What Did the Golden Lion Die Of? On Judgment and Disavowal at the Venice Biennale

The international jury of the 61st Venice Biennale announced it would exclude from prize consideration countries whose leaders are charged with crimes against humanity by the International Criminal Court, specifically targeting Russia and Israel. This prompted the Italian culture minister to send inspectors to the Biennale's offices, leading the jury to resign. The Biennale then replaced the Golden Lion with "Visitors' Lions" prizes voted by ticket-holders, immediately making Russia and Israel eligible again. The article traces this crisis to the Biennale's historical structure under Mussolini's 1930 Royal Decree, which established the national pavilion system as a diplomatic concession system designed to serve state power, and notes the recent acceptance of a €50 million donation from Qatar for a new permanent pavilion in the Giardini.

Between here and home

Carrie Haddad Gallery in Hudson, NY, presents "Between here and home," a group exhibition running from May 22 through July 12, with an opening reception on May 23. The show features works by Fred Cohen, Frank DePietro, Deb Lawrence, Olan Quattro, and ransome, exploring the concept of home as an evolving construct shaped by memory, material, and experience. The exhibition draws on the Welsh idea of hiraeth—a longing for a lost or imagined home—and includes paintings, collages, and mixed media works that reflect each artist's personal engagement with place, interior space, and inherited histories.

Lauren Laz Appointed to the Works Department of the Beaux-Arts de Paris

Lauren Laz nommée au département des œuvres des Beaux-Arts de Paris

Lauren Laz, a 47-year-old art historian specializing in prints and director of the Musée Angladon in Avignon since 2015, has been appointed director of the collections department at the Beaux-Arts de Paris. She succeeds Kathy Alliou in overseeing the school's vast holdings of nearly 450,000 works and volumes, which carry the prestigious "Musée de France" designation.

Ballast review: emerging artist Isabella Kennedy considers submerged histories

Emerging multidisciplinary artist Isabella Kennedy has unveiled her installation 'Ballast' at Firstdraft in Sydney, a site-specific work that blends paper sculpture, video projection, and sound. The exhibition draws on the unfinished research of her late father, journalist Les Kennedy, regarding the 1941 disappearance of the HMAS Sydney II. Through delicate stitched paper forms and immersive blue light, Kennedy explores themes of familial grief, maritime history, and the meditative acts of remembrance that bridge personal and national narratives.

HOW TO READ A POROUS WORK AT PINTA LIMA 2026

Casa Miraflores presents the RADAR section titled "Porous Systems" at Pinta Lima 2026, curated by Ilaria Conti. The section features Guatemalan center La Galería Rebelde and artist Angélica Serech, whose textile works draw from Maya Kaqchikel knowledge, alongside artists Diana Eusebio, Luciano Giménez, Alberto Casari, and Carlos Luis "Pajita" García Bes. The exhibition explores permeability, process, and the meeting of inherited knowledge with contemporary languages.

Karmic Modernism. In Conversation with Elizabeth Englander by Nick Irvin

Elizabeth Englander, an artist working primarily in assemblage with materials like children's furniture, nutcrackers, and old clothing, discusses her recent exhibitions and spiritual approach to art in an interview with Nick Irvin for Flash Art. The conversation covers her show "The Elizabethan Lumber Room" (2026) at a. SQUIRE in London, the modular barrister's bookcase inherited from her mother, and her "Parinirvana" series (2025) that explores themes of death and sacred art through papier-mâché, paint, and mylar. Englander also references influences such as Constantin Brâncuși, her graduate advisor Tom Weaver, and Erwin Panofsky's writings on tomb sculpture.

Signs of Life: Kunel Gaur’s Immersive Solo Exhibition at Method Delhi

Artist Kunel Gaur presents his solo exhibition "Signs of Life" at Method Delhi, running from December 11, 2025 to January 25, 2026. The show features immersive works that explore contemporary life through architectural materials like wood, concrete, metal, and acrylic, with series including "Colour Field Studies," "Interface Portraits," "KUMI," and "Tile Assemblies." Gaur's practice draws on graphic design, architecture, and brutalist influences to examine how identity, memory, and emotion are filtered through technology and industrial systems.

Monopol is giving away 1 × 2 tickets for "Arv og miljø" at the Schaubühne Berlin

Monopol verlost 1 × 2 Tickets für "Arv og miljø" in der Schaubühne Berlin

The Schaubühne Berlin is hosting the Norwegian production "Arv og miljø" (Will and Testament) as part of the Festival Internationale Neue Dramatik (FIND). Based on Vigdis Hjorth’s controversial novel, the play follows Bergljot, a woman who confronts her estranged family during an inheritance dispute over summer houses, leading to a harrowing clash over suppressed childhood memories and the nature of truth.

The Practice of Liberation and Sanctuaries of Becoming.

