The era of high-stakes art speculation that defined the 2010s has largely cooled, but the impulse for financial gambling has migrated to digital prediction markets like Polymarket. While art collectors once treated waitlists and auction rooms as speculative arenas, the public now wagers billions on binary outcomes ranging from election results to celebrity behavior.
A new video game titled 'Relooted' has been released, casting players as vigilantes in an Afrofuturistic future who must reclaim looted African artifacts from Western museums before they are hidden away. Developed by South African studio Nyamakop, the game tasks players with repatriating up to 70 specific, real-world contested treasures, including the Bangwa Queen and the Maqdala Crown, through heist-style gameplay.
A Nobilified, a start-up that lets customers insert themselves into classic paintings for about $140, has created a series of artworks depicting Super Bowl heroes from the New England Patriots and Seattle Seahawks in historical masterpieces. Patriots quarterback Tom Brady appears as Prometheus (1868) by Gustave Moreau, tight end Rob Gronkowski as Abduction of Ganymede by Jupiter (ca. 1644) by Eustache Le Sueur, while Seahawks quarterback Russell Wilson is shown in Ideal portrait of a Spanish King (ca. 1643) by Alonso Cano, with other players featured in works by John Singleton Copley and Benjamin West.
Art-world consultants Chen & Lampert present a satirical quiz for contemporary art curators who came of age in the mid-2000s and now face the challenges of middle age—mortgages, school-age children, and dwindling energy for the nightlife that once fueled their careers. The quiz poses ten multiple-choice questions testing whether a curator can stay relevant without partying every night, touching on topics like referencing artists in talks, responding to young artists, and keeping up with art news and trends.
The Diriyah Biennale Foundation has announced the artist list for the third edition of the Diriyah Contemporary Art Biennale, opening January 30 in the JAX District of Diriyah, near Riyadh. Titled “In Interludes and Transitions,” the biennale is curated by Nora Razian and Sabih Ahmed and features over 65 artists, including more than 20 new commissions. Participants range from historic figures like Pacita Abad and Etel Adnan to emerging voices such as Raven Chacon and Dineo Seshee Bopape, working across painting, installation, film, sound, architecture, and publishing.
Artnet News has compiled a guide to holiday art shows in New York City for December 2025. The featured exhibitions include the Metropolitan Museum of Art's annual "Christmas Tree and Neapolitan Baroque Crèche" (November 25–January 6), the American Museum of Natural History's "Origami Holiday Tree" (November 24–January 20) inspired by its dinosaur extinction exhibition, the Morgan Library and Museum's display of Charles Dickens's original manuscript of "A Christmas Carol" (November 25–January 11), and the New York Public Library's "Best Friends Forever: Holiday Greeting Cards" (December 3–January 4). Each venue offers a unique artistic take on the holiday season, from 18th-century Neapolitan figurines and thousands of origami animals to literary history and vintage greeting cards.
Mega-gallery Hauser & Wirth is acquiring the historic Palazzo Forcella De Sata in Palermo, Sicily, as confirmed by president and cofounder Iwan Wirth. The property, a 19th-century eclectic architectural landmark that hosted Manifesta 12 in 2018, was purchased in mid-November, though Sicilian authorities and Italy’s Ministry of Culture have a two-month window to preempt the sale due to historical monument restrictions. The gallery plans to use the main floor as exhibition space, with renovations potentially completed by 2030.
Wafaa Bilal has been named the recipient of the 2025 ARTnews Award for Established Artist, recognizing his survey exhibition “Wafaa Bilal: Indulge Me” at the Museum of Contemporary Art, Chicago (February 1–October 19, 2025). The show is the first major retrospective for the Iraqi American artist, featuring works that put his body at risk, including the iconic performance *Domestic Tension* (2007), in which remote participants fired a paintball gun at him over the internet, and *Virtual Jihadi* (2008), a modified video game that blurs the lines between aggressor and victim. Curated by Bana Kattan, the exhibition restages elements of Bilal’s original performance and presents his ongoing critique of U.S. involvement in the Middle East, particularly the Iraq War and the use of drone warfare.
