Koyo Kouoh, the curator of the Venice Biennale’s centerpiece exhibition, died suddenly of cancer at age 57, just months into her tenure. She left behind a detailed plan for the exhibition, which her assistants are now working to realize in her absence.
Sara Shamma will represent Syria at the 61st Venice Biennale (2026) with a large-scale immersive installation titled *The Tower Tomb of Palmyra*. The 15-meter-high multisensory work combines painting, architecture, light, sound, and scent, inspired by the ancient funerary towers of Palmyra that were destroyed during the Syrian War. Shamma describes the piece as a reflection on loss, resilience, and cultural memory, and notes its resonance with the Biennale's theme, *In Minor Keys*, curated by Koyo Kouoh.
Aileen Murphy's third exhibition at Deborah Schamoni in Munich, titled "Sleeps on the Ceiling," presents five new paintings dominated by rosé and pink tones. The works revolve around a table-like motif, featuring animals, disembodied limbs, and surreal details such as a white cat with red eyes and a yellow snake. Murphy, who completed her studies in 2018, blends abstract gestures with detailed figuration, creating scenes that are both playful and uncanny. The exhibition's title is borrowed from Elizabeth Bishop's poem "Sleeping on the Ceiling" (1946), reflecting a dissolution of domestic interior, urban monument, and psychological landscape.
Self-taught artist Donald Peter Dalli is launching his debut solo exhibition. The article, published by Malta Today, announces the event but the full text is blocked by a security verification page, preventing access to details about the exhibition's location, dates, or themes.
On April 22, 2026, Sotheby's in New York auctioned the first part of the Jean and Terry de Gunzburg collection, comprising around 125 exceptional design and contemporary art pieces. The sale, held at the Breuer Building, achieved a complete sell-out and became the most valuable design auction ever in the United States, totaling $96 million. A highlight was a new auction record for Claude Lalanne: a set of fifteen mirrors originally commissioned by Yves Saint Laurent sold for over $30 million, surpassing the previous record set by her husband François-Xavier Lalanne's Hippopotame Bar.
The Belarus Free Theatre, an exiled underground theater group, will stage its first official collateral exhibition at the 61st Venice Biennale, titled “Official. Unofficial. Belarus.” The show, held in the historic La Chiesa di San Giovanni Evangelista di Venezia, features site-specific paintings, a sound installation, and large-scale sculptures that aim to immerse visitors in the experience of repression under authoritarian rule. This marks only the fifth time Belarus has been present at the Biennale, and the first time it appears not as a state but as a self-governing cultural body, challenging the official narratives of nations like Russia.
The fourth edition of the Young Teachers Support Program, founded by 92-year-old oil painter Jin Shangyi in 2017, culminates in the exhibition "Asking Tao and Forging Realms" at the Art Museum of the Chinese Academy of Oil Painting in Beijing. The program provides financial support for selected young art teachers from Chinese colleges to travel to Europe for classical study in museums, followed by field trips to China's border regions, resulting in new works displayed in a group show featuring nine artists.
The First Friday Art Walk in Sequim, Washington, will take place this weekend from 5 p.m. to 8 p.m., featuring an aqua-themed self-guided tour of downtown venues. Highlights include a reception for "May Flowers" at Blue Whole Gallery with works by Jolene Sanborn and Rick George, a fiber arts exhibit at Sequim Museum & Arts, and new works at A. Milligan Art Studio and Gallery by Lyn Conlan and Anne Pfeiffer, along with live music and local artisan offerings at multiple participating businesses.
Sara MacKillop's exhibition "The Cutaway View" at Good Weather in Chicago presents sculptures made from humble analog materials like blank wall calendars, empty shopping bags, and gift wrapping. The London-based artist alters these objects with minimal interventions—such as surgically cut holes in shopping bags to accommodate vinyl records—drawing attention to the ephemera and texture of retail culture. Her series "Calendar Houses" (2021–ongoing) uses archive boxes and wall calendars to create miniature modernist dwellings that critique systems of order and self-optimization.
