critics picks in manhattan and brooklyn bridge park june

Zoë Hopkins reviews Torkwase Dyson's Public Art Fund commission 'Akua' at Brooklyn Bridge Park, a sculptural pavilion that immerses visitors in water sounds and voices of Black writers like Christina Sharpe and Dionne Brand. Paige K. Bradley covers the first-ever solo exhibition of late poet N.H. Pritchard at Peter Freeman, Inc., featuring his concrete visual poems from the Black Arts Movement. Johanna Fateman highlights the work of identical twin artists Jane and Louise Wilson.

The Best Booths at Frieze New York, From Cindy Sherman’s Newest Photos to UFOs

The article reviews the best booths at Frieze New York 2026, held at the Shed in Hudson Yards. It highlights eight standout presentations, including Hauser & Wirth's debut of new Cindy Sherman photographs, Andrew Edlin Gallery's themed booth featuring artists like Paulina Peavy and Melvin Way who explore extraterrestrial themes, and Carlos/Ishikawa's display of Evelyn Taocheng Wang's monumental paintings that engage with Agnes Martin and Georgia O'Keeffe. The author notes that while art fairs prioritize commerce, some galleries successfully balance good art with monetization.

Montclair Art Museum Hires Esteemed Curator Kate Kraczon After Layoffs at Brown University

The Montclair Art Museum in New Jersey has appointed Kate Kraczon as its new chief curator, effective June 15. Kraczon previously served as director of exhibitions and chief curator at the David Winton Bell Gallery at Brown University, where she was laid off in late 2024 amid a wave of cuts. She succeeds Gail Stavitsky, who held the post since 1994. The museum also recently hired Todd Caissie, an enrolled member of the Osage Nation and former director of Canada’s New Brunswick Internment Camp Museum, as its director.

British billionaire's £200m art collection most expensive ever offered in UK

British billionaire Joe Lewis will sell a tranche of his art collection in a standalone sale at Sotheby’s in London this June, estimated at £150m–£200m. This makes it the most valuable single-owner collection ever offered in the UK, surpassing the Pauline Karpidas collection which totalled £101m. Highlights include Gustav Klimt’s *Bildnis Gertrud Loew* (est £20m–£30m), Amedeo Modigliani’s *Homme à la pipe* (est £12m–£18m), and Francis Bacon’s *Two Studies for Self-Portrait* (est £8m–£12m). The sale follows a smaller March auction of four works from the Lewis collection that focused on School of London artists.

An Auction Without Bidding: Loïc Gouzer’s Latest Bet on How to Sell Art

Loïc Gouzer's auction app Fair Warning is launching a new sales format called "No Warning." The system eliminates bidding wars; a work is listed with a price, and buyers can either purchase it immediately or submit a single, binding offer. The highest offer is presented to the seller, who decides to accept or reject it, with no public record of the sale unless disclosed by the parties. The first test of the format is a 1999 Elizabeth Peyton watercolor priced at $400,000.

Diane Keaton’s Iconic Wardrobe and Art Collection Head to Auction

Bonhams auction house, in collaboration with the Fine Art Group, is organizing a four-part, 550-lot sale of Diane Keaton's personal belongings. The sales, taking place online and in New York from late May to mid-June, will include her iconic wardrobe, Hollywood memorabilia, home furnishings, and a significant portion of her art collection, featuring works by artists like Robert Rauschenberg and Ed Ruscha, as well as her own mixed-media collages.

Recently restored castle in Norwich among five institutions shortlisted for UK's top museum prize

Five UK museums have been shortlisted for the 2026 Art Fund Museum of the Year prize. Norwich Castle Museum & Art Gallery, recently restored through a £27.5 million redevelopment, is nominated alongside the National Gallery in London, The Fitzwilliam Museum in Cambridge, The Box in Plymouth, and the V&A East Storehouse in London. The winner, to be announced on 25 June, will receive £120,000.