Artnet News offers a lighthearted holiday guide with seven art-historical conversation starters designed to deflect awkward family small talk. The article reveals quirky facts such as a secret apartment atop the Eiffel Tower, the Surrealists' party game 'Exquisite Corpse,' Leonardo da Vinci's role as a wedding planner for Milan's nobility, Marcel Duchamp paying his dentist with a fake check, and Frank Lloyd Wright inspiring Lincoln Logs.
Museo Jumex in Mexico City will host "Fútbol y Arte. Esa misma emoción" (Football & Art. A Shared Emotion), an exhibition timed to the 2026 FIFA World Cup. Opening March 28 and running through July 26, the show features around 100 works by 60 international artists, including Marta Minujín, Graciela Iturbide, Melanie Smith, and Rafael Ortega. Curated by Guillermo Santamarina with exhibition design by Mauricio Rocha, the museum will be transformed into elements symbolic of soccer, with sections exploring gender, community, identity, and the political dimensions of the game. New commissions by Diego Berruecos, Iñaki Bonillas, and Sofía Echeverri are included, along with a sculptural installation by Tercerunquinto made from recycled Estadio Azteca seats.
The Fondation Cartier pour l’art contemporain will reopen its new space at 2 Place du Palais-Royal in Paris on October 25, 2025, during Paris Art Week. Designed by architect Jean Nouvel, the building—originally constructed for the 1855 Exposition Universelle and later a hotel, department store, and antiques center—has been transformed with a modular system of five movable platforms, a glass canopy, and transparent ground-floor windows to create an open, flexible exhibition environment. The inaugural show, titled “Exposition Générale,” features nearly 600 works by over 100 artists from the foundation’s history.
Michael Rakowitz's survey exhibition "Allspice" at the Acropolis Museum in Athens explores themes of cultural displacement, looting, and historical narrative through works like his series "The invisible enemy should not exist" (2007–), which reconstructs looted artifacts from Baghdad's National Museum of Iraq using Arabic food wrappers and newspapers. The show also features his 2004 video "Return," documenting his effort to import Iraqi dates labeled as "product of Iraq" to the US after decades of sanctions, and includes interventions with the museum's own collection, such as a Cypriot head he linked to Assyrian art.
Lawrence Abu Hamdan's exhibition "Zifzafa" has opened at the Munch Museum in Oslo, featuring a politically charged exploration of sound as both a celebration of life and a tool of displacement. The show centers on a forensic audio investigation into the impact of 31 wind turbines planned for the Israeli-occupied Syrian Golan Heights, or Jawlan. Key works include the video projection *Wind Ensemble* (2024) featuring saxophonist Amr Mdah, CGI animations *Tilting at windmills i, ii & iii* (2024), and the 45-minute film *Zifzafa: Livestream Audio Essay* (2025), which uses a video game walkthrough format to simulate the sonic pollution that will affect local homes—some as close as 115 feet from the turbines. The game incorporates field recordings by local composer Busher Kanj Abu Saleh and turbine noise from Germany, highlighting the sounds of daily life and resistance.
Thomas Hoving recounts his decision to pursue art history graduate school after military service, rejecting his father's demand that he join the family business and attend business school instead. He describes a cross-country road trip with his wife Nancy and their dog Whiskey, including a failed gambling attempt in Las Vegas and mechanical troubles in Missouri.
The fourth season of the FX series *The Bear* features two photographs by Tyler Mitchell in an episode centered on the character Syd. The works shown are *Untitled (Kiki and Stephan Dancing)*, a grid of shots commissioned by *Vogue* featuring actors KiKi Layne and Stephan James, and *Untitled (Group Hula Hoop)*, a 2019 image of children hula hooping in Brooklyn. Mitchell, who rose to fame for photographing Beyoncé, is now represented by Gagosian and has seen his market prices climb above $24,000 at auction.
Greece is building a cultural coalition with Italy to strengthen its campaign for the return of the Parthenon Marbles from the British Museum. Italy's culture minister Alessandro Giuli pledged support during a visit to Athens and announced the repatriation of 145 ancient coins. Greek culture minister Lina Mendoni is leading efforts to build international backing, and the two countries have devised joint cultural initiatives, including an exhibition of modern Greco-Italian metaphysical painters. Meanwhile, the U.K.'s Labour government has taken a neutral stance on the issue, departing from the previous Conservative government's opposition, and negotiations between Greece and the U.K. are described as "ongoing and constructive."