The Whitney Biennial 2026, the 82nd edition of the longest-running survey of American art, opened with a stripped-down, self-referential title and no subtitle, reflecting a moment of national self-questioning. The exhibition features 56 artists, duos, and collectives, with highlights including Agosto Machado's shrine sculptures dedicated to friends lost to AIDS, Emilie Louise Gossiaux's tender works about her guide dog London, and Michelle Lopez's apocalyptic video projection *Pandemonium*. Machado, a longtime downtown New York artist and caregiver, died shortly after the biennial opened, and his ashes are to be mixed with those of Marsha P. Johnson and spread in the Hudson River.
The Leeum Museum of Art in Seoul has opened "Inside other spaces: Environments by women artists 1956-1976," an exhibition restoring immersive artworks by 11 women artists from Asia, Europe, and South America, including Jung Kang-ja, Judy Chicago, Tsuruko Yamazaki, and Aleksandra Kasuba. The show revives pieces that were often dismantled after their original displays, such as Jung Kang-ja's "Incorporeal Exhibition," which was destroyed in 1970 after being deemed political propaganda under South Korea's authoritarian regime. Curators Andrea Lissoni and Marina Pugliese, who first organized the project at Haus Der Kunst in Munich, worked with researchers to reconstruct the works using archival materials, correspondence, and blueprints.
Thapar Gallery is presenting an exhibition titled "Master Artist A. A. Raiba: A Unilateral Eclectic," showcasing the work of Indian modernist Abdul Aziz Raiba from the 1950s and 1960s. The show highlights Raiba's versatility across mediums including murals, paintings on jute, reverse glass paintings, serigraphs, calligraphy, and sketches, and features landscape drawings from his Kashmir sojourn between 1957 and 1959. The exhibition runs until June 21.
Mitchell Fine Art in Brisbane's Fortitude Valley is hosting a free solo exhibition titled 'Unbound' by Sunshine Coast-based artist Odessa Mahony-de Vries, running from May 5 to May 16, 2026. The show features large-scale abstract expressionist oil paintings, with a launch event on May 8 offering the public a chance to meet the artist. Mahony-de Vries, a finalist in the 2025 Redland Art and 2024 Stanthorpe Art Prize, creates works that balance control and unpredictability, leaving earlier brushstrokes visible to embed the history of each piece.
The Billy Ireland Cartoon Library & Museum in Columbus, Ohio, is reopening after renovations, featuring a new exhibition of rare comics and original artwork from its extensive collection. The library, part of Ohio State University, holds one of the largest collections of cartoon and comic art in the world, including works by celebrated cartoonists.
Nancy Holt (1938-2014), a pioneering land artist known for her monumental work *Sun Tunnels* (1976) in the Utah desert, is the subject of a new exhibition at the Goodwood Art Foundation in Sussex. Titled *MOONSUNSTAR EARTHSKYWATER*, the show is the first UK retrospective to bring together Holt's photographic works, films, poetry, indoor installations, and outdoor pieces, including *Hydra's Head*, a constellation-inspired installation of six circular pools in a chalk quarry. The exhibition highlights Holt's recurring motifs of circles and systems, tracing them from her early concrete poem to her large-scale cosmological works.
Il grande Anselm Kiefer arriva in mostra a Valencia. C’è un’opera rara per la prima volta in Europa
German artist Anselm Kiefer is coming to Valencia for the first time, inaugurating the temporary exhibition program at the CAHH – Centro de Arte Hortensia Herrero. The show, curated by Javier Molins, will run from April 29 to October 25 at the Palacio de Valeriola, featuring Kiefer's works in dialogue with the permanent collection. A highlight is "Danaë," a monumental painting over 13 meters wide that depicts the interior of Berlin's Tempelhof airport and references the myth of Danaë; this work has only been shown once before, in New York in 2022, and is now on view in Europe for the first time.
