerican codices from European collections, including the Codex Borgia and Codex Vaticanus in the Vatican and the Codex Borbonicus in France.

bad bridget movie

“Bad Bridget,” an archival research project about Irish women who emigrated to New York, Boston, and Toronto between 1838 and 1918 and engaged in criminal and sexually deviant activities, is being adapted into a Hollywood film. The project, launched by historians Elaine Farrell and Leanne McCormick in 2015, has already produced a podcast, a book, and a museum exhibition at the Ulster American Folk Park. The film will be produced by Margot Robbie’s LuckyChap Entertainment, directed by Rich Peppiatt, and star Daisy Edgar-Jones and Emilia Jones as two Irish sisters navigating scandal in 19th-century New York.

A missing wolf and a Sydney sunset: photos of the day – Thursday

The Guardian’s picture editors have curated a selection of global photographs capturing significant moments from Thursday, April 9, 2026. The collection spans a wide range of subjects, including a dramatic sunset at Milk Beach in Sydney, environmental concerns over a widening faultline in the Swiss Alps, and political activities involving leaders in Scotland and Italy. It also documents somber events, such as the funeral of Al Jazeera correspondent Mohammed Wishah in Gaza.

Changes at Manifesta as Hedwig Fijen steps down

Hedwig Fijen, founding director of Manifesta, the European Nomadic Biennial, will step down on October 5. Emilia van Lynden and Catherine Nichols will succeed her as general director and artistic director respectively, as announced by the supervisory board of the International Foundation Manifesta. Fijen, who was commissioned by the Netherlands Office for Fine Arts in 1991 to develop a pan-European platform, has led Manifesta through editions in Palermo, Pristina, Barcelona, and the upcoming 2026 edition in the Ruhr region. Van Lynden has served as deputy director since 2019, while Nichols, a Berlin-based curator, contributed as creative mediator for the 2022 edition and artistic board member for 2026. The new leadership will begin with Manifesta 17 in Coimbra, Portugal, in 2028.

Aux châteaux de Malmaison et de Bois-Préau, le festival des Premiers Romantiques fait dialoguer musique et nature

The Festival des Premiers Romantiques takes place from May 22 to 25 at the châteaux of Malmaison and Bois-Préau in Rueil-Malmaison, France. The event features concerts on period pianos (including an 1806 Erard pianoforte and an 1847 Streicher), performed by musicians from La Nouvelle Athènes collective, alongside an exhibition titled "Roses & Pivoines" showcasing works by Pierre-Joseph Redouté and contemporary German artist Thilo Westermann. The festival celebrates Romantic-era music and nature, set in the recently restored château and its emblematic gardens, once the botanical passion of Empress Joséphine.

In Paris, the unRepresented fair brings together artists without galleries in a private mansion

À Paris, le salon unRepresented réunit dans un hôtel particulier des artistes sans galerie

The unRepresented art fair returns to Paris for its fourth edition, taking place from April 10 to 12 at the Hôtel Molière. Founded by Emilia Genuardi, the salon provides a platform for fifteen independent artists who are not currently represented by galleries, allowing them to showcase their work during the busy Art Paris week. This year's selection focuses on artists who "experiment with the image," featuring diverse practices ranging from Regina Anzenberger’s painted photographs to Tania Arancia’s textile-based archival works.

Hedwig Fijen to Depart as Founding Director of Manifesta

Hedwig Fijen, the founding director of Manifesta, the nomadic European biennial launched in 1996, has announced she will depart on October 5. Fijen began working on the platform in 1991 under a commission from the Netherlands Office for Fine Arts, and oversaw editions in cities including Rotterdam, Palermo, Pristina, and Barcelona. The supervisory board has appointed Emilia van Lynden as general director and Catherine Nichols as artistic director to lead future editions, starting with Manifesta 16 in Germany’s Ruhr Valley this year and Manifesta 17 in Coimbra, Portugal, in 2028.

Young students from Kent Talents Art Studio in Broadstairs receive top honours for miniature works

Young students from Kent Talents Art Studio in Broadstairs have won top honors at the Royal Society of Miniature Painters, Sculptors and Gravers (RMS) Annual Exhibition for the third consecutive year. Emilia Kalnikaite, age 17, won first prize in the Young Artist Award category for her miniature painting “Ladybird,” while Maria Belousova, age 14, received the President’s Special Award for her bone china sculpture “Creature of No Ocean.” The exhibition took place from 18–22 November at Bankside Gallery in London, featuring works from leading miniature artists and emerging talents worldwide.

Broadstairs art studio youngsters have multiple miniature paintings accepted for prestigious exhibition

Ten miniature paintings by young artists aged 14 to 19 from Kent Talents Art Studio in Broadstairs have been accepted into the Royal Society of Miniature Painters, Sculptors & Gravers Annual Exhibition. Additionally, eight miniature artworks and two large paintings by the studio's tutor, award-winning artist Lana Arkhi, were also selected. The 100% acceptance rate for the students' entries, alongside the tutor's multiple successes, marks a historic achievement for the studio.