Jennifer Gilbert Consigns Blue-Chip Works to Sotheby’s to Fund Detroit Arts Space

Philanthropist Jennifer Gilbert is consigning a selection of blue-chip postwar artworks to Sotheby’s this spring to fund Lumana, a new arts nonprofit in Detroit. The auction highlights include Joan Mitchell’s 'Loom II', estimated at $5 million to $7 million, and a significant target-style painting by Kenneth Noland that could set a new auction record for the artist. The collection also features works by George Rickey and Harry Bertoia, emphasizing a cohesive blend of midcentury abstraction and design.

Zurich’s controversial Bührle Collection is rehung, including five paintings by Van Gogh—plus one forgery

The Kunsthaus Zurich has unveiled a comprehensive new display of the Emil Bührle Collection, featuring 205 works including five significant paintings by Vincent van Gogh and one acknowledged forgery. This reinstallation marks a shift from previous thematic displays focused on provenance research to a denser presentation of the collection's breadth. Notable works on view include a 1887 self-portrait and the masterpiece 'The Sower at Sunset,' though one Van Gogh remains in conservation and another has been withdrawn due to Nazi-era ownership complications.

Giacometti Meets the Gods in the Met’s Temple of Dendur Show

The Metropolitan Museum of Art has announced a landmark exhibition titled "Giacometti in the Temple of Dendur," which will place the Swiss sculptor’s slender, modernist figures within the museum’s iconic 1st-century B.C.E. Egyptian temple. Opening in June, the show features fourteen loans from the Fondation Giacometti alongside works from the Met’s permanent collection, including the placement of "Walking Woman (I)" inside the temple’s offering hall to mimic ancient cult statuary.

Italian Winemaker Ornellaia Reveals Marina Abramović’s Designs for Its 2023 Vintages

Marina Abramović has collaborated with the Italian winemaker Ornellaia to design labels for its 2023 vintage as part of the annual Vendemmia d’Artista project. The designs range from self-portrait drawings and photographs featuring grapes to a conceptual 9-liter bottle that instructs the drinker to listen to Nino Rota’s theme from La Dolce Vita while consuming the wine. A selection of these limited-edition bottles will be auctioned at Bonhams in June to raise funds for the Guggenheim Museum.

The art of technology jostles for position in venues both new and historic

Canyon, a new 40,000-square-foot institution dedicated to moving image, sound, and performance art, is set to open this autumn on Manhattan’s Lower East Side. Founded by entrepreneur Robert Rosenkranz and led by former Mass MoCA director Joe Thompson, the space aims to bypass the slow curatorial cycles of traditional museums by hosting international media-rich exhibitions with a faster 18-to-24-month turnaround. Unlike traditional collecting institutions, Canyon will focus on public accessibility and domestic-style hospitality rather than building its own permanent archive.

Closure of DePaul Art Museum leaves collection in limbo

DePaul University has announced the permanent closure of the DePaul Art Museum (DPAM) effective June 30, citing a projected $27.4m budget deficit for 2026. Despite an open letter signed by over 3,000 students and faculty, the administration is moving forward with the shutdown of the $7.8m facility that has served as a cultural anchor since 2011. Director Laura-Caroline de Lara had successfully raised funds to keep the museum operational through the current season, but the university's leadership remains committed to the closure as part of a broader cost-cutting initiative.

Lost John Constable Painting Rediscovered in Texas Bound for Auction

Lost John Constable Painting Rediscovered in Texas Bound for Auction

A long-lost, large-scale oil study by John Constable for his famous painting *The Cornfield* has been rediscovered and authenticated after decades in a rural Texas museum. Scientific analysis, including pigment tests and infrared reflectography, confirmed the materials and techniques match Constable's own, leading experts to declare it the largest known study for the 1826 masterpiece. The work, which had been mistakenly cataloged as a copy, will now be auctioned by Heritage Auctions in Dallas this June.

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Digital artist Beeple is bringing his viral robotic installation, "Regular Animals (2025)," to the Neue Nationalgalerie in Berlin this April. The work features a pack of AI-powered robotic dogs with heads modeled after tech moguls like Elon Musk and art icons like Pablo Picasso, which roam a pen, capture images of the audience, and "eject" AI-filtered prints from their rears. The presentation will coincide with Gallery Weekend Berlin and include a dialogue with Nam June Paik’s "Andy Warhol Robot (1994)."