The article guides readers through the Gallery Weekend Berlin in the western part of the city, specifically along Fasanenstraße and Savignyplatz. It highlights classic modern works, major contemporary names, and paintings that oscillate between pathos, poetry, and doubt. The route includes a stop at the gallery of Wolfgang Werner, which is celebrating its 35th anniversary in Berlin, and references the area's long tradition of art dealing, with institutions like the Literaturhaus and auction house Grisebach.
Wadi Finan Art Gallery presents "Geological Encounters," an exhibition running from April 25 to May 14, 2026, at its Jabal Amman location in Amman, Jordan. The show features the work of Jordanian artist and architect Ammar Khammash, whose multidisciplinary practice engages directly with Jordan's terrains, responding to their geological, social, and cultural conditions.
A major retrospective titled "NIGO: From Japan with Love" opens at the Design Museum in London on May 1, 2026, marking the designer's first major exhibition outside Japan. The show features over 700 objects spanning three decades, including around 600 items from NIGO's personal archive, a reconstruction of his teenage bedroom, vintage clothing, early designs, collaborations, hand-thrown ceramics, and a life-size glass tea house created for the exhibition. The display traces his career from Harajuku street culture through founding A Bathing Ape to his current role as artistic director of Kenzo.
Prince Albert II and Princess Caroline of Hanover opened the 8th edition of Monaco Art Week on Monday evening at the New National Museum of Monaco. The event, running until May 1, transforms the Principality into an open-air art trail with fourteen participating venues, including Artcurial, Sotheby's, Almine Rech Gallery, and the Hôtel des Ventes de Monte-Carlo, spread across La Condamine, Monte-Carlo, and Larvotto. The royal siblings toured the current exhibition "The Feeling of Nature," which explores works from Nicolas Poussin to contemporary art, featuring painting, sculpture, jewellery, and design. The week will culminate with the opening of the Art Monte-Carlo fair at the Grimaldi Forum, marking its 10th edition under the artistic direction of Stefano Rabolli Pansera.
The Indonesian Pavilion at the Venice Biennale presents "Printing the Unprinted: The Reversal of World Discovery," a project that reimagines global history by casting an Indonesian kingdom as the explorer who discovers the West. Seven Indonesian artists—Agus Suwage, Syahrizal Pahlevi, Nurdian Ichsan, R.E. Hartanto, Theresia Agustina Sitompul, Mariam Sofrina, and Rusyan Yasin—participated in a two-month residency at the Scuola Internazionale di Grafica in Venice, collaboratively creating works through printmaking and expanded forms. The pavilion includes exhibitions, workshops, and symposiums that challenge dominant narratives and highlight Indonesia's contributions to maritime technology, commerce, arts, and knowledge.
Surrey Art Gallery in British Columbia is hosting a series of events throughout May 2026, centered on the exhibition "In the Shadow of the Pavilions: Expo 86 and Contemporary Art." Highlights include a Family Art Jam on May 3, an artist talk with Leah Murray on May 7, a symposium titled "Expo Lines: Expo 86 and Contemporary Art" on May 9, and a curator’s tour with Jordan Strom on May 28. The events explore the artistic legacy of Vancouver’s 1986 world’s fair, which drew 22 million visitors, and feature works by over 50 artists including Bill Reid, Robert Davidson, Debra Sparrow, and Paul Wong.
The Icelandic Art Center will present "Pocket Universe," a multidisciplinary exhibition by artist, poet, composer, and filmmaker Ásta Fanney Sigurðardóttir, representing Iceland at the 61st Venice Biennale. The exhibition, held at the Icelandic Pavilion's new location at Docks Cantieri Cucchini, explores shifting perspectives through hope, imagination, and belief, blending sound, performance, moving image, sculpture, and installation. It features a moving image work centered on a character called "Creature Zero" searching for the "original rock," and incorporates themes of luck, chance, and transformation through playful, game-like structures.
The article highlights the best galleries and cultural spaces in Colombo, Sri Lanka, which is emerging as a vibrant cultural hub in Asia. It features established venues like the Sapumal Foundation, founded by painter Harry Pieris, the Barefoot Gallery, and the Colombo National Museum, alongside newer spots such as the Museum of Modern and Contemporary Art Sri Lanka and Millennium Art Contemporary. Notable artists mentioned include Tilak Samarawickrema, Chamila Gamage, and the historic '43 Group, which includes George Keyt and Lionel Wendt. The article also spotlights Radicle, Colombo's newest gallery, which recently hosted Priyantha Udagedara's solo exhibition "Terra Nullius."