The Intimate Correspondence Between Artist Maria Lai and Stylist Antonio Marras Is on Show in Milan

L’intima corrispondenza tra l’artista Maria Lai e lo stilista Antonio Marras è in mostra a Milano

The exhibition "Paso Doble" at Galleria M77 in Milan brings together over 200 works by artist Maria Lai (1919–2013) and fashion designer Antonio Marras, curated by Francesca Alfano Miglietti. The show explores the deep creative and personal dialogue between the two, rooted in a transformative encounter that Marras describes as a turning point in his artistic language. Works range from historical pieces by Lai—including textile books, thread installations, and stone-embedded works—to Marras's own mixed-media creations using humble materials like cardboard, fabric scraps, and pastry trays. The exhibition culminates in collaborative installations such as "Llencols de aigua" (Water Sheets) and "Janas," immersive environments where viewers become part of a silent choreography of memory and imagination.

Italy-based Chinese artist shares cross-cultural art journey in Beijing

The Italian Cultural Institute in Beijing hosted a lecture on May 12, 2026, featuring Zhou Zhiwei, a Chinese painter based in Italy, who shared his four-decade artistic journey. Zhou, born in Shanghai in 1954, studied under renowned oil painters Yu Yunjie and Liu Kemin before entering the Academy of Fine Arts in Venice in 1980, where he learned from masters like Bruno Saetti and Emilio Vedova. He also trained with Pietro Annigoni and Riccardo Tommasi Ferroni, mastering fresco and tempera grassa techniques. The event was chaired by Federico Antonelli, cultural counselor of the Italian Embassy in China, who recalled Zhou's first exhibition at the institute in 1984. Zhou discussed his solo exhibition 'Notes along the Way,' which explores the Mediterranean through an Eastern lens, blending classical Italian painting with Chinese tradition.

Guntersville Museum Welcomes ARTS Works

The Guntersville Museum hosted a recognition ceremony for the 18th annual ARTS Works All-County Student Art Exhibit, organized by the nonprofit Artists Responding to Students (ARTS). The exhibit featured around 100 artworks from K-12 students across Marshall County, including Boaz, Grant, Guntersville, and Albertville. For the second year, the show included special needs artists, with the Kamryn HeART Award presented in memory of a young artist. Additionally, the Lakeview Community Civic Organization displayed posters from its Black History Month contest. Winners were announced across multiple grade categories, judged by two National Board Certified Teachers from Decatur.

Concrete cars for coral reefs: Miami's underwater eco-sculpture park takes shape

The first phase of the Reefline project, an underwater sculpture park off the coast of Miami Beach, has been installed with 22 submerged concrete cars created by Argentine artist Leandro Erlich. The sculptures, titled "Concrete Coral" (2025), sit 20 feet below the surface and are designed to support coral regeneration and marine biodiversity. The project was developed by cultural placemaker Ximena Caminos with a masterplan by architect Shohei Shigematsu of OMA, and will expand over ten years to reach seven miles in length. Visitors can access the site via swimming, diving, or electric paddleboards, and a floating marine learning center is anchored nearby during Miami Art Week.

MOCA focus. Takako Yamaguchi

The Museum of Contemporary Art (MOCA) in Los Angeles has opened "MOCA focus: Takako Yamaguchi," the third exhibition in its relaunched MOCA focus series, running from June 29, 2025, to January 4, 2026. The show presents the first solo museum exhibition in Los Angeles for the 72-year-old Japanese-born artist, featuring a series of oil-and-bronze-leaf seascapes that synthesize motifs she has developed over four decades, blending influences from Mexican muralism, Renaissance art, Japanese Nihonga, and Art Nouveau.

Folkestone Triennial 2025 review: environmental catastrophe—but also hope, joy and a jolly salamander

The Folkestone Triennial 2025, titled "The Lie of the Land," features 18 artists across the seaside town in southeast England. Works include Sara Trillo's chalk cob sculptures inspired by Iron Age urns, Emilija Skarnulyte's film on nuclear decommissioning at Lithuania's Ignalina plant, Katie Paterson's amulet installation made from planetary crisis materials, and Cooking Sections' activist project on UK sewerage pollution. The triennial runs through the ancient port's historic role as a site of arrival and departure.

Italian art convinces, international art surprises

Sotheby's and Il Ponte held Modern and Contemporary art auctions in Milan at the end of May, achieving strong results for Italian 20th-century icons and international art. Sotheby's sale on 28 May featured 93 lots, 80 of which were auction debuts, and closed at approximately €11.4 million with a 90% sell-through rate. Top lots included Lucio Fontana's 'Concetto Spaziale, Attese' (1968), which sold for €1.56 million, and works by Giorgio de Chirico, Emilio Vedova, and Alighiero Boetti that far exceeded their high estimates. International highlights included Robert Indiana's 'Decade Autoportrait' selling for €245,000 and Willis Baumeister's 'Moby Dick' setting a record for the artist in Italy.