The Digital Art Mile, Basel's first-ever digital art fair, opened its second edition on Monday at the city's Kult Kino Camera cinema, running through Sunday. Founded by digital art adviser Georg Bak and ArtMeta founder Roger Haas, the fair features panels, conferences on the digital art market, and the headline exhibition “Paintboxed,” which explores the history of the Quantel Paintbox. In a calmer, more academic atmosphere than Art Basel, ARTnews asked 10 prominent digital art figures to select their favorite artwork from the fair, with responses highlighting works such as Kim Asendorf's "Monogrid 90," XCOPY's "Last Selfie," and Matt Kane's "Gazers 200."
The Metropolitan Museum of Art in New York has unveiled the renovated Michael C. Rockefeller Wing, dedicated to the art of Africa, Oceania, and the ancient Americas. Designed by Kulapat Yantrasast of WHY Architecture with Beyer, Blinder, Belle Architects, the 40,000-square-foot wing opened to the public on May 31, showcasing 1,800 objects from 663 cultures across 90 countries. The collection originated from Nelson Aldrich Rockefeller, who began acquiring non-Western art in 1930 and later founded the Museum of Primitive Art in 1957 after the Met initially declined his donation.
Auguste Rodin's iconic sculpture *The Thinker* was originally conceived in 1880 as part of a larger project—a decorative doorway for a planned Musée des Arts Décoratifs at the Palais d'Orsay in Paris. Rodin later exhibited the figure independently, and after his wife Rose Beuret died in 1917, he placed a bronze cast on her grave in Meudon, where he was buried months later. The article reveals lesser-known facts about the work, including that the first cast (1884, now at the National Gallery of Victoria) originally wore a Florentine cap identifying it as the poet Dante Alighieri, and that the plaster version of *The Gates of Hell* now sits at the Musée d'Orsay, the very site where the doorway was originally intended.
The National Portrait Gallery in London and the J. Paul Getty Museum in Los Angeles have jointly acquired Joshua Reynolds's 1776 painting *Portrait of Omai* for an estimated £50 million ($62 million). This marks the first time museums in the UK and US have partnered on a single acquisition, with each institution paying half and sharing ownership of the artwork, which will be displayed alternately in both countries. The painting depicts Mai (Omai), a young Tahitian man who visited Britain in 1774 with explorer James Cook, and had never before been held in a museum collection.
The Metropolitan Museum of Art's Michael C. Rockefeller Wing, closed since 2021, reopens after a $70 million renovation. The redesign by architect Kulapat Yantrasast transforms the previously dark and cramped galleries into airy, energizing spaces, with a major rehang that reconfigures the Oceania galleries. Notable changes include the repositioning of a Kwoma ceremonial house ceiling in collaboration with descendants of the original painters, the relocation of Asmat funerary poles to a dedicated gallery, and the addition of newly acquired works by Ömie artist Ilma Savari. The renovation also features revised wall texts that better contextualize the objects.
The Stavros Niarchos Foundation Cultural Center, a Renzo Piano-designed complex housing Greece's National Library and National Opera House, has completed construction in Athens after five years. The foundation is celebrating with a four-night free festival called "Metamorphosis" (June 23–26) featuring cultural, educational, and sporting events, including a video art survey curated by Robert Storr. The project, built on a former hippodrome site abandoned after the 2004 Olympic Games, cost nearly €600 million and was conceived by SNF co-president Andreas Dracopoulos during Greece's pre-crisis optimism.
The Seattle Art Museum and the Clark Art Institute in New England have placed a wager on the Super Bowl, each betting a major landscape painting from their collection on their respective home teams. Seattle Art Museum director Kimerly Rorschach has offered Albert Bierstadt's "Puget Sound on the Pacific Coast" (1870), while Clark Art Institute director Michael Conforti has put up Winslow Homer's "West Point, Prout's Neck" (1900). The losing museum will loan its painting to the winner for three months, covering all shipping and expenses.