Botanica, the Wichita botanical garden, is preparing to open a large-scale outdoor sculpture exhibition titled 'Origami in the Garden' on Saturday, running through September 26. Created by artists Kevin and Jennifer Box of Santa Fe, New Mexico, the show features 18 works inspired by the Japanese art of paper folding, including sculptures of a bison, horses, a pegasus, and rising cranes. The exhibition is included with general admission, and Mother's Day offers free entry for moms. Additionally, Botanica is hosting 'Symphony in the Gardens' on May 15 with the Wichita Symphony Orchestra, themed 'American Landscapes' in honor of the nation's 250th anniversary.
The Lawrence Art Center's Hang12 program, a group of high school students who curate art shows and events, unveiled 32 new pieces of art in the New Hampshire Street parking garage in Lawrence, Kansas. The artworks, designed by Lawrence High School juniors Wren Jay and Rilo Scholz, celebrate native Kansas plants and animals and were collectively painted and assembled by Hang12 members. A ribbon-cutting ceremony featured remarks from multidisciplinary artist Mona Cliff, who completed a mural in the same garage in 2025, and a tour of the new works.
The Davis Arts Center (DAC) has donated approximately 100 artworks from its permanent collection to the Friends of the Davis Public Library for a sale starting this weekend. The works, mostly from the 1960s-1980s, include pieces by notable Davis-area artists such as Richard Nelson, Robert Arneson, Margery Mann, and Roland Petersen, and are priced under $100. The donation follows DAC's 2019 transformation from an exhibition space to a studio-focused nonprofit offering classes and camps, which led to most of its collection being placed in storage. DAC executive director Sam King enlisted Davis High School art teacher Luke Turner—a former museum professional—to help curate and place select pieces with institutions like the Mills College Art Museum and the Manetti Shrem Museum, while the remaining works are now being offered to the community at bargain prices.
An Edmonton artist and nursing students have created an art exhibit called 'LONGEVITI' that tells the stories of cancer patients undergoing chronic treatment. The project features works by a cancer survivor, using art as a medium to express her healing journey and share her experience with the community.
DE SÃO PAULO A NUEVA YORK: EL MUSEO DE LA ERRANCIA DE ÉDOUARD GLISSANT
The exhibition "La tierra, el fuego, el agua y los vientos: Por un Museo de la Errancia con Édouard Glissant" has traveled from the Instituto Tomie Ohtake in São Paulo to the Center for Art, Research and Alliances (CARA) in New York, marking its first U.S. presentation. Curated by Manuela Moscoso with Marian Chudnovsky, and building on prior work by Ana Roman and Paulo Miyada, the show engages with the philosophy of Martinican poet and philosopher Édouard Glissant, particularly his concepts of errantry, Relation, opacity, and the Tout-Monde. It centers on Glissant's unrealized idea of a museum as a fluid, porous space that resists colonial frameworks and fixed origins, featuring works by artists such as Melvin Edwards, Gerardo Chávez, and Eduardo Zamora.
An open letter signed by art historians, curators, and researchers protests an upcoming auction at Stanley's Auction House in Zaventem, Belgium, scheduled for April 23, titled “Tributes to the Russian Avant-Garde & Constructivists.” The second sale is organized in cooperation with Drouot, a major French auction platform, and offers approximately one hundred works from the so-called Toporovsky collection, which has been linked to a scandal involving forged Russian modernist paintings at the Museum of Fine Arts Ghent. The alleged suppliers, Igor Toporovsky and Olga Toporovsky, face criminal charges including the sale of 171 forged works for about €20 million, with court proceedings beginning in May in Ghent. The signatories argue that the auction, with works priced around €300 each, is deeply troubling given the pending legal case and the undisclosed consignor identity.