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The longtime New York City residence and studio of legendary photographer Robert Frank and sculptor June Leaf has been listed for sale at $6.5 million. Located at 7 Bleecker Street in NoHo, the 209-year-old Federal-style townhouse served as the couple's creative base for over four decades, maintaining a raw, unfinished aesthetic that mirrored their artistic sensibilities. Despite its significant art-historical pedigree, the real estate listing omits the artists' names, instead marketing the property as a redevelopment opportunity with significant buildable square footage.

Beeple's Robot Dogs to Roam Berlin's Neue Nationalgalerie

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Digital artist Beeple is set to make his German institutional debut at Berlin’s Neue Nationalgalerie with "Regular Animals" (2025), an installation featuring ten robotic dogs with heads modeled after tech moguls like Elon Musk and iconic artists like Pablo Picasso. The sculptures, which gained viral fame at Art Basel Miami Beach, use AI to process their surroundings and "defecate" stylized prints for visitors. The 11-day pop-up presentation will place Beeple’s work in dialogue with Nam June Paik’s "Andy Warhol Robot" (1994), exploring the intersection of art, media, and mechanical reproduction.

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LG OLED has partnered with the Whanki Foundation to present "We Meet Again In New York" at Frieze New York, featuring digital reinterpretations of works by the late Korean abstractionist Kim Whanki. The presentation utilizes high-definition screens to showcase five of Kim’s iconic "all-over dot" paintings, animated by contemporary Korean multimedia artists including Je Baak and Mano Ahn. This digital showcase coincides with a physical exhibition of Kim’s work at the Korean Cultural Center New York, marking the artist's first major posthumous return to the city where he spent his final decade.

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DePaul University has announced the permanent closure of the DePaul Art Museum (DPAM) in Chicago, effective June 30. The decision comes as the private university faces severe financial strain, including a $27.4 million budget deficit that has already led to significant staff layoffs. While the university plans to convene discussions on how the museum's building and its 4,000-object collection might serve future academic needs, the institution as a public-facing museum will cease operations following its final exhibitions in March.

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Hong Kong's M+ museum has selected Pakistani American artist Shahzia Sikander's hand-painted animated film *3 to 12 Nautical Miles* (2026) for its latest M+ Facade commission, a massive LED media screen. Co-commissioned by M+ and Art Basel, the work will screen from March 23 through June 21. The animation explores entangled histories of empire and commerce, linking Imperial Britain, the Indian subcontinent, and Qing China, and chronicles the Mughal Empire's decline, the East India Company's rise, and the First Opium War.

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Tate Modern's upcoming exhibition "Frida: The Making of an Icon," opening in June, will feature only 36 works by Frida Kahlo, a significant drop from the 50-plus works shown in the museum's last major Kahlo exhibition in 2005. Curators cite the artist's soaring global popularity as a practical obstacle: her paintings have become scarcer, more valuable, and harder to borrow. A key example is Kahlo's 1940 painting "El sueño (La cama)," which sold at Sotheby's New York for $54.7 million last fall, setting a new auction record for a woman artist. Tate is still trying to secure that work for the show, but curator Tobias Ostrander says chances are slim. Notably, Madonna, who lent works in 2005, has declined to loan this time. The exhibition, which premieres at the Museum of Fine Arts Houston before traveling to London, will not be a traditional retrospective but will instead place Kahlo's work within a broader cultural context, including works by over 80 artists she influenced and a section examining "Fridamania" and the mass merchandising of her image.

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Kim Sajet, former director of the Smithsonian Institution’s National Portrait Gallery (NPG), has been appointed as the new director of the Milwaukee Art Museum, starting September 22. She left the NPG in June after a high-profile clash with President Donald Trump over diversity initiatives and funding. Sajet brings extensive experience from museums in the Netherlands and Australia, and during her 12-year tenure at the NPG, she doubled attendance and raised $85 million. She replaces Marcelle Polednik, who departed in May after nine years.

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The Barbican Centre in London will close for one year starting in June 2028 as part of a five-year "Barbican Renewal Programme" to renovate its three gallery spaces and other infrastructure. The City of London Corporation has committed £191 million (about $255.8 million) toward the £240 million ($321.3 million) project, with the remainder to be raised through a fundraising campaign. During the closure, the Barbican plans to collaborate with partners and present programming beyond its walls.