Michaela Yearwood-Dan has unveiled her first major UK institutional exhibition, 'The Practice of Liberation,' at the Whitworth. The immersive installation integrates fourteen new paintings with ceramic vessels and soundscapes, reimagining traditional religious motifs through a contemporary, secular lens. By deconstructing elements like stained glass and the Stations of the Cross into abstract forms, the artist creates a sanctuary that explores themes of ritual, memory, and personal identity.

literature wayne koestenbaum books my lover the rabbi

Wayne Koestenbaum, a leading figure in New York's queer and literary scenes since the 1980s, is releasing his first novel in nearly two decades, *My Lover, the Rabbi*, in March. The 464-page book centers on an unnamed narrator's psychosexual affair with an aging rabbi, exploring themes of desire, repulsion, internalized homophobia, and the lingering aftermath of the Holocaust. Koestenbaum, known for his confessional prose and genre-straddling criticism—including his 1993 book *The Queen's Throat*—discusses the novel's intellectual filth, the conflation of desire and disgust, and his literary role models such as Samuel Delany and Jean Genet.

art young photographer hannah altman

Hannah Altman, a photographer exploring Jewish culture through self-portraiture and narrative, has had a significant year marked by the publication of her monograph "We Will Return to You" and exhibitions in Toronto, Richmond, Hamburg, and at Brandeis University’s Kniznick Gallery in Waltham, Massachusetts. Her work delves into themes of loss, change, persecution, and uncertainty, weaving together mysticism and memory to examine how rituals, narratives, and objects evolve over time.

Live Arts Program “1922 Revisited” Opens May 5th to Kick Off Preview Week, 61st Venice Biennale 2026

Third Space Art Foundation will present “1922 Revisited,” a live arts program curated by Dr. Janine A. Sytsma, from May 5–9, 2026 in Venice, Italy, during the preview week of the 61st Venice Biennale. The program brings together ten international artists to engage with the 1922 Venice Biennale exhibition of African sculpture through performances, a film screening, and a panel discussion, staged at venues including Hotel Monaco and the European Cultural Centre’s Marinaressa Gardens.

Tashkeel offers a shoulder to Moza Al Falasi in her debut solo exhibition

Tashkeel, a Dubai-based art organization founded in 2008 by Sheikha Lateefa bint Maktoum bin Rashid Al Maktoum, is presenting "Unfolding," the debut solo exhibition by Emirati artist Moza Al Falasi. Opening May 12 at Tashkeel's Nad Al Sheba 1 Gallery, the show marks the culmination of Al Falasi's participation in the Tashkeel Critical Practice Programme (CPP), where she was mentored by Luisa Menano and Hanaa Bou Hamdan. The exhibition explores memory, loss, and the passing of time through photography, sound, painting, plaster, and fabric, reflecting on inherited grief and personal loss, including the deaths of her parents and husband.

Gail Mabo leads new exhibition round at Umbrella Studio

Umbrella Studio Contemporary Arts in North Queensland will present three new exhibitions next month, led by Meriam artist Gail Mabo's 'Wer Wer (Boundaries)'. Developed during a residency with master printmaker Dian Darmansjah, the exhibition reinterprets boundary maps drawn by Mabo's father, land rights pioneer Eddie Koiki Mabo, through four unique drypoint etching and collagraph prints. Also opening are 'Neural Architecture' by Geoffrey Schmidt, exploring memory and consciousness through oil, string and rocks on aluminium panels, and 'Scattered' by Barbara Pierce, a site-responsive installation made from found materials addressing global displacement and survival.

Heirs of Dave the Potter, the Enslaved Artist, Are Battling to Recover His Legacy

The heirs of David Drake, an enslaved 19th-century potter known as Dave the Potter, are engaged in a legal and ethical struggle to recover his legacy and his works. They argue that his pottery, which includes jars inscribed with his name and poetry, represents their family's artistic and spiritual inheritance, and they are seeking recognition and a role in the stewardship of these artifacts.

A Roma un evento per indagare le relazioni tra scienza e moda. Intervista alla curatrice Dobrila Denegri

From May 13 to 15, 2026, the MACRO – Museo d’Arte Contemporanea di Roma will host "Science Fashion," an event curated by Dobrila Denegri that explores the intersections of fashion, science, and new technologies. The program brings together international researchers and practitioners in experimental fashion to discuss urgent issues such as climate emergency, energy, and interspecies coexistence. It is part of the broader multi-year initiative "Experiments in Fashion and Art," launched in 2024 with "Critical Fashion," and involves collaborations with NABA, Sapienza University of Rome, and UnitelmaSapienza.

