The Michigan History Museum has opened a new exhibition titled “Black Velvet: A Rasquache Aesthetic,” which explores the cultural and historical significance of black velvet paintings within Latino and Chicano communities. The exhibit was developed by the museum's team in collaboration with three guest curators, who contributed works from their personal collections.
A small Arizona town of 1,500 residents, Tubac, is home to Bruce Baughman Studio & Gallery, an LGBTQ+-owned business run by life partners Bruce Baughman and Bill Davis. For three years (2021-2023), the gallery partnered with the Tubac Center of the Arts to host "Proud to Be Seen," a national juried exhibition of works by LGBTQ+ artists and allies. Despite backlash from some community members and the local Chamber of Commerce, the exhibition succeeded and became a local standout. Baughman, known for his reverse painting technique and bold acrylic works, has operated the gallery since 2001 after previously running a space in Saugatuck, Michigan.
Hope Donovan, a graduating art student at Western Michigan University, curated her senior exhibition in the DeVries Student Gallery at the Richmond Center for Visual Arts. Originally a music student at Loyola University New Orleans, she discovered her passion for painting and curation after selling her artwork under the alias Nervous Giraffe. Transferring to Western, she found community through Hillel at WMU and Alpha Chi Omega sorority, and gained leadership experience that shaped her career path in museum management.
The Tacon-Heaslip Gallery, a new 4,100-square-foot space at 22100 Woodward Avenue in Ferndale, Michigan, opened its doors on November 15 with a crowded grand opening. Founded by queer artist Jarrad Tacon-Heaslip, the gallery previously operated from a small studio on Hilton. Tacon-Heaslip intends the larger venue to serve as a visible, supportive hub for the LGBTQ+ community, with plans for Pride Month programming, artist collaborations, and community-centered initiatives. The gallery currently features Tacon-Heaslip's bold abstract expressionist works, which involve meticulous taping and layering processes, and aims to uplift a broader roster of artists.
Michigan Technological University's Rozsa Art Galleries has opened "Nanowonder: Images from the Microscopic World," an exhibition featuring photographs taken with a Hitachi scanning electron microscope. The show displays magnified images of everyday objects like butterfly wings, toy cars, and spider legs, and is part of Hitachi's Inspire STEM Education Outreach Program. The opening reception on September 27 drew a diverse crowd, with attendees bringing their own samples for live magnification, and included special guest Sonnet the Pigeon, whose feather was featured in the exhibit.
The Lansing area lost the Lansing Art Gallery this year, but the local arts scene remains vibrant with several other venues. The Michigan History Museum offers immersive exhibits on state history, including the special exhibition “Black Bottom Street View” about Detroit’s historic neighborhood. The MSU Museum is undergoing an 18-month renovation but hosts a pop-up exhibition “Physical Spells [The Wor(l)d in the Atom]” featuring artist Violeta López López. The Nelson Gallery in downtown Lansing continues to showcase local contemporary art and plans holiday events, while Struk Studio, founded in 2023 by David Such, offers a contemporary mixed bag of works.
Il confine tra mondo interiore e realtà nella fotografia di Gak Yamada in mostra in Friuli
Japanese artist Gak Yamada's exhibition 'Cosmic Prayer' is on view until June 14 at Die Gelbe Wand, a new exhibition space in Pordenone, Italy, which will be the Italian Capital of Culture in 2027. The show traces Yamada's shift from photography as representation to an experiential medium, featuring series such as 'HIGAN' (where urban landscapes dissolve), 'Red' (where chemical decomposition reveals dominant red tones), and the latest 'Flower of the Universe,' inspired by cosmic connectivity. Yamada, who once abandoned photography entirely to paint, immerses prints in water to alter their chemical stability, with Fujifilm papers dissolving quickly and Kodak papers slowly, producing varied chromatic and material effects.
Southern Illinois University Carbondale's Sharp Museum is organizing a national juried exhibition titled "Spooks or Spoofs," centered on cryptid-themed art. The exhibition runs from August 11 to December 21, 2026, and welcomes all media except AI-generated images. Artists may submit up to three works, with a requested donation of $5–$10 per entry. The submission deadline is July 1, with jury results announced by July 14. The juror is Jeremy Efroymson, an artist, collector, and amateur cryptozoologist. The museum's curator of exhibits, T. Lance, highlighted local Illinois legends such as Bigfoot, the Big Muddy Monster, and the Enfield horror as inspiration.