The Fine Arts Museums of San Francisco (FAMSF) will host the 2025 Museums of Tomorrow Roundtable (MTR) from May 11-17, bringing together 14 global museum leaders and technology firms including Adobe, Anthropic, Bloomberg, and Salesforce. Participants include directors such as Marion Ackermann (Stiftung Preußischer Kulturbesitz), Stephanie Rosenthal (Guggenheim Abu Dhabi), Eike Schmidt (Museo di Capodimonte), Mami Kataoka (Mori Art Museum), and others, alongside Bay Area museum heads and AI artist Refik Anadol, who will speak in a free public program at the de Young Museum. The forum aims to bridge the museum and technology communities, exploring how advanced technologies can enrich operations and visitor experiences while supporting artists working with technology.
A group of Egon Schiele scholars and curators recently discovered that the artist had a secret niece, Gertrude "Gerti" Peschka, born to his sister Gertrude and fellow artist Anton Peschka before their marriage. The revelation came from a previously unexamined box of documents in the archives of Rudolf Leopold at the Leopold Museum in Vienna, including letters from Schiele's mother about the pregnancy and a note from Schiele congratulating his sister. Gerti died tragically of starvation in a Nazi-run psychiatric hospital. The discovery was made by Verena Gamper, then head of the Egon Schiele Documentation Center, and has been incorporated into the exhibition "Egon Schiele: Last Years" at the Leopold Museum.
The Museum of Modern Art (MoMA) has launched a comprehensive survey of Marcel Duchamp’s work, highlighting the artist's revolutionary impact on the definition of art. The exhibition traces Duchamp's transition from traditional painting to his radical 'readymades,' which prioritized intellectual concepts over aesthetic craftsmanship.
ArtReview and Ursula magazine have announced a collaborative talk featuring curators Hammad Nasar and Billy Tang as part of their "Off the Record" series in London. The event, held at the Farm Shop in Mayfair, is designed as an intimate, live conversation focused on the working methods and inspirations of creative visionaries. Nasar, a veteran curator and MBE recipient, will join Tang, the Artistic Director of the new Yan Du Project, to discuss their respective practices and the evolution of creative thinking.
Les meilleures expos du moment à voir à Paris
Beaux Arts Magazine has published a guide to the best current exhibitions in Paris for spring 2026, highlighting major shows such as "Martin Parr. Global Warning" at the Jeu de Paume, "Matisse. 1941–1954" at the Grand Palais, "Michel-Ange Rodin" at the Musée du Louvre, "Renoir et l'amour" at the Musée d'Orsay, "Calder. Rêver en équilibre" at the Fondation Louis Vuitton, and "Splendeurs du baroque" at the Musée Jacquemart-André. The article also features retrospectives of Hilma af Klint at the Grand Palais, Károly Ferenczy at the Petit Palais, Henry Taylor at the Musée Picasso, a Lee Miller exhibition at the Musée d'Art moderne de Paris, a Giovanni Segantini show at the Musée Marmottan Monet, and a Nan Goldin multimedia presentation at the Grand Palais.
The Getty Center in Los Angeles will close for a full year starting March 15, 2027, to undergo its first major renovation since opening in 1997. The "modernization initiatives" include updates to the galleries, a redesign of the Welcome Hall with a new café, and the replacement of the iconic tram system to increase passenger capacity. During the closure, the Getty Villa in Malibu will remain open and display highlights from the Center’s permanent collection, while additional programming will be held at a temporary space on Sepulveda Boulevard.
A roundup of fall 2025 museum exhibitions in North Texas highlights shows at the Crow Museum of Asian Art, the Nasher Sculpture Center, the Meadows Museum, and the Dallas Museum of Art. Key exhibitions include "Groundbreakers: Post-War Japan and Korea" at the Crow Museum, featuring Mono-ha, Dansaekhwa, and Gutai movements alongside contemporary artists Do Ho Suh and Tatsuo Miyajima; a major Antony Gormley survey at the Nasher Sculpture Center, his first U.S. museum retrospective; "Roaming Mexico: Laura Wilson" and a companion show of Manuel Álvarez Bravo at the Meadows Museum; and two Dallas Museum of Art exhibitions—"Creatures and Captives: Painted Textiles of the Ancient Andes" and "Constellations: Contemporary Jewelry." The New York Academy of Art also presents its Chubb Fellows and Friends at Green Family Art Foundation.