‘What My Mother Gave Me’: Monuments of Flesh

Nona Faustine’s first retrospective, ‘What My Mother Gave Me,’ is on view at the Center for Photography at Woodstock until 10 May 2026. The exhibition gathers nearly three decades of the artist’s work, spanning series such as *Young Mothers*, *Mitochondria*, and *White Shoes*, to explore themes of matrilineal memory, the Black female body, and the afterlives of slavery in urban spaces. Faustine’s photographs range from intimate depictions of young motherhood to defiant nude self-portraits that transform sites of erasure into counter-monuments of presence.

'Two Voices, One Road' show opens at C-Art Gallery

Springfield artists and married couple Randy Bacon and Heidi Herrman are opening a new collaborative exhibition titled "Two Voices, One Road" at their C-Art Gallery on Historic Commercial Street, running from April 29 to July 4. The show was inspired by a restorative road trip along Route 66 they took in 2021 after Herrman's mother died and as the world emerged from the COVID-19 pandemic. Bacon contributes landscape photographs taken as far back as 1992, while Herrman presents new mixed-media works combining her own photographs with vintage handkerchiefs inherited from her mother, printed on mulberry paper and fused with encaustic materials.

Leslie Powell Gallery to open multiple art exhibitions in May

The Leslie Powell Gallery in Lawton, Oklahoma, will open two art exhibitions in May 2026. "Beauteous Maximus" features paintings by New Zealand-born Polynesian artist Tania Landers, whose work explores memory, identity, and generational storytelling through vibrant colors and collage. "Between the Front Door and the Kitchen Sink" showcases artwork by Texas artist Abigail Rainey, focusing on themes of home, inheritance, and the sacred within the mundane. Both exhibitions open with a reception on May 16 and run through June 26.

'We matter; we're important': Disabled artists centrestage in new show

The Bathurst Regional Art Gallery has launched "Acts of Inheritance," a major exhibition featuring 17 disabled artists from the Western Sydney collective We Are Studios. Curated by Jordan Valageorgiou, the show presents a diverse array of mediums—including music videos, installations, and interactive paper dolls—to explore themes of identity, wrestling culture, and the nuances of living with invisible illnesses.

“Do it together”: Fine Arts seniors pair to explore presence, reflection in senior show

Emporia State University seniors Sydney Hickman and Michael Kidwell debuted their collaborative Bachelor of Fine Arts senior exhibition, "All That Remains," at the Eppink Art Gallery. The show features a dialogue between Hickman’s quilt-inspired ceramics and mosaics, which explore domesticity and femininity, and Kidwell’s nature-oriented paintings and wood displays that reflect on his Kansas upbringing and identity.

‘Armor,’ Art Exhibition Focused on Meanings of the Word, Opens in Downtown Haverhill

An exhibition titled 'Armor,' curated by Brianna Osborne, has opened at Creative Haverhill’s downtown gallery in Haverhill, Massachusetts. The show features fifteen artists and students from across New England, including participants from Waltham High School’s ceramics program, who explore the concept of armor in its physical, emotional, inherited, and self-made forms. The gallery will host special hours during Haverhill’s inaugural Hill-o-Ween event on October 31 and an artist reception on November 1.

Nepali artist to exhibit ‘Chhyaki’ at Venice Biennale collateral exhibition

Nepali visual artist and photographer Jyoti Shrestha, 29, will exhibit her photography collection ‘Chhyake’ in the official collateral exhibition ‘Personal Structures’ at the 61st Venice Biennale in 2026. Organized by the European Cultural Centre (ECC), the exhibition runs from May 9 to November 22, 2026, and features 150 international artists. Shrestha’s work explores intergenerational shame, body politics, and identity, drawing on the Nepali word ‘Chhyake’—meaning scars from skin disease—to examine inherited perceptions of ugliness within her family.

Exhibition reflects on the seven deadly sins

Artist CO-MA presents his second solo exhibition, 'Every Saint Has a Past and Every Sinner Has a Future,' at Spazju Kreattiv in Malta from May 9 to June 29. Curated by Lily Agius, the show interprets the seven deadly sins—pride, greed, lust, envy, gluttony, wrath, and sloth—through large-scale oil paintings on canvas and wood, marking a shift from the charcoal medium used in his 2021 debut. The artist draws inspiration from Norse mythology, Renaissance and Baroque art, and Dante's Divine Comedy, exploring these vices as universal human failings rather than strictly Catholic concepts.

NEREIDA APAZA MAMANI A HISTORY OF MIGRATION AND VIOLENCE AT THE ICPNA CULTURAL IN MIRAFLORES

Nereida Apaza Mamani presents a solo exhibition at ICPNA Cultural in Miraflores, Lima, featuring 150 works across watercolor, painting, printmaking, photography, sculpture, embroidery, and installation. The show traces stories of migration and displacement through cartographies, maps, and family trees, drawing on embroidery techniques inherited from her mother and grandmother. Curated by Miguel López, the exhibition explores belonging in a country marked by discrimination and centralism, incorporating the artist's notebooks begun in 2009 and works that address political violence and memory.