The Counter Extremism Project has acquired the former home of Rudolf Höss, the commandant of Auschwitz, and is now using it to host exhibitions. The current show features the work of a Nazi ornithologist, raising complex and unsettling questions about the ethics of displaying art in a site so deeply tied to the Holocaust.
An exhibition titled "Ceija Stojka: Making Visible" at The Drawing Center in New York City highlights the persecution of Roma and Sinti people during the Holocaust, a lesser-known chapter of Nazi atrocities. The show features paintings and drawings by Ceija Stojka, a Romani artist, writer, and activist who survived the genocide and died in 2013 at age 79. Her works, described as acts of memory and imagination rather than documentary, depict her experiences and stories passed down to her, with the exhibition also including documentary films by Karin Berger and Stojka's writings, such as her 1988 memoir "We Live in Secrecy."
The United States Holocaust Memorial Museum (USHMM) is facing allegations of preemptive self-censorship to avoid conflict with the Trump administration. Former employees report that the institution removed online educational resources linking Jim Crow laws to Nazi ideology, unlisted videos discussing American racism, and renamed or cancelled workshops focused on the "fragility of democracy." While a museum spokesperson denied these claims, internal emails suggest leadership was concerned about how certain terms might be interpreted in the current political climate.
The Kniznick Gallery at Brandeis University has opened "Who Will Draw Our History? Women’s Graphic Narratives of the Holocaust, 1944-1949," an exhibition curated by Rachel E. Perry. The show features the work of ten female survivors who utilized visual storytelling—including handmade albums, pictorial diaries, and wordless novels—to document their experiences in concentration camps like Auschwitz-Birkenau and Ravensbrück. These "graphic narratives" serve as early visual testimonies, often created as a "call to duty" immediately following the liberation.
The German state of North Rhine-Westphalia (NRW) is introducing a legislative bill to ban the commercial trade of personal Holocaust documents and artifacts, such as letters from concentration camps, Gestapo cards, and yellow stars. The initiative follows international outrage over a planned auction in Neuss in November 2025, which was halted at the last moment; around 460 objects from that auction were transferred to the Auschwitz-Birkenau Foundation. The bill, to be presented at the Bundesrat session on May 8, aims to prohibit the sale of items directly linked to Nazi victims, while exempting museums, archives, and research institutions.
Marianna Simnett has opened a new multimedia exhibition titled "Circus" at the Secession in Vienna. The show features a combination of light, sound, and sculptural works that delve into her Yugoslav heritage, weaving together personal family history with folklore.
Hannah Powell, a University of Pittsburgh alumna, has been appointed as the first official coordinator of the University Art Gallery (UAG) at Pitt. After earning a degree in anthropology and a minor in museum studies from Pitt in 2016, she pursued a master's in museum studies from the University of Glasgow, then worked at the United States Holocaust Memorial Museum in Washington, D.C., and later at Pittsburgh institutions like the Heinz History Center and Carnegie Science Center. Since starting her role at the UAG in 2024, Powell coordinates exhibitions, plans educational programming, and improves accessibility to a collection of over 3,000 pieces, working alongside one other full-time employee.