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A Swedish court acquitted six climate activists from the group Återställ Våtmarker (Restore Wetlands) who smeared red paint on the protective glass of Claude Monet's painting *The Artist’s Garden at Giverny* (1900) at the National Museum of Sweden in June 2023. The painting, on loan from the Musée d'Orsay in Paris, was unharmed; the court ruled the activists had no intent to damage the work, noting they used water-soluble paint and targeted a glass-covered piece, though some paint reached the frame.

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A Gustav Klimt painting, *Portrait of Elisabeth Lederer* (1914), sold for $236.4 million at Sotheby’s in New York, setting a new auction record for the artist and becoming the most expensive work ever sold at Sotheby’s as well as the most expensive Modern artwork at auction. The work was part of a sale dedicated to the collection of the late art patron Leonard Lauder, who died in June at age 92. The bidding lasted about 20 minutes, with Sotheby’s auctioneer Oliver Barker opening at $130 million; the winning bid of $205 million came from Sotheby’s staffer Julian Dawes, representing a phone client. The sale included two dozen works from Lauder’s trove, which also featured three Klimt paintings and six Henri Matisse bronzes.

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Italian fashion house Dolce & Gabbana announced that its exhibition “From the Heart to the Hands” will travel to the Institute of Contemporary Art, Miami, opening February 6, 2026, and running through June 14. Curated by fashion historian Florence Müller, the show features over 300 pieces from the brand’s archival and recent collections, including its Alta Moda, Alta Sartoria, and Alta Gioielleria lines, displayed in immersive rooms inspired by art, architecture, folklore, and the dolce vita. The exhibition also includes collaborations with visual artists such as Quayola, Alberto Maria Colombo, Obvious, Vittorio Bonapace, and Felice Limosani.

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The Philadelphia Art Museum (PAM) will mount an exhibition titled “Van Gogh’s Sunflowers: A Symphony in Blue and Yellow” from June 6 to October 11, 2026, bringing together two of Vincent van Gogh’s iconic “Sunflower” paintings: PAM’s own Sunflowers (1889) with a turquoise background and the National Gallery’s Sunflowers (1888) with a yellow background. The exhibition continues a collaboration between the two institutions, following a recent loan of PAM’s painting to the National Gallery’s “Van Gogh: Poets and Lovers” show, where the two works hung in a triptych with van Gogh’s Lullaby: Madame Augustine Roulin Rocking a Cradle (La Berceuse).

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A new James Turrell "Skyspace" titled *As Seen Below – The Dome, a Skyspace by James Turrell* will open in June at the ARoS Aarhus Art Museum in Denmark. Billed as the largest such work in a museum context, the installation features a domed space roughly 50 feet tall and 130 feet in diameter, accessible via an underground corridor, with an open aperture at the top that brings the sky into intimate focus. The work completes the museum's "Next Level" expansion, which already includes an underground exhibition space and an outdoor "Art Square" set to open next year.

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Glenn Lowry, the longtime director of the Museum of Modern Art (MoMA), delivered a farewell speech in June 2025 at MoMA's Party in the Garden, implicitly addressing the Trump administration's attacks on cultural institutions. He urged the museum to defend values of pluralism, freedom of expression, and minority rights, warning that the coming years would present consequential choices not seen since World War II. The article notes that while Trump has not directly targeted MoMA, he has threatened the Smithsonian Institution, and artist Amy Sherald canceled a National Portrait Gallery survey alleging censorship. Under Lowry, MoMA mounted a 2017 exhibition critical of Trump's travel ban, but has otherwise avoided explicit political programming.

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London's summer sales season opened with subdued results, totaling just $134.2 million across Christie's, Sotheby's, and Phillips—a 78% drop from the equivalent sales in 2015. A standout lot was Jenny Saville's painting *Mirror* (2011–12), which sold for £2.1 million at Sotheby's on June 24. Meanwhile, a group of art-world power players have launched a new advisory firm called New Perspectives Art Partners, and France has announced a $316 million international architectural competition to expand the Louvre and address chronic overcrowding.