The Detroit Institute of Arts (DIA) announced its first major Native American exhibition in 30 years, titled "The Contemporary Anishinaabe Art: A Continuation," opening September 28, 2025. The show will feature 60 U.S.-based Anishinaabe artists and include jewelry, basketry, painting, pottery, and woodworking, with gallery text in Anishnaabemowin. The exhibition was curated with an advisory council of Ojibwe, Ottawa, and Potawatomi artists.
The Finlandia Art Gallery in Michigan's Keweenaw Peninsula is opening a solo exhibition titled "Liminal Sanctuaries" by local artist Bonnie Loukus. The show features her latest collection of oil paintings depicting solitary animals in ethereal, human-free environments.
The Finlandia Art Gallery in Hancock, Michigan, will open a new exhibition titled 'Liminal Sanctuaries,' featuring the work of artist Bonnie Loukus. The show consists of oil paintings depicting wildlife and natural settings, including a notable piece of a sandhill crane, each intended to convey a story about solitude and connection with nature.
The Muskegon Museum of Art is hosting its annual On Tap & Uncorked event, a 21+ evening that combines gallery viewing with tastings from thirteen local beverage vendors and seven food vendors. Tickets are priced between $40 and $60, with proceeds supporting the museum's programming.
The Ferndale Area District Library is hosting "ARTICIPATE," a group exhibition featuring over a dozen local artists from the Berkley-based Articipate collective. Running from March 8 to April 19, the show officially kicks off with an opening reception on March 22 that includes live music and opportunities to meet the exhibiting creators. The exhibition showcases a diverse range of styles, from bold color compositions to evocative thematic works by both emerging and established artists.
The 16th annual Rochester Deck Art exhibition opened on May 19, 2026, in downtown Rochester, Michigan, displaying skateboard artworks created by artists ranging from elementary school students to adults. The exhibition features multiple categories and is hosted in storefronts and windows throughout the city, with works such as Michelle Villette's first-place winner and Claire LaMontagne's "Phoenix Rising" on view.
The Copper Country Community Arts Center in Hancock, Michigan, has opened a new exhibit titled 'Emergence,' featuring the work of local artist Rob Kangas. The exhibit, which runs through the end of the month, showcases Kangas's paintings inspired by the waters and forests of Lake Superior, exploring themes of isolation, memory, and solitude. A public reception is scheduled for Thursday evening from 6 p.m. to 7:30 p.m.
Graduating seniors from Northern Michigan University’s School of Art and Design are showcasing their capstone projects at the DeVos Art Museum in Marquette. The exhibition features work from 20 students across diverse disciplines, including ceramics, illustration, painting, and digital cinema, culminating in a reception and awards ceremony on May 1.
The Ludington Area Center for the Arts (LACA) has announced an open call for its upcoming juried exhibition titled “Chew on This.” Scheduled to run throughout October in Ludington, Michigan, the show invites artists to submit food-themed works ranging from literal depictions of meals to conceptual explorations of consumption and community. The call is open to national and international artists across various media, including painting, sculpture, and fiber arts, with a submission deadline of August 30.
The Sisters, Servants of the Immaculate Heart of Mary (IHM) Motherhouse Gallery in Monroe, Michigan, recently hosted an exhibition featuring artworks created by incarcerated individuals from correctional facilities across the state. Organized by the University of Michigan’s Prison Creative Arts Project (PCAP), the show displayed pieces made from unconventional materials like soap and graham crackers, ranging from spiritual reflections to bright, hopeful compositions. The exhibit was curated from donated works by artists who are unable to keep their pieces or sell them directly due to Department of Corrections regulations.
Artists and sisters Darlene Belair and Karen Dheel are set to debut a collaborative exhibition titled "The Bird Sisters" on April 17 at the Michigan Wine and Beer Portal in Monroe. The three-month showcase features a diverse range of acrylic, watercolor, and mixed media paintings that reflect the duo's deep connection to the local landscape. Belair, a long-time community artist and resident at the River Raisin National Battlefield Park, will present nature-focused works, while Dheel will display plein air paintings and pieces inspired by the symbolism of ravens.
Geek Brush Studio in Chelsea, Michigan, has launched a solo exhibition for local impressionist Sue Craig, running through the end of April. The showcase features a diverse range of original oil paintings, watercolors, and pastels that highlight the natural landscapes of Michigan and the historic architecture of Chelsea, including notable works like 'Lake Michigan Beach' and 'Seitz’s Tavern II.'
The Prison Creative Arts Project (PCAP) is celebrating the 30th anniversary of its Annual Exhibition of Artists in Michigan Prisons at the University of Michigan’s Duderstadt Center Gallery. The landmark show features over 800 works by more than 600 incarcerated artists across 26 facilities, ranging from traditional paintings to sculptures made from soap and found materials. This year’s edition is curated by guest artist Omari Booker, whose own work is displayed in dialogue with the incarcerated artists, and includes a collaborative musical component titled "New Art // New Music."
Jackson Junge Gallery has launched its first group exhibition of the year, titled DUALITY, which showcases the work of 24 artists exploring the concept of the diptych. Each participant created two interconnected pieces designed to be viewed as a single entity, focusing on themes of opposition such as light and dark, authority and resilience, or realism and abstraction. Featured works include Sabrina Katz’s textural explorations of Lake Michigan and Julian Guyton’s sociopolitical commentary on the American experience.
Studio 23/The Arts Center in Bay City, Michigan, is launching a group exhibition featuring 21 members of the Saginaw Area Watermedia Artists (SAWA). The show highlights a diverse range of water-based media, including watercolor, gouache, acrylic, and mixed-media collage, with styles spanning from traditional representation to pure abstraction. An opening reception on March 5 will feature an awards presentation led by juror Armin Mersmann.
A collection of 666 artworks by 135 Afro-Brazilian artists has been voluntarily repatriated to Brazil from Detroit, Michigan, marking the largest return of its kind in the nation's history. The works, which include sculptures, paintings, and ritual objects, were returned to the National Museum of Afro-Brazilian Culture (Muncab) in Salvador after being held in the United States for three decades.
The Riverside Arts Center's Ypsi Fine Arts Club is hosting its fourth annual Black Artist Exhibition in Ypsilanti, Michigan. The show, which opened on January 16, 2026, features original works across painting, drawing, printmaking, photography, fiber, sculpture, installation, and mixed media. Its theme is 'Unity,' though artists were not required to adhere to it. The exhibition runs through February 28, 2026, in the center's North Gallery.
The Anton Art Center in Mount Clemens, Michigan, is presenting two winter exhibitions: the Michigan Annual LIII, featuring over 50 works from 35 artists across the state, and “Heartwork,” a themed show with nearly 40 works from 30 local artists. The Michigan Annual, now in its 53rd edition, received a record 390 submissions, making it the most competitive yet. The exhibitions run from January 31 to February 28, with an opening reception and awards ceremony on January 31.
Coup D’état, a boutique located on Detroit’s east side, has been recognized by the New York Times as one of the 50 Best Clothing Stores in America. It is one of only two shops in Michigan to receive this honor. Owner and founder Angela Wisenski-Cobbina opened the space in 2019 with a mission to create an inclusive retail environment accessible at all price points. In 2025, the store hosted an art exhibition celebrating the legacy of Detroit photographer Bill Rauhauser, showcasing his documentation of everyday life in the city throughout the 20th century.
An unconventional art exhibition titled “One Art One Community” is on display at Case Western Reserve University’s Wade Park Community Engagement Center, featuring 46 works by 16 incarcerated artists from Grafton Correctional Institution. Curated by Eric Gardenhire, who directs the prison’s arts and crafts program, and co-curated by Megan Alves, the show replaces traditional artist statements with “Community Voice labels” written by Cleveland residents impacted by incarceration, including formerly incarcerated artist Gwendolyn Garth. The exhibit opened on October 30 and aims to bridge the gap between inmates and the broader community.
Artists participating in a 'Visual History of the Unions' exhibition at the University of Michigan's Michigan Union have accused the University Unions administration of unprofessional conduct and censorship. The show, a collaboration between the Inclusive History Project, the Arts Initiative, and University Unions, was originally planned to run from October 2025 to January 2026 in high-traffic areas, but was reduced to a six-week run in a small alcove. One artist, Toby Millman, created a quilt depicting a 2024 pro-Palestine protest, and after submitting it, she and others received vague emails about delays and stakeholder concerns, leading them to believe the work was being suppressed.
Hyde Park youth artists Via McEwen and Asha A. Edwards showcased their paintings at the annual Marwen Art Fair, held on October 17, 2025, at Marwen, a downtown Chicago nonprofit offering free art classes to low-income students. The exhibition featured over 400 works from more than 150 young artists. McEwen, a 16-year-old Jones College Prep student, displayed intimate scenes including a portrait with her girlfriend and a figure painting from a Marwen class. Edwards, 23, presented sunset depictions inspired by Promontory Point, reflecting her experiences in Hyde Park and Bronzeville.